Charles James Fox, with the feet and tail of a fox, his empty pockets turned out, and with cow horns protruding through his hat, stands on an E.O. (gaming) table placed on the North Pole. Quoting Satan's speech from Paradise Lost, he looks to the upper right where the sun is depicted as Lord Shelburne. Refers to Fox's gambling habit and his July 1782 resignation after Shelburne's appointment as First Lord of the Treasury
Alternative Title:
Devil addressing the sun
Description:
Title etched below image., Printmaker from British Museum catalogue., Date based on that of earlier state with the publication line: Pubd. July 22d, 1782, by E. D'Achery, St. James's Street., and Sheet trimmed within plate mark.
Publisher:
Pubd. July 22d by W. Humphrey
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Gambling, Foxes, Clothing & dress, and Politics and government
Charles James Fox, with the feet and tail of a fox, his empty pockets turned out, and with cow horns protruding through his hat, stands on an E.O. (gaming) table placed on the North Pole. Quoting Satan's speech from Paradise Lost, he looks to the upper right where the sun is depicted as Lord Shelburne. Refers to Fox's gambling habit and his July 1782 resignation after Shelburne's appointment as First Lord of the Treasury
Alternative Title:
Devil addressing the sun
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Publisher and date of publication from those of the volume in which the plate was issued., Plate numbered "11" in upper right corner., Plate from: The works of James Gillray, from the original plates ... London : Printed for H.G. Bohn by C. Whiting, [1849?]., For an earlier state lacking plate number, see no. 6012 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Printed on verso, an uncolored impression of: The V- Committee framing a report. [London] : Pubd. according to act of Parliament, Augt. 12th, 1782 by C. Atkinson, and sold in Mark Lane!!! Numbered in upper right corner of image: 10.
Publisher:
Pubd. July 22d by W. Humphrey [i.e. H.G. Bohn]
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Gambling, Foxes, Clothing & dress, and Politics and government
"Interior view of the great room at Brookes's Subscription House; men sit playing cards at large round tables to the right side of room; a grand chandelier hanging from ceiling; sofas and smaller tables to the left."--British Museum online catalogue
Alternative Title:
Great Subscription Room at Brooks's, St. James's Street
Description:
Title etched below image., Plate numbered in upper right, above image: No. 39., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 94., and Matted to 36 x 43 cm.
Publisher:
Pub. 1st Octr. 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
England and London.
Subject (Name):
Brooks's (Club),
Subject (Topic):
Private clubs, Interiors, Parlors, Card games, Gambling, and Chandeliers
"Interior view of the great room at Brookes's Subscription House; men sit playing cards at large round tables to the right side of room; a grand chandelier hanging from ceiling; sofas and smaller tables to the left."--British Museum online catalogue
Alternative Title:
Great Subscription Room at Brooks's, St. James's Street
Description:
Title etched below image., Plate numbered in upper right, above image: No. 39., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 94., 1 print : aquatint with etching on wove paper, hand-colored ; plate mark 22.9 x 27.6 cm, on sheet 27 x 33.8 cm., and Watermark: J. Whatman 1808.
Publisher:
Pub. 1st Octr. 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
England and London.
Subject (Name):
Brooks's (Club),
Subject (Topic):
Private clubs, Interiors, Parlors, Card games, Gambling, and Chandeliers
Title etched above image., Text below image: Acapulca., Date of publication from British Museum catalogue., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London : Printed for E. Morris, [1757]., Plate numbered '38' in upper right corner., Temporary local subject terms: Satire on Admiralty -- Royal die and dice box -- Emblems: anchor -- Playing cards -- Naval battles: seizure of the Acapulca galleon., and Mounted to 18 x 26 cm.
Three older ladies and one gentleman in military uniform sit at a table playing cards. Speech balloons from the ladies berate him for his lack of card playing skills
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: W Elgar.
