Grant, C. J. (Charles Jameson), active 1830-1852, lithographer, artist
Published / Created:
[1 October 1834]
Call Number:
834.10.01.01+
Image Count:
1
Resource Type:
still image
Abstract:
Four rows of designs with one to three designs in each, individually titled. In the upper left and reading across, "Daddy Longlegs" shows a very think, long-legged man poised to smash the insect on his wall. To the right, on top "The itinerant chanceller" is a scene with a cricketer about to bat a large ball and below a scene with men wearing Dutch-style hats watch as one of the group takes a small ball and readies to bowl down a stand of large, egg-shaped objects. On the far right of the first row, a portly man greets a thin, frail man with wings as ears that extend above his hat, wearing glasses and leaning on a cane. The larger man says "Bless my soul Mr. Pidgeonwidgen! How do ye do. Well now, you look uncommon well considering your Ears." On the second row left, “Follow my leader”, the top image shows a thin man laboring up a hill as he pulls a very large man seated and reading at ease in the a four-wheeled chair. Below three men carrying guns stand up to their necks in a river having followed a taller man in a top hat calmly walking ahead. The speech balloon above their heads reads, “Didn't I tell ye it was only up to the middle.” The first smaller man replies, “The middle indeed. Why we are up to our necks d'ye think our legs are stilts like yours.” In the middle of the second row, A very thin man in Scotish costume (Henry Brougham, 1st Baron Brougham and Vaux?) striding vigorously using a broom as a walking stick and burdened with boxes and bags on his back and waist, labelled “Freedoms of Scotch Towns”, “Broken Vituals the remnants of the Edinburgh Gorge.”, and “Proceeds of the Penny Mag.” The caption below reads, “I flatter myself I've made a tolerable good job by my “Starring it” with Old Grey in the North. Sold all my numbers of the Penny Mag. and well puff'd it thro' applause with the ex-premier. Received some score of Burgesses, Freedoms, and Invitations to as many dinners where I blew my own trumpet & obtain'd plenty of orders from our 'Usefull Knowledge Society', now “woe” to the unstamn'd when I get home.” The last image in row two, on the right, is un-captioned and shows a devil riding behind a horseman bolting across an evening sky. Below two men peak through tall grass and observe an otter and The third row contains a single image captioned “Something like a chase” which shows horsemen following their hounds across a field and over a fence, many of whom have fallen their horses or encountered other types of accidents and falls. In the distance is a small sign indicating that they rode from Wombell's. In the last row, on the left, two men, one with a gun with a barrel turned at 90 degrees, peak out from around the corner of a building, looking at a rooster and some chickens. The caption reads, “Paddy's gun, warranted to shoot around the corner.” The first man says, “Put ye spalpeen, wat are you after, if you let it off, by my soul it'll blow ye to de Divil.” To which the man with the gun replies, “Ock, come out now and hav'nt I made it into a 'Patent Cylindrical Twisted Barrel Gun' and dont day shoot de best, ye Murphy digger.” In the middle of the bottom row, is an image of a constable apprehending a frightened chimney sweep, with the caption “Reforming the Clergy”. The constable says, “Come along, you've hacted contrary to the Hact of Parlyment in crying out “Sweep”. There's 40 bob for ye or else a month in Quad." To which the sweep replies, “Oh criky, don't grab me this here vunce and I'll no not never cry Sweep agin. Vot's us poor flue-sakers to do if as how ve don't cry summut all for to let the people know or how ve are in the streets.” Two other laborers, another sweep and a swag man, in the distance on the right and left, observe “Does any lady or Gemmen's flue pipe vont expurgating.” The other says, “The law have mercy on us.” The third and final image at the end of the fourth row has the caption “A Crack Shot” with an image of a man with a caricatured face and a top hat, holding a gun in his hands and an umbrella between his legs as he stands before a door, the top half of which is open; a bird in a cage hangs to the side of the door. The speech balloon above his head reads, “There's one at last, the only chance of a shy I've had to day. There's nobody here, he, he, Now if I don't flummox ye my pink, say my mother has'nt sold her mangle
Description:
Title devised by cataloger from captions below each design, starting in the upper left corner., Series title and number at top of sheet., "6d, plain. 1s/ cold."--Upper right above design., and Dated below series title at top of sheet: October 1st, 1834. Continued every fortnight.
Publisher:
Published by J. Kendrick, 54 Leicester Square, and sold by T. Dewhurst, T. Drake, R. Thorley, Wiseheart, Ross & Nightingale, and Printed by Dean & Munday, 40 Threadneedle St.
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
Manuscript on paper (highly polished) of Xenophon, De venatione, translated into Latin by Leonicenus Omnibonus and preceded by a dedicatory epistle to John Tiptoft
Description:
In Latin., Watermarks: similar in design to Briquet Oiseau 12127., Script: Written in a well formed italic by a single scribe., Spaces left for rubrics and initials., and Binding: Nineteenth century. Paper case with paste paper sides. Rebound in Yale Conservation Studio in 1982.
A Bangladeshi hunting scene showing three riders, one a woman riding side-saddle, following a pack of hounds; an English women with her children in a wagon and another woman rider in the foreground, all attended by Indian servants. In the background is a large estate with a lake and a sailboat in the middle ground
Alternative Title:
Dharmasagar, Comilla
Description:
Title from text below image., Date of publication based on costume., and Sheet trimmed to image, except in the center lower edge where the title is present.
Publisher:
publisher not identified
Subject (Geographic):
Comilla (Bangladesh)
Subject (Topic):
Hunting, Horseback riding, Hunting dogs, Carts & wagons, Servants, Bodies of water, and Buildings
"Outline of a large crowd with many carriages gathered to watch as men on horseback chase a deer at left."--British Museum online catalogue
Description:
Title etched below image., Approximate date of publication from the British Museum online catalogue, registration no.: 1876,1014.52., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Easter hunt -- Vehicles -- Wagons -- Male costume, ca. 1790., and Watermark: J Whatman.
