Subject (Topic): Figurines - Yale University Library Search Results

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10. From ancient Rome this woeful daub came o'er, and sings 'fine images' from door to door [graphic].

Published / Created:: [1803]
Call Number:: 647 803C
Collection Title:: Leaf 6v. Cries of Edinburgh characteristically represented.
Image Count:: 1
Resource Type:: still image
Abstract:: A man walks on the street, balancing a tray filled with human and animal figurines supported by his right hand and balanced on his head. In the background, two chimney sweeps, the first carrying a ladder, walk past the rotunda of the General Register House
Alternative Title:: Back view of Register Office
Description:: Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:: L. Scott
Subject (Geographic):: Scotland and Edinburgh.
Subject (Name):: General Register House (Edinburgh, Scotland),
Subject (Topic):: City & town life, Peddlers, Figurines, and Chimney sweeps
Found in:: Lewis Walpole Library > From ancient Rome this woeful daub came o'er, and sings 'fine images' from door to door [graphic].

11. Good Luck Figurine

Collection Title:: Medical Instrument Collection
Container / Volume:: Box 063
Image Count:: 1
Alternative Title:: Figurine
Description:: Plump old man carrying good luck symbols: a bat in left hand, a gourd in right. He is made of soapstone, with a dark wash, and mounted on a wooden base which as also been stained dark brown.
Subject (Name):: Bernard Kosto, M.D. and Yale University. School of Medicine.
Subject (Topic):: Figurines
Found in:: Medical Historical Library, Cushing/Whitney Medical Library > Good Luck Figurine

12. Les trois magots [graphic].

Creator:: Gillray, James, 1756-1815, printmaker
Published / Created:: [1 November 1791]
Call Number:: 791.11.01.02+ Impression 1
Image Count:: 1
Resource Type:: still image
Abstract:: "Lord Barrymore and his two brothers are represented as figurines on the shelf of a chimney-piece, along which the title is etched. Each stands on a circular pedestal inscribed: (left to right) 'A Hell-gate Blackguard', 'A Newgate Scrub', and 'A Cripplegate Monster', the three brothers being known as Newgate, Hellgate, and Cripplegate. In the centre Barrymore, as Scrub, is seated as in Act iii of Farquhar's play, when in conference with Archer: dressed in livery and wearing an apron, his hands on his knees (cf. British Museum Satires No. 6221). On the left Augustus Barry, stripped to the waist and wearing boxing-gloves with a high hat, stands in the attitude of a pugilist, which his extreme thinness makes ridiculous. On the right Henry Barry grins and capers, holding a toy whirligig. He wears the fashionable dress of the bloods of the moment: high hat, long tight breeches reaching almost to the ankle, short wrinkled top-boots with enormous spurs. His coat is slipping off his shoulders and fastened by one button (a caricature of the fashion); all have cropped hair, cf. British Museum Satires No. 8040, &c. Over Barrymore's head is the lower part of a bust-portrait of the Prince of Wales in an oval frame."--British Museum online catalogue
Description:: Title from text in image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Eighteen lines of verse etched below image: To whip a top, to knuckle down at taw ..., Temporary local subject terms: Mantelpieces -- Pugilism -- Toys: whirligig -- Spurs -- Literature: allusion to George Farquhar's The Beaux Stratagem, iii, 3 -- Barrymore, Richard, 7th Earl, 'Newgate' -- Barrymore, Henry, 8th Earl, 'Cripplegate' -- Barry, Augustus, 'Hellgate' -- Prince of Wales's circle -- Pictures amplifying subject: Prince of Wales'e portrait., and Mounted to 36 x 36 cm.
Publisher:: Pubd. Novr. 1st, 1791, by H. Humphrey, N. 18 Old Bond Street
Subject (Geographic):: England
Subject (Name):: George IV, King of Great Britain, 1762-1830, Barrymore, Richard Barry, Earl of, 1769-1793, Barrymore, Henry Barry, Earl of, 1770-1823, and Barry, Augustus, 1773-1818
Subject (Topic):: Clothing & dress, Chimneypieces, Figurines, Pedestals, Boxers (Sports), and Toys
Found in:: Lewis Walpole Library > Les trois magots [graphic].

