Manuscript, in a single hand, of a collection of 239 political poems expressing loyalty to James II and entreaties for him to resume the English throne. Titles of such poems include His majestie's royal farewell to England and The confinement by Sir Robert L'Estrange. Other entries consist of songs in praise of King James, including A health to the King's return; A song to the tune of the King shall enjoy his own again; and A loyal Jacobean song. Many other poems lampoon or eulogize specific figures, such as Elegy on Mr. Ashton; An acrostic on John Tillotson; and an Epitaph on Algernon Sidney. Numerous poems mock the figures of William and Mary, including On the coronation of K. William and Q. Mary; and On the late metamorphosis of an old picture of Oliver Cromwells into a new picture of King William, the head chang'd the hierogliphicks remaining; others satirize the Protestant Church, Parliament, the Church of England, and the nonjuror controversy that followed the Revolution of 1688.
Description:
Binding: contemporary red morocco; gilt decoration. In gilt on cover: the arms of King James II, to whom the manuscript was presented about 1700. Title on spine: "Loyal Poems &c.", Formerly owned by Sir Thomas Strange. On flyleaf: T. A. W. L. Strange., Marbled endpapers., Pasted on flyleaf: dealer's description of manuscript., Table of contents at beginning of manuscript, and index at end., and Title from title page.
Subject (Geographic):
Great Britain--History--Revolution of 1688 and Great Britain--Politics and government--1660-1714
Subject (Name):
Great Britain.--Parliament |d (1689), James--II,--King of England,--1633-1701, L'Estrange, Roger,--Sir,--1616-1704, Mary II, Queen of England, 1662-1694, Russell, Archibald George Blomefield, 1879-1955, Sidney, Algernon,--1622-1683, Strange, Thomas,--Sir--Autograph, Tillotson, John,--1630-1694, and William--III,--King of England,--1650-1702
Subject (Topic):
English poetry--17th century, English wit and humor, Jacobites--Poetry, Nonjurors, Political poetry, English--Early modern, 1500-1700, and Verse satire, English
A joke letter; at end is added: "From such examples as of this and that, we are all taught to know - I know not what"., In this edition the title is in two lines; the first line reads "William having received a letter"; the last two paragraphs are set in smaller type than the rest, clearly in order to fit the page., First line: "Sir. William having received a letter", In two columns with the title centered above both; the columns are not separated by rules. In this edition the title is in two lines., Oliver Puzzle-cause is a pseudonym., Below signature in second column: Price three half-pence., Mounted on leaf 59. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Manuscript, in a single hand, of a diary of a journey from Dublin to England and then to Cork, written in a lighthearted and sometimes satirical manner. Traveling with his father, his friend Valerius, and a servant, the Irish author records his impressions in England of churches he visits; where he takes his meals; and the inhabitants he meets. After describing several churches in Liverpool, he writes, "I am broke of in this Part of my Description, as I think by some simpering or laughing; but on Enquiry I am supris'd to find it's some of my Female Acquaintance," which causes him, he writes, to lose the spirit to continue with his description. Elsewhere, he visits silk mills and describes the cost and workings of the machinery. At Nottingham, he notes that "most of the Inhabitants here are Presbyterians and I really believe I was in five different Meetings which I mistook for Churches, and at Length was so much vexed at being so often disappointed that I protested against looking further for one." Throughout, he records numerous encounters with women, including a landlord's daughter with whom he carries on a flirtation. The narrative is prefaced by an introduction addressed to "Madam," in which he speaks disapprovingly of women's coquetry, and mocks "our country-women who have been abroad," who "commonly return Home with Variety of odd Pronunciations, particular Gestures, & new Fashions, perhaps never known in any Part of the World, but the Production of their own fertile Brain."
Description:
Author of the manuscript is an unknown Irishman., In English., Index at end of manuscript., Leather oval bookplate inside front cover: Ex Musaeo Huthii., and Binding: full morocco; gilt decoration. Printed on spine: Narrative of a journey through England. MS. 1752.