Publisher:
publisher not identified
Subject (Topic):
Carriages & coaches, Horseback riding, Crowds, Hunting, and Deer
"Hunting scene, hounds in the distance in full cry. In the foreground two riders gallop across a field; one is in pink, the other is a neatly-dressed parson in tricorne hat, and bushy powdered wig. The former: Holloa Hark!--Doctor--d'ye hear that charming Music? --The other: Music! I hear no Music--those dogs make such a confounded Noise!!"--British Museum catalogue
Description:
Title from caption below image., Date of publication from British Museum catalogue., Four lines of dialogue below title: Holloa hark! Doctor d'ye hear that charming music? Music! I hear no music these dogs make such a confounded noise!!, and Sheet trimmed within plate mark.
Publisher:
Pubd. by Chas. Hunt, 18 Tavistock Street, Covent Garden
Number four in a series of prints published by Fores that parodies the infamous Mulready stationery released by the British Post Office in 1840. Each of the prints is numbered and centers on a different theme, e.g. Fores's military envelope, Fores's musical envelope, Fores's comic envelopes, Fores's alderman envelopes, etc
Description:
Title from text above image., Other prints in the series attributed to John Leech and dated 1840. See British Museum onlne catalogue., and "No. 4."
Publisher:
Published by Messrs. Fores at their sporting & fine print repository & frame manufactury, 41 Piccadilly, corner of Sackville Street
Subject (Name):
Mulready, William, 1786-1863.
Subject (Topic):
Fishing & hunting gear, Horseback riding, Hunting, and Postal stationery
Huntsmen and hounds with moutned members of the hunt are in an enclosure flanked by corn-stacks and resembling a farmyard, except for a boiling-house with a tall chimeny and joints of meat hanging from the gable-end of a building. The artist (Robert Crukshank) sits (right) sketching; 'Blackmantle', stands beside him pointing. Behind is a large church. The Berkeley hourds, a double pack, were kept alternately during the season at Cheltenham and Gloucester. British Museum catalogue
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Manuscript diary in the hand of Henry Ridinger, 1878-1882. Ridinger describes his work as a herder in Colorado, landscapes and topography in Colorado, Navajo settlements, working in the hay trade, a shooting and arrest in Colorado, and his travel through Kansas to Indian Territory (now Oklahoma). Ridinger describes life with a group of Osage, including the construction of buildings, hunting, fishing, agriculture, and Osage funerary and religious ceremonies. Ridinger also records his interactions with other tribes, including Pawnee, Cherokee, Ute, and Waco. He describes relations and treaties between the tribes, as well as the tribes' relations with the United States government, including the disbursement of food and clothing. Other passages describe copies of earlier treaties with France and Spain which the tribes showed Ridinger. A later entry describes the aftermath of the United States Army burning a Jewish settlement in Oklahoma in 1881 and The diary also includes an essay about the history of Native American treaties with the United States government and several pages of accounts listing expenses and sales of hay, wheat, and corn. The diary includes several drawings of people, horses, insects, dogs, and symbols. Accompanied by 3 photographs, one hand-colored portrait of Henry Ridinger, one of an unidentified woman, and one of a man and woman captioned "Uncle Sam [Ridinger] with his sweetheart who died."
Description:
Henry Ridinger (1851-1938) was born in either Iowa or Illinois in 1851. His family moved to Kansas in 1857 and he left home at the age of 11, circa 1862. He worked as a cattle herder and hay farmer in Colorado, Kansas, and Oklahoma for several years in the 1870s and 1880s. He later became a hay farmer in Lincoln County, Nebraska, circa 1885., In English., and Front and back covers are detached.
Subject (Geographic):
Colorado., Oklahoma., Oklahoma, Colorado, Indian Territory, and Kansas
Subject (Name):
Ridinger, Henry, 1851-1938. and Ridinger, Sam
Subject (Topic):
Agriculture, Cherokee Indians, Crime, Hay trade, Herders, Hunting, Indians of North America, Government relations, Jews, Navajo Indians, Osage Indians, Pawnee Indians, Ute Indians, Waco Indians, and Description and travel
Manuscript on paper of Seventeen hunting calls with hunting codes for the horn. Instructions in English: "To call the Company in the Morninge...The Mount is from partie to partie every Note repeated thrice."
Description:
In English., Watermarks: unidentified pot similar in design to Heawood 3637-38., Script: Written in well formed English secretary script., and Removed from a copy of The Booke of hawking, huntyng and fysshyng attributed to Dame Juliana Berners (London, [1561]).
Manuscript on paper (unidentified watermarks in gutter) of a hunting diary of Ferdinando de' Medici (1549-1609), Cardinal, and Grand Duke of Tuscany; this portion of the manuscript covers the period 15 October 1579 to 21 March 1585
Description:
In Italian., Written in a sprawling cursive script., and Binding: Nineteenth century. Dark green, hard-grained goatskin, gold-tooled, by the same binder as MS 90. Front cover of original limp vellum binding bound in at front of manuscript, with contemporary inscription: "Libro della Caccia che si fe (?)/ Illustrissimo et Reverendissimo Signor Cardinale d'/ Medici mio Signore e padrone".
Subject (Geographic):
Connecticut, New Haven., and Tuscany (Italy)
Subject (Name):
Ferdinando I, Grand-Duke of Tuscany, 1549-1609.
Subject (Topic):
Hunting, Italian literature, Manuscripts, Medieval, and Social life and customs
