Admiral Rodney is depicted receiving the submission of the defeated De Grasse after the Battle of the Saints, as English sailors bring ashore the spoils of war, and chagrined politicians Fox, Keppel, and the Duke of Richmond look on from the left, with Sandwich and North behind them. Contrasts the new ministry's hostility to the popular Rodney with the rewarding of the incompetent Keppel (Admiral "Lee-shore.").
Alternative Title:
Admiral lee-shore in the dumps
Description:
Title etched below image., Printmaker from British Museum catalogue., and On left above design: Political characters & caracatures of 1782. No. 3.
Publisher:
Pubd. May 31st, 1782, by E. D'Achery, St. James's Street, London
Subject (Geographic):
Great Britain and England
Subject (Name):
Grasse, François Joseph Paul de Grasse, comte de, 1722-1788, Rodney, George Brydges Rodney, Baron, 1719-1792, Fox, Charles James, 1749-1806, Keppel, Augustus Keppel, Viscount, 1725-1786, and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Subject (Topic):
Politics and government, History, Naval, Admirals, French, British, Sailors, and Clothing & dress
Admirals Rodney, De Grasse, Vaudreuil and Bougainville, numbered 1-4 respectively, shown with Rodney standing on the right taking snuff, as Vaudreuil holds a chamber pot being used by De Grasse. Bougainville runs off to the left taking snuff. Names of the subjects are given in a key below design
Description:
Title from item., Printmaker from British Museum catalogue., and Mounted to 30 x 40 cm.
Publisher:
Pubd. Sepr. 3d, 1782, by E. D'Achery, St. James's Street
Subject (Name):
Rodney, George Brydges Rodney, Baron, 1719-1792, Grasse, François Joseph Paul de Grasse, comte de, 1722-1788, Vaudreuil, Louis Philippe de Rigaud, marquis de, 1724-1802, and Bougainville, Louis-Antoine de, comte, 1729-1811
Subject (Topic):
Admirals, French, British, Military uniforms, Chamber pots, Snuff, and Defecation
"Satire on Lord Bute and his political patronage. A view of a large garden with a tree at its centre at the top of which sits Bute holding two baskets of "golden pippins"; a devil with two serpentine legs sits on a low branch to right, excreting gold coins into the arms of a man with a fox's head (Henry Fox); to left, Princess Augusta climbs a ladder resting against the tree and reaches out to take an apple from the French ambassador, the duc de Nivernois, who sits beside the devil. Cumberland, wielding a large axe, is in the process of chopping down the tree saying "I'll cut you up root and branch". A group of Scots stand behind the tree waiting for fruits to fall, another stoops at the foot of the ladder to pick up an apple and glance up the princess's skirts; two prosperous gentlemen stand to the side holding baskets of fruit. A winged figure of Father Time flies towards the tree from the left while, on the right, a be-wigged devil (Mansfield) flies away squirting liquid from a clyster at a Charles Churchill who sits on the garden wall waving a stick; Temple and Newcastle climb over the wall into the garden and Pitt holding a flaming sword leaps down to attack a group of Scots. On the left of the scene, a cock standing on a dunghill is approached by a monkey (the Duke of Bedford, ambassador to Paris) carrying a paper lettered, "Articles of Agreement between John Bull & Lewis Gallus". Beyond, two further Scots carry off a bulging sack and the Union Flag. In the foreground, to left, is a barking British mastiff, and to right a sorrowful lion sits in shadow."--British Museum online catalogue
Alternative Title:
Scotch paradise and View of the Buteifull garden of Edenburg
Description:
Title from item., Title etched above image., The 'i' in Buteiful is an image of an 'eye', a rebus. "Eden" in Edenburg in all capitals., and Sheet trimmed within plate mark.
