Title etched below image., "Dedicated to the vigilant constables of the night."--Following title., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Young woman dressed in her ballgown half-reclines on a settee in her bedroom while her elderly maid yawns with tiredness."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A figure of Paul Pry., Date of publication from the British Museum online catalogue, registration no.: 1995,0930.40., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., and Watermarked paper: J. Whatman Turkey Mill.
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Topic):
Ball dresses, Bedrooms, Couches, Yawning, Candles, Dogs, and Women domestics
Volume 1, page 39. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Holiday-seekers driving and walking along a high-road with a margin of grass, evidently the Sunday crowd of 'cits' so often described in contemporary satire. The chief group is a high phaeton of fashionable shape, but attached to two miserable hacks, who refuse to move, though they are being dragged at the head by a man with a long whip. The driver, who wears a looped hat and top-boots, kneels in the phaeton leaning forward over the horses and raising his (broken) whip with an expression of fury. His companions are two ladies of pleasure who sit one on each side of him. The one on his right holds up the top of the broken whip, its lash streaming behind her. The other, smiling, holds his left arm as if to prevent his falling from the carriage in his excitement. On the panel of the phaeton are the initials "ON". This carriage-full has just been passed on the right by a fashionably dressed man driving (right to left) a high-stepping horse in one of the new high two-wheeled gigs, see British Museum Satires Nos. 5933, 6146. He looks round at them laughing. Behind (right) is a hackney coach (number 251) driving from left to right, the horse being cut off by the margin of the print. A woman seated on the box holds the rein. Through the window over the door (it has no side windows) is seen a man seated with his back to the horse. A man sits on the roof looking through a telescope. Riding in the same direction (left to right) on the off-side of the hackney coach are an elderly man on a long-tailed cob or pony and a pretty young lady on a white horse. A spaniel runs behind them. In the foreground are pedestrians. A man stands in back view, legs apart, gazing at the stationary phaeton. On the extreme left a dejected-looking man and his wife walk wearily along. He wears a handkerchief tied round his head, under his hat, she holds his wig in her left hand, her right hand rests on the small of his back. He is carrying his stick in one hand, in the other a large bouquet of flowers in a paper sheath. Two dogs approach each other. Behind the two pedestrians, a man on horseback is in difficulties, his reins are slack and he holds the mane of the horse, which appears to be about to advance across the road in front of the advancing gig. In the background is a park-paling with trees showing above it."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Temporary local subject terms: Phaetons -- Cits -- Vehicles: Two-wheeled gigs -- Hackney coaches., and Mounted on page 39 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 1st, 1782, by Wm. Dickinson, engraver & printseller, No. 158 New Bond Street
Subject (Name):
Richmond Hill (Richmond upon Thames, London, England)
Subject (Topic):
Carriages & coaches, Horses, Dogs, Whips, Staffs (Sticks), and Telescopes
Leaf 70. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from Grego., Restrike. For original issue of the plate, published ca. 1811, see: Grego, J. Rowlandson the caricaturist, v. 2, page 214., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A reduced copy of no. 6143 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 70 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Richmond Hill (Richmond upon Thames, London, England)
Subject (Topic):
Carriages & coaches, Horses, Dogs, Whips, Staffs (Sticks), and Telescopes
Copy (not reversed) of the first state of Plate 6th of Hogarth's 'The Rake's Progress' (Paulson 137): Interior of a gambling house in Covent Garden where Tom has fallen, raving, on one knee having lost his money at dice; behind him a chaotic group of gamblers, most of whom fail to notice that flames and smoke are pouring over the panelling and through the door (left); to right, a highwayman (a gun and mask in his pocket) sits beside the hearth ignoring a small boy who offers him a drink, on the wall is a handbill advertising "R. Tustian Card Maker" -- British Museum online catalogue. On the lower left, a man is entering a note of a loan to Lord Cogg for £500. A dog with a collar "Covent Gar[den]" barks at Tom
Alternative Title:
Ruined at a gaming table, Rake's progress. Plate 6, and If mortal peace of mind be worth your care ...
Description:
Title from text engraved above image., "Plate 6"--Lower right below design., Verses below image in three columns, four lines each: If mortal peace of mind be worth your care ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the sixth of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., and Ornamental borders partially obscure image on left and text on right.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
"A woman supporting a toddler, talking to a man who lies on the ground, a dog beside them and an old woman watching from her seat just inside the door of a thatched cottage to right, with a gnarled tree overshadowing the scene and landscape continuing to left; after Morland."--British Museum online catalogue
Description:
Title from caption below image.
Publisher:
Published by J. Young, No. 58, Upper Charlotte Street, Fitzroy Square
Jode, Pieter de, 1606-approximately 1674, printmaker
Published / Created:
[1630]
Call Number:
Print30000
Image Count:
1
Resource Type:
still image
Alternative Title:
St. Martin healing a possessed man
Description:
Title from item., Date supplied by curator., Place of publication derived from printmaker's place of residence., Sheet trimmed within plate mark., Text below title: Tetradius cognita DEI virtue Baptismi gratiam percepit. Reverendissimo et amplissimo domino dno ioanni chrysostomo ecclesiae sancti michaelis antverpiensis abbati dignissimo ordinis praemonstrati per frisiam brabantiam etc. vicario generali D. D. Q. Iacobus Iordaens., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Miracle cures.
Publisher:
publisher not identified
Subject (Name):
Martin, Saint, Bishop of Tours, approximately 316-397.
Subject (Topic):
Religion and medicine, Demoniac possession, Exorcism, Bishops, Crosiers, Mentally ill persons, Dogs, Spectators, and Parrots
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 30 Box D180
Image Count:
1
Resource Type:
still image
Abstract:
An elderly woman (left) clasps her head in despair and looks up, away from the body of a tiny dog which a black liveried footman holds on a cushion. Both figures are shown three-quarter length
Description:
Title inscribed in black ink in the artist's hand., Signed by the artist in black ink., Date from Rowlandson etching after this drawing., Drawing numbered in upper right corner in black ink: No. 12., and For further information, consult library staff.
"An elderly woman (left) clasps her head in despair and looks up, away from the body of a tiny dog (King Charles spaniel) which a [black] liveried footman holds on a cushion. Both are three-quarter length. Beneath the design: 'This Passion is represented by an Old Maid, who is rendered completely miserable by the death of her favorite Lap-dog.'"--British Museum online catalogue
Description:
Title etched above image., Plate numbered 'No. 12' in upper right corner., Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., and Two lines of text below image: This passion is represented by an old maid who is rendered completely miserable by the death of her favorite lap-dog.
Publisher:
Pub. 21 Jan. 1800, at R. Ackermann's Repository of the Arts, 101 Strand
Subject (Topic):
Death, Dogs, Older people, Servants, and Single women
