"The House of Lords, as arranged for the Bill of Pains and Penalties, see British Museum Satires No. 13825, is seen from the right, so that the angle of the left and end walls form the centre of the design, the throne being on the right. The peers are crowded together to watch the entry of the Queen, complacently seated on a black ram with the head of Bergami; the animal wears two orders, and from its neck hangs a disc inscribed 'Santa Carolina', see British Museum Satires No. 13810. Immediately behind her walks Alderman Wood, wearing his furred gown and holding a decanter. Behind him, and in the foreground, marches Brougham, followed by Denman and Lushington. Her other followers hold long staves. A plebeian fellow in a red gown just behind the barristers may be Fellowes, her chaplain. A woman and a fashionably dressed man walking together are probably Lady Anne Hamilton and Keppel Craven, the Queen's Vice-Chancellor. From the crowd of her supporters emerges a pole supporting a cap of Liberty, and a placard: 'May our Wives be like Her' (which is against pictures of the allegations of the 'trial', see below). In the foreground (left) a ragged Savoyard sings, turning the handle of an orgue de barbarie slung from his neck. On the woolsack, in front of the peers, sits Eldon, saying "Go and Sin no more" (words quoted by Denman in his speech for the defence). On his right stands Grey, hands crossed on his breast, bowing towards the ram. Behind the Chancellor stands a peer, saying, "Innocent as our Wives." On Eldon's left stands a tall man, wearing the ribbon of St. Patrick. On the end of a bench in the right foreground sits a peer who has some resemblance to Liverpool. Behind him stands a man resembling Lord Holland. Among a crowd on the steps of the throne is Wellington. From closely seated peers (left) rises the word 'Guiltless'. In the right foreground, and screening himself by a cloth, a crouching incendiary, resembling Cobbett, holds a torch to a pile of papers. These are Addresses, with, at the base, 'Gunpowder Treason'. The other inscriptions are 'London Address', 'Leeds Address', 'Manchester Address'. The gallery (left) is crowded with spectators; against it and above the heads of those on the floor of the House is a medley of canvasses, supported on poles; on these incidents from the evidence against the Queen are depicted. [1] A Turk, Mahomet, dances (see British Museum Satires No. 13929). [2] The Princess and Bergami sit amorously together. [3] Bergami helps the Princess to dress as the Muse of History (see British Museum Satires No. 13890, &c.). [4] Bergami bathes the Princess (see British Museum Satires No. 13819, &c.). [5] Bergami and the Princess in a carriage (see British Museum Satires No. 13820). [6] The pair look from the tent on the polacca at a helmsman (see British Museum Satires No. 13818, &c.). [7] They inspect statues of Adam and Eve in a grotto ('Parl. Deb.', N.S. ii. 1094). [8] They sit together on the deck of the polacca ('ibid.', pp. 895, 920). [9] Seated under a canopy they are rowed on Lake Como. [10] The Princess dances a pas seul. Enclosed in an oval below the title are the Queen's words: "Here I am Riding on a Black Ram Like a w-e as I am, . . . Therefore I pray you Mr Steward let me have my C-n again." (By the custom of certain manors a widow who, through unchastity, had lost her freebench, or life interest in her husband's copyhold, could recover it by coming into the court on a ram, and reciting the above words ('crown' replacing the 'land' of the original), given in full in 'The Spectator' for 1 Nov. 1714.) The oval is flanked by the 'Savoyards Song' (? by T. Hook). Seven of ten verses (in the peep-show man's patter): '1. Who be dat de Ram do sit on ? Tis C- purest Q- of Briton. Who loves a Ram & Fleece to sit on. Doodle Johnny Calf.... 5. Who talk of 'Self' in dat Green Ribbon ? Oh! dat be de Man who put a Cap on To marry his W- & lives on Pension. O Vanity, Ingratitude. 6. And who in Grey do bow so civil? Oh! dat be de Great Bow Wow of de Kennel A Whig & half & half a Radical. Doodle Johnny Calf. 7. What Parson he, dat quote de Scripture To prove a W-e to be no impure? Oh! dat be de Protestant Sinecure. Doodle [&c.] 8. And who be dose Bravadoes dere, Who bawl out 'Guiltless' with great Stare? Oh! dey be de Cuckolds among de Peer, Doodle [&c.] 9. But pray, who in de chair do sit-a? Tis honest John di Cancellaria Who wants no Place, but Place to quit-a Ungrateful Johnny Calf. 10. So Sirs, we have shewn you all dose Patrons Who strip from our Eves their Fig Leaf Aprons And damn de characters of English Matrons Be wise in Time John Calf.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Month and year of publication separated within imprint; the month "Decr." precedes publisher's statement "Published by G. Humphrey, 27 St. James's St.", and the year "1820" follows this statement., and Mounted on page 32 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Lushington, Stephen, 1782-1873, Fellowes, Robert, 1771-1847, Hamilton, Anne, Lady, 1766-1846, Craven, Keppel Richard, 1779-1851, Grey, Charles Grey, Earl, 1764-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, Cobbett, William, 1763-1835, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Politicians, Legislative bodies, Interiors, Thrones, Sheep, Wine, Clergy, Crowds, Liberty cap, Organ grinders, Bowing, Torches, and Spectators
