Opposite page 109. Historic doubts, on the life and reign of King Richard the Third.
Image Count:
1
Resource Type:
still image
Abstract:
Portrait drawing of Richard III, three-quarter length, turned slightly right; wearing a crown and robe; holding a sword in his right hand and the globus cruciger in his left hand. Copied from a full-length double portrait drawing of Richard III and Queen Anne
Description:
Title written in ink below image., Artist unidentified; done after a drawing by George Vertue that was owned by Horace Walpole and kept at Strawberry Hill., Date of production based on publication date of the extra-illustrated volume into which this drawing was inserted., and Tipped in opposite page 109 in an extra-illustrated copy of: Walpole, H. Historic doubts, on the life and reign of King Richard the Third. London : W. and S. Wybrow [etc.], 1822.
Subject (Geographic):
Great Britain.
Subject (Name):
Richard III, King of England, 1452-1485 and Strawberry Hill (Twickenham, London, England)
Bust portrait of Fox in an oval frame, head turned left. Below the portrait, bordered by a draped cloth is a scene -- a representation of the opposition and a hostile account of Fox and the Holland family, in front of Westminster Hall. In the center of the scene, a statue of a headless king holding an orb stands on a rectangular pedestal inscribed with the words "Magna carta". A satyr (left) is breaking the sceptre across his knee, the king's head on the ground beside him. A man with ass's ears raises a pickaxt to strike the pedestal. To the right of the statue a dishevelled woman holds the staff and cap of liberty. Another man (popular rage) with a raised club is about to strike the statute
Alternative Title:
Right Honourable Charles James Fox
Description:
Title etched below image., Date of publication from British Museum catalogue., Above image: Engraved for the Carlton House magazine., and Later state, with a change in title. Cf. No. 5836 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Title from item., From: Aegidius Ranbeck, Calendarium annale Benedictinum, Augsburg: Simon Utzschneider, 1677., In image upper right: 20 January., Saint Féchin, -665, was an Irish saint and founder of the monastery at Fore. His saint's day is 20 January., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Simon Utzschneider
Subject (Topic):
Abbots, Christian saints, Saints, Sick persons, Miracles, Kings, and Horses
Title from item., Date derived from printmaker's date of death., Place of publication derived from printmaker's country of residence., In image upper left: 19 Martij., Wulfram was archbishop at Sens. His saint's day is March 20., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Wulfram, Saint, Archbishop of Sens, -720. and Radbod I, King of Friesland, approximately 650-719.
Subject (Topic):
Bishops, Christian saints, Saints, Kings, Fonts, and Baptisms
Title from item., Date derived from printmaker's date of death., Place of publication derived from street address., Above image: Série pol.137., Published in Le Charivari., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Clysters; Politics, French., and Helfand lists artist as Benjamin & gives date.
Publisher:
Chez Aubert, galerie vèro dodat and L. de Becquet, rue furstemberg 6
Subject (Geographic):
France
Subject (Name):
Louis Philippe, King of the French, 1773-1850 and Mouton, Georges, comte de Lobau, 1770-1838
Subject (Topic):
Enema, Obesity, Kings, Soldiers, Umbrellas, and Politics and government
Watercolor drawing depicting one wall of the chancel inside Barnwell Church, where the carved head of King Henry III was formerly located. The bottom parts of two windows, one of stained glass, are seen at top; an arch is built into the bottom part of the wall and a decorated rectangular structure is to the left of the arch
