Manuscript on paper of Cicero, Paradoxa, Pseudo-Cicero, Synonyma, and other texts
Description:
In Latin., Script: the original parts are copied by two scribes: A copied art. 1 in Gothica Semihybrida Libraria/Currens; B, writing a bold Gothica Cursiva Formata with “northern” features and marked by lengthened and decorated ascenders on the top line, copied artt. 4, 6 and 7. The additional texts, copied on blank spaces or pages, are in badly shaped Humanistica Cursiva (art. 2), slovenly executed Gothica Semihybrida Currens (art. 3), Humanistica Cursiva (art. 5, [1] and [2]) and Gothico-Humanistica Cursiva (art. 5, [3] and [4])., There are remnants of an early foliation in arabic numerals (17th century?) in the upper outer corner of the recto pages, starting f. 16 ("1")., In the original parts all initials are missing; at the opening of art. 6 the upper half of f. 17r is blank (in view of a picture which was not executed?) and a later hand has entered a large and coarse initial “C” (8 lines) containing a human face; in that art. there are guide letters for the small initials which were intended to open each entry; a few of these initials were added afterwards. The initial planned at the opening of art. 7 is 6 lines high. The opening lines of art. 1 are in a large fanciful display script overdecorated with flourishes and almost illegible. There is some pale red stroking of the majuscules on ff. 68v, 69r and 70v., The manuscript contains: 1) Marcus Tullius Cicero (106-43 B.C.), Paradoxa. 2) Prophecy in 11 verses added by a slightly later hand on the blank lower half of the page. The text is corrupt. 3) Two rhetorical exercises by an unrecorded author addressed to an emperor, who is praised with all possible exaggeration. 4) Astronomical or computistical table, recording for each month 3 up to 7 days, of which two are superscribed with a cross and an hour, the remaining ones only with the letter "p". The crosses are crutched crosses up to September inclusive, afterwards simple crosses. 5) Notes added by slightly later hands on a blank page; notes on ancient Roman abbreviations; various Latin names applied to the Greeks. 6) Ps.-Cicero, Synonyma, printed from 1487 onward, with 17th century Italian annotations, in the same hand as in art. 1, found in the margins of ff. 23v-25r. 7) Ps.-Sallustius, Invectiva in Marcum Tullium Ciceronem., and Binding: 20th century. Yellow parchment over light cardboard, with turned edges.
Manuscript on paper of Pietro della Vigna, Epistolae. On ff. 120v-130v, mixed in with the letters, is an incomplete text of Thomas of Capua, Summa dictaminis
Description:
In Latin., Watermarks: similar to Piccard Anker VII.181-83, Briquet Monts 11813, and Briquet Indetermines 16061-63; unidentified letter P with forked descender., Script: Written in humanistic cursive script with gothic features., Headings and some marginalia in red (often faded), by two hands, the second of which ruled two parallel lines in lead for each line of headings that were added in a more upright gothic text hand., and Binding: ca. 1500, Northern Italy. Original sewing on three tawed skin, slit straps reinforced with fragments of a parchment manuscript (Lectionary?) set in channels on the outside of beech boards. The spine is lined with pieces of parchment manuscript, extending inside the boards between supports. Quarter bound in reddish brown leather with a blind-tooled floral roll along the edges (later but early?). Spine: multiple fillets at head, tail and outlining supports on the spine. Panels tooled with X's with fleurons around them and floral tools in squares on their points in the outer panels. Traces of two fastenings, the catches on the upper board. The lower board is cut in for straps. Title in ink near the head of the upper board ("Epistole Petr. de Vineis de gestis Friderici Romanorum Imperatoris II **") which is cracked and has been repaired.
Manuscript on paper (sturdy) of Cicero, Epistolae ad familiares. Marginal and interlinear notes accompany the text of each letter (except for that to P. Vatinius appearing on ff. 26v-27v which was copied twice, apparently in error). Written probably for use as a school text (vocabulary lists on ff. 4 and 9).
Description:
In Latin., Watermarks: unidentified letter P in gutter., Script: Written by a single scribe in gothic cursive, with a smaller script for glosses., Simple initials in red at the beginning of each letter; titles preceded by paragraph marks, and underlined, in red., and Binding: 19th-20th centuries. Vellum case; spine fragile and splitting.
Manuscript fragment on parchment of Cicero's Epistolae ad familiares. Used as cover on a copy of Nicolas Remy, Daemonolatreiae libri tres (Frankfurt: In officina Palthenii, 1596).
Description:
In Latin., Layout: Single column of 26 lines., and Decoration: Rubrication.
