Terrible massacre de femmes dont l'histoire na jamais donne l'example
Description:
Title etched above image., Publisher and place of publication derived from Revolutions de Paris., Date from item., In margin top left and right: Rev. de Paris ; No. 165. P. 430., From: Révolutions de Paris, 1-8 September 1792., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Louis Marie Prudhomme
Subject (Geographic):
France
Subject (Name):
Salpêtrière (Hospital).
Subject (Topic):
Massacres, Hospitals, Crowds, Soldiers, Prisoners, Homicides, Prostitutes, and History
Manuscript on paper of texts on the Psalms and Canticles, and other texts
Description:
In Latin., Script: apparently four hands: A writing a bold Gothica Hybrida Libraria copied ff. 1r-186r and 201r; B writing Gothica Cursiva Currens copied ff. 189r-199va15; C writing Gothica Semihybrida Libraria/Currens copied ff. 199va16-200v; D writing Gothica Semihybrida Currens copied ff. 203r-299v; the document on f. 226v is probably in the same handwriting. Scribe D is the unrecorded Hinricus Landesberch in Wernigerode., Red underlining, paragraph marks, heightening of majuscules and plain initials, generally 2 lines, at the head of various texts larger. Pointing hands., The manuscript contains: 1) Honorius Augustodunensis (Honorius of Autun, c. 1090- c.1150), Expositio in psalmos CI-CL et in cantica veteris et novi testamenti. 2) Alanus de Insulis (Alain de Lille, c. 1120-1202), Glosatura super cantica veteris et novi testamenti. 3) Notes on the Book of Psalms, its subdivisions, significance, on Ps. 1 and Ps. 150, etc. 4) Extracts on the Psalms from a florilegium of the works by or attributed to St. Augustine, called Summula Florigeri sancti Augustini. 5) Treatise on the virtues and vices arranged according to the course of the sun through the signs of the Zodiac; the names of the months and of the zodiacal signs are given in Latin and in German, with examples from the Bible and legend. 6) Miracles and legends. 7) Copy of a notarial document. 8) Isidorus Hispalensis (Isidore of Seville, d. 636), Quaestiones in vetus testamentum. 9) Vision of the horrors of Hell shown to St. Paul of Thebe (Paulus Eremita, 228-341). 10) Rabbi Samuel, De adventu Messiae praeterito, translated from the Arabic by Alphonsus Bonihominis OP (d. c. 1353). 11) Two sermons on the Immaculate Conception, quoting many exempla. 12) Incomplete legend of St. Catharine of Alexandria. 13) Ps.-Augustinus Hipponensis, De essentia divinitatis: an excerpt from Eucherius Lugdunensis (Eucherius bishop of Lyons, d. c. 450), Formulae spiritalis intelligentiae, chapter 1., and Binding: original undecorated white deerskin over bevelled heavy wooden boards, sewn on three double thongs; spine with plaited headbands; in its upper compartment a paper label with a 17th-century indication of the content; in the second compartment a paper label with the number "VIII". On each cover five small brass bosses on indented square plates; marks of two leather straps attached to the rear cover, the holes of the pins visible in the front cover. At the top of the front cover a contemporary Table of Contents is written in ink in Gothica Hybrida Libraria, now badly legible; at the bottom of the same cover, in a large Gothica Hybrida Formata: "Tractatus Honorii pape" [sic]. The rear pastedown (half detached) consists of a large fragment and scraps on paper from a 15th-century Latin register of personal interdicts attached to persons with German names; the handwriting is Gothica Cursiva Currens.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alanus, de Insulis, -1202., Catherine, of Alexandria, Saint., Honorius, of Autun, approximately 1080-approximately 1156., Isidore, of Seville, Saint, -636., Paul, the Hermit, Saint, -approximately 341., Pseudo-Augustinus., and Samuel, Marochitanus.
Subject (Topic):
Christian hagiography, Exempla, Manuscripts, Medieval, Theology, and History
Manuscript on parchment (thin, good quality) of 1) Tacitus, Annales XI-XVI. 2) Tacitus, Historiae I-V. Written for King Matthias Corvinus of Hungary (1458-90), perhaps by Italians at his palace of Buda
Description:
In Latin., Script: Written by a single scribe in a well formed humanistic script., Twelve initials, 7- to 2-line, at beginning of each book (2 at the beginning of the Annales), gold edged in black, with white vine ornament, against a panelled ground of blue, green and mauve, with white dots, outlined with one or two thin white and one black line; ivy, drawn or pen, with triangular gold leaves or dots, projecting from corners into margins. On f. 1r, the initial includes a putto in the vinework; in the lower margin, coat of arms of Corvinus, type A (quarterly, first and fourth barry of 8 gules and argent [Hungary]; second and third gules, a lion rampant and queue-fourche argent [Bohemia]; an inescutcheon azur with raven sable holding an annulet or, with bordure or [Hunyadi family]. Workmanship of fair quality; style Northern Italian (?)., Binding: Fifteenth century. Sewn on three tawed, slit straps laid in channels in beech boards. The straps are pegged and the channels filled in with plaster as are the endband grooves and the edge channels cut out for the clasps. The primary endband is plain, wound, and sewn on a tawed core and the secondary is beaded and colored. The core is laid in a groove and pegged. The square spine is given a slightly round shape by the bevelling of the boards and is lined with a tawed skin. Covered in dark, brick-red goatskin with a cusped shield azur, charged with a crow sable (Hunyadi family), in the center of each board; blind-tooled rope work, punch dots and other ornamentation gilt, gold-tooled or painted. "Cornelius Tacitus" is tooled along the head of the lower cover and is also written down the fore-edge with black ink. There are four fastenings, the brass catches on the lower board, with three of them covered over with added leather. The clasps are the same color as the cover and are reinforced with parchment. They are pegged in channels at the edges of the board, underneath the cover. The clasps and a little leather of the spine and the upper board are wanting., and Accompanied by typewritten description of the manuscript, entitled "The Yale Manuscript of Tacitus (Codex Budensis Rhenani): Its History and Affiliation", housed separately.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Matthias I, King of Hungary, 1443-1490. and Tacitus, Cornelius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin prose literature, Manuscripts, Medieval, and History
Oval design depicts an Englishman in tricorne on left and American with broad-brimmed flat hat on right seated at a round table smoking pipes. On the table near the Englishman is the London Gazette and Morning Post, while near the American a paper marked Boston Nov. 4 78. A shaft of light illuminates the table, while a picture on the wall behind shows a handshake
Alternative Title:
English and American discovery
Description:
Title from item., Sheet trimmed within plate mark., Publisher's initials "MD" form a monogram., and Numbered "81" in upper right of plate.