Publisher:
Pubd. June 10, 1802, by T. Williamson, No. 20 Strand, London
In a churchyard four young men, one of whom is a boot-black, play a game of hustle-cap on a tomb; a beadle raises his cane to strike them; in the foreground skulls and bones and an open grave; beyond, the congregation enters the church
Description:
Title etched below image., Date suggested by Isaac., Sheet trimmed to plate mark at top edge., Plate numbered "30" in upper right corner., After a Hogarth print entitled "The idle 'prentice at play in the church yard, during divine service," from his series "Industry and idleness.", and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Gambling, Officials, Shoe shiners, Skulls, Tombs & sepulchral monuments, and Young adults
"A young woman stands within a compass inscribed 'Fear God', holding an open book inscribed 'The Pleasures of Imagination Realized'. At her feet is an open chest full of guineas from which hang bank-notes and jewels; it is inscribed 'The Reward of Virtue'. A small dog stands beside her. In the background (right) is a country house, on the left farm-buildings and haystacks. The four corners are filled ... with the disasters which beset the woman who does not 'keep within compass'. (1) A woman weeps dejectedly with cards and an empty purse on the ground at her feet. (2) A drunken woman lets an infant fall from her arms; on the wall is a torn print inscribed 'Domestic Happiness'. (3) A woman is being conducted to the watch-house by two watchmen, one with his lantern, the other with a rattle. (4) She beats hemp in Bridewell, a man standing behind her with a whip, as in Hogarth's 'Harlot's Progress'. The words round the circle are the same as in BMSat 6903. Beneath the circle is inscribed 'Prudence produceth esteem'."--British Museum catalogue., The first three words of the title at the top and "Prudence produceth Esteem" below, followed by four lines of verse. The whole title appears around the circumference of the circle., Four verses of four lines begins: Instead of cards my fair-one look, (I beg you'll take it kind) Into some learned author's book, And cultivate your mind. ..., Companion print to: Keep within Compass and you shall be sure, to avoid many troubles which others endure., and Reissue of No. 6907 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. Lacks series numbering.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Pauls Church Yard, London
"A young woman stands within a compass inscribed 'Fear God', holding an open book inscribed 'The Pleasures of Imagination Realized'. At her feet is an open chest full of guineas from which hang bank-notes and jewels; it is inscribed 'The Reward of Virtue'. A small dog stands beside her. In the background (right) is a country house, on the left farm-buildings and haystacks. The four corners are filled ... with the disasters which beset the woman who does not 'keep within compass'. (1) A woman weeps dejectedly with cards and an empty purse on the ground at her feet. (2) A drunken woman lets an infant fall from her arms; on the wall is a torn print inscribed 'Domestic Happiness'. (3) A woman is being conducted to the watch-house by two watchmen, one with his lantern, the other with a rattle. (4) She beats hemp in Bridewell, a man standing behind her with a whip, as in Hogarth's 'Harlot's Progress'. ..."--British Museum online catalogue, description of a larger version of the same design
Alternative Title:
Prudence produceth esteem and Keep within compass and you shall be sure, to avoid many troubles which others endure
Description:
Title from text above and below circular image at center of design., Alternative title from text etched within circular border of center image: Keep within compass and you shall be sure, to avoid many troubles which others endure., After a watercolor drawing by Robert Dighton; see British Museum online catalogue, registration no.: 1859,0709.57., Reissue, with new imprint and date removed, of a print published by Carington Bowles in 1785; see no. 6908 in the Catalogue of prints and drawings in the British Museum, v. 6. For a larger mezzotint version of the same design with more extensive verses below, see no. 6907 in the Catalogue of prints and drawings in the British Museum, v. 6., Date based on the partnership of Bowles and Carver from 1793 until 1832., Sheet trimmed to plate mark., Four lines of verse in two columns at bottom of plate: Attend unto this simple fact, as thro' this life you rove, that virtuous and prudent ways, will gain esteem and love., and Plate numbered "347" in lower left corner.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Paul's Church Yard, London
"A fashionable crowd, with two card-tables, a round table in the foreground (left) at which four persons play Pope-Joan; the most conspicuous is a pretty young woman directed to the left, her loose semi-transparent draperies revealing her person and leaving her breasts almost uncovered. A leering man stands behind her chair, negligently holding candle-snuffers to a candle on the table, in order to peer down her décolletage. A stout lady in back view, sitting on a stool (identified as Lady Buckinghamshire, but (?) Duchess of Gordon), a little girl, and an elderly man (identified as Dr. Sneyd) complete the table. On the right is another card-table at which three persons are playing. Standing figures freely sketched form a background, the whole design being dominated by the erect feathers of the ladies, usually springing from a turban."--British Museum online catalogue
Alternative Title:
Peeping-Tom spying out Pope-Joan
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. March 12th, 1796, by H. Humphrey, New Bond Street