Description:
Title from note in black ink at bottom of sheet., Unsigned; artist unidentified., Date of production based on Horace Walpole's death date., Annotation in center of image in black ink: Head of King Henry the Third. About forty years ago the chancel of Barnwell Church (near Barnwell Castle two miles from Oundle) was repaired[?] and the head taken down by the carpenter employ'd, in whose hands it remaind. & his sons thirty years - who gave it to a carpenter of Peterborough where is remain'd till it came into the possession of Dr. Palmer of Peterborough. N.B. King Henry endow'd Barnwell Church., and Mounted on page 73 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
"A (tricolour) top with the head of Napoleon spins, above the ground, savagely lashed by representatives of the Allies. His arms and his legs have already been severed from his body, now represented only by the madly spinning top. The most violently active is Blücher (left) stripped to the shirt, his coat and hat thrown on a drum on the extreme left, beside which lie his gloves and baton. Facing them is Wellington (right) equally effective, stern, but less savage. Full-face, and immediately behind the top is the Tsar, left hand on hip; his whip is inscribed 'Knout'. Between him and Wellington is Schwarzenberg (or Francis I). Bernadotte stands rather behind, between Blücher and Alexander, both hands on his hips; he holds a whip but is an amused spectator. Behind (right) the future King of Holland, crowned and wearing a star, but dressed in the breeches and jacket of the Dutchman in English caricature, sits under a tree on a cask of 'Hollands'. He watches delightedly, holding up one of Napoleon's legs inscribed 'United Netherlands'. The other leg, the thigh inscribed 'Swisslad, the boot Italy, lies near Blücher. At Wellington's feet is the right arm inscribed Spain & Portugal'; the left arm, inscribed 'Germany', is near Schwarzenberg. Napoleon's orb and (broken) sceptre lie near him, with some of the feathers from the large hat which is still on his head; his horrified and shrieking profile faces Blücher. In the background (left) is a road along which a carriage drives off, drawn by four galloping horses. It contains tiny figures: Marie Louise, crowned and looking behind her, and the little King of Rome also crowned and waving a sceptre. Two soldiers are on the box, two others sit behind. In the air behind Bernadotte a demon flies off to the left, with Joseph Bonaparte clutching his barbed tail. The latter, his crown flying off, looks back horrified, exclaiming "O! My poor Brother Nap oh oh! O!"."--British Museum online catalogue
Description:
Title etched below image., Artist "G.H." identified as George Humphrey in the British Museum catalogue., and On verso, light impression of offsetting from another print.
Publisher:
Pubd. April 11th, 1814, by H. Humphrey, St. James's Strt
Subject (Geographic):
Great Britain.
Subject (Name):
Alexander I, Emperor of Russia, 1777-1825, Napoleon I, Emperor of the French, 1769-1821, Charles XIV John, King of Sweden and Norway, 1763-1844, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Schwarzenberg, Karl Philipp, Fürst zu, 1771-1820, Blücher, Gebhard Leberecht von, 1742-1819, Wellington, Arthur Wellesley, Duke of, 1769-1852, Francis I, Emperor of Austria, 1768-1835, Joseph Bonaparte, King of Spain, 1768-1844, Joachim Murat, King of Naples, 1767-1815, and William I, King of the Netherlands, 1772-1843
Subject (Topic):
Campaigns of 1813-1814, Napoleonic Wars, 1800-1815, Carriages & coaches, Crowns, Demons, Emperors, Kings, Military uniforms, Tops (Toys), Victories, War allies, and Whipping
Byron, Frederick George, 1764-1792, attributed name
Published / Created:
May 12, 1790.