13. Les trois magots [graphic].

Creator:: Gillray, James, 1756-1815, printmaker
Published / Created:: [1 November 1791]
Call Number:: Auchincloss Gillray v. 8
Image Count:: 1
Resource Type:: still image
Abstract:: "Lord Barrymore and his two brothers are represented as figurines on the shelf of a chimney-piece, along which the title is etched. Each stands on a circular pedestal inscribed: (left to right) 'A Hell-gate Blackguard', 'A Newgate Scrub', and 'A Cripplegate Monster', the three brothers being known as Newgate, Hellgate, and Cripplegate. In the centre Barrymore, as Scrub, is seated as in Act iii of Farquhar's play, when in conference with Archer: dressed in livery and wearing an apron, his hands on his knees (cf. British Museum Satires No. 6221). On the left Augustus Barry, stripped to the waist and wearing boxing-gloves with a high hat, stands in the attitude of a pugilist, which his extreme thinness makes ridiculous. On the right Henry Barry grins and capers, holding a toy whirligig. He wears the fashionable dress of the bloods of the moment: high hat, long tight breeches reaching almost to the ankle, short wrinkled top-boots with enormous spurs. His coat is slipping off his shoulders and fastened by one button (a caricature of the fashion); all have cropped hair, cf. British Museum Satires No. 8040, &c. Over Barrymore's head is the lower part of a bust-portrait of the Prince of Wales in an oval frame."--British Museum online catalogue
Description:: Title from text in image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Eighteen lines of verse etched below image: To whip a top, to knuckle down at taw ..., Temporary local subject terms: Mantelpieces -- Pugilism -- Toys: whirligig -- Spurs -- Literature: allusion to George Farquhar's The Beaux Stratagem, iii, 3 -- Barrymore, Richard, 7th Earl, 'Newgate' -- Barrymore, Henry, 8th Earl, 'Cripplegate' -- Barry, Augustus, 'Hellgate' -- Prince of Wales's circle -- Pictures amplifying subject: Prince of Wales'e portrait., 1 print : etching on wove paper, hand-colored ; plate mark 35.2 x 34.9 cm, on sheet 38.2 x 38.5 cm., and Mounted on leaf 22 of volume 8 of 12.
Publisher:: Pubd. Novr. 1st, 1791, by H. Humphrey, N. 18 Old Bond Street
Subject (Geographic):: England
Subject (Name):: George IV, King of Great Britain, 1762-1830, Barrymore, Richard Barry, Earl of, 1769-1793, Barrymore, Henry Barry, Earl of, 1770-1823, and Barry, Augustus, 1773-1818
Subject (Topic):: Clothing & dress, Chimneypieces, Figurines, Pedestals, Boxers (Sports), and Toys
Found in:: Beinecke Rare Book and Manuscript Library > Les trois magots [graphic].

14. Moments of pain [graphic].

Creator:: Lane, Theodore, 1800-1828, printmaker
Published / Created:: [approximately November] 1820.
Call Number:: Folio 75 H89 821 (Oversize)
Collection Title:: Page 37. George Humphrey shop album.
Image Count:: 1
Resource Type:: still image
Abstract:: "A companion plate to British Museum Satires No. 13989 by the same artist, and with the same imprint. A Chinese interior resembling that of British Museum Satires No. 13986. George IV as a mandarin, languid and ill, sits cross-legged on a low settee. Peacock's feathers (cf. British Museum Satire No. 13299) decorate his round hat. Sidmouth as a Chinese doctor feels his pulse with concern. At the King's feet is a long rolled document headed 'List of Addresses presented to Caroline Queen of [Engla]nd'. Behind (right), a melancholy Chinese messenger hands Bloomfield (a Chinese wearing a large sword) a paper: 'Bill Thrown Out'. The latter registers dismay with raised arms. There is a slanting cloud of smoke as in British Museum Satires No. 13986. On the wall is a picture of the Queen, with sword and shield, fighting a dragon. Carved dragons decorate the King's settee (or throne), and there is a big dragon jar on the right; all the dragons look menacingly towards the King, who rests his right hand on a table on which are decanter, pill-box, &c."--British Museum online catalogue
Description:: Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Approximate month of publication from the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Moments of pleasure., and Mounted on page 37 of: George Humphrey shop album.
Publisher:: Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):: George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, and Sidmouth, Henry Addington, Viscount, 1757-1844
Subject (Topic):: Costumes, Chinese, Interiors, Furniture, Draperies, Medical equipment & supplies, Physicians, Documents, Smoke, Messengers, Vases, Figurines, and Dragons
Found in:: Lewis Walpole Library > Moments of pain [graphic].

