Titled separately under each image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Fashion -- Male dress, 1795 -- Female dress, 1795 -- Quizzing glasses., and Watermark (partial): fleur-de-lis.
Publisher:
Published 30th March 1795 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Hand lenses, and Fans (Accessories)
"Two elderly men, in old-fashioned dress, play chess, seated at a small table, lit by two guttering candles. One moves, the other watches with intense concern. Each has a deeply interested spectator leaning on the back of his chair. All four are caricatured. A small dog lies on the ground. A large fire burns in the grate (right). Over the chimney-piece is the lower part of a whole length portrait. On the wall behind the players are three pictures: one of a man playing ninepins outside a rustic inn, with a donkey looking over a paling, is flanked by a picture of a horse and by a landscape."--British Museum online catalogue
Description:
Title from caption below image., Artist from British Museum catalogue., Publication from another dated state published by McLean: "Augt 1st. 1835.", See no. 12392 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9, for a related version of this print., and Manuscript "Aug 1835" added after imprint.
Publisher:
Pubd. by Thos. McLean 26 Haymarket
Subject (Topic):
Bowling, Chess, Dogs, Fireplaces, Floor coverings, Hand lenses, and Pictures
"Two elderly men, in old-fashioned dress, play chess, seated at a small table, lit by two guttering candles. One moves, the other watches with intense concern. Each has a deeply interested spectator leaning on the back of his chair, the one on the right with a quizzing glass. All four are caricatured. A small dog lies on the ground. A large fire burns in the grate (right). Over the chimney-piece is the lower part of a whole length portrait. On the wall behind the players are three pictures: one of a man playing ninepins outside a rustic inn, with a donkey looking over a paling, is flanked by a picture of a horse and by a landscape."--British Museum online catalogue
Description:
Title from caption below image., Artist from British Museum catalogue., Publication from another dated state published by McLean: "Augt 1st. 1835.", and See no. 12392 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9, for a related version of this print.
Publisher:
Pubd. by Thos. McLean 26 Haymarket
Subject (Topic):
Bowling, Chess, Dogs, Fireplaces, Hand lenses, and Pictures
"A buxom lady walks forward and to the right towards a man in riding-dress (right) who inspects her through a quizzing-glass. A ribbon encircles her high waist (cf. BMSat 8571, &c.) and her petticoats projecting in front exaggerate her portly figure. She carries a large muff and holds a glove in her left hand. Behind her a small footman holding a large closed umbrella marches stiffly. In the background is a tree, under which is a seat in back view, on which a man and woman are sitting."--British Museum online catalogue
Description:
Title from item., No. 119 in Laurie & Whittle series of Drolls., and Watermark.
Publisher:
Published 12th June 1794 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Benches, Hand lenses, Muffs, Obesity, Servants, and Umbrellas
"Two figures, over life-size, on a low pedestal embrace; the King as Bacchus, nude except for a girdle of vine-leaves and grapes, and a wig decked with leaves; Lady Conyngham as Ariadne, a more classic figure, with drapery hanging from the hips. Against the pedestal leans a portfolio: Lady C------s Attitudes Suppressed. A connoisseur (right) gazes up through an eye-glass, saying, Bacchus was the God of Wine and good cheer, his 'favourite was Cxxxxxxm [lightly scored through] Ariadne, she was another mans Wife. Lord Conyngham (left), with antlers sprouting from his forehead, looks up at the statues; he says, Poh! Poh! this is never meant for Bacchus and Ariadne, It's more like my Wife and the * * * * or I'm no Cunning-sure I mean Connoisseur."--British Museum online catalogue
Description:
Title etched below image., Publisher's statement etched within bottom part of image, on portfolio leaning against pedestal of statue., Date of publication from British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 4 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Conyngham" and "Lady Conyngham" identified in ink below image, with the additional identification of "George IV" written in pencil at bottom of sheet; the word "Suppressed" has been added in ink in the lower right, followed by the date "Nov. 1820."
