"John Bull (left), wearing a star centred by a heart: 'Queens Order of Knighthood', furiously kicks Italian witnesses from a quay into the sea, where (right) a boat waits to take them to a packet-boat. His bull-dog is about to bite, and he raises a massive bludgeon, kicking a lean grenadier with an empty sleeve, to whose back is tied a large green bag (see British Museum Satires No. 13735) inscribed 'Infernal Lies from Como' [cf. No. 13857]. On this capers a demon, holding a noose above the Italian's head, and in the left hand a little gibbet from which hangs a tiny effigy of the Grenadier with his bundle. The Italian holds a stiletto and wears a high cap with dangling bell on which are skull and cross-bones. J. B. shouts: "This is Freedom's own Land, 'tis the land of the Queen, Where no hired traducers shall ever be seen, Be off each vile Eunuch--be off high and low or I'll knock you to H--ll with an Englishmans blow!!" The Italian looks back to say: "If thus you pay Italian Spies I'll bring no more Infernal Lies" Another Italian wearing braided livery is knee-deep in the sea, he looks back angrily at John, holding dagger and pistol. A terrified foreigner, ragged but fashionable, leaps towards the water, exclaiming: "Diable!! Jean Anglaise [sic]." A woman with a bunch of keys, in full flight, pours the contents of a 'Pot de Chambre' over a grotesque lawyer (Leach), who is racing down steps to the water with a green bag of 'Lies from Milan'. She says: "Dis Pot contains mine Evidence--do taste it Signor Horse Leach, you vill find very strong proof of Guilt." Leach, looking over his shoulder, says: "This Business smells strong We have kept it too long" A sturdy sailor standing in a boat at the foot of the steps fends him off with a boat-hook, saying: "Shew me a clean bill of health signed Caroline or by G d you sha'nt come on board here."."--British Museum online catalogue
Alternative Title:
Kick from Harwich to Holland
Description:
Title etched below image., Questionably attributed to William Elmes in the British Museum catalogue., Sheet trimmed within plate mark on left side., "Vivant Regina!!"--Beneath lower right corner of image., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 41 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Typed extract of seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published July 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821. and Leach, John, 1760-1834
Subject (Topic):
John Bull (Symbolic character), Witnesses, Ethnic stereotypes, Boats, Dogs, Staffs (Sticks), Demons, Nooses, Gallows, Daggers & swords, Handguns, Keys (Hardware), Bags, Lawyers, Sailors, and British
"An Irishman sits beside a table, smoking, while a comely maidservant shows him two dishes of meat. His bundle is tied to a stick; a dog sits beside him. On the wall is a (framed) 'Game of the Goose': three concentric ovals divided into small sections with a goose in the middle."--British Museum online catalogue
Description:
Title etched below image., From the Laurie & Whittle series of Drolls., Eight lines of verse arranged in two columns below title: An Irish-man came late unto the Inn, and ask'd the maid what meat there was within ..., Plate numbered '346' in lower left corner., and Temporary local subject terms: Irishman -- Urn.