Subject (Geographic):
England, Liverpool (England), London (England), and Nottingham (England)
Subject (Topic):
English wit and humor, Travelers' writings, English, Women, Conduct of life, Description and travel, and Buildings, structures, etc
Manuscript, in Jephson's hand, of a parody of Johnson's A Journey to the Western Islands of Scotland. Using florid language throughout, the author explains his satiety with Dublin and determines to explore the countryside. Traveling with Dean Marlay, Mrs Greville and Mrs Jephson, he complains about the unsightly mendicants who mar the scenery; sings, along with his companions, the Beggar's Opera to pass the time; and runs over "pigs and children who were lying together in the middle of the highway." At Celbridge, he praises the landscape, estate, and the appearance of its owner, Colonel Marlay. The essay concludes with a description of the narrator's fall into the Liffey, and his rescue by catching hold of a passing cow and Horace Walpole has filled in Johnson's name and added "By Richard Jephson, Esqre" underneath the title
Description:
Robert Jephson (1736-1803), playwright and parodist, was born in Dublin. His first play, Braganza, was performed in 1775, with an epilogue by Horace Walpole. His most commercially successful play, performed 37 times between 1781 and 1798, was The Count of Narbonne, based on Walpole's Castle of Otranto as well as Walpole's play, Mysterious Mother. In addition to other plays, Jephson also wrote numerous parodic pieces, including a series in the government newspaper The Mercury under the title "The Bachelor." He parodied the style of the printer George Faulkner and criticized Charles Townshend's enemies in An Epistle to Gorges Edmund Howard (1771); wrote Extempore Ludicrous Miltonic Verses(1788); and wrote a prose piece titled Confessions of James Baptiste Couteau (1794), a satirical parody of revolutionary politics., In English., Title from first page., and For further information, consult library staff.
Subject (Geographic):
Ireland., Celbridge (Ireland), and Great Britain
Subject (Name):
Gay, John, 1685-1732., Jephson, Robert, 1736-1803., Johnson, Samuel, 1709-1784., Marlay, Richard, d. 1802., and Walpole, Horace, 1717-1797.
Subject (Topic):
English wit and humor, Parodies, English, Poverty, Travelers' writings, English, Description and travel, and Social life and customs
Manuscript on paper, in a single hand, of a collection of 15 verses primarily addressing religious, philosophical, and moral subjects. Poem titles include Humility; Prayer; Against Censure; Praeludia Mortis; Of Atheisme; and The Carrector of A Drunkard. The volume also includes a political and satirical poem against Cromwell titled A Protector Discribed which declares, "He is A Thing which wee Protector Call, From whome the king of kings Protect us all."
Description:
Binding: stitched., For information on the source of acquisition, consult the appropriate curator., Note at end of last poem in manuscript: "I had this out of my Alamanac: 83 and doe thinke I had it formerly of Mrs. Astely which made enter it here supposing it composd by the same Author.", Note on back of manuscript: "Verses by old Mr. Hobartt & some others.", Signed on inside of first leaf: "this for my well beloved friend J.C. When sturdy to his Lo. friend. My very good friend Mr. R. Thixton.", and The signature "Ro. Doughty" appears on the front page.
Subject (Geographic):
Great Britain--Politics and government--1642-1660 and Great Britain--Religious life and customs--17th century
Subject (Name):
Cromwell, Oliver, 1599-1658, Doughty, Robert, 1616 or 1617-1670, and Hobart, John
Subject (Topic):
Elegiac poetry, English, English poetry--17th century, English wit and humor, Religious poetry, English, and Satirical verse, English
Manuscript on paper, in a single hand, of several hundred short verse epitaphs on both famous political and historical figures and unnamed citizens. The epitaphs are often humorous or satirical, as in On A Hocus-Pocus; On A Tallow-Chandler; and On A Gentleman Falling Of His Horse & Broke Hs Neck. An epitaph titled On A Collier declares, "Here Lies the Collier John of Nashes, By whome Death nothing Gaind he swore, For living he was dust & Ashes, And being dead he is no more." More serious elegies include On Sr. Philip Sidney; On King Charles Martyr; and On One Willm. Messe Grocer & His Wife. and P. 9, 33, and 36 digitized at high resolution.
Description:
Imperfect: mutilated with some loss of text. and Two blank pages not digitized.
Subject (Geographic):
Great Britain --Politics and government and Great Britain --Social life and customs --17th century
Subject (Name):
Charles I, King of England, 1600-1649 and Sidney, Philip, Sir, 1554-1586
Subject (Topic):
Courts and courtiers --England, Elegiac poetry, English --17th century, English poetry --17th century, English wit and humor, Epitaphs --England, and Verse satire, English