Ten hand-colored engravings, depicting scenes from the Battle of Seringapatnam, form the border of a writing sheet, one each along the upper and lower edges and four on either side. Illustrations include, at the top, a battle scene; portraits of the British generals, Harris and Stuart; Tippoo Saib discovered among the slain, Tippoo's sons surrender; A sepoy upon a charge, An Indian soldier; Tippoo Sultan, Tippoo Sultan's wife; a design with flags, drums, cannons, swords and bugles. The battle scene and the image with the two sons include images of elephants
Alternative Title:
Conquest of Seringapatnam
Description:
Title from head of sheet., Numbered '65.' in lower right corner., With blank center of sheet filled in manuscript in black ink with an adage and a poem and signed: John Halton June 12th, Prescot School, 1801., and With watermark and countermark.
Publisher:
Published 18th Novr. 1799 by Laurie & Whittle, 53, Fleet Street
Subject (Geographic):
India, India., Śrīraṅgapaṭṭaṇa., and Indian
Subject (Name):
Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799, and Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799
Peter, of Blois, approximately 1135-approximately 1212
Published / Created:
[between 1450 and 1500]
Call Number:
Beinecke MS 819
Image Count:
132
Resource Type:
unspecified
Abstract:
Manuscript on paper of Petrus Blesensis (Peter of Blois, c. 1135-c. 1204), 1) De amicitia Christiana. 2) De caritate Dei et proximi. 3) Devotional texts
Description:
In Latin., Watermark: Horn, var. Briquet 7965?., Script: copied by one hand writing a peculiar Gothica Semitextualis Libraria under Humanistic influence., Headings and stroking of the majuscules in red (but some headings are missing). Spaces left blank for inset initials (2-5 lines); guide letters are sometimes visible. A few pointing hands., The top of the leaves badly water-stained, and the edges of the front flyleaves and quire I very defective, with loss of text., The devotional texts include: (a) On the value of attending Mass, quoting Bernard of Clairvaux, Jerome, Ambrose, Augustine ("Agustinus"), St. Paul, Luke, Matthew ("Mactheus"), Bede, Gregory the Great, etc. (b) 9 selected Psalm verses. (c) On the value of Confession. (d) On Christian hope., and Binding: original quarter binding: undecorated white leather fixed with a strip of leather and engraved iron nails onto square-edged heavy oak boards; sewing on two split leather thongs. Folio 60 used as pastedown. Remnants of a leather strap attached to the rear board, with a hole of the pin in the front board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Peter, of Blois, approximately 1135-approximately 1212.
Subject (Topic):
Devotional literature, Latin (Medieval and modern), Manuscripts, Medieval, Theology, and History
Date of publication suggested by cataloger. Paul de Philipsthal's magic show, "Phantasmagoria" opened in London in 1801., Woodcut and title centered above text., Text begins: M. De Philipsthal takes the earliest opportunity of informing his patrons ... optical illusions and mechanical pieces of art ... The optical part of the exhibiton will introduce the phantoms or apparitions of the dead or absent, in a way more completely illusive than has ever been offered to the eye of the public theatre, as the objects freely originate in the air and unfold themselves in various forms and sizes ..., Mounted on leaf 15. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
s.n.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Magic, Magic shows, Magic tricks, Equipment and supplies, Seances, History, Spiritualism, Magical devices, Magicians, and Theatrical posters
Title from item., Date and place of publication supplied by curator., Plate is a frontispiece to Moyse Charas, Pharmacopée royale, galenique, et chymique. It was first published in 1676., Depicted are allegorical figures of Europe, Asia, Africa, and America bringing their riches to Pharmacopeia. Aloe and potatoes are represented on the plinths in the foreground., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Manuscript on paper of Lucan, Pharsalia. With commentary, verse summary, and verse argumenta of each book
Description:
In Latin., Watermarks: unidentified bull's head concealed by script., Script: Written by a single scribe in well spaced gothic bookhand, above top line. Marginalia in several contemporary hands., Crudely executed penwork initials in red, f. 1r only; spaces for decorative initials at beginning of each book have sketches in brown ink (contemporary?) or are left unfilled. Headings in red. Some guide letters for decorator., and Binding: Fifteenth century, Italy. Vellum stays in and outside the quires. Original sewing on three tawed skin, slit straps which are laced through tunnels in the edges of wooden boards to channels on the outside and pegged. Plain, wound endbands are sewn on tawed skin cores laced or laid in grooves on the outside of the boards. Quarter bound with brown leather, probably a later addition, as perhaps are the clasp straps. Two leaf-shaped catches and inscription in ink on the lower board: "Lucanus [?]". Front pastedown and flyleaf from a lectionary (Italy, 1050-1100); back flyleaf and pastedown from a homiliary (Northern Italy, 950-1000); on the pastedown, a homily on submission to the will of God, probably a continuation of the same text as on the flyleaf.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Lucan, 39-65.
Subject (Topic):
Epic poetry, Latin, Manuscripts, Medieval, Scholia, and History
