Manuscript on parchment (palimpsest) of 1) Francesco Barbaro, De re uxoria, with his dedicatory preface to Lorenzo di Giovanni de' Medici. 2) Leonardo Bruni, Oratio Heliogabali ad meretrices. 3) Plato, Crito, the first version of the Latin translation by Leonardo Bruni (1420s). 4) Xenophon, Apologia Socratis, translated into Latin by Leonardo Bruni. 5) The ps.-Virgilian Epistola Virgilii ad Maecenatem written by Pier Candido Decembrio as a young man in 1426; he had difficulty convincing his contemporaries that it was not genuine
Description:
In Latin., Script: Written in humanistic bookhand by a single scribe, above top line., Illuminated initial of poor quality, f. 1r, 7-line, gold (almost completely rubbed), with red penwork filigree and small stylized leaves, with some touches of gold. At the top of the page, beneath rubric, arms of the Rustichelli family (per pale, or, a lion rampant sable; or, 4 bars nebuly sable), surrounded by red penwork. Plain initials in red and blue. Headings in red. Some small initials touched with yellow. Off-set impression of eyeglasses on ff. 33v-34r., and Binding: 19th-20th centuries, Germany (?). Case bound with leaves from a parchment manuscript (Breviary, France, 1250-1300). On the front pastedown: rubrics for the major feasts and their octaves occurring in late June (John the Baptist, 24 June) through mid-August (Assumption, 15 August), and the beginning of the lessons to be read within the octave of the feast of John the Baptist; on the back pastedown: end of the lessons for Hilarianus of Arezzo (7 August) and beginning of the second lesson for Cyriacus, Largus and Smaragdus (8 August).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Barbaro, Francesco, 1390-1454.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Petrarch, De remediis utriusque fortunae
Description:
In Latin., Script: Written by a single scribe in beautiful batarde script characterized by calligraphic flourishes (some stroked with yellow) in upper and lower margins., 4-line initial on f. 1r, blue with white highlights, on a gold ground, with a coat of arms (effaced) against burgundy ground with gold floral sprays; short floral border, pink and blue flowers on green stem, infilled with gold dots with black hair-spray. 6-line initials on ff. 84r and 87r green with yellow highlights, on gold ground, with a love-knot connecting E (brown with gold highlights) and N (blue) against silver ground, borders as above. 2-line initials at beginning of chapters, gold with black penwork and flourishes; 1-line initials (R for Racio, and G, S, D, M, for the other interlocutors) blue or gold, with red or black penwork., On ff. 1r and 8r three quarters of the page was ruled, but left blank, presumably for miniatures., and Binding: Nineteenth century. Red velvet case, much worn.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Conduct of life, Dialogues, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (fine, smooth) of 1) Prologue. 2) Moamin, De scientia venandi per aves, translated into Latin by Theodorus of Antioch. Although the prologue states that there are four treatises composed by Moamin, the fourth (Quartus naturam et medicamen qutrupedum [sic] cum quibus uenamur) is omitted in this manuscript. 3) Treatise of Dancus rex. 4) Treatise of Guillelmus falconarius. 5) Four anonymous descriptions of types of falcons. Produced probably for Ferdinand II of Aragon (arms on f. 1r).
Alternative Title:
Moamin
Description:
In Latin., Script: Written by a single scribe in elegant round humanistic script below top line., One miniature, f. 1r, five falcons sitting on a perch in a niche, with a 6-line initial, blue and light green, with green and blue acanthus, against gold, framed in red, with white dots; full border, pink and blue flowers on stems with pink, orange and green leaves and gold dots spiraling around a pink and gold bar; framed in gold and inhabited by birds, putti, four of the putti in lower margin supporting a coat-of-arms. 5-line initials, gold, filled with blue or crimson with flowers in white, on irregular grounds, crimson or blue with flowers in white, and hair-spray extensions with crimson and blue leaves, flowers and gold trefoil leaves or dots. 2-line initials, gold, filled with crimson or blue against irregular crimson or blue grounds with white filigree. Rubrics throughout., and Binding: Nineteenth century. Red goatskin, gold-tooled with "Cetreria" on spine. Gilt edges with lettering on fore-edge.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Falconry, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment of M. Tullius Cicero (106-43 B.C.), Cato Maior de senectute, with a List of the Seven Wise Men of Greece
Description:
In Latin., Script: copied by Giovanmarco Cinico from Parma in Humanistica Textualis Formata. This famous scribe was active in Naples from ca. 1458 to ca. 1498., Pink headings. The names of the interlocutors and the colophon on f. 48r are written in pink Capitals. The first line of the various sections following the dentelle initial is written in alternately pink and black Capitals, except on f. 2r, where it is written in gold Capitals. The illuminated opening folio before f. 1 has been cut out. The smaller sections open with a pink Capital placed between the double bounding lines. 2-line Renaissance dentelle initials in gold on a divided and indented red and blue background, decorated with silvery penwork, at the beginning of the major subdivisions of the text., and Binding: original Italian, repaired: brown leather over thin wooden boards, the covers blind-tooled and decorated with numerous small gold dots. Marks of two clasps; on the spine, now detached and kept separately, a gold-tooled reddish brown title label (17th century?) with the inscription “STR // DE // SEN”. Gilded edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Dialogues, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Old age
Manuscript on paper of Konrad von Megenberg (1309-1374), Die deutsche Sphaera, an adaptation in German of Iohannes de Sacrobosco, De sphaera. With 23 verses dealing with the numerical value of the letters of the alphabet, excerpted from Hugutio of Pisa (d. 1212), Liber derivationum
Description:
In German., Script: Copied by one hand in Gothica Cursiva Libraria/Currens., The initials are not executed. Coarsely drawn diagrams; the principal ones are on ff. 2r (Earth in the middle of the circles of the elements, the planets and the heavens), 9v (a quadripartite circular map of the world, three quarters covered with sea and inhabited by fish), 10v (a circular diagram and another with "cauda Draconis" and "caput Draconis"), 11r (two diagrams showing eclipses), 11v (related diagrams)., and Binding: Yellow limp vellum too large for the present manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Sacro Bosco, Joannes de, fl. 1230.