Call Number:
790.05.12.01+
Image Count:
1
Resource Type:
still image
Abstract:
"The King of Spain sits on a circular dais under a canopy, turning his head away from the English ambassador (left), a stout John Bull wearing top-boots behind whom stand four pugilists. Three Spaniards with pikes stand on the extreme right behind the throne, and three courtiers stand in the background. The King wears a short tunic and ruff with a feathered hat; all the Spaniards have long upturned moustaches, all look dismayed. Three of the pugilists are inscribed: 'Big Ben' [Benjamin Brain], 'Humphries', and 'Mendoza'; the fourth is Ward. Beneath the design is etched: 'Great Sir, I am arrived from Albion's Court, Who have taken in Dudgeon what you may think Sport; So it may for the present; but we'll soon make it appear, You'll have reason to laugh the wrong side of your ear! Our Traders in Nootka, by some of your Curs, Were all sent to Quod and robb'd of their Furs, Your right so to do which you claim from the Pope, We Britons dont value the end of a rope! It's a farce you may make your weak Subjects believe, But our right's equal to yours from Adam and Eve. Therefore if you don't make us immediate amends, No longer can we look upon you as Friends, Should you wish for a War we have got a new race, Of such brave fighting fellows, not the Devil dare face! A sample I've brought, only four of our men, Mendoza, Dick Humphries, Joe Ward, and Big Ben: So great is their power each Lad with one blow, Would knock down an Ox, or twelve Spaniards lay low, At home we can raise twelve hundred like these, That would crush all your Troops as easy as fleas. For Centuries past England's rul'd o'er the main, And if it please Heavn'n hope to do so again. Thus with Sailors and Bruisers we your power defy, Being determin'd to conquer or fight till we die!'"--British Museum online catalogue
Description:
Title etched above image., Printmaker identified by Andrew Edmunds as Frederick George Byron., Text etched below image: 'Great Sir, I am arrived from Albion's Court, Who have taken in Dudgeon what you may think Sport; So it may for the present; but we'll soon make it appear, You'll have reason to laugh the wrong side of your ear! Our Traders in Nootka, by some of your Curs, Were all sent to Quod and robb'd of their Furs, Your right so to do which you claim from the Pope, We Britons dont value the end of a rope! It's a farce you may make your weak Subjects believe, But our right's equal to yours from Adam and Eve. Therefore if you don't make us immediate amends, No longer can we look upon you as Friends, Should you wish for a War we have got a new race, Of such brave fighting fellows, not the Devil dare face! A sample I've brought, only four of our men, Mendoza, Dick Humphries, Joe Ward, and Big Ben: So great is their power each Lad with one blow, Would knock down an Ox, or twelve Spaniards lay low, At home we can raise twelve hundred like these, That would crush all your Troops as easy as fleas. For Centuries past England's rul'd o'er the main, And if it please Heavn'n hope to do so again. Thus with Sailors and Bruisers we your power defy, Being determin'd to conquer or fight till we die!', Publisher's advertisement in lower left corner of image: In Hollands Exhibition Rooms may be seen the largest collection in Europe of humorous prints., Sheet trimmed to plate mark., and Formerly mounted on blue paper, with residue on verso.
Publisher:
Pubd. by Wm. Holland, No. 50 Oxford St.
Subject (Geographic):
Spain.
Subject (Name):
Charles IV, King of Spain, 1748-1819, Humphries, Richard, -1827., Bryan, Benjamin, 1753-1794., and Ward, Joseph, active 1790.
Subject (Topic):
John Bull (Symbolic character), Ambassadors, British, Audiences, Boxers (Sports), Ethnic stereotypes, Kings, and Reception rooms
"In a dining hall, the King standing at right draws his sword to knight the miller kneeling at left, a group of three men and one woman standing behind him, another figure stands behind the table at right, a dog at the other side leaning on a bench; after an untraced painting by Hayman for Vauxhall Gardens (Allen CL 215)."--British Museum online catalogue
Alternative Title:
King and Miller of Mansfield, representing the scene of knighting the miller
Description:
Title engraved below image., Later state, with printing plate trimmed at top and bottom, removing part of the original design. Title and statements of responsibility re-engraved in newly-created lower margin, with original "N. Parr sculp." printmaker's signature changed. For an earlier state published by Thomas and John Bowles in 1743, see British Museum online catalogue, registration no.: 1862,1011.609., Date of publication based on the separation of John and Carington Bowles's names in imprint statement; Carington Bowles separated his business from his father's in 1764. See British Museum online catalogue. See also Carington Bowles's entry in: Maxted, I. London book trades, 1775-1800., Plate numbered "a. 3" in upper right corner., Inlaid to 38 x 55 cm., and Mounted on page 101 in an album containing material relating to Spring Gardens, Vauxhall, with the spine title: Vauxhall miscellany.
Publisher:
Printed for John Bowles at the Black Horse in Cornhil, and Carington Bowles in St. Pauls Church Yard, London
Subject (Name):
Vauxhall Gardens (London, England)
Subject (Topic):
Dining rooms, Kings, Daggers & swords, Millers, Knighting, and Dogs