Publisher:
Sold at Sumpters political prints warehouse, Fleet Street
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Holland, Henry Fox, Baron, 1705-1774, Churchill, Charles, 1731-1764, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pitt, William, Earl of Chatham, 1708-1778, Mansfield, William Murray, Earl of, 1705-1793, and Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798
Subject (Topic):
Apple trees, Devil, Flags, Ladders, Lions, National emblems, French, British, Scottish, Paradise, and Roosters
"A complicated and fantastic design. The title implies the annual election of East India directors on the second Wednesday in April (11 Apr. in 1827). The Directors, twenty with portrait heads, with one or two shadowy heads behind, have wolves' paws, and wear, below their shoulders, sheeps' fleeces inscribed Golden Fleece or Fleece. In the middle sit the Chairman and Deputy Chairman, two profiles joined Janus-like. One (Lindsay, the Deputy), in profile to the left, says: Adsum qui feci in me convertite ferrum [sic]. The other (Sir G. Robinson, the Chairman), says: Nostrum sex sumus, discedentes lucemus et aucto splendore resurgemus [he is one of the six retiring Directors, to be re-elected after a year]. Before him are a book, Stamp Office Ledger. This could a tale unfold; a print of a man carrying a globe on his back (he was Chairman of the Globe Insurance Office), and papers: Joint Stock Companies and Morning Paper. In another presidential chair (right), at right angles to the Directors, sits a fierce-looking man with bull's horns holding a scourge inscribed The Board of Controul [showing he is Wynn, President of the Board]; he says: These wolves in sheeps cloathing must not take all the prey, give us John Bulls share. Facing him from the extreme left is a man at a slightly lower desk, who says: We care not a jot for the court of Proprietors. In the foreground are the Proprietors, grouped in three categories of animals. A pack of large dogs, 'the requisitionary pack', with human (portrait) heads, runs forward from the right, where there are circular tiers of benches (as used by the Proprietors on Court Days). The foremost is Cato, saying, Chairman you are all out of order, as to your lawyers I put them all at defiance. At his feet are papers: He gave him a Roland for his Oliver; A free Press, and Universal Knowledge. Next is Cæsar, saying, We are allowed in Parliament to ask questions Nemo nos impune lassessit [sic]. Argus [? Hume], with National reform in Church and State at his feet, asks: I am my own dog whose are you?. Cerberus answers: I am the House Dog but to your pack Adieu [perhaps James Rivett Carnac, Director-elect in place of Bosanquet]. Jason [? Capt. W. Maxfield], leaping over a paper inscribed The Bombay Marines Lamentations over their unmerited sufferings, says: I care not a fig for your majorities while truth, reason, and justice are on my side. Mad Tom says: One gymnastic leap would place me within the bar before you could say Jack Robinson. The last dog, P. Pry [see BM Satires 15138], its head obscured, barks at Wynn: Bow, Wow wow! Two other dogs with human heads are indicated, and there are also an obscure couple of normal dogs, saying, Pointers have good noses & capital eyes for fat bones. ..."--British Museum online catalogue
Alternative Title:
View of the beautiful garden of Edinburgh
Description:
Title etched below image., Plate from: The Butiad, or, Political register ... London : Printed for E. Sumpter, 1763., Reduced copy, without plate number, of no. 4006 ("Scotch paradice") in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted to 31 x 46 cm with Bowditch's manuscript annotations on the mount.
Publisher:
E. Sumpter
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Holland, Henry Fox, Baron, 1705-1774, Churchill, Charles, 1731-1764, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pitt, William, Earl of Chatham, 1708-1778, Mansfield, William Murray, Earl of, 1705-1793, and Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798
Subject (Topic):
Apple trees, Devil, Flags, Ladders, Lions, National emblems, French, British, Scottish, Paradise, and Roosters
"Four figures of ladies caricaturing the dress of the period. The upper pair face each other in profile, one with feathers in her much puffed-out hair, the other with a wide hat tied under her chin (a Werter hat, cf. BMSat 7054). Below, one (left) stands full-face, the other stands in profile to the left with her head in back view, showing the arrangement of her hair. The fashions satirized are the puffed-out breasts, see BMSat 7099, &c, the false 'derrières', see BMSat 6874, &c., hairdressing and large muffs, see BMSat 7244, &c. The hair is much extended on each side of the head and divided at the back by a queue reaching below the waist."--British Museum online catalogue
Alternative Title:
Telles choses sont
Description:
Title etched below image., Attribution to Mercer from the British Museum catalogue: According to Angelo, a series of plates, four figures on each, was designed by Mercer, a military officer, with the title applied from Mrs. Inchbald's comed. Cf. Angelo, H. Reminiscences of Henry Angelo, 1904, vol. 1, p. 328., Sheet trimmed within plate mark., and Watermakr: J. Whatman.
Publisher:
Publishd April 2nd, 1787, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Name):
Inchbald, Mrs., 1753-1821.
