Plate from the 'Anti-Jacobin Review', ii. 233: On the extreme right the Devil holds up a canvas, 'le Tableau Parlant', which terrifies twelve Irishmen grouped round an oblong table. In their alarm the heavy table has been overturned, some are on the ground, others (left) flee in terror. The Devil, who looks round the edge of his picture, wears a bonnet-rouge inscribed 'Anarchy'; labels hang from his horn: 'Blasph[emy]' and 'Parracide'. He says "Stew it well - It cannot be Overdone for you and me". In the picture, 'Irish Stew I A Favourite Disk for French Palates', two French soldiers superintend the boiling of a Revolutionary Pot, in which stand three naked Irishmen shrieking for mercy; one says: "Liberty of being Stewed"; the other, "Equality - all to be stewed en Masse". Above the table five harpies fly off with a tattered cloth inscribed 'Map of Ireland'. They are intended for the Directors, three having belts inscribed 'Tallien' (not a Director), 'Barras', and 'Le Paux'. On the table is a paper, 'United Irishmen'. The Irishmen make gestures of terror or despair. Most look at the picture, one looks upwards, saying: "Poor Erin How thourt torn to pieces by these five Harpies." A fugitive looks round to say "What your own A. O Connor too!" A lawyer (? Curran): "So much for Republicani[sm] and glorious Independence! No Money! No Lawyer." A monk: "By St Patrick a complete Catholic Emancipation." Three others say: "I now howl in Vain - We are all gone to Pot"; "Brother John [Bull] would not have treated us so -" ; "My Merits with the Republic should have saved me, but I find we must all stew together" [he is perhaps Grattan]; "A Radical Reform by Jasus". Beside the last speaker, a ragged peasant, lies a bundle of pikes, &c.
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Plate from: The Anti-Jacobin review and magazine. London, 1799, v. 2, page 233, Temporary local subject terms: United Irishmen -- Maps: map of Ireland torn by demons -- Reference to the French Revolution -- Allusion to the Directory -- Allusion to anarchy -- Pictures: le tableau parlant., and Mounted to 31 x 37 cm.
Publisher:
Pubd. March 1st, 1799, by T. Whittle, Peterborough Court, Fleet Street, for the Anti Jacobin Review
Subject (Name):
Barras, Paul, vicomte de, 1755-1829 and Tallien, Jean-Lambert, 1767-1820
"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
Title in letter press above image., Publication date based on the date of Lord Bute's appointment in 1762., Two columns of text, separated with vertical ornamental border, below plate: Explanation., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Coats of arms -- Weapons: guns -- Dress: wooden shoes -- Emblems: thistle -- Executioner's axe -- Scots -- Protestants: reference to protestants -- Mottoes: Ense recidendum me pars sincera trabatur immedicabile vulnus.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Holland, Henry Fox, Baron, 1705-1774, Mansfield, William Murray, Earl of, 1705-1793., and Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811
Subject (Topic):
Firearms, Gallows, Lawyers, Military uniforms, British, and Shackles
Series of 6 cards, with only the last card numbered. Title appears only on the first card. The narrative captions argue for the right of women to act as advocates and complain about the removal of the crucifix from the courtroom, as required by a law of Dec. 9, 1905, separating church and state
Alternative Title:
Postcards depicting a woman dressed in legal attire and posing in various settings and Legally themed postcards depicting a woman dressed in legal attire and posing in various settings
Description:
Date from postmark., Postcard include manuscript notes. Postcards no. [1], [3], [4], [5] are addressed to "Madame Jeanne Brondy" and no. 6 to "Mademoiselle Valentine Bidaulb.", "Carte Postale, a puliser seulement dans le regime interieur (France, Algerie et Tunisie)"--Printed verso of postcards. , Also available in original print http://morris.law.yale.edu/record=b1281769, Digital reproduction. New Haven, Connecticut: Yale Law Library, 2019 LM ZA Postcards v.1 no.13 tall., In French., Online resource; description based on print version record. , and Accompanied by translation.
Manuscript daybook of Barzillai Slosson (1769-1813), a lawyer in Kent, Connecticut, recording credits and debits for services, including the representation of clients in court, from 1795 to 1799.
Alternative Title:
Barzillai Slosson daybook, 1795-1799
Description:
Pages numbered through page 146., Title partially taken from the preliminary page., Yale Law Library's label on inside of front cover: "Presented to the Yale Law Library by Mr. Otto J. Leonhard of Kent, The Flanders Arms, Kent, Conn., 1931.", Also available in original print http://morris.law.yale.edu/record=b258892~S1, Digital reproduction. New Haven, Connecticut: Yale Law Library, MssA Sl55 no.3 flat, Description based on print version record., and Hicks classification: MssA Sl55 no.3 flat.
