"George IV sits fishing under a little pavilion; his rod is a sceptre, larger than that in Britis Museum Satires No. 15126. He has hooked a frog, which Lady Conyngham, kneeling beside him, is about to scoop with a landing-net. She says: Oh what a beautifull fish! I think its something of the Gudgeon kind, but a most Noble one. A large kingfisher stands on the opposite bank watching them. The King sits on an ornate stool, resting a gouty leg on a smaller one. He wears a bell-shaped top-hat, the plain high-collared coat of recent portraits with knee-breeches. Beside him are creel and bait-box. The pavilion is merely an ornate canopy for his stool, decorated with onion domes like that of the Pavilion, bells, and a crown. Lady Conyngham wears a décolletée dress with long gloves, and roses in her hair. Behind is a realistic view of the Cottage, with a peacock in front of it, and Windsor Castle."--British Museum online catalogue
Description:
Title etched below., Attributed to Charles Williams in the British Museum catalogue., Temporary local subject terms: Male costume: top hat -- Fishing net., and Watermark: Fellows 1824.
Publisher:
Pubd. June, 1826 by S.W. Fores 41 Piccadilly
Subject (Geographic):
Virginia Water (England : Lake), and Windsor Great Park (England),
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Windsor Castle,
A caricature of George IV fishing on Virginia Water, using his scepter as a rod, watched by a kingfisher and a wagtail. On the end of his line is a frog, which is being netted by Lady Conyngham, his mistress
Description:
Title etched below image., Sheet trimmed within plate mark at top and bottom., Another version, probably a copy, of a print published June 1826 by S.W. Fores with the shorter title "A king-fisher"; see no. 15137 in the Catalogue of prints and drawings in the British Museum, v. 10., Fairburn published a similar print two months earlier (May 1826), entitled "A king-fisher" and depicting the king fishing alone; see no. 15126 in the Catalogue of prints and drawings in the British Museum, v. 10., Not in the Catalogue of prints and drawings in the British Museum., and Laid down on card.
Publisher:
Pubd. Jul. 13, 1826, by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Windsor Castle,
"The Frenchman sits in profile to the left, on the knee of the Devil (right), who kneels on one knee to support him, and steadies him by encircling his body with his right arm. The Devil is nude and muscular, with large feathered wings; he grins delightedly, left arm raised. His protégé, who is ragged but fashionable and not a sans-culotte, though wearing a bonnet-rouge, holds on his knee a frothing chamber-pot, and blows soap-bubbles from a long pipe. Other bubbles of varying sizes float to the left, filled with close ranks of infantry and inscribed with their places of destination. 'Old England' issues from the pipe; the others are: 'Vienne', 'Flanders' (the largest), 'Rome', 'Prussia', 'Hanover', 'Amsterdam', 'Sardinia', 'Petersburg'. Beneath their feet are papers: 'Asignets'. The scene is near the coast; at the water's edge sit three (Dutch) frogs, their backs to the two figures, saying, "Oh Dear what can the matter be. I wish we was out of their Bloody clutches sure some infurnel Fiend Protect them." They face a burning town on the horizon."--British Museum online catalogue
Alternative Title:
Member of the French War Department raising forses to conquer all the world and Member of the French War Department raising forces to conquer all the world
Description:
Title from item., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pub. Novr. 2, 1793, by J. Aiken, No. 14 Castle St., Leicester Square
Subject (Geographic):
France
Subject (Topic):
History, Bubbles, Chamber pots ., Devil, and Frogs
