Leaf 19. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire: a youth is being examined by a Cambridge don while his father looks on and an old servant and student laugh."--British Museum online catalogue, description of a different version of the design
Description:
Title etched below image., Printmaker John Williams later adopted the pseudonym Anthony Pasquin., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on top edge leaving thread margin., A different, probably earlier, version of no. 4727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Bust of Cicero, Marcus Tullius, B.C. 106-43 -- Literature: Ovid, B.C. 43-A.D. 18 -- College room at Cambridge -- Hanging bookshelf -- Pictures., On leaf 19., and 1 print : etching on laid paper ; plate mark 24.6 x 35.4 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pub. by MDarly, Strand, June 10th, 1772, accor. to act
"A more realistic rendering of the squib, illustrated in British Museum Satires No. 11414, &c., the text slightly altered. Seven designs in two rows, three above and four below, the verses etched across the upper part of each. [1] A close-up view of part of the east front of the new theatre, not accurately drawn, but showing the portico and its flanking sculptures of 'Antient Drama' and 'Modern Drama'. Above: 'This is . . .' [&c.]. [2] An arc of the third tier of boxes, showing three boxes crowded with fashionables in polite conversation; one lady only looks at the stage, using a glass. Above: 'These are the Boxes . . .' [&c.]. [3] A similar view of three pigeon-holes showing lighted chandeliers suspended from brackets below them. The occupants of the front row sit, those behind stand in a massed crowd; all are behaving well. Above: 'These are the Pigeon holes made for the poor, over the Boxes . . .' [&c.]. [4] A bust portrait of Catalani, singing, with tense bony neck, a claw-like hand on her breast. Above: 'This is the Cat . . .' [&c.]. [5] A bust portrait of an obese neatly dressed 'cit' in profile to the left, fiercely blowing a trumpet from which issues the word 'Hiss'. In his right hand is a paper: 'The Age of Reason [cf. No. 8646] a New Comedy perform[ed] by J Bull & C°'. Above: 'This is John Bull. . .' [&c.]. [6] A bust profile portrait of Townsend, neatly dressed, and wearing a top-hat. His right arm is outstretched as if to seize John Bull in the adjacent design; in his left hand is a constable's crowned staff. Above: 'This is the Thief taker . . .' [&c.]. [7] A bust portrait of Kemble, sternly frowning, in profile to the left, clasping a rolled document inscribed 'King John'. He wears ordinary dress with swathed neck-cloth and high-collared coat. Above: 'This is the Manager . . .' [&c.]. (Cf. British Museum Satires No. 11419.)"--British Museum online catalogue
Description:
Title etched below image. and Attributed to Charles Williams in the British Museum catalogue.
Publisher:
Pubd. Septr. 1809 by Walker, No. 7 Cornhill
Subject (Geographic):
England and London.
Subject (Name):
Catalani, Angelica, 1780-1849, Townsend, John, 1760-1832, Kemble, John Philip, 1757-1823, and Covent Garden Theatre,
Subject (Topic):
John Bull (Symbolic character), Theaters, Interiors, Chandeliers, Theater audiences, Bugles, Prices, and Anger
Page 244. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Plate from: The new wonderful magazine, and marvellous chronicle. London : Published by Alex. Hogg, v. 3 (1794)., "Wonderful magazine"--Above image., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Irish wakes -- Drunkenness., 1 print : etching and engraving on laid paper ; sheet 10.8 x 15.3 cm., Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge and periodical name from top edge., Mounted to 32 x 26 cm; a small newspaper clipping (3.9 x 6.2 cm) is mounted below print, dated "1773" in ink., and Mounted on page 252 (misnumbered '244') in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Pubd. by C. Johnson
Subject (Geographic):
St. Giles in the Fields (London, England),
Subject (Topic):
Interiors, Churches, Wake services, Dead persons, Ethnic stereotypes, Alcoholic beverages, Intoxication, Drinking vessels, Vomiting, Clergy, and Fans (Accessories)
Perspective interieure de la Chapelle du College du Roi a Cambridge
Description:
Titles in English and French etched below image., Date based on time period (1746-1755) when Canaletto worked in England and produced the original painting., Text below English title: N.B. This building is esteem'd the most perfect and finest piece of Gothic architecture now remaining in Europe., Text below French title: Cet edifice est regardé comme le plus beau monument d'architecture gothique qui soit en Europe., Sheet trimmed within plate mark., and Mounted on page 24 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
published according to act of Parliament, Aug. 1, 1753.
