A collection of James Sayers' prints, mostly political satires and caricatures, mounted on blue paper and assembled by an unknown collector; topics include, in addition to general political topics of the late 18th century, the Warren Hastings trial, the East India Company, and the French Revolution. Mostly black ink, with one in brown and one in blue. Prints were published by C. Bretherton, Ja. Bretherton, Thomas Cornell, and H. Humphrey
Description:
Title from spine., Bound in three quarter red morocco with spine title: Sayer's caricatures., and Accompanied by a typed list of titles bound in, with page numbers.
Subject (Geographic):
Great Britain and France
Subject (Topic):
Politicians, Political satire, English, Politics and government, and History
Two scrapbooks containing a collection of mostly 18th century engravings and etchings, some of which are purported to have belonged to Horace Walpole, organized thematically. With four original drawings, including a watercolor and wash drawing of the Neapolitan painter Luca Jordano signed by J.B. Catenaro, an unsigned portrait in red crayon of Cornelius Jansen, a pencil portrait of an unknown woman, and another small pencil drawing of a landscape. The first volume contains etchings and engravings of English villages and rural scenes including the farm house and printing house at Strawberry Hill and two vignettes of Strawberry Hill; topographical scenes in Surrey and Twickenham; etchings of Roman scenes; portraits of eminent historical and contemporary political figures and The second volume begins with a series of 192 small French engravings of women, which document the hair styles and hat fashions in the 17th and 18th centuries, all engraved by Dupin or Desrais. A second series of the 48 engravings from Wenceslaus Hollar's Theatrum mulierum depict the costumes of 17th century women (mostly) in Europe. These prints are followed by 29 small engravings by C. Heath of prominent British politicians and writers of the 18th century. The final pages include several portraits of contemporary British and French figures as well as the plates drawn and engraved by Henry Moses for A series of twenty-nine designs of modern costume published in London by E. and C. M'Lean in 1823
Description:
In English and French. and Recovered in cloth with marble boards.
Subject (Geographic):
Europe, Great Britain, Europe., Great Britain., and England
Subject (Name):
Damer, Anne Seymour, 1748 or 1749-1828., Giordano, Luca, 1634-1705, and Janssen van Ceulen, Cornelius, 1593-1661.
Subject (Topic):
Costume, History, Hairstyles, Authors, English, Politicians, Fashion, Clothing and dress, and Social life and customs
Two scrapbooks containing a collection of mostly 18th century engravings and etchings, some of which are purported to have belonged to Horace Walpole, organized thematically. With four original drawings, including a watercolor and wash drawing of the Neapolitan painter Luca Jordano signed by J.B. Catenaro, an unsigned portrait in red crayon of Cornelius Jansen, a pencil portrait of an unknown woman, and another small pencil drawing of a landscape. The first volume contains etchings and engravings of English villages and rural scenes including the farm house and printing house at Strawberry Hill and two vignettes of Strawberry Hill; topographical scenes in Surrey and Twickenham; etchings of Roman scenes; portraits of eminent historical and contemporary political figures and The second volume begins with a series of 192 small French engravings of women, which document the hair styles and hat fashions in the 17th and 18th centuries, all engraved by Dupin or Desrais. A second series of the 48 engravings from Wenceslaus Hollar's Theatrum mulierum depict the costumes of 17th century women (mostly) in Europe. These prints are followed by 29 small engravings by C. Heath of prominent British politicians and writers of the 18th century. The final pages include several portraits of contemporary British and French figures as well as the plates drawn and engraved by Henry Moses for A series of twenty-nine designs of modern costume published in London by E. and C. M'Lean in 1823
Description:
In English and French. and Recovered in cloth with marble boards.
Subject (Geographic):
Europe, Great Britain, Europe., Great Britain., and England
Subject (Name):
Damer, Anne Seymour, 1748 or 1749-1828., Giordano, Luca, 1634-1705, and Janssen van Ceulen, Cornelius, 1593-1661.
Subject (Topic):
Costume, History, Hairstyles, Authors, English, Politicians, Fashion, Clothing and dress, and Social life and customs
Elizabethan Club 282: Imperfect: final blank leaf wanting., Signatures: A⁴ (A4 blank)., and Translation of the latter part of Knuttel 783. Remonstrance faite aux Estats generaux ... en la ville de Dordrecht le 6. de septembre 1587. ... Ensemble les lettres ... aux chefs magistrats et colleges des villes desdites Provinces unies. Utrecht, 1587.