Publisher:
Barzillai Slosson
Subject (Geographic):
Connecticut, Kent, Kent., New Haven., and Kent (Conn.)
Subject (Topic):
Lawyers, Accounting, Fees, Practice of law, Business records, Manuscripts, American, and History
Manuscript account ledgers in Barzillai Slosson's handwriting document payments made to him by the town residents of Kent, Connecticut, some of the accounts being settled in goods rather than money, and some recorded in pounds and shillings instead of dollars. The ledgers identify clients, goods purchased, and charges for services rendered. Additionally, the second ledger contains "Catalogue of my law books &c., October 24, 1794-May 16, 1806" at the end
Alternative Title:
Barzillai Slosson ledgers, 1 and 2, covering period 1793-1811
Description:
Ledger 1: 84, [2 ]; ledger 2: [1], 173, [5] leaves., Leaves are numbered on verso only., Loose papers laid into Ledger 1., On front pastedown of ledger 1: "B. Slosson's ledger bought Feby. 5th of T. Collier, 1795.", Also available in original print http://morris.law.yale.edu/record=b258894~S3, Digital reproduction. New Haven, Connecticut: Yale Law Library, MssA Sl55 no.6 flat, In English. , Description based on print version record., Hicks classification: MssA Sl55 no.6 flat., and Barzillai Slosson (1769-1813), a Yale College graduate of 1791, was an attorney from Kent, Connecticut, who also served as a clerk for the Connecticut House of Representatives.
Publisher:
Barzillai Slosson
Subject (Geographic):
Connecticut, Kent, Kent., Fees, New Haven., and Kent (Conn.)
Subject (Name):
Slosson, Barzillai, 1769-1813
Subject (Topic):
Lawyers, Accounting, Fees, Business records, Practice of law, Library, Law, Bibliography, Manuscripts, American, and History
Manuscript account ledgers in Barzillai Slosson's handwriting document payments made to him by the town residents of Kent, Connecticut, some of the accounts being settled in goods rather than money, and some recorded in pounds and shillings instead of dollars. The ledgers identify clients, goods purchased, and charges for services rendered. Additionally, the second ledger contains "Catalogue of my law books &c., October 24, 1794-May 16, 1806" at the end
Alternative Title:
Barzillai Slosson ledgers, 1 and 2, covering period 1793-1811
Description:
Ledger 1: 84, [2 ]; ledger 2: [1], 173, [5] leaves., Leaves are numbered on verso only., Loose papers laid into Ledger 1., On front pastedown of ledger 1: "B. Slosson's ledger bought Feby. 5th of T. Collier, 1795.", Also available in original print http://morris.law.yale.edu/record=b258894~S3, Digital reproduction. New Haven, Connecticut: Yale Law Library, MssA Sl55 no.6 flat, In English. , Description based on print version record., Hicks classification: MssA Sl55 no.6 flat., and Barzillai Slosson (1769-1813), a Yale College graduate of 1791, was an attorney from Kent, Connecticut, who also served as a clerk for the Connecticut House of Representatives.
Publisher:
Barzillai Slosson
Subject (Geographic):
Connecticut, Kent, Kent., Fees, New Haven., and Kent (Conn.)
Subject (Name):
Slosson, Barzillai, 1769-1813
Subject (Topic):
Lawyers, Accounting, Fees, Business records, Practice of law, Library, Law, Bibliography, Manuscripts, American, and History
"A barrister (three-quarter length) in wig and gown stands directed to the left, his right arm raised, his brief in his right hand, his left hand extended. He says: "Did your Lordships ever hear of such an infamous Scoundrel?" He has a certain resemblance to Erskine, cf. British Museum satire no. 8502."--British Museum online catalogue
Description:
Title etched above image., By Gillray using pseudonym 'A.S.' See British Museum catalogue., One of a set of eight satirical portraits, each issued separately., Two lines of text below image: Did your lordship ever hear of such an infamous scoundrel?, and Mounted to 18 x 14 cm.
Publisher:
Pubd. Jany. 6th, 1795, by H. Humphrey, N. 37 New Bond Street
"A barrister (three-quarter length) in wig and gown stands directed to the left, his right arm raised, his brief in his right hand, his left hand extended. He says: "Did your Lordships ever hear of such an infamous Scoundrel?" He has a certain resemblance to Erskine, cf. British Museum satire no. 8502."--British Museum online catalogue
Description:
Title etched above image., By Gillray using pseudonym 'A.S.' See British Museum catalogue., One of eight satirical portraits issued as a set on one sheet., Two lines of text below image: Did your lordship ever hear of such an infamous scoundrel?, and On same sheet: Ministerial eloquence; Opposition eloquence; Naval eloquence; Military eloquence; Fools eloquence; Billingsgate eloquence; Pulpit eloquence.
Publisher:
Pubd. Jany. 6th, 1795, by H. Humphrey, N. 37 New Bond Street