"The House of Lords, as arranged for the Bill of Pains and Penalties, see British Museum Satires No. 13825, is seen from the right, so that the angle of the left and end walls form the centre of the design, the throne being on the right. The peers are crowded together to watch the entry of the Queen, complacently seated on a black ram with the head of Bergami; the animal wears two orders, and from its neck hangs a disc inscribed 'Santa Carolina', see British Museum Satires No. 13810. Immediately behind her walks Alderman Wood, wearing his furred gown and holding a decanter. Behind him, and in the foreground, marches Brougham, followed by Denman and Lushington. Her other followers hold long staves. A plebeian fellow in a red gown just behind the barristers may be Fellowes, her chaplain. A woman and a fashionably dressed man walking together are probably Lady Anne Hamilton and Keppel Craven, the Queen's Vice-Chancellor. From the crowd of her supporters emerges a pole supporting a cap of Liberty, and a placard: 'May our Wives be like Her' (which is against pictures of the allegations of the 'trial', see below). In the foreground (left) a ragged Savoyard sings, turning the handle of an orgue de barbarie slung from his neck. On the woolsack, in front of the peers, sits Eldon, saying "Go and Sin no more" (words quoted by Denman in his speech for the defence). On his right stands Grey, hands crossed on his breast, bowing towards the ram. Behind the Chancellor stands a peer, saying, "Innocent as our Wives." On Eldon's left stands a tall man, wearing the ribbon of St. Patrick. On the end of a bench in the right foreground sits a peer who has some resemblance to Liverpool. Behind him stands a man resembling Lord Holland. Among a crowd on the steps of the throne is Wellington. From closely seated peers (left) rises the word 'Guiltless'. In the right foreground, and screening himself by a cloth, a crouching incendiary, resembling Cobbett, holds a torch to a pile of papers. These are Addresses, with, at the base, 'Gunpowder Treason'. The other inscriptions are 'London Address', 'Leeds Address', 'Manchester Address'. The gallery (left) is crowded with spectators; against it and above the heads of those on the floor of the House is a medley of canvasses, supported on poles; on these incidents from the evidence against the Queen are depicted. [1] A Turk, Mahomet, dances (see British Museum Satires No. 13929). [2] The Princess and Bergami sit amorously together. [3] Bergami helps the Princess to dress as the Muse of History (see British Museum Satires No. 13890, &c.). [4] Bergami bathes the Princess (see British Museum Satires No. 13819, &c.). [5] Bergami and the Princess in a carriage (see British Museum Satires No. 13820). [6] The pair look from the tent on the polacca at a helmsman (see British Museum Satires No. 13818, &c.). [7] They inspect statues of Adam and Eve in a grotto ('Parl. Deb.', N.S. ii. 1094). [8] They sit together on the deck of the polacca ('ibid.', pp. 895, 920). [9] Seated under a canopy they are rowed on Lake Como. [10] The Princess dances a pas seul. Enclosed in an oval below the title are the Queen's words: "Here I am Riding on a Black Ram Like a w-e as I am, . . . Therefore I pray you Mr Steward let me have my C-n again." (By the custom of certain manors a widow who, through unchastity, had lost her freebench, or life interest in her husband's copyhold, could recover it by coming into the court on a ram, and reciting the above words ('crown' replacing the 'land' of the original), given in full in 'The Spectator' for 1 Nov. 1714.) The oval is flanked by the 'Savoyards Song' (? by T. Hook). Seven of ten verses (in the peep-show man's patter): '1. Who be dat de Ram do sit on ? Tis C- purest Q- of Briton. Who loves a Ram & Fleece to sit on. Doodle Johnny Calf.... 5. Who talk of 'Self' in dat Green Ribbon ? Oh! dat be de Man who put a Cap on To marry his W- & lives on Pension. O Vanity, Ingratitude. 