Illuminated manuscript on parchment of the four Gospels. Contains (1) Eusebius' Letter to Carpianus, ff. 2v-3r; (2) Canon Tables I-X, ff. 3v-11r; (3) Gospel of Matthew, including index, concordance, and portrait, ff. 12r-96v; (4) Gospel of Mark, including index, preface, and portrait, ff. 97r-149v; (5) Gospel of Luke, including index, preface, and portrait, ff. 150r-233v; (6) Gospel of John, including index, preface, and portrait of John and Prochoros, ff. 234v-297v; (7) reading on the woman taken in adultery, ff. 297v-298r; (8) principal colophon, ff. 298v-299v
Alternative Title:
Bible. Armenian Gospels
Description:
In Armenian., Layout: two columns of 19 lines. Section numbers in margins against text, and concordance numbers in lower margins., Script: bolorgir., Decoration: miniatures and illuminations by Tʻoros Taronacʻi, some signed. Full-page portraits of the Evangelists. Ornate frames, headpieces, marginal decorations. Zoomorphic letters, ornate initials., Binding: leather over boards. Front cover has metal cross and other ornaments; rear cover is stamped. Patterned linen doublures on inside covers., Colophon (fols. 298v-299v) indicates the manuscript was written for Ovanē Ōrpēli (also Awrpēli), a member of the Ōrbelean family which held extensive domains in the same province. Codex was executed at the monastery of Noravank' by the scribe Momik, who was assisted by the vardapet Pawłos. These two scribes completed the greater part of the writing by AE 756 (=AD 1307), when Momik had serious trouble with his eyes. Manuscript was completed by another scribe, Yohanēs or Yovhannēs. Momik recovered his sight in AE 780 (=AD 1331) and wrote the colophon in which he gives interesting information concerning the copy of the manuscript and the feudal lords of Siwnikʻ. The book then passed into the possession of Archbishop Step'anos-Tarsayič, also a member of the Ōrbelean family. In AD 1331 Archbishop Step'anos-Tarsayič had the manuscript "adorned with gold and silver" by order of prince Biwrt'ēl, the head of the Ōrbelean family. Since replaced by current leather binding., and In AE 855 (=AD 1406) the manuscript belonged to a priest named Sēt' (fol. 235r). Later inscriptions indicate that the manuscript was acquired by the craftsman Awēt and his brothers and sons, who in turn offered it to the church of Surb Yakob (St. James) in the town of Cʻałman (fol. 235v); a second indicates the manuscript subsequently belonged to an individual named And[r]ēas and his sons (fol. 236r).
Subject (Geographic):
Armenia., Connecticut, and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Armenian, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper and parchment, composed in seven parts, of a collection of papal documents relating to the Franciscan Order, the Poor Clares, and the Tertiaries of St. Francis. With Rule for Poor Clares; and Rule of the Tertiaries of St. Francis. Includes texts by Popes Urban IV and John XXII; incunabulum; and additional texts
Description:
In Latin., Script: Part I (ff. 2-104): Written by several scribes in small gothic text hands. Part II (ff. 105-132): Written in small upright gothic script; words being defined written in larger more formal style of script. Part III (ff. 133-175): Written in a style of script similar to that in Part II. Part IV (ff. 176-211: Incunabulum. Part V (ff. 212-247): Written in a small round gothic text hand with humanistic features. Part VI (ff. 248-253): Written in cramped and hastily written gothic script. Part VII (ff. 254-265): Written in small gothic text hand., Part I: Two illuminated initials, 9- to 5-line, formed of stylized foliage, pink and green with white highlights on gold gound, filled with blue ground with white filigree. Terminals extending into the margins to form partial floral borders, stylized foliage, blue, green and pink, with gold balls with hair-line extensions. Pen-and-ink initials, alternating in blue and red with red and light green penwork. Plain initials in red or blue. Part II: Red and blue divided initial, 4-line, f. 105r, smaller initials in red or blue. Underlining and paragraph marks in red. Letters and words stroked with yellow. Part III: Crude red initial with simple penwork designs, 8- to 2-line. Paragraph marks and underlining in red. Part V: Red initial, 11-line, with simple designs, f. 212r; 2-line initials, headings, underlining, marginal notes, paragraph marks in red. Majuscules touched with yellow and stroked with red. Part VII: Paragraph marks and underlining in red., and Binding: Sixteenth century, Netherlands. Bound in tan goatskin over paste boards. Very faint blind tooling and four fastenings, two of them ribbon. Catches on the lower board. Front pastedown (and possibly back pastedown?): portion of a document dated 1491. Spine: tying up marks are head, tail, and around the supports.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
John XXII, Pope, -1334., Urban IV, Pope, ca. 1200-1264., Franciscans., and Poor Clares.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, Papal documents, and Third orders
Manuscript fragment on portions of 2 parchment bifolios. Removed from a binding where it functioned as the pastedowns and the first and last flyleaves
Description:
