A young, rotund friar sits at a table well-set with carafes, one each of red and white, and with plates of lushious fruit. He smiles as he raises his glass and looks at the viewer. Through the window (left) peeps a pretty young woman with a shawl over her head; she smiles slightly
Description:
Title etched below image., Two numbered columns of verse below title: I am a friar of orders grey, And down the vallies I take my way; I pull not blackberry, haw or hip, Good store of ven'son does fill my scrip, My long bead roll I merrily chaunt, Wherever I walk no money I want; And why I'm so plump the reason I'll tell ... "Who leads a good life, is sure to live well." What baron, or squire, or knight of the shire, Lives so well as a holy friar ..., Verses may be a parody of Thomas Percy's Reliques of See British Museum catalogue., Plate numbered '428' in the lower left corner., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd June 4, 1806 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Eating & drinking, Fruit, Gluttony, Lust, and Monks
Title from item., Artist's name and date at upper right., Published in Life Magazine, February 3, 1947, to illustrate the article "Psychoanalysis " by Francis Sill Wickware., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Time Inc.
Subject (Topic):
Neuroses, Mental states, Anxiety, Anger, Fruit, Masks, and Demons
"The Queen, not caricatured, sits regally in an armchair beside an ornate marble and gilt table, on which are dishes of fruit. Next her is a dish of pears. She holds a (bitten) pear near her mouth; in her left hand is a rolled document inscribed 'Defence' from which hang two pears on a forked twig. She says meditatively: "I do love these Pears! but I hate the English Pairs* [peers]." Above her is looped a heavy fringed curtain. The 'trial', see British Museum Satires No. 13825, is assumed to be proceeding badly for the Queen. Cf. in British Museum Satires No. 13900 the contrary assumption. For the Queen and Bergami see (e.g.) British Museum Satires No. 13731. Fruit-sellers in London cried 'Bergami pears and Caroline Apples'. 'Letters of Countess Granville', 1894, i. 172."--British Museum online catalogue, description of an earlier state
Alternative Title:
Choice fruit!!
Description:
Title etched below image., Later state, with alternative title etched on plate. For an earlier state with this alternative title in manuscript only, see no. 13869 in the Catalogue of prints and drawings in the British Museum, v. 10., Approximate date of publication from watermark., Publication date of 1 October 1820 is noted in the British Museum catalogue entry for an earlier state., Sheet trimmed within plate mark., Watermark: Weatherley & Lane 1820., Mounted to 58 x 39 cm., Mounted on leaf 88 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Q. Caroline" identified in ink below image; date "1821" written beneath lower right corner of image. Typed extract of one line from the British Museum catalogue description is pasted below print.
Publisher:
Pubd. by S.W. Fores, Piccadilly No. 41
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
Queens, Adultery, Fruit, Pears, Tables, Documents, and Draperies
Title, date, and place of publication from item. and Text below image: OWI Poster No. 77 - 16 x 22.5 in. Additional copies may be obtained upon request from the Division of Public Inquiries, Office of War Information, Washington, D.C.: U.S. Government Printing Office: 1943-O-533993.
Publisher:
United States Office of War Information and United States Government Printing Office
Subject (Topic):
Nutrition, Food conservation, World War, 1939-1945, Canning and preserving, Vegetables, Fruit, Beets, Corn, Pears, and Tomatoes
"A young woman shown half-length to right with her back to the viewer, wearing a spotted neckerchief and a straw hat over her cap, looking over her shoulder towards the viewer, holding a basket over her arm and holding up three fruits; in an oval."--British Museum online catalogue, description of a later state
Description:
Title from text below image., For a later state bearing the imprint of Bowles & Carver, see British Museum online catalogue, registration no.: 2010,7081.1688., and Plate numbered "372" in lower left corner.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Pauls Church Yard, London
Subject (Topic):
Young adults, Women, Baskets, Fruit, Peddlers, and Food vendors
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching with stipple ; sheet 40.4 x 29.4 cm., Printed on wove paper; hand-colored., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted on leaf 68 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Q. Caroline," "Lady Anne Hamilton," and "Ald. Wood" identified in ink below image; date "Ap. 30, 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
Title and date from item., The Saturday Evening Post was published by Curtis Publishing, based in Philadelphia., Text at lower right: Contributed in the interest of the National Nutrition Program of the Office of Defense, Health and Welfare Service, Paul V. McNutt, Director, by The Saturday Evening Post., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
The Saturday Evening Post
Subject (Name):
McNutt, Paul V. 1891-1955. (Paul Vories), and United States. Office of Defense Health and Welfare Services.
Subject (Topic):
World War, 1939-1945, Nutrition, Advertising campaigns, Food, Fruit, and Vegetables
Title from item., In lower margin: U.S. Government Printing Office: 1943-O-544268 ; U. S. Department of Agriculture - War Food Administration ; 10., Text below images: Eat a lunch that packs a punch!, In the center of pie chart of seven food groups is the wartime nutrition program logo: U.S. Needs Us Strong. Eat the Basic 7 Every Day., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
U. S. Department of Agriculture - War Food Administration
Subject (Geographic):
United States.
Subject (Topic):
Nutrition, Requirements, World War, 1939-1945, Food supply, War work, Fruit, Vegetables, Dairy products, Bread, and Industry
Title from item., In margin lower left: A. C. 351 ; English Hindi 10,000., Date derived from founding of British India Press., Text is also in Hindi., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Issued by the Director General of Health Services, Govt. of India. Published by the Advertising Branch, Ministry of I. & B. Govt. of India and Printed by British India Press, Bombay 10.
Subject (Topic):
Public health, Flies as carriers of disease, Fruit, Contamination, Handling, Peddlers, Watermelons, Children, and Flies