6. And who in Grey do bow so civil? Oh! dat be de Great Bow Wow of de Kennel A Whig & half & half a Radical. Doodle Johnny Calf. 7. What Parson he, dat quote de Scripture To prove a W-e to be no impure? Oh! dat be de Protestant Sinecure. Doodle [&c.] 8. And who be dose Bravadoes dere, Who bawl out 'Guiltless' with great Stare? Oh! dey be de Cuckolds among de Peer, Doodle [&c.] 9. But pray, who in de chair do sit-a? Tis honest John di Cancellaria Who wants no Place, but Place to quit-a Ungrateful Johnny Calf. 10. So Sirs, we have shewn you all dose Patrons Who strip from our Eves their Fig Leaf Aprons And damn de characters of English Matrons Be wise in Time John Calf.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Month and year of publication separated within imprint; the month "Decr." precedes publisher's statement "Published by G. Humphrey, 27 St. James's St.", and the year "1820" follows this statement., 1 print : etching ; plate mark 27.6 x 40.2 cm, on sheet 27.9 x 40.6 cm., Printed on wove paper; hand-colored., Mounted to 39 x 58 cm., Mounted on leaf 30 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Dec. 1820" written in ink in lower right corner. Typed extract of thirty-nine lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Lushington, Stephen, 1782-1873, Fellowes, Robert, 1771-1847, Hamilton, Anne, Lady, 1766-1846, Craven, Keppel Richard, 1779-1851, Grey, Charles Grey, Earl, 1764-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, Cobbett, William, 1763-1835, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Politicians, Legislative bodies, Interiors, Thrones, Sheep, Wine, Clergy, Crowds, Liberty cap, Organ grinders, Bowing, Torches, and Spectators
"The gate of Bedford House (Bedford Square) with the double doors sufficiently open to show a man descending the steps of the house carrying a sack of plunder. On one side of the gate sits the Duke of Bedford, dressed as a jockey and seated on a saddle supported by trestles; he looks down, his face is concealed by his cap, his arms are folded. At his feet is a paper: 'Motion for Peace with France'. On the opposite side sits a sansculotte astride a pile of plunder topped by a bundle of 'Title De[eds] of Estates in -'. His feet rest on money-bags and on a ducal coronet. He wears a bonnet-rouge and grasps a bag inscribed '£1000', looking towards the Duke. A horizontal beam or 'Bedford Level' touches both their heads, from its centre rises an upright against which hangs a plumb-line, exactly vertical. On each gate-post is a double-headed Sphinx (cf. British Museum Satires 8786), one head (left) looks down mournfully at Bedford, another (right), with snaky locks, grins down at his companion."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., Fourth of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., For a variant state with plate number "4" etched in upper left corner, see no. 8639 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Opposition -- Reference to motion for peace with France, 26 January 1795 -- Buildings: Gate to the Bedford House, London -- Bedford Level: Reference to Isle of Ely -- Symbols: Freemasons' level -- Level as symbol of equality -- Reference to the Duke of Bedford's estates -- Sansculottes -- Bonnet rouge -- Emblems: Tricolor cockade -- Male dress: Jockey's dress.
"The gate of Bedford House (Bedford Square) with the double doors sufficiently open to show a man descending the steps of the house carrying a sack of plunder. On one side of the gate sits the Duke of Bedford, dressed as a jockey and seated on a saddle supported by trestles; he looks down, his face is concealed by his cap, his arms are folded. At his feet is a paper: 'Motion for Peace with France'. On the opposite side sits a sansculotte astride a pile of plunder topped by a bundle of 'Title De[eds] of Estates in -'. His feet rest on money-bags and on a ducal coronet. He wears a bonnet-rouge and grasps a bag inscribed '£1000', looking towards the Duke. A horizontal beam or 'Bedford Level' touches both their heads, from its centre rises an upright against which hangs a plumb-line, exactly vertical. On each gate-post is a double-headed Sphinx (cf. British Museum Satires 8786), one head (left) looks down mournfully at Bedford, another (right), with snaky locks, grins down at his companion."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., Fourth of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., For a variant state with plate number "4" etched in upper left corner, see no. 8639 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Opposition -- Reference to motion for peace with France, 26 January 1795 -- Buildings: Gate to the Bedford House, London -- Bedford Level: Reference to Isle of Ely -- Symbols: Freemasons' level -- Level as symbol of equality -- Reference to the Duke of Bedford's estates -- Sansculottes -- Bonnet rouge -- Emblems: Tricolor cockade -- Male dress: Jockey's dress., and Mounted on page 87 with one other print.
