A large clumsy dog (left) oddly like a bear, its collar inscribed 'Towler', sits under an oak surrounded by puppies; all bark savagely at a group of animals representing France and subject countries. Napoleon is an ape, who pushes forward an ass laden with 'Swiss Cheese'; he holds a staff on which are shackles and a cap of Liberty, and turns his head to snarl. The British dog barks "Keep off Boney"; all the puppies bark "Keep off". By the aged oak, up which ivy climbs, is a scroll inscribed 'Union' [cf. BMSat 10103, &c.]. The 'Gallic Mongrel', its collar inscribed 'Snarl', retaliates: "I bark at you I bite these". 'These' are animals to whose leg or collar is attached a heavy weight inscribed 'Liberty'. They are 'Signor', an Italian greyhound, and 'Mynheer', a ringed pig or boar. A similar weight is attached to the (Swiss) ass
Description:
Title from caption below image., Printmaker from British Museum catalogue., Printseller's statement following imprint: Folios of caricatures lent out for the evening., and For further information, consult library staff.
Publisher:
Pubd. Septr. 26, 1803 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain and France
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Foreign relations, History, Foreign public opinion, and Dogs
A companion plate to Le Départ (British Museum satire no. 12362), satirizing the haste of the English to visit France in 1814 and their gluttony and bad dressing. The Frenchman who cooks a cat is a subject of English caricatures on the favourite theme of the beggarly Frenchman and well-fed Englishman. In this print. "A lean Englishman strides on to the quayside from an (invisible) gangway leading to the deck of a packet, which is seen below (right), covered with the heads of passengers, looking eagerly upwards. The furled sails and rigging are on the extreme right; a dove holding an olive-branch sits on a spar. A jovial French cook leads the Englishman, who grasps his left wrist; he points to a doorway on the extreme left, below the sign 'Au Bien Venu'. He holds the white cotton night-cap which was the cap of the French cook, but is not foppish as in English caricature, but manly and sturdy. The traveller is a grotesque figure wearing a hat shaped like a flower-pot, [this hat appears in almost all satires on English costumes in Paris, c. 1814; it is worn by a man dressed à l'Anglais in No. 53 of the 'Bon Genre Series' (? 1813): 'Cheveux à Cherubin. Chapeau en pot à fleurs. Redingote en Robe de Chambre'; cf. J.-P. de Bérenger, 'Les Boxeurs', 1814: Quoique leurs chapeaux sont bien laids / Goddam! moi j'aime les Anglais] long tail-coat, wrinkled breeches, and long ill-fitting gaiters on very thin legs. His profile has an absurdly heavy chin (cf. British Museum no. 12364), and he registers eager expectation. On a flap projecting from a window beside the door are peaches, grapes, pears, &c. Within a courtyard a second cook leans from an attic window, knife in hand, to catch a cat by the tail, one of several scampering from the ridge-pole."--British Museum online catalogue
Description:
Title from caption below image., Description from impression in the British Museum catalogue., Lettered "Déposé" below image left., Attributed to printmaker Godisart de Cari and publisher Martinet. See British Museum catalogue., This plate was deposited by Martinet on 1 February 1815, although his name is not actually lettered on the plate. It is a pair to 'Le départ' (British Museum number 1868,0822.7249)., and Sheet trimmed within plate mark, with loss of text at lower left and portions of the image at the corners: irregular sheet 18.8 x 23 cm.
Publisher:
Chez Martinet
Subject (Geographic):
France and France.
Subject (Topic):
History, Foreign public opinion, National characteristics, English, National characteristics, French, Cats, Cooks, Doves, Eating & drinking, Ethnic stereotypes, Gluttony, and Mail steamers
"The Englishman, grossly obese, walks from the door of the inn (left) supporting his paunch on a wheelbarrow which the cook of British Museum satire no. 12361 helps to drag, exhausted by the effort, and mopping his face with his cap. A plank leads from the quayside to a packet-boat, the stern of which appears below, empty except for one expectant sailor. Another sailor's hand appears by the plank, ready to assist the embarkation. The sign of the inn is not depicted, the window flap hangs down. The second cook stands in the courtyard, offering food to a gorged cat on the roof."--British Museum online catalogue
Description:
Title etched below image., Dimensions from impression in the British Museum catalogue., Lettered "Déposé" below image left., Attributed to printmaker Godisart de Cari and publisher Martinet. See British Museum catalogue., This plate was deposited by Martinet on 12 Novemberr 1814, before its pendant 'L'Arrivée' (1868,0808.7249) which logically precedes it. Martinet's name is not actually lettered on the plate., and Sheet trimmed within plate mark, with loss of text at lower left; corners trimmed: 19 x 23.3 cm.