Two Native Americans attack a group of American loyalists. One of the loyalists lies dead on the ground, another, fallen on his back, is about to be slaughtered by the Indian saying "Shelbu-n for ever." The second Indian, with a feathered headdress, pulls a loyalist by the tails of his coat saying "No-th [North] to the devil." Lord Shelburne (William Petty) looks on, smiling, in spite of being attacked by Britannia who aims her spear at his heart and says, "Inhuman smiling Hypocrite thus to disgrace my unsullied fame." He responds, "be not angry Madam no peace no place." A butcher standing behind Shelburne and with inscription above his head, "Even Butchers weep," wipes tears from his face with a large handkerchief. One of the loyalists expresses the popular sentiment that the British government sacrificed them through peace terms: "Ungrateful Britons to Abandon thus your Loyal friends."
Alternative Title:
Shelburne's sacrifice
Description:
Title from item. and For further information, consult library staff.
Publisher:
Pubd. by E. Dashery Febth. 10 [sic], St. James's Street
Subject (Geographic):
Great Britain and United States
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Britannia (Symbolic character), Indians of North America, Headdresses, Tomahawks, Butchers, Politics and government, and History
Ibn al-Jawzī, Abū al-Faraj ʻAbd al-Raḥmān ibn ʻAlī, approximately 1116-1201 ابن الجوزي، أبو الفرج عبد الرحمن بن علي، حوالي 1116-1201
Call Number:
Arabic MSS 293
Image Count:
99
Resource Type:
unspecified
Abstract:
Short manual of history, being an abridgment of the author's al-Muntaẓam fī multaqaṭ al-multazam and Preceded by 1 page of notes
Alternative Title:
Kitāb shudhūr al-ʻuqūd fī taʼrīkh al-ʻuhūd and كتاب شذور العقود في تأريخ العهود
Description:
Available on microfilm, Incipit: "Bismillāh al-Raḥmān al-Raḥīm ... al-Ḥamdu lillāh alladhī jalá ʻalá al-fikr mā jalá min al-ʻibar ...", Modern (18th century?) Yemenite naskhī, in red and black, sparsely pointed., Islamic binding, in brown, with flap., and No. 2 of 3 titles bound together.
Subject (Geographic):
Islamic Empire
Subject (Name):
Ibn al-Jawzī, Abū al-Faraj ʻAbd al-Raḥmān ibn ʻAlī, approximately 1116-1201.
"British troops are about to march through a large fortified gate leading from open country (left) to the town of Buenos Ayres, where confused street-fighting is in progress. Can are fired from the battlements of the gate at the soldiers, some of whom lie dead or wounded. In the foreground an officer (mounted), in conversation with others, asks: "where is the General"; others say: "go look for the General"; "Find the General"; "why the General is lost". A Highland officer, taking snuff (right), slyly; "I dare say he is varra safe." From the country (left) three mounted men gallop, all saying, "I come for Orders". In the background Whitelocke's head and shoulders are seen peeping over a hillock on the extreme left. He says: "He that fights and runs away, May live to fight another day, But he thats in the Battle slain, Will never live to fight again". In the distance, behind him, are tiny (British) soldiers in close formation. In the city men are firing and hurling stones from the roofs of flat-roofed houses on British soldiers in the plaza. On the wall (right) is a placard: 'Lost, or Mis-led a General officer Who ever can [give] Information ... ampl[y] rewarded.'"--British Museum online catalogue
Alternative Title:
Symptoms of courage
Description:
Title etched below image., "G. Whiteliver" is a pseudonym. Questionable attribution to Isaac Cruikshank from the British Museum online catalogue, registration no.: 1868,0808.7629., Variously attributed to either Isaac or George Cruikshank; see British Museum catalogue., Title is a direct reference to an Isaac Cruikshank print, published by S.W. Fores in 1790, entitled "Symptoms of courage, or, The tables turned." Cf. No. 7667 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark at top edge., and Penciled note in an unidentified hand: relates to Genl. Whitelock's conduct at Buenos Ayres, S. America.
Publisher:
Pub. by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Argentina and Buenos Aires.
Subject (Name):
Whitelocke, John,
Subject (Topic):
History, Campaigns & battles, Soldiers, British, Military officers, Scottish, Ethnic stereotypes, Gates, and Signs (Notices)