Subject (Topic):
Clothing & dress, Dandies, British, French, and Women
"Four figures of ladies caricaturing the dress of the period. The upper pair face each other in profile, one with feathers in her much puffed-out hair, the other with a wide hat tied under her chin (a Werter hat, cf. British Museum Satires No. 7054). Below, one (left) stands full-face, the other stands in profile to the left with her head in back view, showing the arrangement of her hair. The fashions satirized are the puffed-out breasts, see BMSat 7099, &c, the false 'derrières', see BMSat 6874, &c., hairdressing and large muffs, see BMSat 7244, &c. The hair is much extended on each side of the head and divided at the back by a queue reaching below the waist."--British Museum online catalogue, description of a later state
Alternative Title:
Telles choses sont
Description:
Title etched below image., Attributed to Mercer: According to Henry Angelo, a series of plates, four figures on each, was designed by Mercer, a military officer, with the title applied from Mrs. Inchbald's comedy. Cf. Angelo, H. Reminiscences of Henry Angelo, 1904, v. 1, page 328., Variant (probably earlier) state, lacking the verse beneath title that appears in the later state. See no. 7252 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Mounted to 40 x 33 cm., and Watermark: W.
Publisher:
Pub'd 2d Aprill 1787 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Name):
Inchbald, Mrs., 1753-1821.
Subject (Topic):
Clothing & dress, Dandies, British, French, and Women
"Six groups of three persons (wife, husband, and lover) arranged in two rows, their words (not transcribed) etched above their heads. [1] A pretty young woman walking with an ugly and elderly husband makes an assignation with a military officer. [2] A shoemaker with a strap interrupts a French barber making love to his wife. [3] A young woman points to her fat old husband asleep in a chair, saying to a barrister, "Take care or you'll wake him". He says: "Remember my dear Madam how well I pleaded your last cause". [4] A fashionably dressed doctor holds the pulse of a young woman who sits beside him on a sofa. The husband watches with suspicion. [5] A handsome young clergyman sits on a sofa with a young woman, their arms round each other's shoulders, eyes closed, while a fat elderly parson gapes at them with horror, saying, "Here's a pretty scandal to the Cloth!!" [6] Two fat country people embrace under the eyes of the husband who says: "Come come this is carrying the joke a little too far."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Publisher's advertisement following imprint: Foli's [sic] of caracatures [sic] lent out for the evening., Design consists of six groups of figures in two rows, with lines of dialogue etched above each group., Sheet trimmed to plate mark., Plate numbered in upper right corner: Vol. 1, pl. 14., and Restrike. Watermark: Fellows & Sons 1821.
Publisher:
Publishd. Jany. 1st, 1796, S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Topic):
Barbers, French, Clergy, Military uniforms, Physicians, and Shoemakers
Leaf 62. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man (whole length) stands in profile to the right, his mouth wide open as if singing. In his right hand he holds blank sheets of paper evidently intended for music. His left hand holds the right side of his coat. His hair is in an enormously long queue bound with ribbon. His hat is under his right arm. He wears a large cravat, his shirt sleeves are frilled but his stockings are conspicuously patched."--British Museum online catalogue
Alternative Title:
French marrowbone singer
Description:
Title etched below image., Reissue, with additional numbering. For an earlier state, see no. 4916 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 1" in upper left corner and "16" in upper right corner., Temporary local subject terms: Macaronies -- Reference to Marylebone Gardens., First of three plates on leaf 62., and 1 print : etching on laid paper ; plate mark 15.1 x 10.6 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. as the act directs, Oct. 1st, 1771, by MDarly, 39 Strand
Leaf 62. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man (whole length) stands in profile to the right, his mouth wide open as if singing. In his right hand he holds blank sheets of paper evidently intended for music. His left hand holds the right side of his coat. His hair is in an enormously long queue bound with ribbon. His hat is under his right arm. He wears a large cravat, his shirt sleeves are frilled but his stockings are conspicuously patched."--British Museum online catalogue
Alternative Title:
French marrowbone singer
Description:
Title etched below image., Reissue, with additional numbering. For an earlier state, see no. 4916 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 1" in upper left corner and "16" in upper right corner., and Temporary local subject terms: Macaronies -- Reference to Marylebone Gardens.
Publisher:
Pubd. as the act directs, Oct. 1st, 1771, by MDarly, 39 Strand
"A man (whole length) stands in profile to the right, his mouth wide open as if singing. In his right hand he holds blank sheets of paper evidently intended for music. His left hand holds the right side of his coat. His hair is in an enormously long queue bound with ribbon. His hat is under his right arm. He wears a large cravat, his shirt sleeves are frilled but his stockings are conspicuously patched."--British Museum online catalogue
Alternative Title:
French marrowbone singer
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered '16' in upper right corner., and Temporary local subject terms: Macaronies -- Singers -- Reference to Marylebone Gardens.
Publisher:
Pubd. as the act directs, Oct. 1st, 1771, by MDarly, 39 Strand
