"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching, hand-colored, on laid paper ; sheet 353 x 502 mm., Imperfect; sheet trimmed within plate mark with loss of imprint., and Watermark: A. Stace 18[...?].
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
April 1833.
Call Number:
833.04.00.02+
Image Count:
1
Resource Type:
still image
Abstract:
A cat is hanging from a tree outside St Luke's Hospital for Lunatics in Old Street, London, condemned by a man dressed as a Quaker, with a tartan cloak. The on-lookers call him a 'Merry Andrew' (i.e. a person who amuses others by ridiculous behavior), believing him to be a resident of the building behind (renamed St Andrew's). The Quaker has a number of petitions and bills under his arm. Between 1830 and 1847 the M.P. for Wigtownshire, Sir Andrew Agnew, introduced four bills to the House of Commons attempting to enforce the better Observance of the Sabbath. On his third attempt Charles Dickens wrote 'Sunday Under Three Heads' (1836), a personal attack on Agnew, whom he described as a fanatic, motivated by resentment of the idea that those poorer than himself might have any pleasure in life. Agnew left Parliament in 1837, ending the campaign
Description:
Title from caption below image.
Publisher:
Pubd. by G. Tregear, 123 Cheapside
Subject (Geographic):
England.
Subject (Topic):
Puritans, Hangings (Executions), Occupations, and Street children
Title from item., Printmaker and publisher from other prints in the series., Publication date from British Museum catalogue., Statement of responsibility and publication continued: Price sixpence plain, coulour'd [sic] one shiling likewise Act I & Act II. Also two houmourous [sic] prints on the present time price 6d. each. To be had of the following printsellers: Wm. Hannell at the Royal Exchange Cornhill, H. Jackson Fleet Street, R. Richards, Holbourn, Danl. Paillet Princes Street Leicester Fields, Henderson, Westminster Hall & all other printsellers & booksellers in London & Westminster. In a few days will be publish'd Act IIII. Price 6d., Third of four prints in the series., Six columns of verse below image: Ha! Madness horror & dispair / What wretched creatures are those here ..., and Mounted to 30 x 48 cm.
Publisher:
H. Jackson
Subject (Name):
Maria Theresa, Empress of Austria, 1717-1780, Louis XV, King of France, 1710-1774, Frederick II, King of Prussia, 1712-1786, Augustus III, King of Poland, 1696-1763, Maubert de Gouvest, Jean Henri, 1721-1767, and Brühl, Heinrich, Graf von, 1700-1763
Subject (Topic):
Seven Years' War, 1756-1763, Hangings (Executions), Hospitals, and Maps
"Satire on the negotiations leading to the Peace of Paris in response to Hogarth's "The Times Part 1", but also with visual echoes of his much earlier print, "Southwark Fair". In the centre is a large theatrical booth advertising "The Full and Whole Play of Dido and Aeneas" with a show-cloth on which the lovers are depicted taking shelter in a cave; below is platform on which stand Bute and Princess Augusta accompanied by a zany, a drummer (Arthur Murphy) and a trumpeter (Tobias Smollett). Hogarth, portrayed as an ape, stands on a ladder painting a sign-board with a portrait of Pitt (echoing the sign painter in "Beer Street"); at the foot of the ladder another ape, representing the Duke of Bedford, ambassador to Paris, sits on a small table holding a sheet marked "Prelim Peace". Henry Fox looks out of a window at the top of the booth. On the left, Bute stands on stilts playing the bagpipes with a large bag of money hanging from his neck; he is supported by admiring Scotsmen and adored by a group of bishops. Behind him is an inn with the sign of the thistle advertising "Geud Scrubbing for Mon and Horse"; an ass peers throuh a window and an ass's skull hangs above. Beyond, Scotsmen rejoice as buildings burn, while three fireman sleep beside their engine; an owl representing the French ambassador, the Duke de Nivernois, flies overhead carrying on olive branch (in place of Hogarth's dove with the olive branch) . In the foreground a mastiff urinates on an impression of Hogarth's "The Times Part 1"; Charles Churchill gestures towards a bonfire on which is burning "The Wandsworth Epistle" and "The Briton" (Smollett's newspaper) while a sailor, watched by Britannia, brings a wheelbarrow laden with other journals (echoing the barrow containing "The North Briton" in Hogarth's print). Behind this group, William Beckford draws the attention of Pitt, Temple and Newcastle to the happy Scots; Cumberland, bald-headed, shakes his fist. The British lion grasps a dead French cock in his jaws and looks angrily at a Frenchman who hands coins to a Dutchman leaning on a bale marked "Neutrality" (a similar Dutchman in Hogarth's print sits on a bale smoking contentedly). Behind the lion, George Whitefield, arms outspread and a devil blowing with bellows into his ear, preaches from a three-legged stool to an old woman with a prayer-book and a man with the head of an ass. On the left, three further show-cloths hang on the wall of a house, referring to performances at "Punch Political Poppet Show with a Scotch Uproar": "Then", with the figure of Fame crowning a British commander; "Now", with a Scotsman at the prow of a boat foundering on the rocks of "New Lost Land"; "Alive from France & England" with a clown raising his fist and his foot at a Frenchman (echoing the sign, "Alive from America", in Hogarth's print); at the top of the house a Spaniard and a Frenchman, both grinning, look out of a window."--British Museum online catalogue