Publisher:
Pub. Nov. 5 1778 by MDarly
Subject (Geographic):
United States
Subject (Topic):
History, Furniture, Smoking, Hats, Tobacco pipes, and Clothing & dress
"Lord North (left), with a sack over his shoulder inscribed "Budget", drags by a chain a large lion. The lion's right fore-paw, inscribed "America", has been cut off, and his leg is bleeding. With the lion walk America, France, and Spain. America, a Red Indian with a head-dress and kilt of feathers, holds out a tomahawk in his left hand; in his other hand is the staff supporting the cap of liberty; he says, "This Limb belongs to me in Spite of Fate". France holds out a sword in his left hand, his right is on the lion's head; he says, "Either by Policy or Force I must Obtain some limb or Other". Spain, standing by France, says "I am afraid I shall lose all my Dollers & get Nothing". Behind the lion (r.) three men advance with a flag inscribed "Associations", two of them with drawn swords; they point towards North; one says, "Let our Associations Stop that lump of Iniquity from Ruining our Country"; the next says, "One limb is lost Already by his Infernal tricks". The third says, "Give us an Account how you Spend our money". North is saying, "D------n these Associations they will put a Stop to my Proceedings at last." He is walking over documents inscribed "York; Middlesex; Petitions, and Protestant Petition" (the monster petition for the repeal of the Catholic Relief Act to which Lord George Gordon was then collecting signatures). In the foreground a large thistle is growing, emblematic of the evil influence of Scotland; near it appears part of some striped material, perhaps the American flag, but with many more than thirteen stripes."--British Museum online catalogue
Alternative Title:
Voice of the public for an enquiry into the public expenditure
Description:
Title from item., Trimmed within plate line with partial loss of imprint., Publication day and year from British Museum catalogue., and Possibly engraved by T. Colley. See British Museum catalogue.
Publisher:
Pub. by E. Hedges No. 2, under the Royal Exchange, Cornhill
Subject (Geographic):
Great Britain and United States
Subject (Name):
North, Frederick, Lord, 1732-1792.
Subject (Topic):
Politics and government, Foreign relations, and History
Manuscript on paper of The Life, Araignment, and Death, of the famous learned, Sir Thomas More Knight: Somtymes Lord Chauncellor of England. On f. iii verso, engraving of Sir Thomas More, half-length, to right, standing, pointing to scroll in right hand
Description:
In English., Watermarks: Heawood, Coat of Arms 481., Script: Written in neat chancery script., Illuminated title-page, f. iii recto: double blue frame with sprigs of berries and leaves on both sides and gilt designs above and below. Gold initial on f. 1r marks the beginning of text., and Binding: 17th-18th centuries. Part of a book rebound in limp vellum, gold-tooled, with holes for two ties.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
More, Thomas, Saint, 1478-1535. and Roper, William, 1496-1578.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[ca. 1792]
Call Number:
Drawings W87 no. 15 Box D175
Image Count:
1
Resource Type:
still image
Abstract:
Two rows of sketches of six women quarter length and mostly in profile with captions inscribed in pencil near each figure. Captions include: I lost a diamond ring in the struggle I assure you; Lord [?] how can you be so rebellious; Success to the French I say from the bottom of my soul; The queen of France has lost her head to a certainty; There are I hope an hundred thousand Frenchmen now ... ; Terrible times ...
Description:
Title from pencil inscription within image., Date supplied by cataloger., Attributed to Woodward., Possibly trimmed from a larger design for a border., and For further information, consult library staff.
A broadside on Christopher Bullock, a tiny but fat watch and clock-maker in Suffolk; with a woodcut showing a portrait of Bullock, holding a wig in his left hand, mopping his brow with the other; with letterpress title and text, including information on other people of Suffolk including another dwarf Miss B-t-h-c-r, and a table listing market days and distances from London of towns on the road to Yarmouth, and with one vertical segment of type ornaments. See British Museum online catalogue
Alternative Title:
Pleasant, facetious, and merry dwarf of Bottesdale
Description:
Caption title., Woodcut of the dwarf dated 1755. See Sheila O'Connell's 'Popular Print in England' (British Museum 1999, cat.4.41) where she shows that the portrait was lifted from an etching of Jacob Powell made a year or two earlier (see British Museum cat.4.40)., Woodcut signed lower left with a italic 'g'?, and Preserved in a modern mount. For further information, consult library staff.
Lord Kilwarden is pulled from his carriage by angry rioters on a street in Dublin. The riots are armed with swords, long knives, and poles. An officer on horseback beats back a rioter with a whip as the Kilwarden's horses are restrained
Description:
Title from caption below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
