"A stout, ugly, and elderly woman holds in her left hand a barber's block, with a carved head in profile, on which is an elaborate pyramidal wig with ringlets. This she is covering with powder or flour from a dredger. Her hair is short and scanty; on her head is a very large black patch, two smaller ones are on her temple. She is dressed in undergarments, showing stays, and frilled petticoat over which is worn a pocket. Her dress, the bodice of which is almost cylindrical from its stiffening whalebone, is on a stool behind her. Her back is turned to the casement window (right) through which look two grinning old women, wearing frilled muslin caps. Over the window, and over the wall on its left, is a heavily festooned curtain. Sacarissa stands facing a low rectangular table (left), on which are a bottle and wine-glass, a candle (?) in a triangular shade, which is falling over, having apparently been knocked by the wig, patches, a comb, a paper, &c. Behind on the wall, in deep shadow, is a picture of a dome inscribed "The Pantheon"."--British Museum online catalogue
Description:
Title engraved below image., Attributed to Philip Dawe in the British Museum catalogue., Sheet trimmed within plate mark., and One line of quoted text beneath title: "She blooms in the winter of her days, like the Glastonbury thorn".
Two lovers in a room with a shuttered window and floral wallpaper. The young woman wearing a bonnet sits in a chair holding the hand of the young man who has arrived disguised as a woman. The huge hat he has removed is lying on a table in front of a pole screen, together with a paper on which is printed "The beau stratagem." A traveling box is before the table on the carpeted floor
Description:
Title from item., Numbered in plate: 340., Date estimated from British Museum catalogue, v.5, Appendix, "Key to the dates of the series of mezzotints issued by Carington Bowles.", and Publication date erased from this impression?
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard
Subject (Geographic):
England
Subject (Topic):
Couples, Interiors, Windows, Draperies, Furniture, and Clothing & dress
"The Prince and Mrs. Fitzherbert in the bedroom of a French inn ; a maidservant enters (left) with a tea-tray. The Prince, yawning and stretching with a dissipated air, is seated on the edge of a table; the revelry of the past night is indicated by an overturned decanter, broken wineglass, and a broken candle. Another candlestick and broken wine-glass lie on the ground, together with the Prince's top-boots. He wears slippers and his stockings are ungartered, the 'honi soit qui mal y' [pense] ribbon hanging round his leg. Mrs. Fitzherbert, seated on the bed, draws on a stocking; her garter inscribed 'Fox' lies on the ground (cf. British Museum satire 7306). The bed is heavily draped with fringed curtains. The Prince's feathered hat hangs on the wall."--British Museum online catalogue
Alternative Title:
Scene on the Continent
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Probably a reissue; the final digit '8' in '1788' in imprint appears to have been altered from '6,' and the publisher's street address seems to have been burnished and re-etched. See British Museum catalogue., Companion print to: "Wife & no wife, or, A trip to the Continent.", Sheet trimmed within plate mark., and Temporary local subject terms: Morganatic marriages -- Motto: Honi soit qui mal y pense.
Publisher:
Pubd. April 5th, 1788, by W. Holland, No. 50 Oxford Strt
Subject (Geographic):
France
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, and Fox, Charles James, 1749-1806.
Subject (Topic):
Taverns (Inns), Bedrooms, Draperies, Hats, Servants, and Tableware
A medicine vendor kneeling and praying. Doctor Rock (Richard Rock 1690-1777) was an itinerant medicine vendor who frequented the London areas of St. Pauls and Covent Garden. He was famous for his "anti-venereal, grand, specifick pill". He was satirised in several caricatures: W. Hogarth represented him in A harlot's progress pl. V; The march to Finchley; and The four times of the day, morning and "A fashionably-dressed man kneels in profile to the left at a large chest of 'Patent Medecines', on which is a duck with the inscription 'Quack. Quack. Quack' [cf. British Museum Satires No. 5766]. A hanging candelabra and a festooned curtain indicate wealth. He prays to the shade of Dr. Rock, describes the composition of his famous Vegetable Drops, and asks for the continuance of 'my Carriages and Equipage, my Town and Country Residence, and all other good things of this life ...'."--British Museum online catalogue
Description:
Title printed in letterpress below image., Publisher from imprints present on other plates in the series. For information on the series, see page 51 in v. 8. of the the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Date of publication from Grego., and Twenty-one lines of letterpress text below title: Illustrious shade of the renowned Dr. Rock, still continue, I beseech thee ...
Publisher:
R. Ackermann and Printed by E. Spragg, No. 27, Bow-Street, Covent-Garden
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Rock, Richard, 1690-1777 and Doctor Botherum.
Subject (Topic):
Quacks and quackery, Selling, Drugs, Medicine, Chests, Ducks, Costume, Candelabra, Draperies, Prayer, Quacks, and Patent medicines
In a well-furnished parlor, a woman (left) sits playing at a harpsichord as she turns to gaze with admiration at young military officer who looks at her with intimacy; an older officer to her left scowls at them, his hand in the breast of his vest. On the right another young woman leans her head in her hand, a bored, annoyed look on her face; her elbow is resting on a table on which sits her sewing basket; in her right hand she holds a scissors, her arm thrown back over the back of the upholstered chair. On the floor at her feet is a book "Tirumph of temper." A dog sits at her feet looking up at her. On the back well is a portrait of old woman. On the mantel is a sculpture of a roman chariot and horses
Description:
Title etched below image., The year of publication in lower right corner is etched over "1807.", In lower left corner of design: Rowlandson 1812. "1812" is etched over "1807.", and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. July 14, 1812 by T Rowlandson, No. 1 James S[t]., Adelphi
Opposite page 106. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on prostitution and foolish clergy; two courtesans tease a fat and smiling clergyman in a well-furnished room. The costume of the women appears to be c. 1792-3."--British Museum online catalogue
Description:
Title etched below image., "Probably published by Carington Bowles. This print was included in BM Satires twice. Dorothy George correctly placed it c.1792 (no. 8235), Stephens c.1770 (no. 4588). Thomas Holcroft's popular 'Road to Ruin' was first played at Covent Garden on 18 February 1792."--Curator's comments, British Museum online catalogue, registration no.: 1935,0522.2.17, Sheet trimmed within plate mark on lower edge., Temporary local subject terms: Parsons -- Prostitutes., Folded to 30.6 x 26 cm., and Bound in opposite page 106 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Carington Bowles?