Subject (Topic):
Astronomy, German poetry, Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, Numerology, and Science, Medieval
Manuscript on paper of Joannes de Sacro Bosco, Sphaera, translated into English and supplemented by Anthony Ascham. With calendar for the years 1529-35; "The Complaynt Off Sanct Cipriane, The Grett Nigromancer," a poem by Anthony Ascham. Includes individual zodiac volvelles with descriptions in Latin (several volvelles attached to the incorrect month).
Description:
In English and Latin., Watermarks: similar to Briquet Lettres et Monogrammes 9890 and Pot 12863., Script: Text written in English secretary script., Numerous explanatory drawings and tables appear throughout the manuscript, including 40 drawings of constellations; nineteen maps, accompanied by tables of longitude and latitude; nine devices that explain the movement of the heavenly bodies. All drawings are carefully drawn in brown ink, tinted with washes of green, yellow, black, brown, pink, and labelled in red or brown ink., Many leaves pasted together, some of which have become unglued. Cropped, resulting in loss of some marginalia., and Binding: Eighteenth century. Brown sheepskin, blind-tooled with central panel and outer border colored dark brown. Pink spattered edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Sacro Bosco, Joannes de, fl. 1230.
Subject (Topic):
Astrology, Astronomy, Medieval, Calendars, English poetry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Early maps
Manuscript on parchment of 1) Joannes de Sacro Bosco, De sphaera. 2) Unidentified Cosmographicae libellus. 3) Nicolas Oresme, Traite de la sphere, in a Latin translation apparently extant only in this manuscript
Description:
In Latin., Script: Written by one person in small fere-humanistic script bordering on cursive, verso., Simple decorative initials, 5- to 2-line, in red. Headings, paragraph marks, strokes on majuscules at beginning of sentences, and marginal notes, in red., Seventeen carefully executed astronomical drawings and two tables, in red, black, yellow and beige, accompany arts. 1 and 3., and Binding: 18th-19th centuries. Limp vellum case. "Tractatus spere" on tail edge.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Sacro Bosco, Joannes de, active 1230.
Subject (Topic):
Astronomy, Medieval, Cosmography, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Boethius, De topicis differentiis
Description:
In Latin., Script: Written in compact gothic bookhand by a single scribe, below top line., One historiated initial, f. 1v, blue with white filigree and highlights against a square reddish brown ground with white filigree, showing Boethius as a monk in a blue robe seated on a chair and holding a scroll inscribed with his name, and a disciple, dressed in a red robe and holding a book inscribed with the opening words of the text proper, both figures against a grey ground with white filigree. Three illuminated initials, ff. 7v, 16v, 23r, 6- to 4-line (without ascenders or descenders), blue with white filigree against reddish brown ground with white filigree or reddish brown against blue ground with white filigree. The initials are filled with scrolling vines blue or reddish brown with white highlights, with stylized leaves, ending in dragons' heads against reddish brown or blue grounds. Descender, f. 16v, in form of a dragon, reddish brown against blue ground. Flourished initials, 2-line, and paragraph marks alternate red and blue., and Binding: Date? Limp vellum case with title, in ink, on spine: "Topica boetij".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on parchment (hair side mottled) of Suetonius, De vita Caesarum
Description:
In Latin., Script: Written by a single scribe in a round humanistic script that inclines slightly toward the left., Illuminated title page with partial border in upper and inner margin, white vine-stem ornament against vibrant blue, green and red ground with white dots and gold balls, terminating in pen inkspray with gold balls and large blossoms, yellow and red with gold highlights in upper margin, blue with white highlights in inner margin. Inner margin interrupted by a scrolling banderole (no inscription) in blue and red with white highlights. Floral border in lower margin, pen inkspray with flowers in blue, red, green and pink, and gold balls, surrounding a wreathed medallion with unidentified arms (azure 3 bendlets argent, a chief or with 3 birds sable beaked and membered gules) and the initials VI and M (arms and initials are later additions), on a parchment ground. 12 illuminated initials, 8- to 6-line, gold. Some against green and red grounds with yellow and white highlights, filled with yellow shaded white vine-stem ornament against blue, green and red grounds with white and yellow dots. Other initials on blue, green and red grounds with yellow shaded white vine-stem ornament, yellow and white dots. Initials on ff. 1r, 26v, 83v, 119r, 140r, 170r are enclosed within faceted rectangular frames. Headings and marginal notes by original scribe in red., and Binding: Fifteenth century, Italy. Resewn on four supports and rebacked. Edges yellow. Covered in brown leather over wooden boards, blind-tooled with concentric frames alternately filled with rope interlace. A triple cross in the central panel. Badly cut tools and impressions burned into the leather. Four fastenings, the catches on the lower board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Caesar, Julius. and Suetonius, approximately 69-approximately 122.
Subject (Topic):
Biography, Illumination of books and manuscripts, Medieval, Latin prose literature, and Manuscripts, Medieval
