Manuscript on paper of Pedro de Medina, Coloquio de cosmographia and Regimiento del altura del sol y del Norte. Addition, in another hand, by a friend of Pedro de Medina and taken from a treatise in Italian on cosmography by a Florentine member of the Compagni family
Description:
In Spanish., Watermark: compare with Briquet 7567, 7578, 7584, 7601, 7602 (?)., Script: Written by one hand in Spanish Gothico-Humanistica. Headings in Capitalis., Majuscules heightened in dark yellow. Flourished initials in liquid gold with red penwork. Diagrams in pen and ink., and Binding: Sixteenth century. Blind-tooled brown leather over cardboard, both covers decorated with frames of rolls and single stamps in the center; two green silk ties.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Medina, Pedro de, 1493?-1567?
Subject (Topic):
Cosmography, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Leonardo Bruni, Commentaria rerum graecarum (De principatu Graeciae), preceded by Bruni's letter to Angelo Acciaiuolo
Description:
In Latin., Script: Written in round humanistic bookhand by two scribes who use somewhat different physical formats. Scribe I) ff. 1r-16r, written above top line, with initials for paragraphs set apart from the text between outer vertical bounding lines. Scribe 2) ff. 16v-26v, written below top line and leaving blank the final line of written space., Two illuminated initials on ff. 1r and 2r, 5-line and 3-line, gold on blue, green and pale mauve ground with white vine-stem ornament and grey-green dots. On f. 1r vine-stem ornament on blue ground extends into inner margin (3-lines) to form partial border. Possibly by the same artist who executed the initials in Marston MS 257., and Binding: Twentieth century, Italy. Rigid vellum case with a green, gold-tooled label on spine: "L. Bruni De principatu graeciae. Sec. XV".
Subject (Geographic):
Connecticut, New Haven., and Greece
Subject (Name):
Bruni, Leonardo, 1369-1444.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, and History
Manuscript on paper of 1) Ambrosiaster, Commentarius in Epistolam S. Pauli ad Romanos, recensio. 2) Pseudo-Haimo of Halberstadt (here attributed to his pupil Remigius of Auxerre), Commentaries on Romans, 1 and 2 Corinthians, 1 and 2 Thessalonians, 1 and 2 Timothy, Galatians, Ephesians, Philippians, Colossians, Hebrews, Philemon, and Titus
Description:
In Latin., Script: Copied by a group of scribes, all writing a more or less careful Italian Late Carolingian script. There are numerous and extensive alterations and corrections on erasure. Headings in a mixture of Capitals and Uncials., Headings in red. Initials of various styles: (1) plain Romanesque initials, sometimes with developed decoration, in red; (2) more or less large painted initials in various bright colours on coloured background and filled with white vinestem; the body of the letter often filled with various interlace and frets; the vinestem may be issuing from an animal's mouth. Special forms of these painted initials: ff. 88v (wheel-shape), 90r (a snake winding round the shafts of the letter), 126r (outline drawing of vinestem initial), 136v (zoomorphic: bird-shape), 186v (inhabited by two birds), 204v (zoomorphic: dragon-shape), 209r (idem, with head at both ends), 215v (zoomorphic: fish), 216r (zoomorphic: dragon with head at both ends), 222v (inhabited by two birds), 268v (partly zoomorphic: bird), 274v (historiated: head of St. Paul). Initials are lacking f. 197v, 201v., and Binding: Original doeskin over heavy unbevelled wooden boards. On each cover traces of five circular bosses; traces of two straps fixed to the rear cover and clutching over pins in the front cover. On the front cover an inscription largely worn off: "Remigius super epistolas sancti Pauli" (13th century?).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ambrosiaster.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment in two volumes of Jerome, Commentaries on the Minor Prophets. Written perhaps at the Cistercian abbey of Hautecombe
Description:
In Latin., Script: Written and neatly corrected in early gothic bookhand by several scribes., Fine painted initials, 19- to 5-line, for major text divisions, monochrome red or polychrome in red, bright green, olive green and/or brown, with pale yellow washes. Preliminary sketches in lead often visible underneath; some bows appear to be drawn with compass. Smaller initials of similar design throughout. Initials are characterized by lattice work, acanthus scrolls and decorative empty spaces within initials. The opening initial on f. 1r is executed in red and blue. Headings in red throughout., and Binding: 1800-1810, Italy. Half bound in brown calf with bright pink paper sides. Three green gold-tooled labels on the spine of each volume: "Vol. I", "Vol. II"; "Hieronimi in XII Prophetas Manuscrip"; "Saecul XII". Title on black gold-tooled labels: "Hieronimi in XII Prophetas Manuscrip". Edges spattered blue-green. The same distinctive bindings also found on Marston MSS 50, 125, 128, 135, 151, 153, 158, and 159, all of Hautecombe provenance.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jerome, Saint, -419 or 420. and Cistercians.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on paper (trimmed), with parchment bifolios interspersed, of Julius Caesar, Commentary on the Gallic Wars, translated into French by Jean Duchesne. Written for Jacques Donche, counselor of Charles the Bold of Burgundy
Description:
In French., Watermarks: similar to Briquet Armoires: Trois fleurs de lis 1741., Script: Written in neat batarde script by Hellin de Burchgrave., Ten half-page miniatures, each in an arched frame composed of two thin bands, gold and red highlighted with white, edged in black, the arch with tiny cusps; beneath, initials, 6-, 4-, or 3-line, blue or blue and red with white highlights on a gold ground of irregular shape conforming to the letter, edged in black, with serifs protruding into the left margin; filled with green and/or red and crimson trilobe leaves on curling stems with white and/or yellow highlights, or with a blue, green, crimson, and gold diapered ground with white highlights. Three smaller miniatures, 12- or 14-line, occasionally cut off at the upper edge so as to fill only part of a line of text; frames rectilinear, otherwise identical to those described above, Beneath, 2-line initials, blue, with white highlights, filled with trilobe leaves, as above, once (f. 25r) with one leaf of spiky acanthus added, and once (f. 256r) with a pink ground with gold filigree. There is a blank space on f. 27r for another miniature of this type. Other decoration consists of 2-line calligraphic initials, paragraph marks, line fillers (spirals and heraldic dragons), page and chapter headings, all executed in red. The first one or two lines of some books (as well as occasional lines within the text) are underlined in red., A few folios have tears in the margins., and Binding: Eighteenth century. Spattered and gilt edges. Red goatskin, gold-tooled, with the arms of Eugene of Savoy on cover and his monogram on spine.
Subject (Geographic):
Connecticut, New Haven., and Gaul
Subject (Name):
Caesar, Julius.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, and History
Manuscript on paper (polished) of Gasparino Barzizza, Commentary on Epistolae morales ad Lucilium, 65-124 only
Description:
In Latin., Watermarks: similar to Briquet Tour 15909 and Piccard Turm II.617., Script: Written in gothic cursive with humanistic features by a single scribe, above top line., Illuminated initial, f. 1r, 8-line, blue with white highlights and burnished gold on gold ground with stylized foliage in green and dark red with yellow highlights. Terminals ending in foliage serifs, red, green with yellow highlights, and gold balls with hairline extensions. Numerous pen and ink initials, 3-line, alternate red and bright blue with penwork designs of the other color extending along margin., and Binding: Fifteenth century, Italy. Parchment stays are adhered to inner and outer conjugate leaves of quires. Original wound sewing on three tawed skin, slit straps laid in channels on the outside of beech boards. The endbands, which are wanting, were sewn on tawed skin cores laid in grooves and nailed or held in place by the bosses; they were tied down through a tawed skin spine lining. Covered in sheepskin, originally brick red, with the surface now badly rubbed and shedding. Corner tongues. Blind-tooled with an X in concentric frames. Four leaf-shaped catches with three flowers on each on the lower board, one wanting; the upper board cut in for two kermes pink straps attached with star-headed nails. Five flower-shaped bosses on each board and the trace of a chain attachment at the tail of the lower one.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Barzizza, Gasparino, ca. 1360-1431. and Seneca, Lucius Annaeus, ca. 4 B.C.-65 A.D.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval, and Scholia
Manuscript on parchment (warped) of Victorinus, Commentarius in Ciceronis De inventione (Explanationes in Ciceronis Rhetoricam). With an Anonymous commentary on Cicero, De inventione I.24-28.