15. Moments of pain [graphic].

Creator:: Lane, Theodore, 1800-1828, printmaker
Published / Created:: [approximately November] 1820.
Call Number:: Folio 724 835G v.2 (Oversize)
Collection Title:: Page 37. George Humphrey shop album.
Image Count:: 1
Resource Type:: still image
Abstract:: "A companion plate to British Museum Satires No. 13989 by the same artist, and with the same imprint. A Chinese interior resembling that of British Museum Satires No. 13986. George IV as a mandarin, languid and ill, sits cross-legged on a low settee. Peacock's feathers (cf. British Museum Satire No. 13299) decorate his round hat. Sidmouth as a Chinese doctor feels his pulse with concern. At the King's feet is a long rolled document headed 'List of Addresses presented to Caroline Queen of [Engla]nd'. Behind (right), a melancholy Chinese messenger hands Bloomfield (a Chinese wearing a large sword) a paper: 'Bill Thrown Out'. The latter registers dismay with raised arms. There is a slanting cloud of smoke as in British Museum Satires No. 13986. On the wall is a picture of the Queen, with sword and shield, fighting a dragon. Carved dragons decorate the King's settee (or throne), and there is a big dragon jar on the right; all the dragons look menacingly towards the King, who rests his right hand on a table on which are decanter, pill-box, &c."--British Museum online catalogue
Description:: Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Approximate month of publication from the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Moments of pleasure., 1 print : etching ; plate mark 27.6 x 21.5 cm, on sheet 28.9 x 22.7 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 6 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Sidmouth" identified in ink below image; date "Nov. 1820" written in lower right corner. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:: Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):: George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, and Sidmouth, Henry Addington, Viscount, 1757-1844
Subject (Topic):: Costumes, Chinese, Interiors, Furniture, Draperies, Medical equipment & supplies, Physicians, Documents, Smoke, Messengers, Vases, Figurines, and Dragons
Found in:: Lewis Walpole Library > Moments of pain [graphic].

