"The Queen, grossly caricatured, sits on a zebra which stands in a round band-box with a hinged and upturned lid inscribed 'a Present from Baro Bergami'. The zebra has the (profile) head of Wood, looking with greedy and imbecile satisfaction towards a sieve of food inscribed '[Wa]rden of St Catherine'. This is held out by two hands projecting from the left margin. The Queen, with a grin both calculating and insane, sits full-face, negligently holding reins attached to Wood's mouth, her left hand on her hip. She sits in a smaller (bottomless) band-box which surrounds her from hips to knees, the left leg, in frilled drawers, being thrust forward from beneath it. She wears a décolletée dress; on her head is an erection of feathers and flowers rising from a circlet inscribed 'Wood'. An owl (cf. British Museum satires no. 14199) flies by her head. In the background is Brandenburgh House, in front of which is a braying ass."--British Museum online catalogue
Alternative Title:
Queen's ass in a band-box
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark on three sides., 1 print : etching with stipple ; plate mark 30.7 x 22.7 cm, on sheet 31.1 x 23.1 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 45 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Ald. Wood" and "Caroline" identified in ink below image; date "22 Jan. 1821" written in lower right corner. Typed extract of seven lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron., and Brandenburgh House (London, England),
The Queen, grossly caricatured, sits on a zebra which stands in a round band-box with a hinged and upturned lid inscribed 'a Present from Bart. Bergami'. The zebra has the (profile) head of Wood, looking with greedy and imbecile satisfaction towards a sieve of food inscribed 'Garden of St Cath[erine]'. This is held out by two hands projecting from the right margin. The Queen, with a grin both calculating and insane, sits full-face, negligently holding reins attached to Wood's mouth, her right hand on her hip. She sits in a smaller (bottomless) band-box which surrounds her entirely from just below her large waist down, with only one leg extended below. She wears a décolletée dress; on her head is an erection of feathers and flowers rising from a circlet inscribed 'Wood'. An owl (cf. British Museum satires no. 14199) flies by her head. In the background is Brandenburgh House, in front of which is a braying ass
Alternative Title:
Queen's ass in a band-box
Description:
Title etched below image., A reversed copy of a print attributed to Theodore Lane that was published 22 January 1821 by G. Humphrey. See no. 14110 in the Catalogue of prints and drawings in the British Museum, v. 10., and The letters "ee" have been added in ink to the censored word "Qu-n's" in title, to complete the intended word "Queen's".
Publisher:
publisher not identified
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron., and Brandenburgh House (London, England),
An E.O. or roulette table lies broken in the street as four men attack it with mallets and other tools. Two attackers, the Bow Street magistrates Addington and Wright, are depicted with donkey's heads. Three constables are also shown, one attempting to stop the violence, the other two joining in the attack. A commentary on the enforcement of anti-gaming laws.
Alternative Title:
Downfall of the E.O. table and Westminster just-asses a braying
Description:
Printmaker from British Museum catalogue., Text below title: NB. The jack-asses are to be indemnified for all the mischief they do, by the bulls & bears of the city., and Title etched below image.
Publisher:
W. Humphrey, No. 227 Strand
Subject (Name):
Addington, William,--Sir,---1811--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Bond, John,--active 1782--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, William, approximately 1740-approximately 1810, publisher., and Wright, Sampson,--Sir,---1793--Caricatures and cartoons.
Subject (Topic):
Clothing & dress--England--1780-1790., Donkeys, Gambling., Judges--England--London--18th century., and Vandalism.
An E.O. or roulette table lies broken in the street as four men attack it with mallets and other tools. Two attackers, the Bow Street magistrates Addington and Wright, are depicted with donkey's heads. Three constables are also shown, one attempting to stop the violence, the other two joining in the attack. A commentary on the enforcement of anti-gaming laws
Alternative Title:
Westminster just-asses a braying and Downfall of the E.O. table
Description:
Title etched below image., Printmaker from British Museum catalogue., and Text below title: NB. The jack-asses are to be indemnified for all the mischief they do, by the bulls & bears of the city.
Publisher:
Pubd. Augt. 26th, 1782, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England and London
Subject (Name):
Addington, William, Sir, -1811, Wright, Sampson, Sir, -1793, and Bond, John, active 1782
Subject (Topic):
Vandalism, Donkeys, Judges, Gambling, and Clothing & dress
Charles Fox, with a fox's head, seated in an ornate chair resting on two poles, is carried by four men with asses' heads. Several others, also with asses' heads, men and women alike, cheer him enthusiastically displaying various items pertaining to the Westminster election which he won unopposed on April 7. The geese, representing the electors, lead the way holding in their beaks strings attached to the poles. The triumphant procession is watched with disbelief by three owls sitting on a tree branch in the upper right corner of the image
Alternative Title:
Westminster electors chairing their favorite candidate
Description:
Title from item., Sheet trimmed within plate mark., Publication information from British Museum catalogue., and Mounted to 29 x 40 cm.