Subject (Topic):
Clergy, Courtesans, Interiors, Sofas, Mirrors, and Draperies
A young woman stands weeping beside a sofa, holding a handkercheif to her eye. On the floor is a letter. The room is decorated wtih a dado (Adam urn design), sofa, curtains, and patterned rug
Description:
Title etched below image., Number '135' in lower left corner of plate., Four lines of verse in two columns below title: Oh! fatal day when to my virtues wrong, I fondly listen'd to his flattering tongue. But oh! more fatal moment when he gain'd, that vile consent whcih all my glory staind., and Temporary local subject terms: Dado -- Framed picture.
Publisher:
Printed for Robert Sayer, Map and Printseller, No. 53 Fleet Street, as the act directs
Subject (Topic):
Floor coverings, Wallpapers, Draperies, Rugs, and Sofas
The Duke of Wellington stands before the King who sits on his throne, his right foot resting on a footstool. Dressed in uniform and standing very erect, Wellington holds out a large cross-hilted sword at an angle between himself and the King. From his plumed cocked hat, which he holds behind him, hangs a piece of paper with the words "Military commission to throw dust in John Bull's eyes." Projecting from his back pockets, are two papers labelled "Church patronage" and "Army patronage." A lady, Lady Conyngham, is seen peaking between the curtains behind the throne of the puzzled-looking King. The crown is on a table behind Wellington
Alternative Title:
Throne in danger
Description:
Title etched above image., Figure of a man with an open umbrella is one of artist's devices used by William Heath., and Below design: "There is a power before the throne & a power behind the throne -- greater than the throne itself."
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"Bedroom scene: an invalid in a dressing-gown sits smiling in an arm-chair, while a fat yawning doctor, 'Quiet', puts a night-cap on his head. On the right 'Merryman', dressed as a zany or clown, with a gridiron painted on the back of his striped tunic, kicks Death towards the door (right), and presses his cap like an extinguisher against its grinning skull; he says: "Be Off! Be Off! you have no chance where Diet Merryman and Quiet practice!" Death answers: "Then my first job must be to quiet you and your partners will soon follow." Quiet: "Come now for a little quiet; Merrymans dose has opperated suficiently!" The patient holds a 'merrythought'. A fat cook, 'Diet', stands on the left inspecting a dish of bare chicken bones; he says, grinning broadly: "He'll do! Pick'd the bones clean! We shall beat the Charlotte Street Medical Board hollow!" A dinner-table, with an empty plate, a decanter of 'Madiera' and a loaf, is on the left, and behind it a large canopied bed. The chimneypiece (right), is covered with medicine-bottles. The floor is boarded. On it lie two piles of 'Carricatures', evidently the 'Caricature Magazine', on which the imprint is inscribed. There are also books lettered 'Jests'. A puff for Tegg's Magazine, cf. British Museum Satires No. 11976."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on top edge., Numbered "380" in upper right corner of design., Temporary local subject terms: Bed curtains -- Doctors., Temporary local Medical Library subject terms: Dr. Diet -- Dr. Merryman -- Dr. Quiet -- *Charlotte Street Medical Board -- Skeleton as Death -- Diet., and 1 print : etching, hand-colored ; plate mark 245 x 346 mm.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Topic):
Death (Personification), Bedrooms, Physicians, Skeletons, Clowns, Draperies, Canopy beds, Cooks, Dining tables, Eating & drinking, Fireplaces, and Bottles
"Bedroom scene: an invalid in a dressing-gown sits smiling in an arm-chair, while a fat yawning doctor, 'Quiet', puts a night-cap on his head. On the right 'Merryman', dressed as a zany or clown, with a gridiron painted on the back of his striped tunic, kicks Death towards the door (right), and presses his cap like an extinguisher against its grinning skull; he says: "Be Off! Be Off! you have no chance where Diet Merryman and Quiet practice!" Death answers: "Then my first job must be to quiet you and your partners will soon follow." Quiet: "Come now for a little quiet; Merrymans dose has opperated suficiently!" The patient holds a 'merrythought'. A fat cook, 'Diet', stands on the left inspecting a dish of bare chicken bones; he says, grinning broadly: "He'll do! Pick'd the bones clean! We shall beat the Charlotte Street Medical Board hollow!" A dinner-table, with an empty plate, a decanter of 'Madiera' and a loaf, is on the left, and behind it a large canopied bed. The chimneypiece (right), is covered with medicine-bottles. The floor is boarded. On it lie two piles of 'Carricatures', evidently the 'Caricature Magazine', on which the imprint is inscribed. There are also books lettered 'Jests'. A puff for Tegg's Magazine, cf. British Museum Satires No. 11976."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on top edge., Numbered "380" in upper right corner of design., Temporary local subject terms: Bed curtains -- Doctors., and Temporary local Medical Library subject terms: Dr. Diet -- Dr. Merryman -- Dr. Quiet -- *Charlotte Street Medical Board -- Skeleton as Death -- Diet.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Topic):
Death (Personification), Bedrooms, Physicians, Skeletons, Clowns, Draperies, Canopy beds, Cooks, Dining tables, Eating & drinking, Fireplaces, and Bottles