16. The effusions of a troubled brain, or, Evil communications corrupt good manners [graphic].

Creator:: Lane, Theodore, 1800-1828, printmaker
Published / Created:: July 10, 1821.
Call Number:: Folio 724 835G v.2 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: "A fantastic and complicated design. Queen Caroline leans back in an arm-chair, pen in hand, staring as if at a vision, her black locks flying outwards and upwards. Above her head, as if sprung from it, is an owl with the cross of the Order of St. Caroline (see British Museum Satires No. 13810) in its beak, and on its head a fool's cap with bells. She wears a décolletée dress with voluminous gathered trousers, as in many prints; her right foot is placed regally on a footstool. Her right arm rests on a table and on the paper on which she writes: To the King. She listens to a serpent held up by Dr. Parr, brandyfaced and naked except for his wig, one of several figures pressing round her, partly obscured by shadow. Lieut. Hownam looks over her right shoulder, two other faces are partly hidden, one may be Flinn, the other resembles Burdett. The aquiline profile of Hobhouse is behind Parr. On the right stands a broom, supporting a wig and gown (Brougham); another wig and gown beside it must indicate Denman; both are in back view. On the left and in the foreground stands Wood, as a devil, hairy and naked except for a furred gown, symbol of the alderman. He turns towards her, holding a baton, topped by a little cap of Liberty, and strings attached to two tiny processions: a state-coach (the Queen's) drawn by four horses and a band of armoured men on horseback, with banners, one inscribed Brass [the braziers' procession, see British Museum Satires No. 14119]. They are surrounded by clouds of dust. Over his shoulder look Cobbett, wearing a red cap with tricolour cockade and brandishing a bone (Paine's, see British Museum Satires No. 13525). To left and right of these advisers are evil gangs (cf. British Museum Satires No. 14194): a procession (left) of men with tall staves or pikes topped by caps of Liberty, and with a tricolour banner inscribed No Church no King no Constitution Universal Suffrage & Annual Plunder for ever. They wave their hats and cheer; their leader wears an apron. Above them floats a figure of Justice holding scales and a crown. Behind on the right naked arms raise firebrands, fanatical faces loom from the shadow; one at least has the snaky locks of Discord. The ornate round table at which the Queen writes is piled with boxes; on the largest, inscribed Secrets of the Baron, stands a small lifelike image of Bergami dressed as a courier. Other objects are a wallet from which projects a paper: 50,000 Per Ann [see British Museum Satires No. 14145], a vase of flowers, a decanter labelled (punningly) Tent [see British Museum Satires No. 13818]. On the floor are two figurines, one in back view, the other of Mahomet dancing (see British Museum Satires No. 13929). At the Queen's feet are her much-feathered four-cornered cap, and papers, one headed My dear Ca . . . and signed BB [Bartolomeo Bergami], the other beginning My dear C and signed Mat. [Wood]. By the broom are bulky bundles of papers: Brooming Correspondence and Defence of Moth[er Red Cap, see British Museum Satires No. 13975]. The owl is the base of an irregular inverted cone, formed of cloud-borne objects from the Queen's head. These are: Cobbets Register, The Times (see British Museum Satires No. 13968), The Champion (see British Museum Satires No. 13677), realistically depicted; three conical caps of Liberty with tricolour cockades inscribed respectively Bat, Cat, Mat [for Bergami, the Queen, and Wood; the title of a print, see British Museum Satires No. 14206 [23]]; Letters to Watch Makers [of] Coventry C B, over which hangs a watch and chain. Two large sketch-books, open: [1] Journal of a Tour to Jerusalem [see British Museum Satires No. 13918, &c.] with a view of a large mosque inscribed Temple of Solomon C.B del. [2] [Mem]oranda of the [Vi]lla d Este, facing a view of a large lake-side villa (see British Museum Satires No. 13857); this partly covers a third sketch: [Bucki]ngham House [the Queen's House as in British Museum Satires No. 14175]. Three large bundles of letters: Letters to the Baron [Bergami]; Wooden Headed Addresses Below Par; Answers to Addresses above Par [i.e. composed by Parr, see British Museum Satires No. 13934]. In a picture of a royal coach drawn by six horses and with three footmen behind the tiny passenger seems to be the Queen. Next this along the upper edge of the cone are pieces of plate decorated with a crown: urn, salver, goblet, candlestick, spoons, &c, with a paper: Plate Subscription.."--British Museum online catalogue
Alternative Title:: Evil communications corrupt good manners
Description:: Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Watermark: J. Whatman 1821., Mounted to 58 x 39 cm., Mounted on leaf 96 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," "Bergami," "Caroline," "Brougham," and "Denman" identified in ink below image; date "10 July 1821" written in lower right corner. Typed extract of twenty-three lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:: Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):: Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Parr, Samuel, 1747-1825, Burdett, Francis, 1770-1844, Broughton, John Cam Hobhouse, Baron, 1786-1869, Brougham and Vaux, Henry Brougham, Baron, 1778-1868., Denman, Thomas Denman, Baron, 1779-1854., Wood, Matthew, Sir, 1768-1843, George IV, King of Great Britain, 1762-1830, Cobbett, William, 1763-1835, and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):: Writing materials, Owls, Fools' caps, Bells, Snakes, Devil, Robes, Liberty cap, Carriages & coaches, Justice, Banners, Tables, Boxes, Bottles, Figurines, Newspapers, and Sketchbooks
Found in:: Lewis Walpole Library > The effusions of a troubled brain, or, Evil communications corrupt good manners [graphic].

17. Two mummies in the Tribune, size of the originals no. 1 is granite, no. 2 a sort of red clay. [art original]

Creator:: Carter, John, 1748-1817, artist
Published / Created:: [approximately 1790]
Call Number:: Folio 33 30 Copy 11
Image Count:: 1
Resource Type:: still image
Abstract:: Drawing of two small statues that were kept by Horace Walpole in the Tribune at Strawberry Hill. The female figure on the left, labeled "No. I" lightly in pencil above, stands on a pedestal with her arms extended towards the viewer; human and animal images cover her clothing, griffins and birds decorate the plaques extending behind her head, and a castle tower (?) serves as a hat. The figure on the right, labeled "No. II", is shaped like an Egyptian sacophagus, the portion below the crossed arms being covered with hieroglyphs
Description:: Title written in ink below image., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 176 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Name):: Strawberry Hill (Twickenham, London, England)
Subject (Topic):: Sculpture, Figurines, and Sarcophagi
Found in:: Lewis Walpole Library > Two mummies in the Tribune, size of the originals no. 1 is granite, no. 2 a sort of red clay. [art original]