Manuscript on parchment (hairside yellow and speckled) of Cicero, Epistolae ad familiares. With Extract from Aulus Gellius, Noctes Atticae III.8.8: Epistula Fabricii et Aemilii consulum ad Pyrrhum regem. The text was copied ca. 1400 and the border decoration added between ca. 1415 and 1431
Description:
In Latin., Script: Written in a neat fere-humanistic hand by a single scribe, below top line., 14 elegant illuminated initials and partial borders at the beginning of each of the 16 books (the opening pages of Books XII and XV have been excised). Initials, 5- to 3-line, blue with white filigree or red with gold filigree on cusped grounds of gold. Most of the illuminated initials filled with bust-length portraits, presumably of Cicero's correspondents, on red, blue or diapered ground. Some initials filled with vine scrolls with trilobe leaves in red with white highlights against gold ground. Partial borders, scrolling vine with trilobe leaves or acanthus in blue, pink, red and gold with white highlights and green, red and blue with gold highlights. Small figures of angels, dressed in green with gold wings in borders or margins, some playing musical instruments, one holding an open book, one holding the cloth of Veronica. Other marginal figures include the "Agnus Dei" and a pelican piercing its breast. The figures are all characterized by white faces, small angled black eyes, and a preference for green and gold, the green with contour lines in gold. Plain initials alternate red and blue. Rubrics throughout., and Binding: Nineteenth century, France (?). Red velvet case with a dark green gold-tooled label: "M. T. Ciceronis Epistolae Ad Familiares MS. in Membranis". Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin letters, and Manuscripts, Medieval
Manuscript on paper of Jerome, Epistolae, etc., translated into Italian by Ser Nicolaus Berti Martini de Gentiluzis de Sanctogeminiano, a notary in Florence (ca. 1388-1468). With Ps.-Augustine, Epistula ad Cyrillum, concerning the death of St. Jerome
Description:
In Italian., Watermarks: similar to Piccard Schere III.710, Briquet Chapeau 3387; unidentified eagle., Script: Written by a single scribe in a small upright gothic script with both notarial and humanistic influence, above top line., One illuminated initial, f. 4r, 6-line, gold, filled with red and blue penwork in geometric patterns. The penwork extends the whole length of the text column to form a partial border, terminating in the upper and lower margins in a scroll of blue penwork with small flowers, heart-shaped leaves and red dots. Numerous penwork initials of good quality, 5- to 2-line, alternate in red and blue with purple and red penwork respectively, often extending into the margins. Headings in red. Majuscules and display script touched with yellow., and Binding: ca. 1500, Florence. Sewn on three tawed skin, slit straps attached to oak boards, with brown and natural color endbands (later additions?) sewn on tawed skin cores laid in grooves on the outside of the boards. Covered in orange/brown sheepskin neatly blind-tooled with rope interlace in concentric frames. Spine: double fillets at head and tail and outlining the supports on the spine; fine diapering with double fillets in the panels. Four flower-shaped catches on the lower board, two wanting. Remains of vellum label (worm eaten) on the spine and pieces of string used as place marks. Off-set impressions of medieval liturgical manuscript on front and back pastedowns. Orange edges. Sticky from excessive oiling.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jerome, Saint, -419 or 420.
Subject (Topic):
Christian legends, Illumination of books and manuscripts, Medieval, Latin letters, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of 1) Phalaris, Epistolae, translated into Latin by Francesco Griffolini of Arezzo and dedicated to Malatesta Novella of Cesena. 2) Unidentified couplet. 3) Ps.-Brutus, Epistolae, translated by Rinuccio Aretino and dedicated to Pope Nicholas V. 4) Ps.-Plutarch, Epistola ad Traianum. 5) Ps.-Philip of Macedon, Epistola ad Aristotelem. 6) Plutarch, Pyrrhus (extract), Lat. tr. of Leonardo Bruni. 7) Ps.-Caesar, Epistola ad Ciceronem. Arts. 8-11 are excerpts from an 11th- or early 12th-century supplement to Curtius Rufus, Historia Alexandri Magni. 12) Ps.-Phalaris, Epistula ad Demotelem, Lat. tr. Giovanni Aurispa. 13) Tibullus (attributed), Priapea I.
