Manuscript on paper of Poggio Bracciolini, Facetiae
Description:
In Latin., Watermarks: similar to Briquet Lettre S 9050; watermark on back pastedown similar to Briquet Fleur 6596-97, 99 and 6602., Script: Written in a round humanistic bookhand by a single scribe, below top line., One illuminated initial on f. 1r, 6-line, gold against deep red, green, and blue cusped ground with white filigree and white dots. From left corners penwork sprays issuing forth into inner margin, with blue and red blossoms and green leaves. Plain initials, placed between vertical rulings, alternate blue and red, some omitted., and Binding: Sixteenth century, Italy. Backs of quires cut in V's. Brown goatskin case faintly blind-tooled with concentric frames and spiralling dragon motifs that incorporate flowers and long beaked birds. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bracciolini, Poggio, 1380-1459.
Subject (Topic):
Fabliaux, Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of Johannes Baers, Lamentationes Ieremiae carmine elegiaco redditae. With a Dedicatory epistle to Robert Cecil, 1st Earl of Salisbury (c. 1563-1612), secretary of state of Queen Elizabeth
Description:
Iohannes Baers (Baersius), born in Ghent 1580, d. 1653, studied theology in Leiden, was minister in various places in the Northern Netherlands, was 1629 in Pernambuco (Brasil) and in 1632 back in the Netherlands minister in Soest. He is the author of two books in Dutch, published in 1648 and 1653 respectively, but his poetic paraphrase of Lamentations seems to be unrecorded. Whether this work was finished in 1601 or 1605 is not clear. This Carmelite monk in Ghent, named Paschasius Baers, became after his conversion minister in Zele (East Flanders) and from 1580 onwards in various places in the Netherlands; from 1590 to 1603 he was active in Leeuwarden., In Latin., Script: Written by a single scribe in careful Humanistica Cursiva. Titles and running titles are in a larger size of the same script., and Binding: Original limp vellum, both covers decorated with a simple blind-tooled frame and four small gilt fleurons in the corners. Remains of two green silk ties. Gold-tooled inscriptions in capitals, on front cover: ".SERO.SED.SERIO."; on rear cover "ANNO.1601." Inscription in ink on the spine: "Lamentationes ***********". Edges gilt.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Baers, Johannes, d. 1653. and Salisbury, Robert Cecil, Earl of, 1563-1612.
Subject (Topic):
Latin poetry, Medieval and modern, Manuscripts, Medieval, and Religious poetry, Latin
Manuscript on paper, copied from an exemplar with the final part in disorder
Description:
In Latin., Script: Copied by one hand writing an imperfect Humanistica Textualis with a relatively large number of abbreviations, incomplete word separations, hesitations, errors and corrections making reading sometimes difficult in spite of the formal character of the writing., Spaces and guide-letters for initials (3-line on ff.1r and 2r, the others 2-line); the initials are not executed., and Binding: Of undetermined age. Half light brown leather over original (?) unbevelled wooden boards, the leather decorated with fillets in a geometrical checkered pattern. Spine with four raised bands. Modern parchment pastedowns covering the inner half of the boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Marrasio, Giovanni.
Subject (Topic):
Latin poetry, Medieval and modern and Manuscripts, Medieval
Manuscript on parchment (thick, poor quality; trimmed) of 1) Guillaume de Deguilleville, Le Pelerinage de vie humaine. 2) Guillaume de Deguilleville, three poems in Latin. 3) Poem added in a 15th-century hand, contrasting the life of a servant and a rich man. 4) Willem van Ruysbroeck, Itinerarium. 5) Summary of Aethicus Ister, Cosmographia III.31-39, on the land of Gog and Magog. 6) Jean Chapuis, Les sept articles de la fois; often attributed, as it is here, to Jean de Meun
Description:
In Latin and French., Script: Composed of two distinct parts. Written by multiple scribes in cursive, with or without loops., Part I (ff. 1r-92v): illustrated with 79 column miniatures; two others on ff. 83v and 85r have been cut out. The miniatures are simple pen drawings, tinted pink, red, tan, purple, and blue, in pen-ruled frames, tinted in yellow; on ff. 18r and 22r with ivy leaves on hair-line stems at corners and centers. On f. 16v an unframed drawing of the carpenter's pax. 2-line initials throughout, red or blue with black or red penwork. First letter of each verse stroked in yellow. Proper names in red., Part II (ff. 93r-129r, 129v-141v) has two distinct formats. Between ff. 93r and 135r (art. 5), two 2-line initials, red, with simple brown penwork. Some capitals stroked in red or yellow. Between ff. 135v and 141r (art. 6), three crude tinted drawings, red, green and brown, in initials, either divided red and brown with red flourishes and dots, or red, with a scroll and a fish incorporated. Three drawings cut out from ff. 135v, 136v and 137r. Space left for one drawing on f. 139r and for two on f. 140v. 2-line initials in red, some with red penwork., Folio 1r-v damaged, with loss of text and parts of miniatures., and Binding: Eighteenth century. Brown, mottled calf with a gold-tooled spine and a red label. Edges spattered red.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Guillaume, de Deguileville, active 14th century. and Franciscans
Subject (Topic):
Manuscripts, Cosmography, Devotional literature, Devotional literature, French, French literature, Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, Manuscripts, Medieval, and Theology
Manuscript on parchment of Guarino of Verona, 1) Regulae grammaticales. 2) De orthographia. 3) Carmina differentialia
Description:
In Latin., Script: Written in humanistic bookhand, below top line; marginal annotations in humanistic cursive., One illuminated initial of poor quality, f. 1r, 11-line, purple with white filigree on gold and blue ground; filled with a stylized flower red and green with white filigree, upper terminal extending into pen-and-ink inkspray with gold balls and a mauve flower in upper border; pen-and-ink flourish with gold balls, ending in a bird's head, mauve, green and blue. Plain initials and paragraph marks alternate in blue and red; headings in red. Arms of the Valaresso family of Venice in lower border (azure, 3 bars gemelles or); partially effaced arms of Cardinal Bessarion in outer margin (azure, a cross botonny gules, a chief or; crest, cardinal's hat and crozier)., and Binding: Nineteenth century (?). Rigid vellum case. Remains of a brick red label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Guarino, Veronese, 1374-1460.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Language and languages, Orthography and spelling, Latin language, Medieval and modern, Grammar, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of Ovid, Remedia amoris. Followed by two series of short poems by Pseudo-Vergil and Johannes Fabri de Werdea (b. 1450).
