Manuscript contract, signed, in the hand of William Smith, between Smith and Andrew C. Barnett, for relocation of one hundred sixty enslaved African American plantation workers and farming property owned by Smith from his plantations in Alabama to his plantations in Louisiana
Description:
William Smith (1762-1840), plantation owner and member of the Alabama House of Representatives, 1836-1840. and In English.
Subject (Geographic):
Alabama., Louisiana., Louisiana, and United States
Subject (Name):
Barnett, Andrew C. and Smith, William, 1762-1840.
Subject (Topic):
African Americans, Farmers, Slavery, History, Economic conditions, Social life and customs, and Politics and government
Title from item., Printmaker, place and date of publication from unverified data in local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Commutation Tax, 1785 -- Soap tax -- Tax on lights -- Tax on windows -- Signs: sign-posts -- Trades: washerwomen -- Vehicles: tumbrels -- Windows -- Pitt's speech -- Gallow ropes., and Partial watermark in upper right of plate: fleur-de-lis on shield with initials L V G.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
A cross-eyed woman, her hat purched high on top of her cap, carries a basket full of wooden spoons suspended from a ribbon round her neck. Wrapped in a ragged shawl and hunched toward her left, she offers a fist full of spoons to a farmer carrying a rake who smiles at her as he reaches into his pocket. The woman clutches a hammer in her right hand
Description:
Title from item., Tim Bobbin's Human passions delineated, first published in 1773. Tim Bobbin is the pseudonym of John Collier., Plate numbered '3' published as part of a 1810 edition of Bobbin's Human passions delineated, with an engraved dedication page, a portrait of the artist, and at least 25 individual prints depicting human passions., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Nine small scenes, arranged in three rows, showing people and animals engaged in various activities
Description:
Titles etched below images., Publication date based on date assigned by Isaac to other Davison prints., Sheet trimmed within plate mark on top edge., Plate numbered "44" in upper right corner., and Not in: Isaac, P. Some Alnwick caricatures.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Name):
Cervantes Saavedra, Miguel de, 1547-1616.
Subject (Topic):
Astronomers, Criminals, Dogs, Farmers, Folk singers, Singers, Swine, and Trained animals
Feckert, Gustav Heinrich Gottlob, 1820-1899, printmaker
Published / Created:
[not after 1899]
Call Number:
Print10130
Image Count:
1
Resource Type:
still image
Description:
Title from item., Date derived from printmaker's date of death., Publisher information supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
L. Baumann & Co.
Subject (Topic):
Medicine, Rural, Country life, Farmers, Medicines, Umbrellas, Dogs, and Taverns (Inns).
Titles from item., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios of caricatures lent., and Temporary local subject terms: Male dress: smocks -- Tools.
Title from caption below image., Temporary local subject terms Dishes: tankards -- Smoking: tobacco -- Allusion to tythe pig., and Watermark: Strasburg lily.
A pretty, young woman rakes hay under a tree. Behind her three man use scythes in a hay field; in the distance a hitched wagon full of hay is pulled up a hill
Description:
Title engraved below image. and Numbered '181' in lower right corner of plate.
Publisher:
Printed for R. Sayer, Map, Chart and Printseller, No. 53 Fleet Street, as the act directs
"A stout farmer rides (left to right) past an inn on a cow. The cow befouls and tramples on a paper inscribed 'Tax on Ho[rses]'. The farmer looks triumphantly over his right shoulder at a group of spectators standing at the door of the inn, and snaps his fingers, saying, "Pitt be D------d". A basket containing poultry hangs from the saddle. Part of the inn is on the left of the design, its sign is a stout man holding a foaming tankard gazing at three sacks, inscribed 'Joe Jolly 1784' (a '7' appears to have been etched over the '4'). Five amused spectators stand by the door; from a window above two men applaud the farmer."--British Museum online catalogue
Description:
Title etched below image., Reissue of a print originally published in 1784., Pitt's budget of 1784 imposed an annual tax of 10s. on saddle- and carriage-horses, exempting those used for trade and agriculture. On 27 November 1784 one Jonathan Thatcher rode his cow to and from the market of Stockport in protest against the horse-tax. See Chambers, 'Book of Days', ii. 627, where there is a copy of a similar print., and For a variant state, see no. 6672 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
"A dandy (cf. British Museum Satires No. 13029), with a handsome profile, wearing knee-breeches, advances with a mincing step and outstretched hands towards an ugly farmer who stands facing him with a large stick and wearing top-boots and broad-brimmed hat. The tenant holds a money-bag and is fiercely prognathous. The landlord: "My dear Sir--I am rejoiced to see you--I hope your lovely family are well--You are a charming Man--correct in every point--in short your countenance is an index to your mind." The farmer: "You certainly are flattering me--here is your Rent.--as to my family--thanks to the Lord, my Wife, and all the brats, be gone to kingdome come." There is a carpeted floor."--British Museum online catalogue
Alternative Title:
Landlord and tenant
Description:
Title from text below image., Artist identified as Capt. Hehl in the British Museum catalogue., Printmaker and date of publication from the British Museum catalogue., and "One of prints (coloured) by, after, or attributed to G. Cruikshank [many were closely copied and unless original and copy can be compared they are difficult to distinguish; some attributed by Reid or Cohn to Cruikshank are in the manner of the supposed copyist; some are probably by I. R. Cruikshank], from a set issued c. 1817 to c. 1819 ..."--Curator's comments, British Museum online catalogue.
