"The Prince of Wales (left) leads a goat with the head of Mrs. Fitzherbert (right) to the door of the forecourt of a large town-house, held partly open by the Duchess of York. She says, "O Dunder & Wonder! - what Cratur is dat which you are bringing here ? - relation of mine, indeed? - no, no! - me know no Nanny-goat-Princess! - so set off, with your bargain, you poor - Toasted - Cheese! you! - for she sha'nt come in here, to poison the house! - off! - off! - off." The Prince, who wears in his hat a leek, with his motto, 'ich dien', answers, "Not open the Toor ? - Cot-splutter-a-nails - when Nanny is come to see you, herself? - vhy isn't Nanny a Princess too ? - & a Velch Princess? - and hur is come to visit hur Brothers & hur Sisters! - & not to let hur in? why the Voman is mad, sure!" In place of a star he wears a medallion enclosing a pair of goat's horns. He holds his goat by a ribbon wreathed with roses. Mrs. Fitzherbert has goat's horns and wears a coronet with the Prince's feathers; she looks up at him with an expression of dignified surprise. ... The door of the Duke's house is surmounted by a pediment decorated with the Prussian eagle and pairs of doves (an emblem on the Duchess's state-bed, 'Lond. Chronicle', 21 Dec. 1792)"--British Museum online catalogue
Alternative Title:
Prussian reception
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. July 12th, 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, and Fitzherbert, Maria Anne, 1756-1837
Subject (Topic):
Emblems, Goats, Lanterns, National emblems, Welsh, and Prussian
Leaf 16r. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A night scene on a city street: a young woman, holding a basket on her arm and carrying another basket on her back meets a watchman who carries a lantern
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Topic):
City & town life, Peddlers, Baskets, Watchmen, and Lanterns
"Interior view; watchmen assembling for their nocturnal rounds, wearing heay brown coats, black caps, holding lanterns."--British Museum online catalogue
Alternative Title:
Watch House, St. Marylebone
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 91., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 217., and Watermark: J. Whatman 1808.
Publisher:
Pub. Sept. 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
Marylebone (London, England), London (England), England, and London.
A satire on gin drinking: In a cellar distillery with a large cask a group of male figures with the heads of monkeys and women with heads of cats are drinking heavily with some vomiting
Alternative Title:
Gin-retailers (if there's any) who can by a licence get a penny ...
Description:
Title from description in the British Museum catalogue for the original version of the print., Original print was etched by W.H. Toms after a design by Egbert van Heemskerck II., Reversed copy of a print published ca. 1730. Publication information for this later version based on an adverstisement of the series in Robert Sayer's catalog for 1766; see no. 1858 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Publisher alternatively identified as John Bowles; see British Museum online catalogue, registration no.: 1988,0514.29, Eight lines of verse in two columns below image: The gin-retailers (if there's any) who can by a licence get a penny, are those, who in such manner use it, as if their study was t'abuse it ..., Plate numbered '8' in lower left corner. Plate number indicates that it may be one of a series of reissues of Egbert van Heemskerck the Younger's satires of people with animal heads, published in the 1760s., 1 print : etching ; plate mark 29 x 24.7 cm, on sheet 41.3 x 30.3 cm., and Printed on wove paper; hand-colored. Number '8' mostly erased from sheet.
A satire on gin drinking: In a cellar distillery with a large cask a group of male figures with the heads of monkeys and women with heads of cats are drinking heavily with some vomiting
Alternative Title:
Gin-retailers (if there's any) who can by a licence get a penny ...
Description:
Title from description in the British Museum catalogue for the original version of the print., Original print was etched by W.H. Toms after a design by Egbert van Heemskerck II., Reversed copy of a print published ca. 1730. Publication information for this later version based on an adverstisement of the series in Robert Sayer's catalog for 1766; see no. 1858 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Publisher alternatively identified as John Bowles; see British Museum online catalogue, registration no.: 1988,0514.29, Eight lines of verse in two columns below image: The gin-retailers (if there's any) who can by a licence get a penny, are those, who in such manner use it, as if their study was t'abuse it ..., and Plate numbered '8' in lower left corner. Plate number indicates that it may be one of a series of reissues of Egbert van Heemskerck the Younger's satires of people with animal heads, published in the 1760s.
A large crowd of theatregoers file out of a theater and onto the street in a pouring rainfall and high winds that turns umbrellas inside out. One man has fallen and broken his lantern as a woman falls back over him as her shoes are being changed. The audience is a mix of classes, couples, old women, young boys, some carrying laterns, one with a cane
Description:
Title from published print based on this drawing. See Lewis Walpole Library call no.: Drawer 802.11.01.05., Signed and dated by the artist in lower right., "The artist is said to have based the theatre in this image on the Orchard Street Theatre in Bath, opened in October 1750 near the South Gate, outside the medieval walls of Bath ... The theatre was the first country theatre to be granted a Royal patent and became known as the Theatre Royal, Bath. .... The theatre was closed in 1805."--Dealer's description., and With Joel Spitz's collector's label on verso of mount.
Subject (Topic):
Couples, Lanterns, Rain, Theater audiences, Theaters, Umbrellas, Watchmen, and Winds
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of the Gothic lantern, designed by Richard Bentley, that hung in the well of the staircase (Entrance) at Strawberry Hill
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 17 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
