Augurelli, Giovanni Aurelio, approximately 1456-1524?
Published / Created:
28 January 1495.
Call Number:
Mellon MS 22
Image Count:
80
Resource Type:
unspecified
Abstract:
Manuscript (holograph?) on parchment of nineteen poems, dedicated to Niccolo Franco, Bishop of Treviso (d. 1499), and other members of the literary circle in Treviso with whom Giovanni Aurelio Augurello (ca. 1440-1524) was actively connected as a famous private teacher and distinguished poet from 1491 until his death. Only the seventeenth poem of MS 22 is directly related to alchemy, but it is above all a literary exercise
Description:
In Latin and Greek., Script: Written by a single scribe in a good humanistic cursive., Large capital letters, mostly plain, at the beginning (written in the left margins) and dedication of each poem in pale red. On f. 1v (blank on the recto) is a drawing in delicate wash of a tree, lower left, against the base of which leans a small book in a red cover; extending upward from the treetop to the sun, at extreme top right, is the inscription in red capitals: "VTCVNQ[VE] TIBI." On f. 2r, opposite the dedicatory drawing just described, there is further decoration in the same delicate wash colors: a leaf in the margin beside the dedication to Niccolo Franco, Bishop of Treviso; light tracery ornament surrounding the capital "F" in the left margin at the beginning of the first poem; and Franco's arms, surmounted by the Bishop's mitre and surrounded by green twigs tied with red ribbons, in the lower margin. At the end of the manuscript, beneath the colophon, there is a further drawing and inscription in green wash, referable to the final poem: a small Roman sarcophagus with a little book in red binding lying atop it, and the inscription "POSTERITATI SACRUM" below., and Binding: Apparently original. Blind-stamped red goatskin (now darkened), repaired, sides paneled with blind fillets, two rows of differing knotwork tools, four clasps and catches now lacking, two asterisk-headed brass nails for each clasp remaining on upper cover, plain edges, modern leather label on backstrip with three faintly raised original bands.
Subject (Geographic):
Connecticut, New Haven., and Treviso (Italy)
Subject (Name):
Augurelli, Giovanni Aurelio, approximately 1456-1524?
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript on parchment of 1) Boniface VIII, Sextus liber decretalium. 2) Commentary of Joannes Andreae on art. 1. 3) Clemens V, Constitutiones, with preface of John XXII. 4) John XXII, "Quia nonnunquam".
Description:
In Latin., Script: Folios 1-96 written in littera bononiensis; ff. 1-22 written in a less formal Gothic bookhand. Numerous annotations in the margins by contemporary and later hands., Two miniatures, f. 1r, an enthroned pope holding an open book and symmetrically flanked by ecclesiastical and secular parties, and f. 96r, a Franciscan monk presenting a book to an enthroned pope with clerical and lay attendants. Full border for text on f. 1r, constructed of solid panels, gold and red with white filigree, filled with two karyatid figures, a cleric, and a man in a blue robe. Partial border in lower margin, 3 medallions in blue, pink and red, with a papal portrait in half length, an angel, and a third subject now effaced. The medallions are connected by lozenges, green, blue and red with scrolling vines in blue, red, and green with white filigree and gold dots. 32 marginal figures in various costumes, among them several clerics, knights and an angel, often in animated poses. Numerous illuminated initials, 6- to 3-line in pink, blue or grey on blue, red, pink and gold grounds with white filigree. Foliage serifs in pink, red, grey and blue with white highlights. 39 initials with bust-length figures. Remaining initials in pink and red with white filigree. Calligraphic initials, alternating in red and blue with blue and red penwork scrolls. Plain initials and paragraph marks alternate in red and blue., and Binding: Fifteenth century (?), Italy. Limp vellum case, restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boniface VIII, Pope, -1303.
