Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.3 x 46.5 cm, on sheet 45 x 56 cm., and Leaf 17 in: Album of William Hogarth prints.
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., Sheet trimmed within plate mark., and Image 'touched': Stray hair and lock added in ink, presumably by Hogarth.
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., Sheet trimmed within plate mark., Touched in ink eyelid and stray hair on left but no lock., and Formerly on page 112 in volume 2. Removed in 2012 by LWL conservator.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 1st March 1777.
Call Number:
Bunbury 777.03.01.02.2+ Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on bookmaking: a portly man grins as he makes a note in a small book as another scowls miserably, hands in pockets; on the left, three dogs bark at the pair, above them the wall has been chalked "45" and "[Wil]kes" (alluding to John Wilkes, see 1868,0808.4315) and a sign reads, "No Thouroughfare Here"; behind the men is the wall of a house, from an upper window of which appears a man's leg clad in a dark stocking (a "blackleg" or swindling bookmaker (OED)), below the window a gallows with a hanged man has been crudely drawn on the wall, a notice reads "Whoso Lays ... will be prose[cuted]" (presumably alluding to infringement of gambling regulations); from another window, above which is the sign "Catchpenny Alley", hangs the head of a goose, a small dog jumps up trying to reach it; another dog is seated at right; a pair to British Museum Satires No. 4719."--British Museum online catalogue
Description:
Title from text below image., Publication statement is lightly etched and barely visible., Sheet trimmed within plate mark., Campanion print to: Newmarket : a shot at a pigeon., and Watermark.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 1st March 1777.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 73. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on a gullible young gambler; a street scene with a group of local Newmarket men and a small boy pointing at an open-mouthed young gentleman his right hand in his pocket holding a riding whip accompanied by an Italian greyhound; a street dog defecates in front of the young man; the wall behind the men has been chalked with the name of the famous racehorse Mambrino; in the distance three men converse outside a building."--British Museum online catalogue
Description:
Title etched below image., Imprint statement lightly etched and barely visible., Companion print to: Newmarket : a shot at a hawk., Temporary local subject terms: Newmarket -- Slang: Pigeon., Mounted on page 73 of: Bunbury album., and 1 print : etching and drypoint with rocker on laid paper ; plate mark 24.9 x 27.0 cm, on sheet 32.4 x 34.1 cm.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 1st March 1777.
Call Number:
Bunbury 777.03.01.03+ Impression 1
Collection Title:
Page 73. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on a gullible young gambler; a street scene with a group of local Newmarket men and a small boy pointing at an open-mouthed young gentleman his right hand in his pocket holding a riding whip accompanied by an Italian greyhound; a street dog defecates in front of the young man; the wall behind the men has been chalked with the name of the famous racehorse Mambrino; in the distance three men converse outside a building."--British Museum online catalogue
Description:
Title etched below image., Imprint statement lightly etched and barely visible., Companion print to: Newmarket : a shot at a hawk., Temporary local subject terms: Newmarket -- Slang: Pigeon., 1 print : etching and drypoint with rocker on laid paper ; sheet 24.5 x 26.5 cm., Sheet trimmed within plate mark., and Watermark, trimmed.
"Lady Buckinghamshire, enormously fat, is seated in profile to the right in an open chariot which sinks through a rectangular aperture in front of the Weigh-House, its weight being too great for the apparatus for weighing wagons. She throws up her arms and one leg, dropping her whip and reins. The hind legs of the plunging horses are in the pit; they snort wildly; the chariot and horses resemble those of Phaeton burlesqued. On the chariot is an oval escutcheon with four quarterings (cards, dice, wine-bottle, and glass) and the letter 'B'. On the right (behind) are two street-lamps on tall pyramidal posts."--British Museum online catalogue
Alternative Title:
Overweight, or, The sinking fund, or, The downfall of faro, Sinking fund, and Downfall of faro
"Four ladies and two men play cards at a round table lit by two candles. A woman in back view says to a handsome woman next her: "Whom in your opinion Madam, are the happiest couple in England?" The other shows King and Queen, answering, "The King and Queen, Ma'am that's a stop." An elderly woman turns to a man in regimentals with a scarred face: "And do you really think, Major, that Bonaparte means to attempt an Invasion? - pray what is your opinion of him." He displays a knave: "A knave Ma'am, and that's a stop." A young woman says to a fat parson who sits in a wheeled armchair, his gouty leg on a cushion: "What unfortunate Old Lady was that you mentioned just now, Mr Spintext!" He holds the nine of diamonds, intent on the bag of counters, and answers: "The Pope, Ma'am and I clear the Table.""--British Museum online catalogue
Alternative Title:
Pope Joan
Description:
Title from caption below image., Printmaker from British Museum catalogue., Temporary local subject terms: Allusion to: George III< king of Great Britain, 1738-1820 -- Allusion to: Charlotte, queen consort of George III, 1744-1818 -- Allusion to: Pius VII, Luigi Barnaba Chiarmonti, pope, 1740-1823 -- Allusion to: Napolean I, emperor of France, 1769-1821 -- Allusion to: Joan, pope of Rome, fl. 853-855 -- Parsons -- Medical Disease: gout -- Medical Equipment: Wheelchair -- Military Unifroms: Officer -- Playing cards -- Candlesticks -- Furniture: Card table -- Games: Pope Joan., and Watermark: J Whatman.
Publisher:
Pubd. Novr. 1805 by Willm. Holland, Cockspur Street, London
Gamblers with expressions of anxiety and despair sit or stand around an octagon-shaped table. One man slumps in his chair, asleep and with his purse empty. One man resembles Captain Topham; others may be caricatures as well. In the center of the table is a circular roulette mechanism with the letters E and O for even and odd
Description:
Title etched below image., Artist attribution from British Museum catalogue., Reissue of an earlier state dated 1781, with a different title. Cf. British Museum catalogue, no. 5928., and Partially trimmed within plate mark.
Publisher:
Publish'd Jany. 1st 1786, by S.W. Fores at the Caracature Warehouse, No. 3 Piccadilly
Gamblers with expressions of anxiety and despair sit or stand around an octagon-shaped table. One man slumps in his chair, asleep and with his purse empty. One man resembles Captain Topham; others may be caricatures as well. In the center of the table is a circular roulette mechanism with the letters E and O for even and odd
Description:
Title etched below image., Artist attribution from British Museum catalogue., Reissue of an earlier state dated 1781, with a different title. Cf. British Museum catalogue, no. 5928., 1 print : etching on laid paper ; plate mark 21.3 x 25.2 cm, on sheet 22.3 x 26.2 cm., and Mounted on leaf 33 of volume 2 of 14 volumes.
Publisher:
Publish'd Jany. 1st 1786, by S.W. Fores at the Caracature Warehouse, No. 3 Piccadilly