Call Number:
Quarto 724 771N
Collection Title:
Page 173. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Interior view of Westminster Abbey looking down the nave towards the organ, with groups of elegantly dressed figures in foreground
Alternative Title:
Inside of Westminster Abbey and Neff de L'Abaie de Westminster
Description:
Titles etched below image, in English and French., Titled 'The Inside of Westminster Abbey, by Bowles, 1753' in the Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc, London, 1829., Imperfect; sheet trimmed within plate mark and mutilated on bottom edge, resulting in slight loss of imprint statement., Title in English and French, with remaining text in English., Folded to 28.3 x 23.7 cm; mounted to 32 x 26 cm., and Mounted on page 173 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Printed for Tho. Bowles in St. Paul's Church Yard, John Bowles & Son in Cornhill, Rob. Sayer in Fleetstreet & H. Overton without Newgate
Subject (Geographic):
England, London, London (England), and London.
Subject (Name):
Westminster Abbey, and Westminster Abbey.
Subject (Topic):
Church buildings, Abbeys, Interiors, and Tombs & sepulchral monuments
"Midshipmen at table in a confined space, with a low roof, lit by a candle stuck in a bottle, which casts heavy shadows. They drink grog from tea-cups with a blue interior rim. Eight midshipmen sit at the table, bare except for a jug and bottle; of these two play cards, two sleep, one plays a fife. One of the card-players smokes a cigar and holds a handful of coins. A mishipman holds a lighted cigar to the face of his sleeping neighbour. A lieutenant drinks with the midshipmen. A ninth dances tipsily, holding cup and bottle; behind him stands a sailor playing a fiddle. A tenth, wearing a fur cap, struggles sulkily into a greatcoat before going on duty. A black boy stands against the wall grinning at the dancing midshipman. A steward (left) also stands against the wall, before recessed shelves containing a dinner-service. Against the wall hang hats, a dirk, a sextant, a sextant-case, swords, a speaking-trumpet."--British Museum online catalogue
Description:
Title from caption below image., Questionable attribution to Marryat from British Museum catalogue., Sheet trimmed within plate mark., and Reissue of no. 14287 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published Aug. 12, 1821, by G. Humphrey.
Publisher:
Published by Thos. McLean, 26, Haymarket
Subject (Topic):
Black people, Sailors, British, Interiors, Intoxication, Ships, and Servants
"In a room at the Pavilion Prince Leopold is introduced to Princess Charlotte, a bashful girl holding a skipping-rope in her gloved hands. She is pushed forward by Queen Charlotte (right), lean, ugly, and wearing court dress with a tiara. The Queen holds a large snuff-box inscribed 'Strasbo[urg]' (see British Museum Satires No. 12066) and says: "Go along Scape grace speak kindly to him." The Regent in the doorway on the extreme left propels the prince forward with the end of a crutch, using the other as a support to his gouty left leg. He says: "Courage Man! don't be bashfull!" A garter inscribed 'Honi soit' holds up the bulky covering of his gouty leg. Prince Leopold wears a braided and fur-bordered hussar tunic with tight pantaloons and spurred Hessian boots. His left hand is on the hilt of a large sabre, and he holds his heavily plumed and tasselled shako before his face. He says: "Madam I have no money, but I'm of the right breed, true German, an blood Royal." The Princess answers: "I had rather you was English! but a German husband is better than none." Both stand with flexed knees and lowered eyes. Behind Princess Charlotte is a much-festooned window looking on to the sea. Dragons dominate the decorations of the room, and, as in British Museum Satires No. 12754, the Regent's crutches. They support the curtains, a window-seat, and a console-table (right) where a large china mandarin sits with his back reflected in a wall-mirror; below it is a large Chinese jar. Bells dangle from the curtain draperies."--British Museum online catalogue
Alternative Title:
Miss out of her teens
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. March 1816 by Johnston, Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, Léopold I, King of the Belgians, 1790-1865, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, and Royal Pavilion (Brighton, England),
Subject (Topic):
Gout, Interiors, Princesses, Jump ropes, Snuff, Crutches, Doors & doorways, Draperies, and Windows
