Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1780]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 37. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Two women playing chess, seated at opposite sides of a square table, a young man standing behind watching as the player at left makes her move, all three dressed in turbans, [two] dogs in the foreground ...; oval design after Bunbury, proof before letters or wall at left and large dog added."--British Museum online catalogue
Description:
Title from later state., Artist and printmaker from statements of responsibility on later state: Mr. Bunbury del. ; Js. Bretherton fec., For lettered state with additions to the design, published 1 March 1780 by J. Bretherton, see British Museum online catalogue, registration no.: 1878,0511.821., Sheet trimmed to / within plate mark., and Mounted on page 37 of: Bunbury album.
Sailors carouse in a drunken orgy between decks; hammocks are slung from the roof and drunken sailors vomit over the sides into the crowd. Musicians play fiddles and drums. Men and women drink and dance. A negro fiddles; a Jew sits on the ground ready to receive the watch which a woman steals from a sailor as she sits stirring a bowl on a box labeled "T. Ockham'. A marine kicks over a bucket labeled with the ships name as he spills the contents of his mug onto a barefoot boy who in turn pours the contents of his kettle onto a dog. To the left is a large keg of rum. The scene is watched by smiling officers (left), among whom is Lord Cochrane. This wartime scene is called to mind by the sight of the frigate 'Peranga' lying off Spithead. See British Museum catalogue
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 14952 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 2, page 214.
Publisher:
Sherwood Jones & Co.
Subject (Name):
Dundonald, Thomas Cochrane, Earl of, 1775-1860
Subject (Topic):
Blacks, Jews, Boys, Dogs, Eating & drinking, Fighting, Military officers, British, Musicians, Robberies, Sailors, and Vomiting
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A man rides a hog with reckless abandon to the right, his left hand raised and an expression of glee on his face. Behind him, on the left, are a man that has been knocked to the ground and a dog that has bounded out of the way. A structure with a doorway and windows, perhaps on fire, is seen in the background on the left; a cloud or billowing smoke is visible in the sky overhead
Description:
Title and date from local card catalog record., Signed with the artist's initials at top of image., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Title devised by cataloger., From: Das Leben und die Meinungen des Tristram Shandy: Karl Ernst Bohn, Berlin, 1776., Top inscription: XI. ; VIII. Th. pag.75., Sheet trimmed through top inscription., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Karl Ernst Bohn
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Nursing, Wounds and injuries, Treatment, Nuns as nurses, Sick persons, Nuns, Bandages, Beds, Older people, Medicines, Swords & daggers, and Dogs
Title supplied by curator., Date from item., Place of publication from British Museum information about publisher., Sheet trimmed., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Pharmacies, interior.
Publisher:
Pubd. by W.J. White
Subject (Topic):
Quacks and quackery, Pharmacists, Patent medicines, Death, Drugstores, Skeletons, Blind persons, Crutches, Sick persons, Scales, Children, Dogs, and Rats
Scene in the Hippodrome in Constantinople with figures numbered; key provided in the text (see v. 1, p. 196-97, 249-50). In the foreground a procession for a Turkish bride who is carried by Janizaries; the group includes musicians who blow horns and beat drums. In the background are horsemen, 'Serpetine', and the ancient obelisks
Description:
Title, publisher, state, and date from Paulson., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., and "Tom. 1. No. XVI."--Upper right corner.
Publisher:
A. de La Mottraye
Subject (Geographic):
Turkey. and Turkish.
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743. and Hippodrome of Constantinople (Istanbul, Turkey)
Scene in the Hippodrome in Constantinople with figures numbered; key provided in the text (see v. 1, p. 196-97, 249-50). In the foreground a procession for a Turkish bride who is carried by Janizaries; the group includes musicians who blow horns and beat drums. In the background are horsemen, 'Serpetine', and the ancient obelisks
Description:
Title, publisher, state, and date from Paulson., One of fifteen plates from: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., "T. 1."--Upper left corner., "XV."--Upper right corner., Sheet trimmed to plate mark., and On page 14 in volume 1.
Publisher:
A. de La Mottraye
Subject (Geographic):
Turkey. and Turkish.
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743. and Hippodrome of Constantinople (Istanbul, Turkey)
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state, and imprint from Paulson., Added title from first two lines of the verse etched below image., After the painting now at Sir John Soane's Museum., "Plate 4"--Lower right corner., Ms. notes above image in pencil: "The improved plate, done in China ink by Hogarth himself, was bought by Mr. S [Robert Sayer?] from Mrs. H. [Hogarth?] in 17[68?].", and Sheet trimmed within plate mark: sheet 333 x 409 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
Plate 11. Queen Charlotte's collection of Hogarth works. Leaf 11. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state and imprint from Paulson., Added title from first two lines of the verse etched below image., After the painting now at Sir John Soane's Museum., "Plate 4."--Lower right corner., 1 print : etching and engraving with stippling on laid paper ; plate mark 35.7 x 40.8 cm, on sheet 46 x 59 cm., and Plate 11 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state, and imprint from Paulson., Added title from first two lines of the verse etched below image., After the painting now at Sir John Soane's Museum., and "Plate 4"--Lower right corner.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