"The gate of Bedford House (Bedford Square) with the double doors sufficiently open to show a man descending the steps of the house carrying a sack of plunder. On one side of the gate sits the Duke of Bedford, dressed as a jockey and seated on a saddle supported by trestles; he looks down, his face is concealed by his cap, his arms are folded. At his feet is a paper: 'Motion for Peace with France'. On the opposite side sits a sansculotte astride a pile of plunder topped by a bundle of 'Title De[eds] of Estates in -'. His feet rest on money-bags and on a ducal coronet. He wears a bonnet-rouge and grasps a bag inscribed '£1000', looking towards the Duke. A horizontal beam or 'Bedford Level' touches both their heads, from its centre rises an upright against which hangs a plumb-line, exactly vertical. On each gate-post is a double-headed Sphinx (cf. British Museum Satires 8786), one head (left) looks down mournfully at Bedford, another (right), with snaky locks, grins down at his companion."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Fourth of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Plate numbered "4" in upper left corner., Temporary local subject terms: Opposition -- Reference to motion for peace with France, 26 January 1795 -- Buildings: Gate to the Bedford House, London -- Bedford Level: Reference to Isle of Ely -- Symbols: Freemasons' level -- Level as symbol of equality -- Reference to the Duke of Bedford's estates -- Sansculottes -- Bonnet rouge -- Emblems: Tricolor cockade -- Male dress: Jockey's dress., and Mounted on leaf 67 of James Sayers's Folio album of 144 caricatures.
"The candidates for Middlesex and their supporters race (right to left) to Brentford. The foremost rider is Wilkes on a horse wearing a royal crown (indicating George III); he holds up the cap of 'Liberty' on its staff. Half a length behind, and nearer the spectator, is Mainwaring, holding up a sword whose blade is inscribed 'Justice'. His horse's human head is blindfolded, in its mouth is a pair of scales; in one balance is 'Byng Dunston', in the other and heavier, 'Wilkes Manwaring'. The horse probably represents Justice, its rider was a well-known Middlesex Justice and chairman of the Middlesex Sessions. Behind Wilkes, his horse's head hidden, is a rider not identified, he has lost his stirrups and clutches his saddle with both hands. Behind these three and in the centre of the design is George Byng, the friend of Fox and the Prince of Wales, M.P. for Middlesex since 1780. He rides a pair of horses (representing the Coalition), standing with one foot on the saddle of each; the near horse has the head of Fox, the other that of North; the tail of the near horse is a fox's brush inscribed 'Grace'. The fore legs of the pair touch a paper inscribed 'Test'. Byng's whip is inscribed 'Coalition' and he is saying, "Spur them up behind Doctor, or I shall lose the race", addressing Hall, the Westminster apothecary, who rides like a hobby horse a pair of crutches tied with a ribbon; in place of a hat he wears a mortar inscribed 'All [sic] Blue and Buff'; he holds up his pestle as if it were a whip. Behind Byng, Jeffery Dunstan rides an ass with long ears and the head of Sam House; he looks round to address the Duchess of Devonshire who is the last of the cavalcade. The Duchess (right) rides astride, her bunched-up skirt showing spurred half-boots. Her horse has the head of the Earl of Surrey; she says, "Byng for ever - and may the Hearty Cock ever stand stout in our sarvice". Dunstan says, "Well said my Dutchess - Charly's Whipper-in for ever. Huzza". The Duchess wears a heavily trimmed hat in which is a large election favour and four fox's tails, each inscribed 'Byng'. On the extreme left is a sign-post pointing 'To Brentford'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted to 27 x 36 cm.
Publisher:
Pubd. as the act directs, by J. Brown, Rathbone Place
Subject (Geographic):
Great Britain, Middlesex (England), and England.
Subject (Name):
George III, King of Great Britain, 1738-1820, Wilkes, John, 1725-1797, Mainwaring, William, 1735-1821, Byng, George, ca. 1735-1789, Dunstan, Jeffery, 1759?-1797, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Hall, Edward, active 1784-1793, House, Samuel, -1785, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Norfolk, Charles Howard, Duke of, 1746-1815, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Politics and government, Elections, Crutches, Donkeys, Hobby horses, Horse racing, Horses, Justice, Liberty cap, Pharmacists, Political elections, Scales, Symbols, and Traffic signs & signals
"Illustration to a satirical account of the 'patriotic conduct' of John Russell, 4th Duke of Bedford, showing, by contrast, the exemplary actions of the Duke of Somerset (Protector during the reign of the young Edward VI) and Sir Edward Seymour (presumably the Speaker, 1673-79); these two men lead Liberty to Britannia; in the background is the Tower of London."--British Museum online catalogue
Alternative Title:
Protector Duke of Somerset and the great Sr Edward Seymour
Description:
Title etched above image., Publication place and date inferred from that of the magazine for which this plate was engraved., Plate from: The Oxford magazine, or, Universal museum ... London : Printed for the authors, v. 4 (1770), page 9., Design within decorative frame., and Temporary local subject terms: British Lion -- Personifications: Liberty -- Emblems: cap of liberty -- Staff of liberty -- Buildings.