Description:
Variant state without imprint and with different price, added in top right corner. See British Museum catalogue., In upper right corner: Price 1 sh., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
Title etched above image., Following imprint: Pr. 6 pence., Sheet trimmed to plate mark., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
Sold at Sumpters Political Printshop, Fleet Street
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Seven Years' War, 1756-1763, Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
Title from item., Place, publisher, and date of publication from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Flags: Magna Charta -- Slogans: Liberty, property and no excise -- Containers: barrel -- Taxes: tax on cider -- Emblems: cap and staff of liberty -- Fuel: Florida turf -- Effigy of Lord Bute as exciseman -- Naval uniforms: sailor's uniform -- Coffee-houses: reference to Cocoa Tree Coffee House., and Mounted to 33 x 47 cm.
Publisher:
J. Williams
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765 and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Britannia (Symbolic character), Gallows, and Hangings (Executions)
Leaf 32. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Two-part satire on the resignation of Lord Bute, April 1763. On the left is a scene of execution, headed "Excise", with Bute, identified by his plaid waistcoat, hanging from an apple tree (referring to the Cider Bill), a devil sitting on the branch above him wears a large boot (a pun on Bute) on one leg, the other ending in a claw; two men below exult. In the centre a man (evidently another representation of Bute as he wears a large boot on one leg and on the other leg wears a garter lettered "Honi ..." as in the scene on the right) lies across a fire while another pumps a pair of bellows to fan the flames; three farmers standing behind the fire and another to the right rejoice at Bute's downfall. On the right, another devil reciting the proverb, "Harm watch, Harm catch", one leg ending in a hammer, sits on top of a gallows from which hangs a fox (Henry Fox) wighted down by money bags tied around his neck. On the right is a scene set in a grand interior, headed "Resignation, in which Princess Augusta sprawls weeping in a chair her breasts partly exposed while a devil delves into Bute's breeches as he drags him through a door through which flames and smoke can be seen, the Duke of Cumberland brandishes a sword in his right hand and pushes Bute with his left; he is encouraged by a nephew, Edward, Duke of York, at lower right, a lusty goat, one of whose hands is a claw, looks on with pleasure."--British Museum online catalogue
Alternative Title:
Give the devil his due, Excise, and Resignation
Description:
Title etched below image, between the verses., Design consists of two images, each with a caption title above., Restrike, with final four lines of title burnished from plate. For original issue, published by J. Williams in 1763, see no. 4026 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Eight lines of verse below each image; the verses on the left begin: With greater joy, his L- see, like Judas hanging on a tree ..., and On leaf 32 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Bute, John Stuart, Earl of, 1713-1792, and Holland, Henry Fox, Baron, 1705-1774
Caption title., Date of imprint from date of trials., Account of the three trials, with one column of verse on the murder of John Oldcroft., In the text, the name of the murder victim is given as Charles Oldcroft, not John, as in the title., Verses begin : Oh! listen to a tale of woe, I now to you unfold., Wood engraving (8 x 14.2 cm.) : Hanging scene before prison walls, with spectators., and For further information, consult library staff.
Verse - "You that do know what to true love belong.". -, There is no full stop at the end of the title., Title and three woodcuts are above the first two columns; the first woodcut depicts a shepherd with his crook, the second a hanged man, and the third a shepherdess also with crook; the columns of text are separated by columns of type ornaments; and there are two layers of clouds in the first woodcut., The woodcuts are also found in editions with Bow Church Yard and Aldermary Church Yard imprints; the date is based on that; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., In this printing, the left edge of the first woodcut aligns with the "i" in "wandering" in the title. In another printing (ESTC N511170), it aligns with the space between "n" and "g"., Mounted on leaf 61. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
publisher not identified
Subject (Topic):
Shepherds, Shepherdesses, Hangings (Executions), Gallows, and Dead persons
