"George IV sits on Lady Conyngham's lap, kissing her amorously; he wears a dressing-gown with ungartered stockings. Lady Elizabeth (right) bends over him, supporting his elbow, while her sister, Lady Maria Harriet, stands behind the sofa, close to her mother. All three women are in evening dress. In the foreground (right) Lord Francis, tall and fashionable, stands directed to the right, looking furtively over his right shoulder. He holds a large purse, and is slipping coins from it into his trouser-pocket; he says: Well as this Purse must go to Knight-on [the K scored through] I'll make the most of it. At his feet is an open book: Lord C . . . Advice to his Son * Get money . . . it Honest if you can--. The words are partly hidden by a smaller book: Cunningham Poems. Behind, on the extreme left, and directed to the left, Lord Conyngham, with small horns and large ass's ears, sits on a chamber-pot inscribed Chamberl . . . [ain], holding a long wand of office. He scowls over his shoulder at his family, saying, It's a Blessing to be Happy and Contented. Behind him is a (pictorial) fire-screen mounted on a pole which terminates in a crown: Conyngham crawls on hands and knees, blindfolded and bound; his wife sits on his back, with the King on her lap, embracing her. Behind the closely grouped heads of the King and the three ladies are hanging bookshelves, two of the books being open: A Lecture upon Horns facing a stag's antlers, and Jerry Sneak [the hen-pecked husband in Foote's Mayor of Garratt]. On the floor in the foreground are an open book: A Mothers advice to her Daughters [cf. British Museum Satires 14401] and a paper: A List of Choice Plays She stoops to Conquer. All in the Wrong. Bold stroke for a Wife. Every Man in his Humour--Careless Husband. Way to keep Him, Tender Husband, School for Wives [scored through], Inconstant &c &c &c."--British Museum online catalogue
Description:
Title etched below image., Imprint truncated; publisher's name possibly erased from plate., Date of publication from the British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 25 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Ld. Conyngham," "Lady Conyngham," and "Geo. IV" identified in ink below image; date "Nov. 1820" written beneath lower right corner of image.
Publisher:
Pubd. by [...]
Subject (Geographic):
England
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Huntly, Elizabeth, Marchioness of, 1799-1839, Athlumney, Harriet Maria Somerville, Lady, -1843, Conyngham, Francis Nathaniel Conyngham, Marquess, 1797-1876, Conyngham, Henry Conyngham, Marquess, 1766-1832, Conyngham, Elizabeth Conyngham, Marchioness, -1861., Conyngham, Francis Nathaniel Conyngham, Marquess, 1797-1876., and George IV, King of Great Britain, 1762-1830.
Wilson, James, approximately 1735-approximately 1786, printmaker
Published / Created:
[between 1751 and 1774]
Call Number:
751.00.00.49+
Image Count:
1
Resource Type:
still image
Abstract:
With one arm encircling her waist, a man holds the hand of a young woman outside a fashionable residence, unaware that another gentleman kisses the woman's other hand behind his back. Above the doorway of the residence is etched he name "Notaris” and “Slik-op Notaris” on the left door frame. In the background a third gentleman smiles and points to the grouping in the foreground. In the distance at the back of the residence a maid stands in an archway; beyound her a view of the town
Alternative Title:
Guardian coax'd and Guardian coaxed
Description:
Title etched below image, between verses., Numbered '134' in upper right corner above image., Publication date from: Maxted, I. London book trades, 1775-1800., Image from a scene in Molière's L'École des maris, 1661; translated by IJsbrand Vincent as De listige vrijster of de verschalkte voogd, 1690: Troost, Possibly after a painting by Jan Josef Horemans (1714-1792)., Four stanzas of verse in two columns on either side of title: Chloe 'tis true with charming leer, you coax your am'rous guardian here ... and bless thy youthful lover., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and For further information consult library staff.
Publisher:
Printed for Robt. Sayer, print & map seller, opposite Fetter Lane, Fleet Street
In a tavern, sailors in uniform are carousing; one dances with a woman in the centre, as another plays a violin on the left in front of diamond-patterned casement windows; others are drinking (mugs in hand) or smoking clay pipes. A couple kiss and embrace in the background. A ship model hangs from the ceiling. A fat dog (or cat?) lies at the feet of the musician
Description:
Title engraved below image., Imperfect; sheet trimmed within plate mark resulting in loss of imprint and verses. Missing text and sheet dimensions supplied from impression in the British Museum, registration no.: 2010,7081.1068., Below title is a song of sixty-nine lines in three columns 'A Sailor's life's a life of woe, ... And swig the flowing Can., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd 21st April 1791 by Robt. Sayer, No. 53 Fleet Street, London
Subject (Topic):
Dance, Eating & drinking, Kissing, Model ships, Musicians, Sailors, Smoking, and Taverns (Inns)
A scene in a tavern cellar, with a young woman, gaily dressed, dancing a jig with a man wearing an apron; at left, a sailor playing the violin, at right, a sailor sitting on steps and leaning forward, smoking, resting his arms on a barrel, another beside him holding a bowl, a young woman standing behind them with a hand on the shoulder of each; behind, three amorous couples, including a sailor sitting on another barrel
Alternative Title:
Adieu to Old England
Description:
Title etched below image., Image size including ruled lines: 245 x 345 mm., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd January 20th, 1818 by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Great Britain. Royal Navy
Subject (Topic):
History, Caricatures and cartoons, Jig (Dance), Couples, Dance, Kissing, Smoking, and Taverns (Inns)
A scene in a tavern cellar, with a young woman, gaily dressed, dancing a jig with a man wearing an apron; at left, a sailor playing the violin, at right, a sailor sitting on steps and leaning forward, smoking, resting his arms on a barrel, another beside him holding a bowl, a young woman standing behind them with a hand on the shoulder of each; behind, three amorous couples, including a sailor sitting on another barrel
Alternative Title:
Adieu to Old England
Description:
Title etched below image., Image size including ruled lines: 245 x 345 mm., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; sheet 24.6 x 36.7 cm., Sheet trimmed within plate mark on bottom edge., and Mounted on leaf 7 of volume 14 of 14 volumes.