"A fantastic theatre scene, showing stage, orchestra, and two boxes on each side of the stage. On the stage the fall of Amsterdam is represented by a number of frogs (burghers) who hasten obsequiously to submit to the Stadholder. William V, much caricatured as a short fat man wearing military dress with plumed helmet, gorget, and jack-boots, stands with an uplifted sabre, dripping blood, about to cut the throat of a frog, who kneels, holding out a purse in each hand. His sabre is inscribed 'W. de V'; he straddles across the decapitated heads and limbs of his frog-subjects; under his left foot is a standard decorated with three storks. A mutilated frog jumps from the stage into the orchestra from which rise the flames of Hell. Other frogs disappear into the flames, where demons act as musicians; one plays a gridiron with a pitchfork, two others sing. Dominating these musicians is the half length figure of a lean military officer playing the flute, in gauntlet gloves, his eyes fixed on the stage. The frogs who hasten towards the Stadholder have expressions of terror and are dressed as Dutchmen. One proffers a large key inscribed 'Stadt House', another a pail of 'Milk', another a beehive, another a cask of 'Butter', another a keg of 'Holland Gin'. Behind William V the Princess of Orange (left) stands with her hands on her hips, smiling coquettishly over her shoulder at her husband, the word 'Kiss' issuing from her mouth. Suppliant frogs fawn upon her. The background of this scene is a city wall (right) (Amsterdam) and clouds (left), across which straddles a grotesque figure of Fame blowing two trumpets. Above the proscenium the words 'Sic transit Gloria Mundi' replace the customary 'Veluti in Speculum'. ... "--British Museum online catalogue
Alternative Title:
Last scene of the republican pantomine
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state of a plate originally issued with the title: The surrender of Amsterdam, or, The Duke of Brunswick in a bustle. Other changes include the addition of crosshatching, the replacement of the Duke of Brunswick's head with that of William of Orange, and the addition of an inscription on the sabre., Sheet trimmed to plate mark., and Temporary local subject terms: Dutch Patriot Party, 1787 -- Flag of the Dutch Patriot Party -- Demon musicians -- Personification: Fame blowing two trumpets -- Mottoes: Sic transit gloria mundi -- Emblem: Storks for Holland -- French interest: defeated at Amsterdam -- Club of British Oak -- Sabres -- Purses -- Fools cap: Hapsburg eagle -- Snuff boxes -- Stags -- Arms -- Flames of hell -- Cask of gin: Holland -- Pail of milk -- Cask of butter -- beehives -- Stadthouse keys -- Horace Walpole refers to subject -- Harem of veiled women -- Fredericka Sophia Wilhemina, Princess of Orange, 1751-1820.
Publisher:
Pubd. Novr. 1st, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, William V, Prince of Orange, 1748-1806, Louis XVI, King of France, 1754-1793, Frederick II, King of Prussia, 1712-1786, Abdülhamid I, Sultan of the Turks, 1725-1789, Catherine II, Empress of Russia, 1729-1796, and Joseph II, Holy Roman Emperor, 1741-1790
A man in Scottish dress kicks a bull as he cuts it with a knife crying, "Hoot! Damn yeen. Saul what de ye hoke for." Also pictured a abyssianian couple skin a lion. A sphynix with a confused look sits as a stream pours out from under his chair with a crocodile and crabs floating in the water and frogs observing from the side. Monkeys in the trees observe the scene below. A other four-legged animal emerges from the tent in the distance
Description:
Title etched below image., Sheet trimmed within plate mark., Four lines of verse on each side of title: There, which the squeamish souls of Britain shocks, ... ., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark (countermark) : V I.
Publisher:
Pubd. March 3, 1791, by W. Holland, No. 50 Oxford St.
Subject (Geographic):
Egypt, Ethiopia., and Nile River.
