Volume 2, page 382.3. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of four rectangular heraldic flags and two cognizances, each labeled below with the name of an English king. The four standards belong to Henry IV, Henry VI, Edward IV, and Richard III; the two cognizances belong to Henry VII
Description:
Title written in ink above image., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 382.3 in volume 2 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
A volume containing 145 pattern drawings for tattoos, including images of men, women, serpents, dragons, mottoes, birds, butterflies, fish, and patriotic figures for the United States and Great Britain, circa 1915. Four of the drawings are on translucent paper that is mounted in the volume. The majority of the drawings are ink line drawings, while two drawings are colored with crayon and depict dragons, one in a flight with an eagle. The author of the volume may be C. B. Davis, a tattoo artist based in London, Great Britain.
Description:
Label pasted on interior of back cover, "Sketch Book, Series 26, Containing 30 leaves of Whatman's Drawing Paper.", Purchased from Charles B. Wood III, Inc., on the Jonathan O. Bulkley Fund, 2007., and Title devised by cataloger.
Subject (Name):
Davis, C. B.
Subject (Topic):
Animals in art, Body art--Pictorial works, Emblems, Patriotism in art, Tattooing--Pictorial works, and Women in art
"An engraving showing Mr. Welbore Ellis in the character of Guy Faux, approaching the Houses of Parliament at night, and holding a dark lanthorn. Three of the buttresses of the building, illuminated by the lanthorn, are inscribed severally: -- "Freedom of Election", "Bill of Rights", "Magna Charta". The Earl of Bute appears in the background, dressed as a Scotchman, and by way of signal waving a baton. Mr. Ellis is watched from Heaven by the Eye of Providence. This design is a reproduction of a portion of Samuel Ward's famous print described in this Catalogue as "The Destruction of the Spanish Armada", British Museum Satires No. 41; see likewise British Museum Satires No. 43."--British Museum catalogue
Alternative Title:
Guy Fawkes of 1770
Description:
Title etched above image., Three lines of text below image: The mine was sunk; combustibles provided & Welbore Ellis, the Guy Faux of the fable, waited only for the signal of command. Junius., Plate from: The London museum of politics, miscellanies, and literature. London : J. Miller, v. 1 (1770), page 265., Sheet trimmed within plate mark., Temporary local subject terms: Buildings: Parliament -- Reference to the Constitution -- Reference to the Bill of Rights -- Reference to Magna Charta -- Reference to the freedom of election -- Lighting -- Emblems: dark lantern of conspiracy -- Emblems: eye of Providence -- Reference to Junius and Public Advertiser., and Mounted to 37 x 31 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Mendip, Welbore Ellis, Baron, 1713-1802, Fawkes, Guy, 1570-1606., and Westminster Palace (London, England),
"Design in an oval. A burlesque coat of arms symbolizing the supposed character of the Unitarians represented by Priestley. After the title is engraved: 'Address'd to those Peaceable Subjects of this Kingdom who prefer the Present happy Constitution to that Anarchy & Bloodshed so Zealously sought for by these restless advocates for Priestly & Paine's Sophistical Tenets.' A printed explanation is attached to the print. The shield rests on a vulture which grasps in its beak and claws the motto: 'Under these Garbs do we act.' On a shaded (sable) ground a harpy suckles young harpies and holds up the cap of Liberty with a pendent banner on which is a crown surrounded by drops of blood. On a border round the shield are ten groups of ten intertwined serpents. The crest is the Devil and a number of fiends attacking a glory of rays surrounding a triangle, symbolizing the Trinity. The supporters are (dexter) Religion, a veiled woman holding a book and cross, her foot on a skull, and (sinister) Hypocrisy, a woman with the feet of a bird of prey, reading a book, and holding (concealed) a dagger with a notched blade; a trumpet is slung to her waist; a small wallet containing 'a bandelure' (see BMSat 7829) hangs from her neck in place of a cross. She tramples on a crown. She wears a ragged drapery, intended to suggest humility, over a rich garment. 14 July 1792."--British Museum online catalogue
Description:
Title etched below image., Five lines of prose below title: Addressd to those peacable subjects of this Kingdom who prefer the present happy constitution to that anarchy & bloodshed so zealously sought for by these restless advocates for Priestly & Paine's sophistical tenets., and Watermark: J Whatman.