Subject (Topic):
Canon law, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Papal documents, and Scholia
Manuscript on parchment in two volumes. Vol. 1: Gospels of Matthew and Mark. Begins in the middle of Matthew 5.17. Volume 2: Gospels of Luke and John. Both volumes exhibit the same physical format and were clearly bound together at an earlier date
Description:
In Greek., Script: Written by a single copyist in minuscule script, with headings and tables of chapters in uncials; writing runs through guide-lines rather than sitting on them., Full page portraits of Mark, Luke, and John; all are depicted on gold. Mark holds a codex in his left hand and touches his chin with the right. Luke (f. 3v, Vol. 2) writes in an open codex he is holding in his lap, while John (f. 87v, Vol. 2) holds a scroll bearing the opening phrases of his gospel. Illuminated headpieces and ornamental initials in gold with stylized foliage, before each book (except Mark); red initials at beginning of first, tenth, and twentieth lines of text., and Bindings: Volume 1, ca. 1904. Vellum case, gold-tooled. Volume 2, 1961. Orange goatskin gold-tooled, bound by Sidney Cockerell.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment in two volumes. Vol. 1: Gospels of Matthew and Mark. Begins in the middle of Matthew 5.17. Volume 2: Gospels of Luke and John. Both volumes exhibit the same physical format and were clearly bound together at an earlier date
Description:
In Greek., Script: Written by a single copyist in minuscule script, with headings and tables of chapters in uncials; writing runs through guide-lines rather than sitting on them., Full page portraits of Mark, Luke, and John; all are depicted on gold. Mark holds a codex in his left hand and touches his chin with the right. Luke (f. 3v, Vol. 2) writes in an open codex he is holding in his lap, while John (f. 87v, Vol. 2) holds a scroll bearing the opening phrases of his gospel. Illuminated headpieces and ornamental initials in gold with stylized foliage, before each book (except Mark); red initials at beginning of first, tenth, and twentieth lines of text., and Bindings: Volume 1, ca. 1904. Vellum case, gold-tooled. Volume 2, 1961. Orange goatskin gold-tooled, bound by Sidney Cockerell.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment of John Lydgate (1375?-1449?), Siege of Thebes
Description:
In Middle English., Script: Copied by one hand in Gothica Cursiva Antiquior Libraria/Formata (Anglicana). The scribe has been identified as being Stephen Doddesham, a Carthusian monk, first in Witham Priory, afterwards in the Charterhouse at Sheen, near London, d. 1481/1482., Red headings and running titles. The latter are preceded by alternately blue paragraph-marks with red penwork and golden paragraph-marks with blue penwork. 6-line foliate initials in pale blue and pink with left-margin floral borders extending into the upper and lower margins, at the beginning of Parts II and III (ff. 13v and 33v); the same type of initial with similar but four-margins border at the opening of the Prologue (f. 1r). There were only two 3-line dentelle initials with short marginal extensions, namely on f. 20v (now cut out, v. 1569, speech of Adrastus) and 25r (v. 1901, speech of Tideus)., and Binding: Nineteenth century. White parchment over pasteboard by Edward Parry. On the gold-tooled spine two bordeaux leather labels with gold-tooled inscriptions: "DESTRUCTION / OF / THEBES / BY/ LYDGATE" and "MANUSCRIPT".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lydgate, John, 1370?-1451? and Carthusians.
Subject (Topic):
English poetry |y Middle English, 1100-1500, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Narrative poetry, English (Middle)
Manuscript on paper of Frère Laurent, Somme le Roi (The Book of Vices and Virtues). Written presumably for Agnes of Burgundy, Duchess of Bourbon, who died at Moulins-sur-Allier in 1476
Description:
In French., Watermarks: ff. ii-5, Briquet Armoiries 1876; ff. 6-315, similar to Briquet Lettre P 8527., Script: Written by two scribes in batarde script. Scribe 1) ff. 1r-100v, 131r-217v; Scribe 2) ff. 101r-130v, 217v-312r, 313r., At the beginning of each book there are spaces (9 to 13 lines) left blank for miniatures. 4- to 2-line initials for each book and for a few chapters, gold against blue and red grounds with silver or white filigree, with coarse gold ivy and black hair-spray. 2-line initials in blue or red for chapters; 1-line initials, blue or red, in table of contents. All initials with guide-letters. Chapter numbers and paragraph marks in red. Rubrics throughout., and Binding: Eighteenth century. Edges red. Brown calf, spine gold-tooled, with a red label: "Miroir du Monde M. S. S. Antiq."
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Laurent, Frère.