Publisher:
Publish'd May 7, 1804, by Laurie & Whittle, 53 Fleet Street, London
"An archaic iron-studded door, with posts and lintel of solid but ancient oak, represents the door of the 'COMMONS' [inscription on lintel]. Above: '"They of Rome are enter'd in our Counsels Sh.' ['Coriolanus', I. ii]. An old-clothes' man stands at the door in profile to the left gazing up at the inscription; he raises the knocker, a ring in the mouth of an angry lion's head. He is bearded, with an ultra-Jewish profile, and has three hats piled on his own, the topmost being a flaunting feminine erection. He wears a ragged and patched gaberdine, old-fashioned buckled shoes, and carries across his shoulder a large bag, from a hole in which projects a pig's foot (a pig in his poke). On his back is an open box of trinkets, containing watches. Close behind him stands a turbaned Turk, watching him with eager anxiety. The Jew: 'Come I sha--Open the door vill ye--I vants to come in--and heres a shentlemans a friend of mines--vants to come in too--dont be afeard--I dont vant a sheat for nothing--I can pay for it So help me Got.' Three men (safely inside) look down at the applicants from a small open window beside the door (right): a dissenter, holding his hat, and characterized by lank hair and plebeian features (resembling Liston as Maw-Worm, cf. British Museum Satires No. 16943); a Jesuit wearing a biretta, and putting a thumb to his nose, and a fat elderly monk; the last two frown. The left door-post (somewhat cracked) is inscribed: 'OAK Suppose to be sound Put up 1688 only latly discovered to be full of Skakes[?peare].'"--British Museum online catalogue and "Catholic Emancipation, following the repeal of the Test and Corporation Acts (see British Museum satires no. 15530), raised hopes of Jewish emancipation, see British Museum satires no. 15770, &c. For the (baptized) Jew as seat-purchaser cf. Sir M. M. Lopes (to whom an allusion is probably intended, see British Museum satires no. 15683); for Jews and pigs cf. British Museum satires no. 12146, &c; for "1688" see British Museum satires no. 15707, &c. The design resembles and may be based on British Museum satires bo. 8981 (1797) by Gillray."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum catalogue., Imprint continues: ... political & other caricatuers daily pub., Publisher's announcement at top of sheet: All Paul Prys works have T. McLeans name attach'd as the publisher, those without are pirated copies [image of a man with an umbrella]., and Slight loss of sheet on right and lower edges.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Geographic):
Great Britain.
Subject (Topic):
Freedom of religion, Catholic emancipation, Jews, Emancipation, Jesuits, Turks, Doors & doorways, Ethnic stereotypes, Knocking, and Monks
A companion plate to Le Départ (British Museum satire no. 12362), satirizing the haste of the English to visit France in 1814 and their gluttony and bad dressing. The Frenchman who cooks a cat is a subject of English caricatures on the favourite theme of the beggarly Frenchman and well-fed Englishman. In this print. "A lean Englishman strides on to the quayside from an (invisible) gangway leading to the deck of a packet, which is seen below (right), covered with the heads of passengers, looking eagerly upwards. The furled sails and rigging are on the extreme right; a dove holding an olive-branch sits on a spar. A jovial French cook leads the Englishman, who grasps his left wrist; he points to a doorway on the extreme left, below the sign 'Au Bien Venu'. He holds the white cotton night-cap which was the cap of the French cook, but is not foppish as in English caricature, but manly and sturdy. The traveller is a grotesque figure wearing a hat shaped like a flower-pot, [this hat appears in almost all satires on English costumes in Paris, c. 1814; it is worn by a man dressed à l'Anglais in No. 53 of the 'Bon Genre Series' (? 1813): 'Cheveux à Cherubin. Chapeau en pot à fleurs. Redingote en Robe de Chambre'; cf. J.-P. de Bérenger, 'Les Boxeurs', 1814: Quoique leurs chapeaux sont bien laids / Goddam! moi j'aime les Anglais] long tail-coat, wrinkled breeches, and long ill-fitting gaiters on very thin legs. His profile has an absurdly heavy chin (cf. British Museum no. 12364), and he registers eager expectation. On a flap projecting from a window beside the door are peaches, grapes, pears, &c. Within a courtyard a second cook leans from an attic window, knife in hand, to catch a cat by the tail, one of several scampering from the ridge-pole."--British Museum online catalogue
Description:
Title from caption below image., Description from impression in the British Museum catalogue., Lettered "Déposé" below image left., Attributed to printmaker Godisart de Cari and publisher Martinet. See British Museum catalogue., This plate was deposited by Martinet on 1 February 1815, although his name is not actually lettered on the plate. It is a pair to 'Le départ' (British Museum number 1868,0822.7249)., and Sheet trimmed within plate mark, with loss of text at lower left and portions of the image at the corners: irregular sheet 18.8 x 23 cm.
Publisher:
Chez Martinet
Subject (Geographic):
France and France.
