BEIN: Imperfect: damp-stained., Added t.-p., engraved., First edition of the original, of which but few copies are known. Translated into Spanish in 1681, and thence into English, 1684 (where the name appears as Esquemeling) and into French, 1686 (with the name written Oexmelin) The work went through numerous editions in its various versions and formed the foundation for many of the histories and romances of the buccaneers published during the seventeenth and eighteenth centuries., and Signatures: *⁴ A-Z⁴.
Manuscript on parchment (monastic, furry) of Josephus, De bello Judaico, translated into Latin by Hegesippus
Description:
In Latin., Script: Written by a single scribe in elegant French minuscule. Marginalia, including "Nota" marks, by several later hands., Good pen-drawn initial for Book 1 (f. 2v), 12-line, in brown, with vigorous foliage swirls, modelled with fine striations, against a bright, multicolored (green, blue, red, maroon) panelled ground; for the Prologue and Books 2-5 (ff. 2r, 37r, 52r, 67v, and 82v), 7- or 5-line initials, in red, blue, green, and light brown with delicate, stylized foliage (f. 2r: also with two stylized heads). On f. 77v, a marginal drawing in red ink of a man pointing to text with a note (13th century) in brown ink "Nota de iniquo Symone.". Rubrics throughout., and Binding: Eighteenth century. Edges gilt. Green goatskin gold-tooled, with a brick-red label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Josephus, Flavius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Jews, History, and Manuscripts, Medieval
Manuscript on parchment of Marcus Annaeus Lucanus (39-65), De bello civili (Pharsalia).
Description:
In Latin., Script: Copied by one hand writing Southern Gothica Semitextualis Libraria/Formata, using the two forms of d. The opening majuscule of each verse is placed in a separate column. The scribe sometimes adds hairline extensions in the upper margin to letters on the top line; the loops of these occasionally contain a sketchy human face., A series of illuminated leaves have been cut out; only the initials at the opening of Books 2, 5, 8, 9 and 10 are preserved. The initials are in Lombard style, pink letters on a blue square background, both decorated with white penwork, and have acanthus extensions of green, orange and yellow in the margin. The decoration is different in each initial; the one on f. 8v contains four yellow flowers. There is no space for a heading at the opening of Books 2 and 5; one line is left free for headings at the opening of Books 8-10, but headings have not been entered., and Binding: Fifteenth century, Italy. Blind-tooled brown leather (worn) over slightly rounded beech boards, part of the front cover and the entire spine missing. Worm holes, especially in the rear board. Sewn on three split leather thongs. On the covers a triple frame of four double fillets; the space between the middle and the inner frame filled with interlace design; the four corners of the central panel are decorated with quarter circles of fillets filled with the same design; in the middle an oblong cartouche; on the front board part of the damaged original cover has been replaced by brown leather blind-tooled with a different interlace design. Marks of four clasps attached to the front board; two lily-shaped brass catches remain, fixed by means of three nails to the outer side of the rear board. On the blank wood of the front board there is a fragmentary inscription in ink and large script (upside down, 16th century?).
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Lucan, 39-65.
Subject (Topic):
Historical poetry, Latin, Epic poetry, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Manuscript on parchment of Leonardo Bruni, De bello italico adversus gothos, in the Italian version by Ludovico Petroni made in 1456. Preceded by the letter of Leonardo Bruni to Giuliano Cardinal Cesarini (1398-1444).
Description:
In Italian., Script: Written by a single scribe in fere-gothic script, above top line., Partial border in inner margin of white vine-stem ornament, f. 1r, on blue, green and pink ground with white and blue dots. In lower border terminals extending in ink hair spray with green, pink and blue flowers and gold balls frame central medallion with a crude outline drawing of a head in profile (later addition?). Two decorated initials, 4- to 3-line, gold on blue, pink and green grounds with white vine-stem ornament. On f. 1r initial joined to partial border. Heading on f. 1r in red., and Binding: 18th-19th centuries, Italy. "Alla rustica" with grey-green paper added over the spine and part of the boards. Edges yellow.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Bruni, Leonardo, 1369-1444. and Cesarini, Giuliano, Cardinal, 1398-1444.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature, Literature, Medieval, Manuscripts, Medieval, and History
Manuscript on parchment of Josephus, De bello iudaico, translated into Latin by Rufinus
Alternative Title:
De bello Judaico
Description:
In Latin., Written in bold and elegant early gothic bookhand; some looped flourishes in upper margins contain red dots., Seven initials, 17- to 10-line, in red, filled with red swirling foliage on orange and green grounds, with touches of blue, against irregular grounds of blue and/or orange panels. 6- to 2-line initials, green and/or red with red or green foliate flourishes, set both outside and into text column; initials sometimes incorporate simple facial features. 1-line red initials for rubrics. Rubrics throughout; remains of notes to rubricator., and Binding: Nineteenth century. Brown goatskin, blind-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Josephus, Flavius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Jews, History, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on parchment of 1) Dares Phrygius, De excidio Troiae historia, in the Latin translation ascribed to Cornelius Nepos, followed by the lists of those killed by the heroes on both sides. 2) Geoffrey of Monmouth (Galfredus Monemutensis, d. 1154), Historia regum Britanniae. 3) De origine Normannorum, a short history of Normandy up to Henry I, King of England and Duke of Normandy (d. 1135). The main part of this text derives from Hugh of Saint-Victor (Hugo de Sancto Victore, d. 1141), Excerptiones allegoricae, X, 10 (PL 177.284) and is followed by a short list of Dukes of Normandy. 4) Three unidentified poems on the miracles of St. Benedict, followed by rhymed liturgical prayers to be said in the presence of the relics of the saint, and another poem on St. Benedict. This manuscript, which from the beginning contained all four texts described above, was copied in a Benedictine abbey
Description:
In Latin., Script: Carefully copied by one hand in Northern Gothica Textualis Libraria., Headings and running titles in red, many now poorly legible. Heightening of majuscules in red. Large decorated Romanesque initials, red or green, at the head of artt. 1 and 2; 2- or 3-line plain initials alternately in red and blue and 1-line initials in the same colours in the middle of the text in art. 2; on f. 91r, at the beginning of Book XI, there is a 3-line flourished initial in blue with red penwork, which may be added later. 3-line red plain initial at the beginning of art. 3. 2-line initials in art. 4, of the same kind as in artt. 1-2., and Binding: Eighteenth century. Sprinkled calf over cardboard; the covers have gilt edges.