Publisher:
Chez Martinet
Subject (Geographic):
France and France.
Subject (Topic):
History, Foreign public opinion, National characteristics, English, National characteristics, French, Cats, Cooks, Eating & drinking, Ethnic stereotypes, Gluttony, Mail steamers, and Obesity
Collection of four scrapbooks compiled by Marcel Jean between 1921 and 1940 containing over 150 tracts, exhibit catalogs, letters, advertisements, subscription forms, invitation cards, and other ephemera documenting Surrealism in France, Belgium, and other locations. Includes printed, typescript, and manuscript material relating to Surrealist exhibitions, publications, and political activity, including tracts on the Spanish Civil War and fascism. Printed ephemera feature artists and writers such as Salvador Dalí, Man Ray, Tristan Tzara, René Char, and André Breton. Correspondence includes letters from Georges Bataille, Henri Pastoureau, Remedios Varo, Sheila Legge, Wolfgang Paalen, Eduardo Westerdahl and others to Jean, 1935-1939. Contains one photograph of Benjamin Péret and Jean at Léo Malet's house, 1935 and Volume 1: 1921-1934. Volume 2: 1935-1936. Volume 3: 1937-1939. Volume 4: supplement, 1926-1940
Description:
Marcel Jean (1900-1993), French artist, member of the Paris Surrealist group and author of numerous publications on Surrealism., Largely in French., and Each volume includes original endpapers created by Marcel Jean with ex-libris and autograph list of contents.
"One of a set of four, and a companion print to British Museum Satires No. 7177. A party of unsoldierly Dutch ragamuffins practises firing at the figure of a Prussian soldier (right) chalked on a high stone wall. They stand on the brink of a ditch close to the wall and are commanded by a man in civilian dress holding a pike, evidently a member of a Free Corps, who is directing the military training of the others. One man stands up to his knees in water; frogs are climbing up him. Other frogs stand on the bank holding weapons. A crowd of ruffians (left) watch the firing, some have muskets, one a blunderbuss, one blows a trumpet, another waves his hat; all exult at the success of their arms against the symbol of the Prussian army, at which a dog barks and ducks quack. The high stone wall has a ruinous gap which is filled with a windmill."--British Museum online catalogue
Description:
Title from item., DeGrey's ms. note on verso., and Watermark with initials R G below.
Publisher:
Publish'd Octr. 18th, 1787 by T. Harmar, No. 164 (opposite Bond Street) Piccadilly, London
Subject (Geographic):
Netherlands
Subject (Topic):
Foreign public opinion, Great Britain, Ethnic Stereotypes, Crowds, Weapons, Firearms, Frogs, Trumpets, Pipes (Smoking), and Military training
A man sits in a chair at a table reading about the French Revolution in The Gazetteer (newspaper). The candle in his right hand smokes heavily and is burnt down to a low stub. His tricorne hat is on the table and his walking stick is visibly leaning on the table
Description:
Title from item., Cf. William Hogarth's A politician, no. 1., and Watermark: fleur-de-lis.
Publisher:
Printed for Jno. Smith, No. 35 Cheapside
Subject (Geographic):
France
Subject (Topic):
Candlesticks, Newspapers, Reading, History, and Foreign public opinion
"A cow representing the commerce of Great Britain stands passively on the sea-shore while an American with a feathered cap saws off her horns; one horn lies on the ground. A Dutchman milks the cow ... France, a foppishly-dressed Frenchman, and Spain, a don in slashed doublet and cloak, hold bowls of milk. In the foreground lies the British lion asleep, unconscious of a pug-dog which stands on his back befouling him. Behind the lion stands a plainly-dressed Englishman clasping his hands in despair. In the background across the sea is a town inscribed Philadelphia; in front of it on the shore, two men on a minute scale (General and Admiral Howe) are seated at a table. Both are asleep, a punch-bowl is on the table... Beside them, laid up on dry land is a man-of-war inscribed Eagle (Howe's flag-ship.)" -- George
Description:
Title and date from British Museum catalogue no. 5472. and Print similar to illustration for Westminster Magazine, vi. 66, of February 1778, described as no. 5472, in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
publisher not identified
Subject (Geographic):
United States, Great Britain., Great Britain, and America.
Subject (Name):
Howe, Richard Howe, Earl, 1726-1799. and Howe, William Howe, Viscount, 1729-1814.
Subject (Topic):
History, Foreign public opinion, Commerce, Colonies, National characteristics, French, National characteristics, Spanish, National characteristics, Dutch, Milking, Cows, Lions, and Sleeping