Subject (Topic):
History, Foreign public opinion, National characteristics, English, National characteristics, French, Cats, Cooks, Doves, Eating & drinking, Ethnic stereotypes, Gluttony, and Mail steamers
"A handsome young Highland officer walks arm-in-arm with a slightly taller young woman. Her hair under her flat feathered hat is in a small bag or net of tartan. Behind these walk in single file the family descending in height. First, a youth in Highland uniform, next three girls, the second without a hat, her hair curling on her shoulders. Last a small boy, in Highland uniform, carrying a stick across his shoulder, musket-wise, and holding a dog on a lead. The dress of all the girls is plainer, skimpier, and shorter than that of Frenchwomen; all, except the youngest, have bodices or spencers of different colours from their skirts."--British Museum online catalogue
Description:
Title etched below image., Date from British Museum online catalogue., and "Déposé."
Publisher:
Chez Genty, rue St. Jacques, No. 14
Subject (Geographic):
Scotland.
Subject (Topic):
Clothing & dress, Dogs, Ethnic stereotypes, Families, and Kilts
Six designs, arranged in two rows, each showing a mother, father, and child from different cultures. The figures wear their native dress and appear in front of landscapes, buildings, and animals found in their region of the world
Alternative Title:
Six national figures
Description:
Titles etched below images., Alternative title and publication date from Isaac., Sheet trimmed within plate mark on top edge., and Plate numbered "36" in upper right corner.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Ethnic stereotypes, Families, Africans, Chinese, English, Khoekhoe, Native American, and Sami (European people)
"The Englishman, grossly obese, walks from the door of the inn (left) supporting his paunch on a wheelbarrow which the cook of British Museum satire no. 12361 helps to drag, exhausted by the effort, and mopping his face with his cap. A plank leads from the quayside to a packet-boat, the stern of which appears below, empty except for one expectant sailor. Another sailor's hand appears by the plank, ready to assist the embarkation. The sign of the inn is not depicted, the window flap hangs down. The second cook stands in the courtyard, offering food to a gorged cat on the roof."--British Museum online catalogue
Description:
Title etched below image., Dimensions from impression in the British Museum catalogue., Lettered "Déposé" below image left., Attributed to printmaker Godisart de Cari and publisher Martinet. See British Museum catalogue., This plate was deposited by Martinet on 12 Novemberr 1814, before its pendant 'L'Arrivée' (1868,0808.7249) which logically precedes it. Martinet's name is not actually lettered on the plate., and Sheet trimmed within plate mark, with loss of text at lower left; corners trimmed: 19 x 23.3 cm.
Publisher:
Chez Martinet
Subject (Geographic):
France and France.
Subject (Topic):
History, Foreign public opinion, National characteristics, English, National characteristics, French, Cats, Cooks, Eating & drinking, Ethnic stereotypes, Gluttony, Mail steamers, and Obesity
"A woman, elderly, short, and broad, with swarthy Jewish features, stands, her head turned in profile to the right, holding a goose perched on her forefinger. In her right hand is the end of a ribbon attached to its leg. She says: "Say little foolish Fluttering thing". Her head is covered with dark curls in which are flowers and a ribbon. She wears a short-waisted dress, with the slashed and vandyked bodice associated with the stage or (in caricature) with Spain. The background, with cast shadows, suggests the stage."--British Museum online catalogue
Description:
Title etched below image., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., and Printseller's identification mark located in lower right corner: S·W·F.
A visualization of the racist folk song, "Coal Black Rose", one of the earliest songs to be sung by a man in blackface, popularized in July 1829. The lyrics of "Coal Black Rose" tells of a fight between two black men, Sambo and Cuffee, rivals for the same woman
Description:
Title from text below image, which are lyrics from the song sung by the depicted figures: Lubly Rose Oh! Coal Black Rose. Tank you Sambo yes I cum. Dont you hear the banjo tum, tum. Oh! Rose the Coal Black Rose. and Date from subject matter, the date when the song was popularized.
Publisher:
publisher not identified
Subject (Topic):
Blackface minstrel music, Black people, Banjos, Ethnic stereotypes, and Minstrel shows