Subject (Name):
Bruce, James, 1730-1794
Subject (Topic):
Description and travel, Antiquities, Clothing & dress, Scottish, Bulls, Crabs, Crocodiles, Frogs, Lions, Monkeys, Tents, and Tourists
"Folding frontispiece to "A Political Lecture on Heads, alias Blockheads!! A Characteristic Poem: . . .Drawn from Craniological Inspection, after the Manner of Doctors Gall and Spurzheim, of Vienna. By Don Juan Asmodeus. London. Printed for the Author, and Published by John Fairburn, 2, Broadway, Ludgate-Hill (Price One Shilling)." Ten half length caricature portraits arranged in two rows, and, except for the last two, in separate compartments, each illustrating a section of the verse-satire. The date is after Peterloo (16 August 1819), see British Museum Satires No. 13258, and before the King's death (29 Jan. 1820). [1] 'Derry-Down-Triangle', Castlereagh, with ass's ears, his head, adorned by a tiny gibbet, turned in profile to the left, holds up a scourge. On a scroll is the motto 'EIREN·GO·BRAY' (see British Museum Satires No. 13301). [2] 'State Jackal', Canning, directed to the left, holds a pistol in each hand. On his head is a triangle, bells hanging from its apex as from a fool's cap. Behind him is a package inscribed 'Lisbon 20.000 weight'. For his much-attacked mission to Lisbon see British Museum Satires No. 12872, for the duel with Castlereagh, British Museum Satires No. 11370, &c. [3] 'Quack Doctor' [cf. British Museum Satires No. 9849], Sidmouth, in profile to the left, holds a pike on which is speared a ball inscribed 'Circular Pills' [see British Museum Satires No. 13282, &c.]. On his head is a pestle and mortar inscribed 'Drugs for John Bull'. At his back is a large 'Bible' (like Liverpool he was an Evangelical). [4] 'Chancery Jack', the shoulders of Eldon, who scowls to the right, emerge from a 'Coal Tub' (as son of a Newcastle hoastman or coal-broker). He wears wig and gown, across his forehead is a bandage inscribed 'In Chancery'; from his mouth issues the word 'Equity'. [5] Liverpool, in profile to the left, spoons into his mouth liquid from a bowl of 'Water Gruel for the Poor' held in his left hand. On his head is a round tea-tray inscribed '£4.000'; on this are two cups and an urn inscribed 'Cordial Tea'. [6] 'Croaking-Frog--' Croker sits, pen in hand, in profile to the left; on his head is a frog. At his shoulder is a flag inscribed Dry . Rot . In . Navy' above two broken anchors. He says "Fal de Raltit," and before him is a paper: 'Talavira [sic] Algiers 2000'. He has an oddly shaped seat, resting his arm on a 'Quarterly Review', above a longer (curved) block inscribed 'Couriers'. (He was Secretary to the Admiralty, see British Museum Satires No. 12310, author of 'Talavera', a leading contributor to the 'Quarterly', and (with Arbuthnot) manager of the Press for the Ministry.) [7] 'Dunderass--' Lord Melville (First Lord of the Admiralty), in tartan, is in profile to the left, holding a pinch of snuff. Across his chest is a broad band: 'Pickings of Dad 60.000 [see British Museum Satires No. 10377, &c.] Place 10.000.' He wears a curious head-dress topped by a man-of-war surrounded by smoke. [8] 'Waterloo-Man--' Wellington, so styled by Hone, see British Museum Satires No. 13302, stands in profile to the left, wearing a cocked hat on which stands a cannon. He holds a dagger transfixing a bleeding heart; behind his back is a bundle inscribed 'Iquisition' [sic], across his chest is a placard: 'Coruption [sic] Prize . Money £60.000 Allowances £200.000 &c &c.' The text is a savage attack, e.g.: His soldiers 'sav'd the Spanish nation'; | Sav'd them--to send them to perdition | By 'Ferdinand's' crust [sic] 'Inquisition' [see British Museum Satires No. 13009] and (on Waterloo): The 'General' he'd not aught to do | But scenes of triumph to review [having lingered in Brussels]. For the campaign against pensions see British Museum Satires No. 12781, &c. [9 and 10] 'Chere-Amie', Lady Hertford in profile to the right, holds a sceptre and wears a crown-like coronet. She offers the Regent a large goblet of 'Noyau', saying, "Take another sup my Jewel. Grand-Lama--" The Regent leans back tipsily, his eyes almost closed. A little demon, holding a firebrand, flies towards him, flinging a noose at his head. See British Museum Satires No. 11853."--British Museum online catalogue
Description:
Title etched below image., Attribution to George and Robert Cruikshank from pencil annotation on the British Museum impression; see British Museum catalogue., Frontispiece to: Asmodeus, J. A political lecture on heads, alias blockheads!! A characteristic poem ... London : J. Fairburn, [1819], Approximate month of publication from the British Museum online catalogue, registration no.: 1865,1111.614., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and All figures except Lady Hertford (bottom row, second from the right) identified in ink beneath their respective caricatures. Typed key to the figures (with Lady Hertford misidentified as "Caroline") pasted above print.