In Latin., Script: Arts. 1-4, 8-15 written in uncial; arts. 5-7 in a pre-Caroline minuscule with prominent ascenders., Pen-drawn initials, touched with red, yellow, green, and/or orange occur for each art.; some incorporate a sawtooth pattern and fish motif. Heading for art. 8 in majuscules for first line (filled with yellow, red, green) and red uncials for second; remainder of headings in red uncials., Leaves damaged by pasting, cutting, and folding., and Boxed.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Sacramentaries
Honorius, of Autun, approximately 1080-approximately 1156
Published / Created:
[between 1175 and 1200, ca. 1200]
Call Number:
Beinecke MS 315
Image Count:
10
Resource Type:
unspecified
Abstract:
Manuscript on parchment composed of three distinct parts. Part I (ff. 1-64): Honorius of Autun, Gemma animae. Part II (ff. 65-80): Pseudo-Hugh of St. Victor, Speculum de mysteriis ecclesiae. Part III (ff. 81-122): Jean Beleth, Summa
Description:
In Latin., Script: Each part written by a different scribe, all in early gothic bookhand., Part I: Initials, 12- to 2-line, red, green, blue, with exuberant designs in contrasting colors that often extend full length of folio, some trimmed. Headings in red. Part II: Decorative initials, 8- to 2-line, alternate red and blue, with designs in contrasting colors; plain initials, 1-line, some with simple ornamentation, in red or blue throughout. Heading in red. Guide-letters in inner margin. Part III: Simple initials, a few with designs. Paragraphs marks in red and/or black. Guide-letters in outer and inner margins; notes to rubricator perpendicular to written space in gutter and outer margin. Headings in red., and Binding: Nineteenth century. Vellum case with a black label, gold-tooled, and arms of Athelstan Riley on covers. Bound by John R. Hering, London, active 1817-35.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Honorius, of Autun, approximately 1080-approximately 1156.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholasticism
Manuscript on parchment roll, composed of 15 membranes, of a Chronicle of biblical world history and the genealogy of the kings of England
Description:
In Middle English., Script: Written by a single scribe in a somewhat rough textura., The genealogical diagrams, which are fitted into the empty spaces between the columns of text, begin with a roundel formed of concentric bands of blue, gold and red with a miniature of Adam with Eve, who is being handed an apple by the serpent. From the roundel of Adam and Eve to the Ascension of Christ the successive Biblical names, framed in orange or green squares, are linked by a continuous band in blue, red and gold. The names of the ancestors of the Kings of England, starting with Brutus, appear in red or blue circles, surmounted by gold crowns. Other names are in plain red circles. Linking lines in the genealogies are in red or green. At the appropriate places in the text are inserted schematized diagrams in red and green ink of Noah's Ark, a plan of the Israelite camp in the desert and a plan of the city of Jerusalem., One large illuminated initial for the prologue, 8-line, mauve and blue with white filigree against gold ground thinly edged in black. The initial is filled with a large flower, red, yellow and green, and curling acanthus, orange and green extending into the margin and continued as black inkspray with large leaves, heart-shaped or acanthus, blue, pink, orange, white and green with white filigree, a large orange and gold flower, smaller leaves in gold with blue and pink, gold dots and small green leaves, extending into the upper and left margin to form a partial border. Smaller illuminated initial for the beginning of the main chronicle, 5-line, gold on blue and mauve ground with white filigree. Numerous small initials, 2-line, alternate in gold with blue penwork and blue with red. Paragraph marks alternate in red and blue., and Binding: Unbound.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Topic):
History of Biblical events, Illumination of books and manuscripts, Medieval, Kings and rulers, Manuscripts, Medieval, World history, and History
Manuscript on paper, composed in 3 parts, of unidentified sermons. The three sections appear to have the same origin and to have been united soon after their making. The scribe and owner was a lay brother in the convent of Augustinian Canons St. Dorothea in Vienna
Description:
In German and Latin., Watermarks: Part I: balance, var. Piccard, Waage V.331?; star, var. Briquet 6077?. Part II: bull's head, unidentified?. Part III: column var. Briquet 4408?; bull's head var. Briquet 14825? (last three folios)., Script: Part I (ff. 1-76) copied by various hands writing Gothica Cursiva Libraria with Bastarda features. Part II (ff. 77-160) copied by one hand in Gothica Cursiva Libraria with Bastarda features. Part III (ff. 161-261) copied by five hands in Gothica Cursiva Libraria., Part I: Headings in red, often missing; heightening of the majuscules in red; plain red 4-line initials; they are flourished with black penwork on ff.18v-19r. Part II: Headings in red, sometimes missing. Red heightening of majuscules on ff. 125v-126r only. Spaces and guide-letters for 2-3 line initials (4-line initial on f. 77r) , which have not been executed., Part III: The decoration of art. 15 consists of 3-4 line plain initials in red; at the opening a 5-line flourished initial in red. Art. 16 has red stroking of the opening majuscules of all verses and 2-line plain red initials. In art. 17 the majuscules are heightened with red. The Fables in art. 15 are illustrated with unframed watercoloured pen drawings., and Binding: Contemporary blind-tooled calf over unbevelled wooden boards, worm-eaten. Spine with three raised bands. Remnants of two brass clasps attached to the rear cover, containing several times the inscription in relief "Osan".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinian Canons. and Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Sermons, and Sermons, German
