Manuscript on paper of 1) Aeneas Gazaeus, Theophrastus, translated into Latin by Ambrogio Traversari. 2) Life of St. Helenus, monk in Egypt. Text is an extract (incomplete) taken from the Latin translation by Rufinus of the Historia monachorum, ch. 11.
Description:
In Latin., Watermarks: Briquet Fleur 6306, and unidentified shrub, ff. i-viii, in gutter; Briquet Tete humaine 15617., Script: Written in humanistic script by a single scribe, above top line., One large illuminated initial, 5-line, of modest quality, in gold with black accents on a multicolored ground of red, blue and green with white vine-stem ornament and white dots. One smaller initial (unfinished), parchment color on blue ground with white vine-stem ornament. On f. 1r, in lower border an unidentified coat of arms: vert a chief sable (?), overall a lion (?) rampant gules (or purpre?) on the main field and or in chief and with bend (tincture undetermined) overall; the whole shield overpainted in black. Headings in red., and Binding: Fifteenth century, Italy. Vellum stays are adhered in and outside the paper gatherings. Original sewing on three tawed skin, kermes pink, slit straps which go through tunnels in the edges of wooden boards to channels on the outside where they are pegged. The primary endband, sewn on a tawed skin core, is gilt with traces of a red secondary endband. A design is scratched on the gilt edges. Covered in brown sheepskin with corner tongues and blind-tooled with progressively taller concentric frames alternately decorated with five small tools. Five flower-shaped bosses on each board, some wanting, and four fastenings, leaf-shaped catches on the lower board, the upper board cut in for the clasp straps which are attached with star-headed nails. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gazaeus, Aeneas.
Subject (Topic):
Biography, Desert Fathers, Dialogues, Greek, Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, and Monks
Manuscript on paper of Iohannes de Sacrobosco (1000-1210), Tractatus de sphaera
Description:
In Latin., Watermark: two crossed arrows, similar to Briquet 6269-6275, especially to Briquet 6271 (attested 1462). The whole group and its variants are attested in Northeastern Italy 1448-1495., Script: copied by one hand in Humanistica Cursiva Libraria/Currens, widely spaced. The first letter after an initial is in Capitalis., 2-line plain initials alternately in red and blue at the beginning of the subdivisions of the text. They are placed almost entirely in the margin and are missing ff. 17v, 28r and 33r. Guide letters, written in the space reserved for the initials, are equally often missing. On f. 1r the Prologue opens with a 4-line foliate initial in red, green and blue with two flowers on a gold background and floral extensions in the inner margin, in Lombard style; in the lower margin of the same page a painted double-headed imperial eagle in black, its two heads with a golden crown and on its chest an oval shield with the coat of arms or, three bends azure., and Binding: original Italian, undecorated blue-stained leather over beech boards. Sewn on three double leather thongs. Remnants of three clasps attached to the front board (one at the upper, one at the lower and one at the right-hand side); thin brass engraved catches on the rear cover, decorated with a floweret and the Gothic majuscule “S”. The parchment pastedowns are now detached from the boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Sacro Bosco, Joannes de, fl. 1230.
Subject (Topic):
Astronomy, Medieval, Geometry, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Stuart, Bérault, seigneur d'Aubigny, ca. 1452-1508
Published / Created:
[between 1500 and 1525]
Call Number:
Beinecke MS 659
Image Count:
34
Resource Type:
unspecified
Abstract:
Manuscript on parchment of Berault Stuart (Bernard Stewart, ca. 1452/53-1508), Traite sur l'art de la guerre
Description:
In French., Script: Copied by one hand in a small Gothica Hybrida Formata (loopless Bastarda)., Line-fillers in liquid gold on red, blue or brown ground. 2-line (rarely 3- or 4-line) initials on square background, in liquid gold on coloured background or in colour, heightened with white, on liquid gold background decorated with leaves and flowers. Six miniatures., and Binding: Early nineteenth century. Cross-grained red leather over pasteboard, the covers gold-tooled with a decorative border, the turn-ins gold-tooled with dentelle border; brownish marbled endpapers; the spine gold-tooled with flowerets and the title "L'ORDRE D'UN CHEF DE GUERRE PAR D'AUBIGNY".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Stuart, Bérault, seigneur d'Aubigny, ca. 1452-1508.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Military art and science
Manuscript on goatskin parchment of 1) St Basil of Ancyra, De vera integritate virginitatis. Translated into Latin by Ambrogio Traversari between 1423-1424; 2) St John Chrysostom, Adversus oppugnatores vitae monasticae. Translated into Latin by Ambrogio Traversari in 1420
Description:
In Latin., Script: Copied by one scribe, writing in Humanistica Semitextualis with a few Gothic features., Pale red rubrics. Text undecorated, with the following exceptions: plain 2-4-line initials (Capitalis) in red or blue on pp. 1, 152, 155, 188; 5-line white vinestem initial integrated in a three-margins-left border in the same style on p. 3; the initial and border have been attributed by Albinia C. de la Mare to Giovanni d'Antonio Varnucci (1416-1457)., and Binding: 19th-20th centuries; brown morocco over cardboard. Both covers are blind-tooled with frames of fillets and four different flower tools. Five raised bands are on the spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Traversari, Ambrogio, 1386-1439.