Publisher:
John Fairburn
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Croker, John Wilson, 1780-1857, Melville, Robert Saunders Dundas, Viscount, 1771-1851, and Wellington, Arthur Wellesley, Duke of, 1769-1852
The Count sits in a large chair, a basket of frogs on the floor between his wide-spread legs; he wears a powdered wig under his hat, his uniform, a gold cross on a black ribbon around his neck, high black boots with spurs, and sword at his waist. He is wide-eyed and stiff -- marionette-like -- as he eats a frog. A man servant with a worried expression on his face and wearing a red liberty cap approaches him from the left, holding a tray labeled "Fricasee of Frogs". From the right, a woman, her face mostly obscured by her large head scarf, carries a bowl labeled “Soup meager”.
Alternative Title:
French admiral in all his glory
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
United States
Subject (Name):
Estaing, Charles Henri, comte d', 1729-1794
Subject (Topic):
History, Foreign participation, French, Frogs, and Wigs
"Dumouriez, followed by a tall and ragged sansculotte, marches aggressively towards a low barricade (left), behind which are frog-soldiers presenting their bayonets at the invaders. Dumouriez, foppishly dressed in regimentals, but with bare legs, his shirt confined by a sash, holds against his shoulder an enormous seal. He says, holding out his right hand, "Monsr Orange, I will seal up your Papers, & take care of your Cash". From his pocket hangs a scroll: 'New Laws for Holland Prepar'd by the Convention'. His 'aid du Camp' holds against his shoulder a gigantic piece of sealing-wax inscribed 'Fyn Se gelak wel brand en vart. houd', in his right hand is a large lighted candle or taper. He says, "Aha. Monr Grenouille I wou'd rather eat you than fight." He is perhaps Miranda, Dumouriez' second in command."--British Museum online catalogue
Alternative Title:
Dumourer and his aid du camp on full march and Dumourer and his aide du camp on full march
Description:
Title from item., Printmaker from British Museum catalogue., and Publisher's advertisement following imprint: ... where may be seen a complete model of the quillotine admitance [sic] one shilling.
Publisher:
Pub. March 13, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France and Netherlands
Subject (Name):
William V, Prince of Orange, 1748-1806., Dumouriez, Charles François Du Périer, 1739-1823, Miranda, Francisco de, 1750-1816, and France. Convention nationale.
Subject (Topic):
Neerwinden, Battle of, Neerwinden, Belgium, 1793, History, Campaigns, Foreign public opinion, British, Foreign relations, Sansculottes, Candles, Dandies, French, Frogs, Military uniforms, and Seals (Insignia)
On the left under the title "England" a bear sits at a table enjoying a hearty meal of roast beef and plum pudding while across from him sits a frog in a French uniform with a sword at his waist, a plate of only sauce before him and two turnips to the side. The fox toasts his companion with a glass while the bear holds up a large frothing mug of beer. A wine cooler in the foreground holds four bottles of wine. On the wall behind each figure is a round framed image: two birds above the bear and a woman holding a cross (a saint?) above the frog
Description:
Title from caption above image., Picture caption: England with roast beef & plumb pudding supplies, ... France with her frogs has very fine sauce., Publication date from unverified data from local card catalog record., Description based on imperfect impression; sheet trimmed within plate mark with loss of text., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Sold by [...]
Subject (Topic):
Animals in human situations, Bears, Eating & drinking, Frogs, National emblems, British, and French
