Manuscript on paper, in a single secretary hand, of a tour guide of Italy, including descriptions of notable sights as well as directions from "London to Rome as also from one Citie to another in all Ittaly." The text is organized by city, and "translated out of the high Germane into the English tongue by Captayne Henry Bell." Includes some verses in Latin and English
Description:
Phillipps MS 16427. and Binding: cloth covered boards.
Subject (Geographic):
Italy
Subject (Name):
Bell, Henry, Captain.
Subject (Topic):
English poetry, Latin poetry, Travel, Description and travel, and Religious life and customs
Manuscript on paper (unidentified watermarks, trimmed) and parchment (f. 1) of Sozomenus Pistoriensis, Commentary on Persius
Description:
In Latin., Script: Written in a neat humanistic script in 1461 by Bartholomaeus Baldinotti., Small initials, in red, mark the beginning of prologue and each satire., and Binding: Nineteenth century. Vellum case.
Manuscript on paper of Commentary on Virgil's Bucolics and Georgics and other texts
Description:
In Latin., Script: copied by one hand in Gothico-Humanistica Semitextualis Libraria with numerous abbreviations. Incipits are written in a large and more calligraphic version of the same script., No headings. Unevenly spread alternately red and blue paragraph marks. 3- or 4-line plain initials in red or blue, with guide letters; art. 9 opens with a 7-line plain initial in red. On f. 1r art. 1 opens with a 7-line Gothic foliate initial in blue and red, with green tendrils, on a rectangular background. The page is decorated with a golden staff in inner, upper and outer margins, around which a green tendril carrying red and blue leaves and gold vine leaves is wound. In the lower margin a wild man in a lion's skin (Hercules?) is painted standing between two rocky hills and carrying two coats of arms., The manuscript contains: 1) Donatus (4th century), Vita Vergilii. 2) Note on the three kinds of poetry, after the Venerable Bede, De arte metrica. 3) Ps.-Octavianus Augustus, Poem in praise of Virgil's Aeneis. 4) Ps.-Ovidius, Tetrasticha in cunctis libris Vergilii. 5) Poem in praise of Virgil. 6) Servius grammaticus, Commentum in Vergilii Bucolica, preface. 7) Poem. 8) Servius grammaticus, Commentum in Vergilii Bucolica. 9) Servius grammaticus, Commentum in Vergilii Georgica., and Binding: 17th-18th century. White parchment over pasteboard, the covers gold-tooled (but the gold almost entirely lost) with frames of fillets, four lozenge-shaped floral stamps in the corners and a large lozenge-shaped floral stamp in the center. The spine, with five raised bands, gold-tooled, with a red leather title label in the second compartment with the gold-tooled inscription: "SERVIUS / IN / VIRGILI / M.SS." Sprinkled edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Servius, active 4th century.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin poetry, and Manuscripts, Medieval
Manuscript on parchment in Anglicana (Scribes 1 and 2) and Secretary script (Scribe 3). The text is the third recension of the Confessio Amantis, written in 1392-1393.The manuscript was produced around 1400 or the beginning of the fifteenth century in the same manner as the other surviving manuscripts from this time, presumably under the author's supervision and Also contained are the Latin and French poems "Explicit iste liber," "Epistola super huius," "Quam cinxere," "Traitie," "Carmen de variis in amore passionibus," and "Carmen super multiplici viciorum pestilencia."
Description:
In Middle English, Latin and French., There are red and blue 1-3 line initials at small and large paragraph breaks. Books II (f. 13r), V (76r), VI (125r), VII (140r), and VIII (175v) contain initials with full page demi-vignette borders in gold, red, blue, green, orange, and brown., Rubrications at running titles, initials, Latin commentary., Binding: yellow morocco on wooden boards, by Douglas Cockerell and Son, 1962., and Sir George Meyrick, Bart., who sold the manuscript after his father's death in 1960, said that the manuscript had been in his family's possession for over 100 years and that in 1775 the house was almost destroyed by fire. Many family papers were lost and perhaps it was then that the manuscript became damp and mildewed.
Basil, Saint, Bishop of Caesarea, approximately 329-379
Published / Created:
[between 1450 and 1500]
Call Number:
Marston MS 105
Image Count:
59
Resource Type:
unspecified
Abstract:
Manuscript composed in two parts. Part I (on parchment): 1) Basil the Great, De legendis libris gentilium, translated into Latin by Leonardo Bruni and with his dedicatory preface to Coluccio Salutati. 2) Unidentified poem. 3) Benedictus Cingulanus (Benedetto da Cingoli), Carmina. Part II (on paper) : 4) Ps.-Seneca, De remediis fortuitorum
Description:
In Latin., Watermarks: unidentified basilisk buried in gutter., Script: Part I (ff. 1-17): Art. 1 written in a humanistic bookhand characterized by tall ascenders, above top line; arts. 2-3 added later in a less expert hand. Part II (ff. 18-25): Written in humanistic cursive script by a single scribe, above top line., Part I: Decoration consists of one illuminated full border, f. 2r, white vine-stem ornament with pale yellow shading on vibrant blue ground, green and deep purplish red and gold ground with white dots on blue, pale yellow dots on green and red. In lower border, medallion, framed by a wreath, with mutilated coat of arms. Illuminated initial, 4-line, gold, framed in pale yellow, on blue, green and red ground with yellow and white filigree, joined to the border. One large illuminated initial, f. 1r, gold on blue, green and red ground with white vine-stem ornament, extending into the upper and inner margin to form partial border. Small initial, 2-line, gold, framed in yellow, on red, blue and green gound with yellow filigree, f. 3r. Headings in red. Part II: Initials for paragraphs set apart from written space between vertical bounding lines., Stained throughout., and Binding: Sixteenth century, Italy. Front and rear pastedowns from an unidentified Latin moral treatise (Italy, ca. 1450). Sewn on three supports set in grooves on the outside of wooden boards. Plain wound endbands. The spine is round. Covered in brown calf, blind-tooled wtih an arabesque border and a central diamond with assorted fleurons. Aldine leaves and acorns dotted about. Spine: four fillets at head and tail and outlining the bands. There are five large, round bosses on each board and two fastenings, the catches on the upper board and the lower one cut in for the straps, one of which is wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Basil, Saint, Bishop of Caesarea, approximately 329-379.