Description:
In Latin., Watermarks: similar in design to Briquet Fleur 6597, 6601., Script: Arts. 1 and 3-12 written in humanistic cursive by a single scribe, above top line; arts. 2 and 13 added in a more flamboyant style of humanistic cursive., Two illuminated initials, 4-line, gold against blue, green and dark red grounds with white vine-stem ornament and white dots. From the corners issue penwork inkspray with leaves, green with yellow or gold highlights, and blue or red blossoms, extending into margins to form partial border. Plain initials alternate in blue and red. Headings in pale red., and Binding: Date? Italy (?). Sewn through pieces of vellum. Limp vellum case with title in ink on spine: "Phalaridis Epistole". Badly worm eaten.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alexander, the Great, 356-323 B.C. and Phalaris, Tyrant of Agrigentum, 6th cent. B.C.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin letters, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment of St. Jermone, Epistulae et tractatus. With Ambrosius Mediolanensis (St. Ambrose, 339-397), De excessu fratris
Description:
In Latin., Script: Apparently four scribes: A, Iohannes de Carnago, is the main scribe and copied ff. 1r-260v (with the exception of 8 lines at the bottom) in Gothico-Humanistica Semitextualis Libraria; B copied from the bottom lines of f. 260v to f. 270v, in Humanistica Textualis Libraria; C copied ff. 271r-275v in Gothico-Humanistica Textualis Libraria; and D copied ff. 276r-304v in Gothico-Humanistica Semitextualis Libraria., Headings in red. Red heightening (stroking) of the majuscules. 2-3-line flourished initials (with guide letters) in red with penwork varying from pale red to purple. A large (10 lines) decorated flourished initial in red, with developed purple penwork ("R" instead of "D") in littera duplex style on f. 229v. Two Gothic historiated initials on gold background with floral marginal extensions: f. 1r: St. Jerome with lion and boy holding open a book (damaged); f. 25v: a monk copying., and Binding: Sixteenth century. Brown leather over cardboard boards, the covers blind-tooled with a triple fillet lozenge inside a floral roll frame, the center and the corners gold-tooled with two different floral tools. Spine with four raised bands and remnants of gold-tooled lilies in the compartments. Edges painted blue. Marks of two pairs of ties.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jerome, Saint, -419 or 420.
Subject (Topic):
Christian literature, Latin, Illumination of books and manuscripts, Medieval, Latin letters, and Manuscripts, Medieval
Manuscript on paper (slightly polished) of 1) Giacomo Curlo, Preface addressed to Ferdinand I of Naples. 2) Giacomo Curlo, Epitoma Donati in Terentium. 3) Antonio Cassarino, Preface addressed to Giacomo Curlo. 4) Plutarch, Apophthegmata, Latin translation by Antonio Cassarino. 5) Phalaris, Epistolae, translated by Francesco Griffolini of Arezzo and dedicated to Malatesta Novella of Cesena. 6) Phalaris, four additional Epistolae, translated into Latin by Francesco Griffolini of Arezzo and dedicated to King Alfonso I of Naples. 7) Pliny, Epistolae I.1-III.15.
Description:
In Latin., Watermarks: ff. 1-112, similar to Briquet Lettre R 8941; ff. 113-160 and 209-256, similar to Briquet Echelle 5904, 5908; ff. 161-208, 257-265, similar to Piccard Kreuz II.616, 619, 622., Script: Written in an unusual style of loose and sloping humanistic script with cursive features; angular, little shading of letters, well spaced., Plain lumpy initials, 3- to 2-line, alternate blue and red. Headings and paragraph marks in red., and Binding: Fifteenth century, Spain (?). Original wound sewing on four tawed skin, slit straps laced through tunnels in the edges of wooden boards to channels on the outside and pegged. Yellow edges. The beaded chevron endbands are sewn with red and yellow thread on tawed skin cores laid in grooves in the boards. Covered in brown sheepskin with the surface mostly worn off; decorated with concentric frames, the central panel and one frame filled in with square goat (?) and flower tools standing on a point. Title in ink on a paper label, now mostly wanting. Four truncated diamond-shaped catches on the lower board have a raised design of the Virgin and child and a flower.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Donatus, Aelius., Alfonso V, King of Aragon, 1396-1458., Curlo, Giacomo., Ferdinand I, King of Naples, 1423-1494., and Terence.
Subject (Topic):
Latin letters, Literature, Medieval, Manuscripts, Medieval, and Scholia
Manuscript on parchment, composed of two parts. Part I (ff. 1-44): Ovid, Heroides I-XIV; XVI-XXI (line 12). Part II (ff. 46-82): Ovid, Epistolae ex Ponto, I.1-IV.16. For the first eight letters, a brief introductory paragraph, written by the same scribe as the text, appears in outer margin
Description:
In Latin., Script: Both parts written by one scribe (Part I dated 1303) whose hand is characterized by an unusually tall double compartment a. Notes were added to the parchment pastedowns, now the flyleaves, in the 15th century., Decorative initials, 4-line, body split red and blue, with neat penwork flourishes, in red (ff. 1r, 46r); plain initials, 3- to 2-line, alternate red and blue for each letter throughout text; first letter of each verse placed on middle ruling of three vertical bounding lines., Stains in upper margin result in some loss of text., and Binding: Fifteenth century. Caught up sewing on four double, tawed supports. Covers wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ovid, 43 B.C.-17 A.D. or 18 A.D.
Subject (Topic):
Elegiac poetry, Latin, Illumination of books and manuscripts, Medieval, Latin letters, and Manuscripts, Medieval
