"An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d'Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed 'Log' chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: 'M O B / I L I T Y'. A board resting on a ram's head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed 'Adultery'. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively 'Sham Addresses' and 'Hired Processions' [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the 'Adultery' slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed 'Brass'; from it dangle emblems of Bergami: a postilion's boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is 'Wood'; from it dangle a bottle, a pestle and mortar, and a porter's knot. In the foreground (right) are thistles, emblem of 'Thistle-Wood', see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, 'To Jerusalem', points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters 'C·B'. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed 'Como'.."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
"An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d'Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed 'Log' chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: 'M O B / I L I T Y'. A board resting on a ram's head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed 'Adultery'. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively 'Sham Addresses' and 'Hired Processions' [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the 'Adultery' slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed 'Brass'; from it dangle emblems of Bergami: a postilion's boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is 'Wood'; from it dangle a bottle, a pestle and mortar, and a porter's knot. In the foreground (right) are thistles, emblem of 'Thistle-Wood', see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, 'To Jerusalem', points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters 'C·B'. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed 'Como'.."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; plate mark 27.3 x 22.6 cm, on sheet 27.5 x 23 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 79 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami," "Caroline," and "Wood" identified in ink below image; date "1 June 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
Leaf 13r. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A scene at the corner of a building on a city street: a tall chimney sweep carries a ladder, his small, barefoot apprentice follows behind
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
"A giant mushroom reaches the upper margin of the design; in its summit a cask is embedded. The butler stands on a ladder (left) holding out the spigot, and saying to Banks who stands below (right): "here's a pretty "Tale of a tub, all the Wine's gone!!" Sir Joseph stands in back view, capering delightedly; he holds up both arms, a stick in the left hand, and says with head thrown back: "It is a most Glorious discovery cut it down & send it to the Museum had the Wine been Bottled, it wod not have been half so Interesting." Against the wall of the cellar are wine-bins, stacked with bottles, four inscribed respectively 'Curious Tinta'; 'Cypress'; 'Very Curious'; 'Wine drank by the Grt Mogul'. Flasks on the top of the bins are 'Nile Water' and 'Water from Tombuctoo'. On the ground (left) is a two-handled covered vase: 'A small portion of the Sabine left by Horace at his death contained in this Vase preserved for dinners of the R S.'."--British Museum online catalogue and "Below the title: '--Dedicated to the worthy President--Sir Joseph Banks having a Cask of Wine rather too sweet for use, he directed that it shod be placed in a Cellar that the Saccharine matter it contain'd might be more perfectly decomposed by age--At the end of three years he directed his Butler to ascertain the state of the Wine, when on attempting to open the Cellar door he was prevented by some powerful obstacle--the Door was therefore cut down & the Cellar was found to be completely fill'd with a firm fungus vegetable production--the Cask was Empty & carried up to the deling where it was supported by the surface of the Fungus.--(vide Monthly Magazine).'"--British Museum online catalogue
Alternative Title:
View of a fungus lately grown on their own banks
Description:
Title etched below image. and Sheet trimmed to plate mark on lower edge.
Publisher:
Pub. by J. Sidebotham, 287 Strand & sold also at No. 20 Princes St.
Subject (Name):
Banks, Joseph, 1743-1820,
Subject (Topic):
Mushrooms, Barrels, Ladders, Butlers, Staffs (Sticks), Bottles, and Vases
Heading to a printed broadside in support of Queen Caroline, with a depiction of the Queen in the upper left, riding in a chariot pulled by a lion under a banner reading "Innocence and Triumph." The Italian witnesses against her are being led in chains to the gallows, the man at the back of the line remaking "This is past a joke O! Majocc"; a hangman smoking a pipe awaits them at the top of a ladder, noose in hand. Three figures with bags over their heads are already hanging, with a fourth hanged figure being fed by a devil with a pitchfork into the flaming mouth of a demon on the right, a "Green Bag" falling into the flames next to him. Another victim is skewered by a second devil standing inside the demon's mouth; the words "Milan Commission Receiving Office" are written amid the flames. A John Bull figure with a walking stick watches the scene from the right, remarking: "Well now if this h'ant a sight that pleases John Bull - Go & be hang'd to ye you Italian scoundels - come to swear an innocent womans life away." In the center foreground, a dog tears at a second "Green Bag" with its mouth
Alternative Title:
Exaltation of my jockey & his brave confederates and Exaltation of my jockey and his brave confederates
Description:
Title printed in letterpress below image., Remnants of etched title are visible beneath image, suggesting that the plate was originally larger and cut down at some point., Date of publication from manuscript note "Aug. 1820" in ink beneath lower right corner of image., Sheet trimmed within plate mark., Song printed in letterpress in two columns below title, beginning with the line "Oh, there never was such times!" and ending "Here's the triumph of brave Caroline our Queen O.", Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., and Mounted on leaf 58 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair."
Publisher:
publisher not identified
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Majocchi, Theodore, active 1820.
Subject (Topic):
John Bull (Symbolic character), Witnesses, Shackles, Chariots, Lions, Gallows, Hangings (Executions), Ladders, Devil, Demons, Fire, Bags, and Dogs
Title from text below image., Seven lines of text printed in letterpress below plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Naval uniforms: seamen -- Ships: main deck -- Card-playing -- Dancing: reel -- Musical instrument: fiddle.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A strapping young courtesan holds against her neck a ladder up which an elderly naval officer, less than half her height, begins to climb, looking up avidly. He holds a telescope, and wears a ribbon inscribed 'Death or Victory'. From her feathered hat streams a ribbon inscribed 'England expects every Man To do his Duty.' She wears a belt inscribed 'Belly Rough One' [Bellerophon] above the figure '74'. The scene is the quay-side between large cannon. A ship's boat rows out to a man-of-war at anchor."--British Museum online catalogue, description of an earlier state
Alternative Title:
Accommodation ladder
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Septr. 1st, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11809 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "85" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling cold.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 210., Temporary local subject terms: Bellerophon., 1 print : etching on wove paper, hand-colored ; plate mark 35.2 x 25.1 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 83 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A strapping young courtesan holds against her neck a ladder up which an elderly naval officer, less than half her height, begins to climb, looking up avidly. He holds a telescope, and wears a ribbon inscribed 'Death or Victory'. From her feathered hat streams a ribbon inscribed 'England expects every Man To do his Duty.' She wears a belt inscribed 'Belly Rough One' [Bellerophon] above the figure '74'. The scene is the quay-side between large cannon. A ship's boat rows out to a man-of-war at anchor."--British Museum online catalogue, description of an earlier state
Alternative Title:
Accommodation ladder
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Septr. 1st, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11809 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "85" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling cold.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 210., Temporary local subject terms: Bellerophon., and Watermark: Basted Mill.
Title from item., Date supplied by curator., Title given in Latin, French, Spanish, and German., Below title: Med: Folo. No. 34; C.P.S.C.M., In margin upper right: 130., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
George Balthasar Probst, excud. A.V.
Subject (Name):
Niedersächsische Staats- und Universitätsbibliothek Göttingen.
Subject (Topic):
Academic libraries, Libraries, Books, Ladders, and Scholars
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull pushing old politicians into a machine which grind them and turn them into young and honest people."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in bottom center portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "123" in brown ink in top center portion of design., and No. 123.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
Peel, Robert, 1788-1850 and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Politicians, Grinding machines, Older people, Young adults, Scepters, Telescopes, Pitchforks, and Ladders