Manuscript, on vellum, containing the text of the prophetic books of the Old Testament, including Baruch, with prologues and commentary. The extensive gloss surrounds the centered Biblical text
Description:
In Latin., Layout: Biblical text centered, single column, variable length; surrounding gloss written in double columns of 65-75 lines., Script: gothic script. Letters in Biblical text larger than in glosses., Decoration: 18 small historiated initials and approximately 30 other illuminated initials; numerous blue and red penwork initials with red or lilac penwork decoration; rubricated., and Binding: modern blind-stamped red morocco gilt, by Riviere.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Versions, Vulgate, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (trimmed) of 1) Gospel of Matthew, preceded by Prologue to Gospels from Jerome; letter of Jerome to Damasus; spurious addition to letter attributed to Jerome; Prologue to Matthew. 2) Gospel of Mark, preceded by Prologue. Final leaf missing; the conclusion of Mark is added on a piece of parchment (Germany, ca. 1150) stitched in between ff. 110 and 112 (formerly glued to f. 112).
Description:
In Latin., Script: Written in German minuscule by a single scribe., At the beginning of each Gospel, full-page initials, f. 9r (Matthew) and f. 71r (Mark) incorporating symbols of the Evangelists; f. 9r with gold foliate scrolls with silver tendrils, one with a pink dragon-head terminal, against blue, light green and orange; f. 71r gold and silver, with spiraling foliage in shaded blue, orange and green, supported by a pink and gold dragon; both followed by display capitals in alternate lines of gold and silver, shaded in blue. Large initials in gold and silver as above, 2-line, f. 1r, and 6- or 5-line, ff. 3r, 5r, 5v, and 68v, for prefaces, epistles and prologues. 3-line initials, as above, for chapter divisions. 1-line initials throughout, inner margin, orange, filled with gold and/or silver. Rubrics in orange. Some oxidization of silver., and Binding: 19th-20th centuries. Red velvet case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jerome, Saint, -419 or 420.
Subject (Topic):
Versions, Vulgate, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Gradual, with masses from the second Sunday after Easter through the 13th Sunday after Pentecost, omitting Ascension and Pentecost
Description:
In Latin., Script: Written by one scribe in round liturgical gothic script., Initial on f. 1v (2 lines + 2 staves high) made of cadeaux, with gold paint sloppily applied. Other initials 1 line + 1 staff, same style, in black or red, with or without gold. Square notes on 5-line red staves. Headings in red., Water has caused red ink to run on many folios; no loss of text. Some repairs in margins with pieces of coarse parchment., and Binding: Nineteenth century. Half bound in brown calf, gold-tooled, with blue cloth sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Graduals (Liturgical books), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin., Script: Written by one scribe in large round gothic bookhand. Index added later by Frater Elia Pinelli, in humanistic script., Three historiated initials; that on f. 3r (Sts. Peter and Andrew), the Calling of Sts. Peter and Andrew, is of high quality; purple with white floral highlights; ornate purple, blue and green fruit and floral border, inner margin, with candelabra, hairspray and gold dots. The two other historiated initials are of inferior quality: f. 78v (Holy Cross) Cross with Arma Christi and f. 220r (Mass of the Dead) two roundels: skull and cross-bones against a landscape and skeleton with scythe against a black ground. Very fine penwork 3- and 2-line initials: done in red or blue (one on f. 57r in gold), decorated with white bands and jewels, with blue and red penwork, large illusionistic jewel studs and simple fruit and floral borders, painted in purple, blue, green, and yellow or in pen, red, blue with some black and yellow; initial on f. 189r with two seraphim. Some 2-line initials incorporate ivy or fruit swags. 1-line initials, red or blue, divided, with blue or red penwork, jewel studs, circles and lozenges, in green, yellow and tan. Square musical notation on 4-line red staves. Rubrics throughout., Binding: 17th-18th centuries. Original sewing on 6 double cords, each covered with brown leather and probably nailed to inside of boards. Red and gold wound endbands. Heavy boards are covered with thick leather (cowskin?) and the spine is covered separately with leather nailed to the edge of each board. There are four brass corner pieces and a large central boss on each board, bosses protruding from the three outer edges, and a strap and pin fastening, the pin on the lower board., and An additional leaf with a historiated initial depicting St. Felicitas was removed from this manuscript at some point prior to its acquisition by the Beinecke Library. This leaf is currently cataloged as Beinecke MS 712.129.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Graduals (Liturgical books)., Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