Publisher:
Pub. by Mrs. Darchery April 16, 1783 St. James Street
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806.
Subject (Topic):
Political elections, Donkeys, Geese, Owls, and Clothing & dress
A harnessed lion on the left struggles to pull away from "The Pit of ruin" into which he is being pulled backwards by four other animals whose harnesses are attached to a large hook at the end of his. They represent Spain (spaniel), France (cockerel), United States (rattle snake) and Holland (pug). The lion is hindered by four disoriented donkeys representing the new ministry who yank back on his rope bridle. A two-headed eagle (possibly Russia) hovers above the pit protesting its neutrality
Alternative Title:
Ass-headed and cow-hearted ministry making the British Lion
Description:
Title from caption etched below image., Sheet trimmed within plate mark., A rebus with the words in the title -- ass, cow, and lion -- represented by images., and Mounted to 26 x 43 cm.
Publisher:
Pubd. by J. Barrow, May 8, 1783 White Lion Bull Stairs Surry Side Block Friars Bridge
Subject (Geographic):
Great Britain and England
Subject (Topic):
Politics and government, Foreign relations, Harnesses, Donkeys, Dogs, Roosters, Snakes, Lions, Eagles, Cows, and Clothing & dress
"The seven men ride (right to left) on asses, a signpost (right) pointing 'To Dublin'; they carry 'Regency cakes' in place of potatoes. On the extreme left three men lean eagerly forward, one shouts: "What news, What News the tidings tell make haste and tell us all, Say why are Thus mounted Is Regent come and all." St. Patrick, whose galloping donkey has a head-dress of the Prince of Wales's feathers, answers, "By Jasus I'll tell you all in no time why you must know the K-----g is better than the Reg------t that is all". Next comes Charlemont, identified by his earl's coronet; his donkey kicks violently ..."--British Museum online catalogue
Alternative Title:
Ambassadors extraordinry return on bulls without horns and Ambassadors extraordinary return on bulls without horns
Description:
Title from item., Tentatively attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Irish ambassadors extraordinary!!!, Temporary local subject terms: Irish Commissioners -- Irish Commissioners' address, 1784 -- Clubs: Shillelaghs -- Coronets -- Regency crisis -- Signposts: "To Dublin" -- Emblems: Regency cakes -- Irish asses -- Food: potato cakes -- Allusion to George III -- Allusion to George IV -- Allusion to Louis Weltje, 1745-1810 -- Allusion to Francis Willis, 1718-1807 -- James Stuart, fl. 1789 -- Thomas Connolly, ca. 1738-1803 -- William Brabazon Ponsonby, 1744-1806, John O'Neill, 1st Viscount, 1740-1798., and Watermark.
Publisher:
Pubd. March 16th, 1789, by S. Fores, No. 3 Piccaddilly [sic]
Subject (Name):
Leinster, William Robert FitzGerald, Duke of, 1749-1804, Charlemont, James Caulfeild, Earl of, 1728-1799, and Patrick, Saint, 373?-463?
Satirical arms with a donkey as the crest, an owl wearing a cap on its back. The donkey stands upon a "Log" which rests upon a "Bible", a paper marked "Address", and a "Liturgy Petition" with a cross on it. The shield contains various images, including three warships, a tankard of beer, military tents next to cannons, and a ram. Hops and barley (or another grain) are present on either side of shield, akin to supporters. Latin mottos are contained within ribbons at the bottom, and read "furiis in censa feror" and "vir tutis sub umbra viti um."
Description:
Title from text below image., Sometimes found as a tailpiece to, and perhaps issued with, the following work: The attorney-general's charges against the late queen, brought forward in the House of Peers, on Saturday, August 19th, 1820 ... London : G. Humphrey, [1820?]., Not in the Catalogue of prints and drawings in the British Museum., Watermark: 1819., Mounted to 58 x 39 cm., Mounted (with one other item) on leaf 13 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and With pencil annotation "Log-Wood, Brewers Drey[...?]" in upper right margin, in reference to elements of the image.
Publisher:
G. Humphrey?
Subject (Topic):
Coats of arms, Donkeys, Owls, Warships, Sheep, Drinking vessels, Beer, Tents, and Cannons
Title etched below image., Page number in upper left corner burnished from plate., Sheet trimmed within plate mark., Reissue of an illustration to v.2, p. 50 of Baron Munchausen, with page number removed and alterations within design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Vehicles: wicker carriage.
Publisher:
Published for H.D. Symonds, Pater-noster Row, London
Subject (Topic):
Carriages & coaches, Donkeys, Houses, Lions, and Balloons (Aircraft)
