A group of gentlemen seated at an oval table, with glasses full of wine, laugh uproariously at a joke as they look down at the dog at the foot of the table
Description:
Title from text at bottom of image., Companion print to: No effect., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Two men sit facing each other as the one on the right pulls on a string which has been tied around a front tooth of the man on the left, his left foot bent up and braced in the patient's left hand. The doctor with a large hooked nose laughs as the other man screams in agony
Alternative Title:
Laughter and experiment
Description:
Title from item., Tim Bobbin's Human passions delineated, first published in 1773. Tim Bobbin is the pseudonym of John Collier., Plate numbered '7' published as part of a 1810 edition of Bobbin's Human passions delineated, with an engraved dedication page, a portrait of the artist, and at least 25 individual prints depicting human passions., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title engraved below image., Printed on one sheet together with another print in the series: Fright., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Published 20th November 1797 by Laurie & Whittle, 53 Fleet Street, London
A single plate with Laughing audience in the upper left, Rehearsal of the Oratorio of Judith in the upper right, and An emblematic print on the South Sea below and Rehearsal of the Oratorio of Judith: First etched as a subscription ticket for "A Midnight Modern Conversation" with seventeen men and boys rehearsing William Huggins's oratorio "Judith". Several of the singers hold sheet music with the notes and lyrics legible
Alternative Title:
Rehearsal of the Oratorio of Judith and Emblematic print on the South Sea
Description:
Titles engraved below images., Plate bound in as leaf 70: Hogarth restored / now re-engraved by Thomas Cook, 1806, Rehearsal of the Oratorio of Judith: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 127., Laughing audience: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 130., and Election carried by bribery and the devil: Copy after Hogarth's The South Sea scheme. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 43.
Publisher:
Published by G.G. & J. Robinson, Paternoster Row
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Wilkes, John, 1725-1797., South Sea Company., and Great Britain. Parliament
Subject (Topic):
Dandies, British, Food vendors, Laughter, Orchestras, Snuff, Theater audiences, Theaters, Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
A copy in the same direction as Hogarth's subscription ticket for "A Rakes's Progress"and "Southwark Fair". The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of a young woman selling oranges and another young woman who takes a pinch of snuff; another young woman selling oranges reaches from the pit to tug at the sleeve of one of the gentlemen; on the lower edge, three musicians are protected from the audience by a row of spikes
Description:
Title engraved below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Copy after no. 130 in: Paulson, R. Hogarth's graphic works (3rd ed.).
Publisher:
Printed for Robt. Sayer in Fleet Street
Subject (Topic):
Dandies, Food vendors, Laughter, Orchestras, Snuff, Theater audiences, and Theaters
A copy in the same direction as Hogarth's subscription ticket for "A Rakes's Progress"and "Southwark Fair". The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of a young woman selling oranges and another young woman who takes a pinch of snuff; another young woman selling oranges reaches from the pit to tug at the sleeve of one of the gentlemen; on the lower edge, three musicians are protected from the audience by a row of spikes
Description:
Title engraved below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Copy after no. 130 in: Paulson, R. Hogarth's graphic works (3rd ed.)., and 1 print : mezzotint with etching on laid paper ; plate mark 154 x 155 mm, on sheet 218 x 144 mm.
Publisher:
Printed for Robt. Sayer in Fleet Street
Subject (Topic):
Dandies, Food vendors, Laughter, Orchestras, Snuff, Theater audiences, and Theaters
Purcell, Richard, approximately 1736-approximately 1765, printmaker
Published / Created:
[between 1746 and 1766?]
Call Number:
Hogarth 765.00.00.19 Box 112
Image Count:
1
Resource Type:
still image
Abstract:
A copy in the same direction as Hogarth's subscription ticket for "A Rakes's Progress"and "Southwark Fair". The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of a young woman selling oranges and another young woman who takes a pinch of snuff; another young woman selling oranges reaches from the pit to tug at the sleeve of one of the gentlemen; on the lower edge, three musicians are protected from the audience by a row of spikes
Description:
Title engraved below image., Date from British Museum online catalogue., Charles Corbet is one of the pseudonyms of Richard Purcell., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Copy after no. 130 in R. Paulson. Hogarth's graphic works (3rd ed.).
"A stout, ugly, and elderly woman holds in her left hand a barber's block, with a carved head in profile, on which is an elaborate pyramidal wig with ringlets. This she is covering with powder or flour from a dredger. Her hair is short and scanty; on her head is a very large black patch, two smaller ones are on her temple. She is dressed in undergarments, showing stays, and frilled petticoat over which is worn a pocket. Her dress, the bodice of which is almost cylindrical from its stiffening whalebone, is on a stool behind her. Her back is turned to the casement window (right) through which look two grinning old women, wearing frilled muslin caps. Over the window, and over the wall on its left, is a heavily festooned curtain. Sacarissa stands facing a low rectangular table (left), on which are a bottle and wine-glass, a candle (?) in a triangular shade, which is falling over, having apparently been knocked by the wig, patches, a comb, a paper, &c. Behind on the wall, in deep shadow, is a picture of a dome inscribed "The Pantheon"."--British Museum online catalogue
Description:
Title engraved below image., Attributed to Philip Dawe in the British Museum catalogue., Sheet trimmed within plate mark., and One line of quoted text beneath title: "She blooms in the winter of her days, like the Glastonbury thorn".
"The interior of a barber's shop. The barber, ranting and gesticulating wildly, holds up the open tragedy of Alexander the Great; in his right hand is a pair of tongs. His hair hangs loose and on his head is his barber's basin. He is fashionably dressed, but wears an apron, which, blowing aside in his violent action, displays a large hole in his breeches. A stool, jug, &c, have been overturned, hair-pins lie on the ground, a cat flees in alarm. His little apprentice (left), holding a wig and a tress of hair, looks on with amusement, as do a man and woman (right) who look over a flight of stairs which ascends from the room. The room is a poor one, with plaster coming from the wall, a broken candle on the chimney-piece, over which is a torn print of a tragedy-king reclining on a couch. Two wig-boxes stand on the floor, one inscribed 'Tragedy Wigs', the other 'Comedy Wigs'."--British Museum online catalogue
Description:
Title from caption below image., Numbered "588" in lower left corner., No. 38 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Paul's Church Yard, London
A watercolor depicting a group of five men in a pub or alehouse, four of whom are sitting at a table on high back benches; each has a tankard in front of him. They laugh in response to one of their number reading from a newspaper "County Chronicle."
Description:
Title devised by curator., Date from unverified data from local card catalog record., and Cf. Lewis Walpole Library Drawings Un58 no. 60 for a watercolor, probably from the same artist, that continues the 'news' theme.
Subject (Geographic):
England.
Subject (Topic):
Newspapers, Laughter, Smiling, Taverns (Inns), and Drinking vessels