Publisher:
Pub. July 14, 1792, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Paine, Thomas, 1737-1809. and Priestley, Joseph, 1733-1804.
Subject (Topic):
Harpies (Greek mythology), Dissenters, Religion, Unitarians, Coats of arms, Devil, Demons, Emblems, Liberty cap, Symbols, and Vultures
"Codrington, wearing the star of the Bath, sits on a gun-carriage on the deck of his ship, looking sternly up at an old scarred and pigtailed sailor who addresses him with an expression of consternation: Please your Honor's Glory there's something wrong in the wind, for they've clapt a Marine at the Helme of Old England, and He and the other lob lollies have made Sombody (God bless Him) to call our Glorious Victory an UNTOWARD EVENT And when they where told to belay their jawing tackel they shifted the wind and began to blow another way. Codrington answers Aye Aye Jack they or we must be fools. In his right hand is his sword, the point resting on the deck, the blade inscribed with Nelson's Trafalgar signal: England expects every Man to do his duty. He holds a document: Treaty of London. His back is to the sea where a rocky promontory (right) forms Wellington's profile, looking towards Codrington, a row of tiny gun-emplacements forming a grim smile (cf. BM Satires No. 15691); on the rock is a flag at half-mast, topped by a spurred Wellington boot, upside down."--British Museum online catalogue
Alternative Title:
Royal speech
Description:
Title from caption below image., Shortshanks is the pseudonym of Robert Seymour., Publication date from British Museum catalogue., Sheet trimmed to plate mark., and Numbered in ms. at top of sheet: 221.
Publisher:
Pub. by T. McLean Haymarket
Subject (Name):
Codrington, Edward, Sir, 1770-1851 and Wellington, Arthur Wellesley, Duke of, 1769-1852
"The Prince of Wales (left) leads a goat with the head of Mrs. Fitzherbert (right) to the door of the forecourt of a large town-house, held partly open by the Duchess of York. She says, "O Dunder & Wonder! - what Cratur is dat which you are bringing here ? - relation of mine, indeed? - no, no! - me know no Nanny-goat-Princess! - so set off, with your bargain, you poor - Toasted - Cheese! you! - for she sha'nt come in here, to poison the house! - off! - off! - off." The Prince, who wears in his hat a leek, with his motto, 'ich dien', answers, "Not open the Toor ? - Cot-splutter-a-nails - when Nanny is come to see you, herself? - vhy isn't Nanny a Princess too ? - & a Velch Princess? - and hur is come to visit hur Brothers & hur Sisters! - & not to let hur in? why the Voman is mad, sure!" In place of a star he wears a medallion enclosing a pair of goat's horns. He holds his goat by a ribbon wreathed with roses. Mrs. Fitzherbert has goat's horns and wears a coronet with the Prince's feathers; she looks up at him with an expression of dignified surprise. ... The door of the Duke's house is surmounted by a pediment decorated with the Prussian eagle and pairs of doves (an emblem on the Duchess's state-bed, 'Lond. Chronicle', 21 Dec. 1792)"--British Museum online catalogue
Alternative Title:
Prussian reception
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. July 12th, 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, and Fitzherbert, Maria Anne, 1756-1837
Subject (Topic):
Emblems, Goats, Lanterns, National emblems, Welsh, and Prussian
Bust of a woman wearing a castellated crown over her long curly locks
Description:
Title devised by cataloger., Date from unverified data from local card catalog record., and Loose drawing removed from bound volume: A collection of prints contained in this collection after the sketches and drawings of the late celebrated G.B. Cipriani, Esqr. Lewis Walpole Library Folio 75 C495 789B.
Title and imprint from British Museum catalogue, Temporary local subject terms: Toppling buildings -- Staff of Liberty -- Pictures amplifying subject -- Allusion to many politicians of the day -- Allusion to Gustavus III, King of Sweden., Watermark: fleur-de-lis with initials G R below., and Mounted to 31 x 46 cm.
Publisher:
Publish'd as the act directs July 1, by J. Wjsen [sic] Walbrooke
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
Subject (Topic):
Britannia (Symbolic character), Columns, Liberty cap, Rats, Emblems, Shields, and Thrones