Subject (Topic):
Conduct of life, French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Jacopo Ariani (?), 200 Sonnets addressed to a lady called Laura. With Alberto Maffei, Colophon in the form of a sonnet addressed to the readers
Description:
In Italian., Script: Written by Alberto Maffei in a small calligraphic Humanistica Semitextualis Formata., Each sonnet opens with a Capital in gold ink, the three subsequent stanzas with alternating red and blue Capitals. On the opening page (f. 2r), however, the opening Capitals are in gold on a square blue background dotted with gold, above each of the two sonnets floral ornaments have been painted in red and gold ink and in the lower margin there is a medallion within a gold wreath adorned with ribbons and containing the coat of arms of the Ariani family flanked by the initials "I.A.". ff. 1 and 52 are stained purple and the text of artt. 1 and 3 is written in gold ink, the headings being executed in silver ink. On both pages silver and gold floral ornaments in three margins. The ones in the lower margins end in Capital "A" (for "Albertus")., and Binding: Nineteenth century. Blue velvet over cardboard with blue watered-silk doublure. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ariani, Jacopo.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry, and Manuscripts, Medieval
Manuscript on parchment (thick, furry) of Speculum humane salvationis. With Pseudo-Bonaventura, Meditationes de passione Christi
Description:
In Latin., Script: Written by two scribes in similar gothic textura bookhands. Scribe 1 (ff. 1r-90v) in brown ink. Scribe 2 (ff. 91r-104v) in a darker ink and more compressed script. A few marginal comments and corrections of 15th-16th centuries., The manuscript originally contained 192 miniatures, of which 29 have been entirely and 1 (f. 53r) partially removed. Those remaining are drawn in light brown ink and tinted in brown and yellow washes with touches of red. The miniatures on ff. 7r-38v have been redrawn in black ink by a second hand. A dirty tan ground has been added to miniatures on ff. 67v and 68r., 2-line calligraphic initials, blue, at the beginning of each chapter and "figura" or type (I-initials, 6-10 lines; at the bottom of the page, e.g., f. 29v, the I breaks and runs beneath the lowest line of text), with elaborate, angular penwork and flourishes, in red (some, e. g., ff. 17r and 21r, with faces). On ff. 91r-104v 2-line blue initials, plain; spaces for some initials, including a 6-line initial on f. 91r, left blank. 1-line red or blue initials, some of the blue with red penwork. Capital A's in each Amen alternate red and blue. Guide-letters for initials throughout. Paragraph marks, blue. Tituli, inscriptions in miniatures, chapter numbers, and pagination in red throughout. Guide-numbers for pagination still visible, especially on ff. 58v-60r., The parchment is worn and dirty, with many torn and slashed folios. Apart from the folios which are missing entirely, the upper portions (with miniatures) on ff. 47, 53 and 57 have been removed., and Binding: Fifteenth century. Dutch or German? Sewn on six double, tawed cords laced into beech boards and pegged in three holes. Endband cores laid in grooves and pegged. There is an inner cover of pink, tawed skin. Over this is a chemise of thin, white tawed skin stitched to a heavy outer, tawed pigskin cover which extends about 25 mm. at the head, 70 mm. at the fore-edge, and was whip-stitched at the edges. The tail edge has been cut down. Two straps are attached to the upper cover and tacked to the extending skin at the fore-edge with a narrow, tawed thong. There are two square marks where pins were attached to the lower cover. The original sewing cords have broken and have been replaced, a part of the book resewn, and part of the chemise pocket cut away. The ends of the fastening straps and the endbands are wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Devotional literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (leaves are very uneven due to irregular trimming) originally composed of roughly executed full-page illustrations and diagrams that constitute the Speculum theologie
Description:
In Latin., Script: Inscriptions written in gothic bookhand, additions in either textura or running scripts (ff. 2r. 7v)., The illustrations on ff. 1r-7v are drawn in red ink, heightened with green, orange, and yellow. The diagram on f. 8r is drawn in brown and red, touched with blue, red, yellow and gold., Folio 8r darkened and rubbed with some loss of text., and Binding: Nineteenth century. Half bound in mottled brown goatskin, gold-tooled, with a red label. Marbled paper sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Theology
Manuscript on parchment of 1) Statuta capituli generalis, with the years 1158 and 1180-1190 mentioned in red. 2) Liber usuum. 3) Super instituta generalis capituli apud Cistercium. 4) Liber usuum conuersorum. 5) Carta caritatis
Description:
Probably produced at the abbey of Fontaine-Jean in Northern France, to which it belonged in the late 16th century. The Cistercian abbey of Fontaine-Jean, near Montargis, between Sens and Orleans, was a daughter house of Pontigny founded in 1124., In Latin., Script: Written by one scribe in large, even bookhand. Additions by various hands, 13th-17th centuries; some lost due to trimming., Four large initials, ff. 1v, 38r, 86r, and 93r (12-, 29-, 8-, and 9-line), light brown with crude running pattern of clover-leaf-like forms in brown ink, filled with brown, green and red spiral foliage with flowers and dragon-head terminals, on blue and red grounds decorated with triplets of white dots. One elaborate, but crude, calligraphic initial, f. 118v, 9-line, divided red and green, accompanied by red and green foliate motifs, framed in green. Numerous initials throughout, 7- to 2-line, red or blue, and occasionally green, with blue, red or green foliate penwork, some extensive. 1-line initials, red or blue, alternating. Rubrics throughout, some in text, others in margins. Wavy red line-fillers., and Binding: Nineteenth century. Brown calf, blind- and gold-tooled, with mottled, mauve paper sides. On spine: "Constitutions du monastre de Fontaine-Jehan".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cistercians.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