Publisher:
Publish'd January 20th, 1818 by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Great Britain. Royal Navy
Subject (Topic):
History, Caricatures and cartoons, Jig (Dance), Couples, Dance, Kissing, Smoking, and Taverns (Inns)
Leaf 43. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a tavern cellar, with a young woman, gaily dressed, dancing a jig with a man wearing an apron; at left, a sailor playing the violin, at right, a sailor sitting on steps and leaning forward, smoking, resting his arms on a barrel, another beside him holding a bowl, a young woman standing behind them with a hand on the shoulder of each; behind, three amorous couples, including a sailor sitting on another barrel
Alternative Title:
Adieu to Old England
Description:
Title etched below image., Restrike. For original issue of the plate, see British Museum online catalogue, registration no.: 1948,0214.808., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 363., and On leaf 43 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publish'd January 20th, 1818, by Thos. Tegg, No. 111 Cheapside and Field & Tuer
Subject (Name):
Great Britain. Royal Navy
Subject (Topic):
History, Jig (Dance), Couples, Dance, Kissing, Smoking, and Taverns (Inns)
"George IV sits on the throne, surrounded by kneeling women; he takes the hand of Lady Conyngham, who proffers their address: "Loyal Address of the Married Ladies." She says: "We the humble and Loyal Married Ladies feel ourselves bound in due veneration to your most sacred person to present to you our sincere thanks for the many tokens of Love we the Loyal Married Ladies have laid under and we humbly acknowledge the favours our Husbands as [sic] experienced through the medium of us the Loyal Married Ladies!!!--" Behind her, a second lady, resembling Lady Hertford, looks startled. With them is a third, perhaps Mrs. Quentin. Behind the throne, which he clasps, stands Hertford (or Conyngham, cf. British Museum Satires No. 13847) holding a staff topped by antlers; he gapes at the speaker, saying, "I never heard a speech from a Lady so Cunning--." The King adds "Hum!" On his right stands Bloomfield, looking slyly sideways at his master. Both wear frilled muslin boudoir-caps. There is no dais, and on the right two grovelling women kiss, one the King's left foot, the other his thigh. A third kneels beside them. On the left is a black woman, who says: "God bless Massa he kiss his black servant in the kitchen at Brighton [see British Museum Satires No. 13208, &c.], my good Massa, make no distinction, Black or White, Massa Love'm all." On the extreme left is the profile of a noseless prostitute. On the King's throne is half a (bisected) crown, emblem of the repudiation of Queen Caroline, see British Museum Satires No. 13826."--British Museum online catalogue
Alternative Title:
Loyal married ladies address to the King
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Two lines of quoted text following title: "Which both by Art and Nature made is, "The sport of sense, the toy of ladies. Royal Fable., Watermark, mostly trimmed: 1819[?]., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 82 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Typed extract of thirteen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by J.L. Marks, 28 Fetter Lane, Fleet Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Quentin, Georgina, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822, and Bloomfield, Benjamin Bloomfield, Baron, 1768-1846
Subject (Topic):
Adultery, Mistresses, Thrones, Women, Kneeling, Kissing, Antlers, Prostitutes, and Crowns
"Lady Cecilia Johnston (three-quarter length), seated in an armchair in profile to the left, leans forward to kiss the nose of a large goat which puts a hoof on her chest. Identified by Grego as Sir W. W. Wynn, but improbably."--British Museum online catalogue
Alternative Title:
St. Cecilia charming the brute and Seduction of the Welch ambassador
Description:
Title etched above image., Printmaker from British Museum catalogue., Day of publication in imprint seems to have been burnished from plate., and Mounted to 28 x 39 cm.
Publisher:
Pubd. Feby. th [sic], 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Johnston, Henrietta Cecilia, Lady, 1727-1817 and Williams-Wynn, Watkin, 1772-1840
Subject (Topic):
Courtship, Goats, Kissing, National emblems, and Welsh
"Lady Cecilia Johnston (three-quarter length), seated in an armchair in profile to the left, leans forward to kiss the nose of a large goat which puts a hoof on her chest. Identified by Grego as Sir W. W. Wynn, but improbably."--British Museum online catalogue
Alternative Title:
St. Cecilia charming the brute and Seduction of the Welch ambassador
Description:
Title etched above image., Printmaker from British Museum catalogue., Day of publication in imprint seems to have been burnished from plate., 1 print : etching on laid paper, hand-colored ; plate mark 25.1 x 35.3 cm, on sheet 28.0 x 38.5 cm., and Mounted on leaf 32 of volume 8 of 12.
Publisher:
Pubd. Feby. th [sic], 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Johnston, Henrietta Cecilia, Lady, 1727-1817 and Williams-Wynn, Watkin, 1772-1840
Subject (Topic):
Courtship, Goats, Kissing, National emblems, and Welsh