Subject (Topic):
Fathers of the church, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monastic and religious life
Manuscript on paper (sturdy) of what is probably the first version of the treatise, finished ca. 1476-77. The order of contents is as follows: fortresses; temples, churches and theaters; columns and other architectural details; plans for palaces; aqueducts; measuring and surveying; instruments of war
Description:
In Italian., Watermarks: anchor and star similar to Briquet Ancre 478, Bergamo 1502., Script: Written in italic script by a single scribe who left blank spaces for illuminated initials., Outer and lower margins of almost every page filled with architectural or mechanical sketches drawn either directly on the leaves (ff. 1r-5v) or on small strips of paper pasted onto the margins of the leaves (ff. 6r-57v), in brown ink, sometimes with green or pink washes. The drawings illustrate every section of the text; many have explanatory inscriptions., and Binding: Eighteenth century. Red edges. Mottled, brown calf, streaked on the turn-ins. Blind-tooled, with a gold-tooled spine.
Subject (Geographic):
Italy., Connecticut, and New Haven.
Subject (Name):
Martini, Francesco di Giorgio, 1439-1502.
Subject (Topic):
Architecture, Illumination of books and manuscripts, Medieval, Italian literature, Manuscripts, Medieval, and Military art and science
Manuscript on paper of an unidentified treatise, incomplete, on the Cardinal Virtues; material taken mostly from Valerius Maximus, with additional material from Augustine, the Bible, Cicero, Seneca, Macrobius, Aristotle, and Vegetius
Description:
In Italian., Watermarks: similar to Briquet Coutelas 5157, 5159., Script: Written by a single scribe in humanistic cursive script with notarial features, above top line., 28 pen and watercolor initials, heavily influenced by Greek models, 24- to 10-line (with larger initials at the main divisions for Justice on f. 1r, Prudence on f. 8r, Temperance on f. 14r, and Strength on f. 25r), in green, red or pale purple on paper ground, with intricate designs of scrolling and intertwining vines, pale yellow with touches of unburnished gold, terminating in spiky leaves. Berries, pale purple, red or green with geometric pen designs attached to the vines. Folio 1r, ends of initial S terminating in dragon heads; ff. 14r and 25r, unidentified arms (or, 2 or 3 bars nebuly purpure), incorporated into the initial. Sketches, in lead, visible beneath most initials. Headings in red. Majuscules touched with yellow., and Binding: 19th-20th centuries, Italy. Paste-paper case binding in yellow, green and red.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Valerius Maximus.
Subject (Topic):
Cardinal virtues, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
In Italian., Script: Written by one scribe in humanistic bookhand., Six fine miniatures. Each miniature, 12- to 9-line, is rectangular, framed with a thin band of burnished gold (except on f. 39r, a square 14-line miniature in a purple frame edged on both sides with gold). On f. 3v, a full border: putti with swags in upper margin [trimmed], white-vine ornament in side and lower margins, the ground predominantly blue, with some green and pink and with white dots; in outer and lower margin, a gold trellis, with polygonal medallions at corners and midpoints, containing a capital I, and the busts of a child, youth, and young woman; finely drawn animals (stag, goat, panther, rabbit, and fox) superimposed over border. In the lower margin of f. 1r is a coat-of-arms (effaced), supported by four putti and with birds in surrounding vine ornament. For the other miniatures, partial borders with dark blue, green, pink and gold flowers and gold dots and hair-spray. Small medallions containing the letters I, A, C, O, P, O incorporated into successive borders form the name Iacopo (probably the man who commissioned the volume). 3-line initials of gold, infilled green and pink, with delicate white filigree, against blue grounds. Headings and initial of each tercet in gold., and Binding: Eighteenth century. Gilt, gauffered edges. Red calf, gold-tooled with a ribbon border, acorns in the corners and a diced central ornament.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry, and Manuscripts, Medieval
Manuscript on parchment of Valerius Maximus, Factorum et dictorum memorabilium libri novem. With Dedication to Giovanni Colonna of the commentary of Dionysius de Burgo Sancti Sepulchri; Commentary on Valerius Maximus by Dionysius de Burgo Sancti Sepulchri; Julius Paris, Epitome of Valerius Maximus
Description:
In Latin., Large historiated initial, f. 5r, 17-line, mauve with white filigree and stylized foliage in red and green against gold ground, thickly edged in black. Initial filled with a half-length portrait in profile of a man in black robes and a black cap, probably Dionysius de Burgo Sancti Sepulchri. Foliage serifs, blue, red, mauve, and green with gold balls thickly edged in black extending into the upper and inner margins to form a partial border, which extends as stylized foliage scrolls, blue and purple into the lower margin. Gold balls partially or completely flaked. Numerous illuminated initials, 9- to 4-line, mauve with white highlights, filled with stylized foliage, green, red and blue on blue grounds with white filigree. Initials for the text against gold grounds, thickly edged in black; initials for commentary against blue ground with white filigree. Some initials with foliage serifs, pink, red and/or blue and gold balls thickly edged in black extending into margins. Pen and ink initials, 3-line, alternate blue and red with red and purple penwork. Headings in red. Plain initials touched with yellow., and Binding: Fifteenth century, Spain. Own parchment endleaves, one cut out in back. Original sewing on five tawed skin slit straps laid in channels on the outside of wooden boards and fastened. Yellow edges. The natural color, plain wound endbands are sewn through the spine lining on tawed skin cores which are laid in grooves on the outside of the boards. The spine is lined with vellum extending inside the boards between supports. Covered in red-brown goatskin blind-tooled with an X in an outer frame and crosses made of decorated circles in the divisions. Four fastenings, truncated diamonds at head and tail and shields at the fore edge, on the lower board. The clasp straps are attached with star-headed nails. Traces of five small round bosses on each board. Traces of incised inscription near the head of the lower board. Spine leather missing.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Valerius Maximus.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval, and Scholia
Manuscript on parchment (trimmed) of 1) Bible in the usual order with some prologues and later additions. 2) Index of Hebrew names generally attributed to Stephen Langton. 3) List of readings for year, beginning with the first Sunday in Advent through Monday after Easter. 4) Another list of readings from the first Sunday in Advent (f. 427r) through the 25th Sunday after Trinity, for the dedication of a church, for the sanctorale from Andrew through Cecilia, for the common of saints and for Trinity, Holy Spirit, Holy Cross, Virgin Mary, and the dead
Description:
In Latin., Script: Written in small gothic textura; a few corrections added in a tiny neat cursive hand. Marginal notes in several cursive hands of 14th-15th centuries., The historiated initials, 11- to 6-line (not including ascenders or descenders), are pink and blue, with dragons, against pink and blue grounds with gold dots and triplets of white dots. Initials for prologues 6- to 4-line (without ascenders or descenders), as above, filled with intertwining vines, blossoms, dragons, occasionally birds or fish; 4- to 1-line initials, red or blue with blue and red penwork. Headings, chapter numbers, red and blue alternating letters with blue and red penwork. Capitals stroked in red. Some rubrics missing., Rectangular pieces cut out of lower margin, ff. 266-69; no loss of text., and Binding: Nineteenth century. Red, straight-grained goatskin, gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Versions, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (trimmed) of Book of Hours with Full calendar, in French
Description:
In Latin., Script: Written in batarde script., Miniatures and an extensive cycle of border vignettes by Jean and Jacquelin Montlucon who were active in Bourges between 1477 and 1492. The calendar pages are framed by gilt columns and entablatures in the antique manner with the occupations of the month and signs of the zodiac in the outer margin and a Creation cycle in the lower margin. Eleven half-page miniatures framed in magenta and gold with cusping at the top; fanciful architectural bases, surrounded by simulated grey-black marble with joined wings and foliage branches in gold. Twenty-three miniatures, 8-lines in height, in magenta and gold frames, each with a full border of flowers and acanthus, birds and grotesques on compartmented gold and white grounds. Text pages with full borders: columns in inner margin; panels with masks, shields, garlands, and wings in upper margin; flowers and acanthus, as above, in outer margin; and, in the lower margin, one of the fullest known cycles devoted to the wild man (sometimes extended to include outer margin as well). Other manuscripts from the same shop, the Monypenny Hours and Grenoble Bibliotheque Municipale MS 1011, also contain extensive cycles of wild-man imagery; the artists Jean and Jacquelin de Montlucon lived in Bourges in a house "at the sign of the Wild Man.", 5- and 4-line initials with leafy branches, gold with fruits, flowers, profile heads on pink or mauve grounds. 2- and 1-line initials, line-endings, and KL monograms in the same style. Rubrics in red. Calendar entries alternate red and blue. F. i verso added in 16th century: the arms of Gian Francesco di Montegnacco in a frame closely modelled on the decoration of the calendar pages., and Binding: Nineteenth century. Tan goatskin, gold-tooled with concentric frames, the central panel daubed with green and red. Red label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