Subject (Topic):
Classical education, Dialogues, Latin, Illumination of books and manuscripts, Medieval, Latin poetry, and Manuscripts, Medieval
Manuscript on paper, in a single Italic hand, of a 38-page elegiacal poem praising Lady Mary Cholmondley's Holford ancestors and herself. The poem is heavily annotated in the same hand. Prefaced by a dedication to Lady Cholmondeley's son Thomas, a dedication in Latin to Sir Richard Grosvenor, 1st bart., and ten verses in Latin and English addressed to various members of the Cholmondeley family, including an anagram and a chronogram. The main poem is followed by several short Latin poems, including one concerning the Holford motto
Description:
Available on microfilm, In English and Latin., On flyleaf: list of accounts, as well as pen trials and the signature "R. Cholmondeley.", Signature in back of John Grosvenor., Marbled endpapers., and Binding: full morocco; gilt decoration.
Subject (Name):
Cholmondeley, Mary Holford, Lady, 1563-1625., Cholmondeley, Hugh, Sir, 1513-1596., Grosvenor, Richard, Sir, 1585-1645., and Lytler (Littler), Thomas.
Subject (Topic):
Anagrams, Elegiac poetry, Latin poetry, English literature, English poetry, and Genealogy
In Latin., Script: three hands, all three writing Humanistica Cursiva: in the main part (artt. 2-3) the script (hand A) is vertical; the numbering and the headings of the various texts are in a large and calligraphic form of the same script; in art. 1 (hand B) the execution is sloping and more cursive, and in art. 4 (hand C, resembling hand B) it is even more cursive., There is no decoration., The manuscript includes an Introductory note on Priapus and the Priapea. The author quoted at the end is the German Catholic polemic and classical philologist Gaspar Scioppius (Schoppe, 1576-1649). Followed by Ps.-Apuleius. Anthologia Latina, 114 and De Philomela (poem on the sounds of animals)., and Binding: modern. The covers are two 13th-century parchment manuscript fragments over pasteboard, the spine consisting of a modern blank strip of parchment with the inscription in handwriting imitating early Roman type: “1778. Liber Priapeorum”. The fragments are complete leaves from one manuscript, written in small Gothica Textualis Libraria (Littera Parisiensis); they contain a scholastic treatise in Latin on virtues. The decoration consists of paragraph marks and 2-line flourished initials alternately in red and blue.
Manuscript on paper (sturdy) of 1) Juvenal, Satirae I-XVI (with XVI preceding XV). 2) Persius, Prologue followed by Satirae I-VI. 3) Miscellaneous sententiae, all unidentified. 4) Excerpts from Seneca. 5) Antonio Beccadelli, Carmen de hermaphrodita. 6) Short dialogue between a nun and a cleric
Description:
In Latin., Watermarks: similar to Briquet Couronne 4639-40 and unidentified bird., Script: Written in humanistic script by a single scribe. Marginal and interlinear notes in several contemporary hands., One original initial, in red, on f. 1r; all other initials appear to be later additions, some drawn in lead., Most leaves mended in lower outer corner., and Binding: Nineteenth century. Narrow brown calf spine with traces of gold tooling, small vellum corners and purple paper sides. Much rubbed and worn.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Juvenal.
Subject (Topic):
Didactic literature, Latin, Latin poetry, Manuscripts, Medieval, and Satire, Latin
Manuscript on parchment (low quality) of 1) Theodulus (10th century?), Ecloga. With an unidentified commentary. 2) Avianus, Fabulae, with interlinear and marginal glosses. 3) Maximianus (6th century), Elegiae. The final verses (VI.4-12) are lost
Description:
In Latin., Script: The text is probably written by a single scribe in a rather irregular Gothica Textualis Libraria, the marginal and interlinear commentaries in Gothica Cursiva Antiquior Currens (Anglicana)., Red plain initials and heightening of majuscules., The first and last folios are badly damaged and defective, making reading hard or impossible. The outer margin of ff. 16, 24 and 25 cut off., and Binding: Nineteenth century. Parchment over cardboard, far too large for the manuscript. The cover is an 18th-century (?) English document, the text turned inside.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Avianus., Maximianus, 6th cent., and Theodulus, active 9th century.
Subject (Topic):
Latin poetry, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of poems by Tibullus and Catullus. With Life of Tibullus and epitaph
Description:
In Latin., Watermarks similar to Briquet Fleur 6690, Harlfinger Fleur 108 (lower example), Harlfinger Fer a cheval 5 (but with cross), Briquet Tour 15865, Harlfinger Monts 78; unidentified watermarks: mountain, ladder, full-bodied unicorn, letter R., Script: Written by two scribes in humanistic script. Scribe 1) ff. 1r-20v; Scribe 2) ff. 21r-88r. Marginal notations in several contemporary hands., Two inelegant black initials (ff. 1r, 41r) with vine-work ornament on red and blue ground. Simple red initials, some with penwork designs, mark the beginning of each poem. Headings and initial strokes, in red, throughout., Many leaves stained and/or repaired., and Binding: Nineteenth century. Brown calf spine and small corners with marbled paper sides.
