Title from item., Date from item., Place of publication derived from publisher's known location., Below image at left: Baugniet Lith., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Stratton, Charles S. (1838-83).
Publisher:
Day & Haghe Lithrs. to the Queen
Subject (Name):
Thumb, Tom, 1838-1883,
Subject (Topic):
Dwarfism, Human curiosities, Dwarfs, Books, Pens, Eggs, and Bottles
Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title etched below image., After Hogarth's print of the same title., Date suggested by Isaac., Sheet trimmed to plate mark at top edge., Plate numbered "29" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 16.3 x 23.5 cm, on sheet 19.3 x 26.5 cm., and Printed in raw sienna ink on wove paper.
Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title etched below image., After Hogarth's print of the same title., Date suggested by Isaac., Sheet trimmed to plate mark at top edge., Plate numbered "29" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 16.3 x 23.5 cm, on sheet 18.6 x 26.5 cm., and Printed on wove paper; hand-colored.
Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title etched below image., After Hogarth's print of the same title., Date suggested by Isaac., Sheet trimmed to plate mark at top edge., Plate numbered "29" in upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title and date from item., The Saturday Evening Post was published by Curtis Publishing, based in Philadelphia., Text at lower right: Contributed in the interest of the National Nutrition Program of the Office of Defense, Health and Welfare Service, Paul V. McNutt, Director, by The Saturday Evening Post., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
The Saturday Evening Post
Subject (Name):
McNutt, Paul V. 1891-1955. (Paul Vories), and United States. Office of Defense Health and Welfare Services.
Subject (Topic):
World War, 1939-1945, Nutrition, Advertising campaigns, Food, Milk, Eggs, and Cheese
Lord Eldon (in gown and wig) and George IV (wearing the "Green Bag" of evidence against the Queen) ride on a crocodile whose head is labeled "Deception"; both Eldon and the crocodile have tears pouring from their eyes. The blindfolded figure of Justice is caught in the jaws of the crocodile, her sword sent flying but her scale still clutched in her left hand. At the feet of the crocodile, baby crocodiles emerge out of eggs with labels such as “Disgrace,” “Blood sucker,” and “Quack"; they bear the likenesses of government officials, including Liverpool, Castlereagh, Leach, and Sidmouth, as well as of the witness Majocchi. Eldon carries a scepter inscribed “Oppression” in one hand, and a document that reads “Pains and Penalties” in the other; both have been struck by lightning from ominous thunderclouds, breaking the scepter and setting the scroll (and Eldon's wig) on fire. In the top left corner stands Queen Caroline in the light of an eye in the sky; a soldier stands in front of Caroline wielding his bayonet and rifle, claiming “Justice and Innocence shall be protected.” A man with a sword stands on the left edge of the design, calling out to an army (of public opinion?) that must be advancing on the scene; he says "Steady boys - Firmness and Truth - Caroline and Virtue forever.”
Description:
Title etched below image., In the style of John Lewis Marks, who etched other prints published by Benbow during this time period., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Window mounted to 27 x 39.7 cm, the whole then mounted to 39 x 58 cm., Mounted on leaf 9 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Eldon," "Londondery [sic]," "Leach," "Sidmouth," and "Majocchi" identified in ink below image; date "Nov. 1820" written in lower right corner of mount.
Publisher:
Pubd. Novr. 1820 by Wm. Benbow, 269 Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Leach, John, 1760-1834, and Majocchi, Theodore, active 1820
Title from item., In margin top right: Imagerie d'Épinal, No. 1156., Date supplied by curator., Temporary local Medical Library subject terms: Clysters; Purgatives; Hypochondria; Apothecaries., and UL, LR corners missing. Edges torn and frayed. Creases from folding.
"Italian witnesses, in a large bare room or warehouse, where three are being washed in a large bath by Castlereagh, Sidmouth, and Liverpool. The bath is inscribed: 'Waters of Oblivion. Non mi Recordo [sic]--Ministerial Washing Tub--!' The three witnesses are villainous-looking, and coloured brown. Castlereagh empties a bucket over the head of one, saying: "Can the Etheopean change his Colour." Sidmouth, plying comb and scrubbing-brush, says: "Or the leper his Spots." Liverpool turns to a lawyer (right) saying: "I never had such a dirty job in my life." The lawyer, Gifford the Attorney-General, answers: "We must have them perfect in their Story before they go." He holds a document inscribed 'Milan' [see British Museum Satires No. 13755, &c.]. A second lawyer sits at his feet, mending a pair of breeches. He says: "They are truely a filthy set, we must clear them of Vermin." The discarded garments of the men in the tub lie on the ground, with combs, a lump of 'Itch Ointment', and a box of 'Sulphor'. There are also two boxes: one (left) of 'Windsor Soap', the other (right), 'New Rigging from Monmouth Street' (where second-hand clothes were sold). Three ragged ruffians wait their turn, seated on the ground. Two play cards; one says: "Quel Maledetto Sacco"; the other responds "Ah! quel Sacco" (the Green Bag, see British Museum Satires No. 13735). On the wall behind them hang 'Italian Masks and Daggers just imported.' A high shelf runs round the room, on which stand a pile of 'Dutch Cheese', bottles of 'Italian Oil' and 'Botled Frogs', casks of 'Shalots and Garlick', 'Sour Grout', 'Portable Soup', 'Salt Herrings', 'Butter', a huge basket of 'Eggs', and three jars of 'Pickle'. By the wall on the extreme right, next the lawyers, is a cannon pointing through an aperture."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Watermark: J. Whatman Turkey Mills., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Londonderry," "Liverpool," and "Eldon" identified in pencil at bottom of sheet; date "1820" written in ink in lower right. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. August 1820 by T. Dolby, 132 Strand
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Gifford, Robert Gifford, Baron, 1779-1826
"Heading to engraved verses (which survive as a nursery rhyme) ... The woman stands at her cottage door, with her petticoats cut off to the knee. Her little dog barks at her. Behind (left) stands the pedlar, grinning, his box strapped to his shoulder. The verses end: 'He began to bark & she began to cry, Lord ha mercy on me, this is none of I, fal de ral.'"--British Museum online catalogue
Description:
Title from item., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Twenty lines of verse below title: There was a little woman as I've heard tell, she went to market her eggs for to sell, fal de ral, &c..., and Plate numbered '498' in the lower left corner.
Publisher:
Publish'd Octr. 29, 1805 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Dwellings, Doors & doorways, Baskets, Eggs, Dogs, and Peddlers
A subscription ticket for the "Analysis of Beauty", based on Leonardo's Last Supper, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title, publisher, and state from Paulson., Text engraved below image: "Rec'd [blank] of [blank] five shillings being the first payment for a short tract in quarto call'd the Analysis of Beauty; wherein forms are consider'd in a new light, to which will be added two explanatory prints serious and comical, engraved on large copper plates fit to frame for furniture." N.B. The price will be rais'd after the subscription is over.", A subscription ticket for Analysis of beauty., With the subscription ticket "Columbus breaking the egg", first state, trimmed to the image, mounted on the verso of the t.p., and Trimmed to the image; mounted on verso of title page in Horace Walpole's copy of Analysis of beauty.