Description:
In Latin., Script: Written by multiple scribes in cramped early gothic bookhand, above top line. Marginalia by several contemporary and later hands., Seven illuminated initials are later addition (Italy, 1450-1500): 4- to 3-line, gold on blue, red and green ground with white filigree. Black inkspray with gold leaves and balls extending into margins; f. 1r with blue and red flowers. Guide letters for decorator in margins., and Binding: Nineteenth century, Italy. Brick red goatskin, blind-tooled. Bound in the same bindery for the Guarnieri-Balleani family (Iesi) as MS 450 and Marston MSS 72, 181, 182, and 212.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius. and Victorinus, Marius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin essays, Manuscripts, Medieval, and Scholia
Manuscript on parchment (poor quality, yellow and speckled on hair side) of William of Melitona, Commentarius in Ecclesiasticum. Copied from a stationer's exemplum secundum pecias
Description:
In Latin., Script: Written in neat gothic bookhand., One historiated initial of fine quality on f. 11r, 9-line, reddish brown with white filigree against blue ground with white filigree, edged in gold, showing the author and three companions, presenting a book to a seated monarch dressed in a blue robe against a reddish ground with geometric designs in blue, black and red. Terminals of initial extend as a bar border into inner margin, blue and reddish brown against reddish-brown and blue grounds with white filigree and touches of gold. Border terminates in lower margin in a spray of spiky ivy, blue with gold leaves. Flourished initials, 6- to 3-line, blue or red with red and/or blue penwork designs, often extending the entire length of the text column. Running titles in red and blue. Paragraph marks alternate red and blue. Biblical passages underlined in red. Initials touched with red. Remains of instructions to rubricator., and Binding: Fifteenth century, Spain. Early (?) resewing on four tawed skin, slit straps or double cords laced into grooves in wooden boards. Beaded, red, green and natural color secondary endbands are sewn on tawed skin cores laced into the boards. The spine is lined with vellum between supports. Front and back (mostly concealed by another parchment leaf) pastedowns from a liturgical manuscript with neumes (Spain, 12th century). Remains of contemporary rectangular label on lower board: "Holcot super eccl***/ cum". Covered in brown sheepskin, blind-tooled with a central panel and alternate concentric frames filled with rope interlace with red bordering fillets. Spine: supports defined with double fillets on the spine and an X with a central cross-bar in the panels. There are four fastenings, the catches on the lower board, the clasp straps fastened with star-headed nails.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
William, of Melitona.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Pecia
Bonaventure, Saint, Cardinal, approximately 1217-1274
Published / Created:
[between 1275 and 1300]
Call Number:
Marston MS 175
Image Count:
3
Resource Type:
unspecified
Abstract:
Manuscript on parchment of St. Bonaventure's Commentary on Book IV of the Sentences of Peter Lombard
Description:
In Latin., Script: Written by several scribes in small gothic bookhand., One historiated initial, f. 1r, 6-line, beige with foliage serif, red, against blue ground with white filigree, containing an apothecary (unguentarius) mixing ingredients in a mortar with two pestles. Numerous flourished initials, 3- to 2-line, alternate in red with blue, and vice versa, or often plain initials in red or blue. Running headlines in red and blue. Paragraph marks, alternating red and blue, appear sporadically (ff. 1r-36v)., and Binding: Eighteenth century, Germany. Cream colored pigskin, blind-tooled. Gilt edges. Green and cream endbands. Title on spine: "De septem/ Sacrament. Tract. Mst.".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bonaventure, Saint, Cardinal, approximately 1217-1274. and Peter Lombard, Bishop of Paris, approximately 1100-1160.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholasticism, and Scholia
Manuscript on paper of Commentary on Virgil's Bucolics and Georgics and other texts
Description:
In Latin., Script: copied by one hand in Gothico-Humanistica Semitextualis Libraria with numerous abbreviations. Incipits are written in a large and more calligraphic version of the same script., No headings. Unevenly spread alternately red and blue paragraph marks. 3- or 4-line plain initials in red or blue, with guide letters; art. 9 opens with a 7-line plain initial in red. On f. 1r art. 1 opens with a 7-line Gothic foliate initial in blue and red, with green tendrils, on a rectangular background. The page is decorated with a golden staff in inner, upper and outer margins, around which a green tendril carrying red and blue leaves and gold vine leaves is wound. In the lower margin a wild man in a lion's skin (Hercules?) is painted standing between two rocky hills and carrying two coats of arms., The manuscript contains: 1) Donatus (4th century), Vita Vergilii. 2) Note on the three kinds of poetry, after the Venerable Bede, De arte metrica. 3) Ps.-Octavianus Augustus, Poem in praise of Virgil's Aeneis. 4) Ps.-Ovidius, Tetrasticha in cunctis libris Vergilii. 5) Poem in praise of Virgil. 6) Servius grammaticus, Commentum in Vergilii Bucolica, preface. 7) Poem. 8) Servius grammaticus, Commentum in Vergilii Bucolica. 9) Servius grammaticus, Commentum in Vergilii Georgica., and Binding: 17th-18th century. White parchment over pasteboard, the covers gold-tooled (but the gold almost entirely lost) with frames of fillets, four lozenge-shaped floral stamps in the corners and a large lozenge-shaped floral stamp in the center. The spine, with five raised bands, gold-tooled, with a red leather title label in the second compartment with the gold-tooled inscription: "SERVIUS / IN / VIRGILI / M.SS." Sprinkled edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Servius, active 4th century.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin poetry, and Manuscripts, Medieval