Publisher:
publisher not identified
Subject (Name):
Somerset, Edward Seymour, Duke of, 1506?-1552., Seymour, Edward, Sir, 1633-1708,, Bedford, John Russell, Duke of, 1710-1771., and Tower of London (London, England),
Subject (Topic):
Britannia (Symbolic character), Lions, Anchors, Liberty, and Liberty cap
"Stanhope swims beside a small two-masted sailing-vessel, dragging it against wind and stream. His head and chest are in the position of a figure-head, his right arm is outstretched, holding a tricolour flag, his left arm is stretched behind him holding the tiller, and he kicks at the rudder with the left foot, his leg being raised above the water from the knee. He is pushed forward by a dolphin-like monster swimming (right) behind the vessel, which prods the skirts of his coat with a trident. The monster wears a French cockade; his tail waves in the air. From a staff in the stern, surmounted by a cap of 'Liberty', flies a flag: 'Equality & Fraternity'. Stanhope breasts the rippled water, which flows strongly against him, inscribed (left) 'The Current of public Opinion'. A small vessel (left) in the background sails left to right, her sails inflated. From the upper left margin projects a head blowing a blast of 'Loyalty' against 'The Stanhope'."--British Museum online catalogue
Alternative Title:
Stanhope, a republican gunboat constructed to sail against wind and tide
Description:
Title etched below image., Signed with the monogram of James Sayers., Fifth of a set of seven prints in the series "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Plate numbered "5" in upper left corner., Temporary local subject terms: Opposition -- Boats -- Monsters -- Public opinion -- Cap of Liberty -- Loyalty., and Mounted on page 87 with one other print.
"Stanhope swims beside a small two-masted sailing-vessel, dragging it against wind and stream. His head and chest are in the position of a figure-head, his right arm is outstretched, holding a tricolour flag, his left arm is stretched behind him holding the tiller, and he kicks at the rudder with the left foot, his leg being raised above the water from the knee. He is pushed forward by a dolphin-like monster swimming (right) behind the vessel, which prods the skirts of his coat with a trident. The monster wears a French cockade; his tail waves in the air. From a staff in the stern, surmounted by a cap of 'Liberty', flies a flag: 'Equality & Fraternity'. Stanhope breasts the rippled water, which flows strongly against him, inscribed (left) 'The Current of public Opinion'. A small vessel (left) in the background sails left to right, her sails inflated. From the upper left margin projects a head blowing a blast of 'Loyalty' against 'The Stanhope'."--British Museum online catalogue
Alternative Title:
Stanhope, a republican gunboat constructed to sail against wind and tide
Description:
Title etched below image., Signed with the monogram of James Sayers., Fifth of a set of seven prints in the series "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Plate numbered "5" in upper left corner., and Temporary local subject terms: Opposition -- Boats -- Monsters -- Public opinion -- Cap of Liberty -- Loyalty.
"Stanhope swims beside a small two-masted sailing-vessel, dragging it against wind and stream. His head and chest are in the position of a figure-head, his right arm is outstretched, holding a tricolour flag, his left arm is stretched behind him holding the tiller, and he kicks at the rudder with the left foot, his leg being raised above the water from the knee. He is pushed forward by a dolphin-like monster swimming (right) behind the vessel, which prods the skirts of his coat with a trident. The monster wears a French cockade; his tail waves in the air. From a staff in the stern, surmounted by a cap of 'Liberty', flies a flag: 'Equality & Fraternity'. Stanhope breasts the rippled water, which flows strongly against him, inscribed (left) 'The Current of public Opinion'. A small vessel (left) in the background sails left to right, her sails inflated. From the upper left margin projects a head blowing a blast of 'Loyalty' against 'The Stanhope'."--British Museum online catalogue
Alternative Title:
Stanhope, a republican gunboat constructed to sail against wind and tide
Description:
Title etched below image., Signed with the monogram of James Sayers., Fifth of a set of seven prints in the series "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Plate numbered "5" in upper left corner., Temporary local subject terms: Opposition -- Boats -- Monsters -- Public opinion -- Cap of Liberty -- Loyalty., 1 print : etching on wove paper ; plate mark 23.8 x 29.8 cm, on sheet 27.1 x 33.6 cm., and Mounted on leaf 70 of James Sayers's Folio album of 144 caricatures.