Publisher:
Pubd. J.L. Marks, 28 Fetter Lane, Fleet St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, Dionysus (Greek deity), and Ariadne (Greek mythological character)
Subject (Topic):
Adultery, Mistresses, Sculpture, Portfolios, Hand lenses, and Antlers
A minister, possibly the Chancellor, holds out a large magnifying glass in his right and and gestures with his left hand. He is wearing a long coat and a long powdered wig. He addresses John Bull: Look through this glass Mr Bull and behold your future prosperity, looking towards a cloud within which the future is foretold. In the cloud John Bull is depicted in seven different scenarios: drinking unadulterated porter, free from taxes, smoking Trinidad tobacco, talking French & grown quite a fine gentleman, eating cinnamon from Ceylon, free from care, and with bread at 6d the quarter loaf. John Bull says: 'what be all those people I see. Mercy on us so many good things will be more than I can bear'. His companion replies: 'Look through this glass Mr. Bull & behold your future prosperity, it magnifies but very little I assure you'.
Alternative Title:
John Bull peeping into futurity
Description:
Title etched below image., Date of publication inferred from dates given in the British Museum catalogue for other prints after Woodward that were likewise etched and published by Roberts. Cf. Nos. 9729, 9850, and 9965 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by P. Roberts, 28 Middle Row, Holborn
Subject (Geographic):
Great Britain
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
National characteristics, English, Colonies, John Bull (Symbolic character), Hand lenses, and Ethnic stereotypes
Title etched below image., Title above image: Parisian dresses for 1797., Printseller's announcement following publication statement: Where prints and drawings are lent on the plan of a library., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male dress, 1797 -- Fashion, 1797 -- Jewelry -- Quizzing glasses -- Walking staves -- Bludgeons., and Watermark: J Whatman.
Publisher:
Pub. Mar. 7, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sachville [sic] St.
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Earrings, Hand lenses, and Staffs (Sticks)
"Two pretty women leave a shop (left) to enter a coach whose back is towards the spectator. The foremost (? Duchess of Rutland), raising her petticoats high, puts a foot on the step. She is followed by (?) Lady Jersey, who crosses a step laid across a barred area or cellar, also raising her petticoats. A little girl (left) stands in the doorway. The legs of the ladies are eagerly inspected by male loungers. One man crouches at the back of the coach to peep through a quizzing-glass. The roadway on the right of the coach is crowded. Men with telescopes are indicated in the windows of the houses (right). Other spectators stand in the cellar or area looking upwards through the bars. The cover of a coal-hole in the pavement is pushed aside to show a profile. ..."--British Museum online catalogue
Alternative Title:
Cause of the lounge!!
Description:
Title etched below image., Printmaker Isaac Cruikshank's initials are incorporated into the design, etched within the escutcheon on the back of the coach., Date in imprint transcribed as "April 1st, 1793" in the British Museum catalogue; etched lines resembling a "7" are found beneath the superscript "st" but may not actually represent a digit., and Imprint continues: ... who has just fitted up his Exhibition in an entire novel stile, admitance [sic] 1 shg. N. folios of caracatures lent out.
Publisher:
Pub. April 17st [sic], 1793, by S.W. Fores, No. 3 Piccadilly ...
Subject (Name):
Rutland, Mary Isabella Manners, Duchess of, 1756-1831 and Jersey, Frances Villiers, Countess of, 1753-1821
Subject (Topic):
Stores & shops, Carriages & coaches, Streets, Hand lenses, Telescopes, and Voyeurism
"An elderly man, his profile caricatured, dressed as a military officer, inspects through a glass a fat man and boy (left), both Dutch, wearing baggy breeches and sabots, who lean against a rail, the man smoking a pipe. A pretty young woman, wearing a high-waisted travelling dress and small hat, takes the officer's arm; her left hand is in a large muff. Behind are the masts of a vessel backed by chalk cliffs, showing that the rail edges a small creek or harbour; on the right are a beam and pulley."--British Museum online catalogue
Description:
Title etched below image., Reissue of a plate first published 10 January 1796 by Thomas Macklin., Sheet trimmed within plate mark., and Temporary local subject terms: Quizzing -- Dutchmen.
Publisher:
Published Jany. 1, 1809 by J. Deeley, 95 Berwick St. Soho
Subject (Topic):
Older people, Military uniforms, Hand lenses, Ethnic stereotypes, Pipes (Smoking), Muffs, Dogs, and Pulleys