Subject (Geographic):
Connecticut, New Haven., Great Britain, Normandy (France), and Troy (Extinct city)
Subject (Name):
Dares, Phrygius. and Benedictines.
Subject (Topic):
Devotional literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Literature, Medieval, Manuscripts, Medieval, and History
"The figures are numbered, referring to a short printed explanation beneath the plate. A man (1), England, dressed only in a shirt, with an expression of horrified rage, is being held by two men, (4) and (5), representing Denmark and Sweden. France (7) stands behind him about to place a fool's cap on his head. Russia (right) (3), a stalwart man wearing a fur cap and long gown, is about to strike him with a large club. A plainly dressed man (2), America, runs off to the left with his clothes, looking back with a smile. Holland, as a Dutchman (6), kneels on the ground fixing shackles to the ankles of the Man in the Shirt. The scene is the sea-shore. Small vessels (left) (8) have boards on the top of their bare masts; behind them are ships in full sail (9). A man (10) clenches his fist at the sight of the vessels. In the foreground lie torn documents (11). The explanation, translated: (1), "A man in a shirt in a great rage; (2), an American, who carries away his money and clothes laughing; (3), a Russian threatening to strike him; (4) and (5) hold each an arm; (6), a Dutchman who puts chains on him; (8), some dismantled privateers; (9), a fleet of merchant ships sailing undisturbed; (10), a man who sees this, stamping his feet; (11), some torn-up treaties." 1780 Etching with letterpress explanation"--British Museum online catalogue
Description:
Title from item., Sheet trimmed., and One figure in print identified (in ms.?) as B. Franklin.
The Count sits in a large chair, a basket of frogs on the floor between his wide-spread legs; he wears a powdered wig under his hat, his uniform, a gold cross on a black ribbon around his neck, high black boots with spurs, and sword at his waist. He is wide-eyed and stiff -- marionette-like -- as he eats a frog. A man servant with a worried expression on his face and wearing a red liberty cap approaches him from the left, holding a tray labeled "Fricasee of Frogs". From the right, a woman, her face mostly obscured by her large head scarf, carries a bowl labeled “Soup meager”.
Alternative Title:
French admiral in all his glory
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
United States
Subject (Name):
Estaing, Charles Henri, comte d', 1729-1794
Subject (Topic):
History, Foreign participation, French, Frogs, and Wigs
Title etched below image., Sheet trimmed within plate mark with partial loss of text., Two of the men with King Louis are tentatively identified as Santerre and Sanson., Four lines of verse inscribed below title: When on the scaffold he did say, receive my soul O God I pray. Wringing his hands with upcast e[yes], and Oh, forgive my enemies., and Printed on brittle, acid paper.
Publisher:
Published Septr. 1st, 1793 by J. Evans, Long Lane
Subject (Geographic):
France
Subject (Name):
Louis XVI, King of France, 1754-1793, Louis XVI, King of France, 1754-1793,, Santerre, Antoine-Joseph, 1752-1809., and Sanson, Charles Henri, 1738- .
Subject (Topic):
Death and burial, History, Executions, Guillotines (Punishment), and Spectators
Manuscript fragments on parchment (2 bifolia) of Decretals and letters, primarily of Pope John XXII, with a register of letters (1299) of Pope Boniface VIII
Description:
In Latin., Script: several scripts evident, from formal gothic bookhand to cursive., and Illuminated initials in red, blue, and violet. Paragraph marks in red and blue.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boniface VIII, Pope, -1303. and John XXII, Pope, -1334.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Letters, Papal, Manuscripts, Medieval, Papacy, and History