Description:
In Latin., Watermarks: similar to Briquet Balance 2411, and similar in design to Piccard Ochsenkopf 732-735 and Briquet Tete de boeuf 14552., Script: Written in running script exhibiting batarde influence for both text and commentary., Plain 2-line initial, in red, on f. 2r. Some underlining and initial strokes, in red, for ff. 1r-6r only., Some of marginalia lost in gutter., and Binding: Nineteenth century. Half red-brown goatskin, gold-tooled. Marbled paper sides. Emblem and motto ("Endure fort") on front cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ovid, 43 B.C.-17 A.D. or 18 A.D.
Subject (Topic):
Erotic literature, Latin, Latin poetry, Medieval and modern, Manuscripts, Medieval, and Scholia
Augurelli, Giovanni Aurelio, approximately 1456-1524?
Published / Created:
28 January 1495.
Call Number:
Mellon MS 22
Image Count:
80
Resource Type:
unspecified
Abstract:
Manuscript (holograph?) on parchment of nineteen poems, dedicated to Niccolo Franco, Bishop of Treviso (d. 1499), and other members of the literary circle in Treviso with whom Giovanni Aurelio Augurello (ca. 1440-1524) was actively connected as a famous private teacher and distinguished poet from 1491 until his death. Only the seventeenth poem of MS 22 is directly related to alchemy, but it is above all a literary exercise
Description:
In Latin and Greek., Script: Written by a single scribe in a good humanistic cursive., Large capital letters, mostly plain, at the beginning (written in the left margins) and dedication of each poem in pale red. On f. 1v (blank on the recto) is a drawing in delicate wash of a tree, lower left, against the base of which leans a small book in a red cover; extending upward from the treetop to the sun, at extreme top right, is the inscription in red capitals: "VTCVNQ[VE] TIBI." On f. 2r, opposite the dedicatory drawing just described, there is further decoration in the same delicate wash colors: a leaf in the margin beside the dedication to Niccolo Franco, Bishop of Treviso; light tracery ornament surrounding the capital "F" in the left margin at the beginning of the first poem; and Franco's arms, surmounted by the Bishop's mitre and surrounded by green twigs tied with red ribbons, in the lower margin. At the end of the manuscript, beneath the colophon, there is a further drawing and inscription in green wash, referable to the final poem: a small Roman sarcophagus with a little book in red binding lying atop it, and the inscription "POSTERITATI SACRUM" below., and Binding: Apparently original. Blind-stamped red goatskin (now darkened), repaired, sides paneled with blind fillets, two rows of differing knotwork tools, four clasps and catches now lacking, two asterisk-headed brass nails for each clasp remaining on upper cover, plain edges, modern leather label on backstrip with three faintly raised original bands.
Subject (Geographic):
Connecticut, New Haven., and Treviso (Italy)
Subject (Name):
Augurelli, Giovanni Aurelio, approximately 1456-1524?
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript on parchment (low quality) of 1) Theodulus (10th century?), Ecloga. With an unidentified commentary. 2) Avianus, Fabulae, with interlinear and marginal glosses. 3) Maximianus (6th century), Elegiae. The final verses (VI.4-12) are lost
Description:
In Latin., Script: The text is probably written by a single scribe in a rather irregular Gothica Textualis Libraria, the marginal and interlinear commentaries in Gothica Cursiva Antiquior Currens (Anglicana)., Red plain initials and heightening of majuscules., The first and last folios are badly damaged and defective, making reading hard or impossible. The outer margin of ff. 16, 24 and 25 cut off., and Binding: Nineteenth century. Parchment over cardboard, far too large for the manuscript. The cover is an 18th-century (?) English document, the text turned inside.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Avianus., Maximianus, 6th cent., and Theodulus, active 9th century.
Subject (Topic):
Latin poetry, Latin poetry, Medieval and modern, and Manuscripts, Medieval
