Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Dustmen -- Coalmen.
Publisher:
Pubd. Septr. 1828 by J. Fairburn Broadway Ludgate Hill
Title from item., Date based on events represented., Place of publication derived from publisher's known location., Above image: Actualités; No.126., In image lower right: 52., Published in Le Charivari., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Chez Aubert Pl. de la Bourse and Imp. Aubert & Cie
Subject (Geographic):
France
Subject (Name):
Ledru-Rollin, 1807-1874, Raspail, F.-V. 1794-1878 (François-Vincent),, Cavaignac, Eugène, 1802-1857, Napoleon III, Emperor of the French, 1808-1873, and Lamartine, Alphonse de, 1790-1869
Subject (Topic):
France, Politics and government, Politicians, Harps, Quarreling, and History
"One of a set (coloured) by Williams, all with the same imprint (Nos. 12933-6). An adaptation of No. 12926. Two sets of four dance as before but the ladies and their partners stand alternately, instead of two ladies being together in the middle of each row. A lady playing a harp sits on the settee, a man stands beside her. A man facing the fireplace ties his cravat; another reaches up with a cane, perhaps to adjust the gas which issues from two serpents decorating the top of the mirror, on which stand also two lamps with globes and chimneys. In place of the chinoiserie chandeliers against the wall are two pictures, one of a couple turning together (as in No. 12925) against an architectural background, one of three naked savages posturing outside their tents. There is a hanging chandelier with gas or oil lamps with globes and chimneys."--British Museum online catalogue
Alternative Title:
Practicing Quadrille dancing at home for fear of accidents at the ball
Description:
Title from caption below image., Printmaker identified in the British Museum online catalogue., and Plate numbered "No. 4" in upper left corner.
A young gentleman and lady dance in the center of a large hall in a grand country home surrounded by other young would-be dancers. The older guests sit in chairs and look on. They dance to music provided by a harpist
Description:
Title etched below image., Added in manuscript in lower right corner below design: B.C. 1790 delt., Sheet trimmed within plate mark., One line of quoted verse below title: "There did the harp the melting music of Erin shed its mellifluent notes.", Mounted on verso of: Plan of the citadel and forts of Antwerp and Dutch works. 1832. Lithographed by J. Netherclift, 54 Leic[este]r Sq. 3rd ed. With the French batteries., and Mounted to 25 x 33 cm.
Date from ESTC., Verse - "Come you gallants all, to you I call,". - In four columns with the title and three woodcuts above the first two; the columns are not separated by rules., Mounted on leaf 36. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
A satire on Madame Mara: She sits in an armchair decorated with Masonic symbols which is in the center of a concert room, with a boarded floor and low platform along the back for the performers. She sings the lines "Oh, Oh, de roasta beef-a de charmante pudding O"; in her hands is an open music book titled "Oh the road beed of Old England, Fieldings popular song. The plebeian audience sit or stand along the right and left foreground. On the left a lady asks her neioghbor, "Did she sing this sogn at the Abbey?" He responds, "She never sung so well as the Abbey in her life." In the center foreground sits a dog who watches the vocalist. The wall is decorated with candle-sconces and a placard with the "Rules to be observed in this meeting" which jabs at the plebeian audience. One man performs on a salt-box, another with marrow-bone and cleaver while yet another puts a Jew's harp in his mouth; a fourth plays a bladder bridge. See British Museum catalogue for further discussion
Description:
Title etched below image., Seven lines of descriptive prose inscribed below title., Possibly engraved by Henry Wigstead (d. 1793). See attribution in British Museum catalogue to Mr. Hawkins., and Watermark in center of sheet: J Whatman.
Publisher:
Publish'd Feby. 28th, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3, Piccadilly
Subject (Geographic):
Wapping (London, England)
Subject (Name):
Mara, Gertrud Elisabeth, 1749-1833
Subject (Topic):
Social life and customs, Masons, Audiences, Concerts, Dogs, Etiquette, Harps, Musical instruments, and Musicians
"A man dressed as a Turk plays a harp, while a woman seated beside him, puts her arm round him, pointing to an open music-book inscribed 'Black Joke [a coarse song]. Fol de rol lol &c.' Behind them is a berth let into the wall of the cabin. She says: "Macher [sic] Amie you play dot charming tune again, and den we go to bed!!" He sings: "Fol de rol lol, . . ." [&c.]. She is Louise Demont, a Swiss femme-de-chambre, a leading witness against the Queen; her evidence, like Majocchi's, was much damaged in cross-examination. She called herself Colombier, from her native place, and had been styled while in England 'Countess Colombier'. She was with the Princess on the Syrian journey, and was cross-examined (1 Sept.) as to her personal knowledge of the sleeping-place of a Jew harper who went on board the polacca at Tunis. 'Parl. Deb.', N.S. ii. 1158 f., 1166. See British Museum Satires Nos. 13864, 14121."--British Museum online catalogue
Alternative Title:
Jew harper and demi-rep countess
Description:
Title etched below image., Mounted to 58 x 39 cm., Mounted on leaf 83 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Caroline" is incorrectly identified in ink below image; date "Sept. 1820" written in ink in lower right corner. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published September 1820 by John Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821. and Demont, Louisa, active 1814-1820
Subject (Topic):
Jews, Witnesses, Staterooms, Harps, and Ethnic stereotypes
Leaf 73. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A charming lady, elegantly dressed, plays the harp and sings close to her unconscious husband, asleep in a stiff arm-chair. Pose and expression are both provoked and provocative. Behind her (right) is a square piano with an open music-book, at her feet a lute-like instrument and a music-book. An oval fire-screen protects the man's head from a blazing fire in a fire-place of Adam type. A picture of (?) Apollo with a lyre is in an ornate frame."--British Museum online catalogue
Description:
Title from text below image., Restrike. For original issue of the plate, see no. 9677 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 266-7., and On leaf 73 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Spouses, Sleeping, Chairs, Harps, Stringed instruments, Pianos, Fire screens, and Fireplaces
"A lady, young and beautiful, sits in an arm-chair, her head in profile to the left, gazing at her reflection in a standing pier-glass. She wears a dress cut very low, with short puffed sleeves, a small hat supporting two tall feathers and showing curls surrounding her face. A miniature on a long double chain is attached to her corsage. She holds a small round box of some cosmetic. Behind her a parasol lies on a table, with a ring in place of ferrule. Behind this stands an ornate harp, with three pedals, decorated with a winged female figure and roses, a suitable instrument for the display of rounded arms. Fringed curtains frame a tall window, which throws a strong light on lady and mirror."--British Museum online catalogue
Alternative Title:
Looking glass in favor
Description:
Title etched below image., Sheet trimmed within plate mark., and Companion print to: The looking glass in disgrace.
Publisher:
Pubd. Jany. 1st, 1805 by S.W. Fores, 50 Piccadilly
Subject (Topic):
Young adults, Mirrors, Feathers, Draperies, Umbrellas, and Harps
