"Stoddart sits in the centre of the design blowing through a trumpet a blast of abuse towards the newly-arrived Queen (left) while holding out copies of his newspaper towards four ragged little newsboys (right), who also blow their horns with great vigour. Queen Caroline, tall, dignified, and demurely dressed in black, flinches from Stoddart's blast, and is protected by Britannia and Alderman Wood. She says: "Surely thos Fellows will not be suffered to Insult me in this manner? who is it that Sets them on? who encourages them." Britannia, seated on a very angry Lion, extends her arms, saying: "Welcome Beloved of thy People, the Mother of Englands lost -- & ever to be lamented Hope, will ever be dear to the Hearts of every true born Englishman." Wood, wearing an Alderman's gown, tries to protect her with a shield inscribed: 'No more Douglas's an Englishman's Rights, Justice & Truth'. From Stoddart's trumpet issue the words: 'Treason, Crim Con, no Rights, no Claims, no pretensions, no Prerogatives, no Patronage, no Property, no Soul to be Prayed for, no Justice, no Law, no Protection, Woe to them that espouse her Cause, Woe to them that Speak well of her!!!' At his feet lie newspapers: 'New Times', 'Morning Post', 'Courier'. Castlereagh and Sidmouth (right), who extend admonitory fingers, urge him on: the former says: "hit hard--dont spare now Dr Slop here is a fine Oppertunity for you to indulge your Spleen." Sidmouth, larger than life and shockingly malevolent, says: "Blow away my boys, spread it far and near, lay it on thick, do not stand for Trifles!!!" The biggest newsboy has a bill headed 'New Times' in his hat; another holds a bundle of the 'Courier', 'New Times', and '[Morning] Post'. A third has 'News' in his hat. Behind and between Stoddart and Castlereagh a man capers in ecstasy, waving a hat in which is a paper: 'Pardon for Edwards'. He exclaims: "Now I shall have a Job again and get better paid than before.""--British Museum online catalogue
Alternative Title:
Spies, spawns & spewers of scurrility, abuse & defamation set to work and Spies, spawns and spewers of scurrility, abuse and defamation set to work
Description:
Title etched below image. and Attributed to William Heath in the British Museum catalogue.
Publisher:
Pub. June 8th, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Stoddart, John, 1773-1856, Wood, Matthew, Sir, 1768-1843, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Britannia (Symbolic character), Horns (Communication devices), Newspaper vendors, Newspapers, and Lions
Fox is depicted as Phaeton, falling from a chariot drawn by a lion and a unicorn. In Fox's hand is a scroll marked India Reform Bill. Verses from Gray's Ode on a distant prospect of Eton College are inscribed below title
Description:
Title etched below image., Signed with the monogram of James Sayers., Text following printmaker's signature: Plate [the] 3d., Two lines of quoted verse below title: "Ambition this shall tempt to rise, then whirl the wretch from high." Gray., and Mounted to 42 x 30 cm.
Publisher:
Published as the act directs by Thomas Cornell, Bruton Street
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Phaethon (Greek mythology), Chariots, Lions, Unicorns, and Falling
Fox is depicted as Phaeton, falling from a chariot drawn by a lion and a unicorn. In Fox's hand is a scroll marked India Reform Bill. Verses from Gray's Ode on a distant prospect of Eton College are inscribed below title
Description:
Title etched below image., Signed with the monogram of James Sayers., Text following printmaker's signature: Plate [the] 3d., Two lines of quoted verse below title: "Ambition this shall tempt to rise, then whirl the wretch from high." Gray., and Mounted on page 31 with one other print.
Publisher:
Published as the act directs by Thomas Cornell, Bruton Street
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Phaethon (Greek mythology), Chariots, Lions, Unicorns, and Falling
Fox is depicted as Phaeton, falling from a chariot drawn by a lion and a unicorn. In Fox's hand is a scroll marked India Reform Bill. Verses from Gray's Ode on a distant prospect of Eton College are inscribed below title
Description:
Title etched below image., Signed with the monogram of James Sayers., Text following printmaker's signature: Plate [the] 3d., Two lines of quoted verse below title: "Ambition this shall tempt to rise, then whirl the wretch from high." Gray., 1 print : etching on wove paper ; plate mark 31.1 x 22.8 cm, on sheet 33.3 x 24.4 cm., Mounted on leaf 19 of James Sayers's Folio album of 144 caricatures., and Watermark: E & P 1801.
Publisher:
Published as the act directs by Thomas Cornell, Bruton Street
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Phaethon (Greek mythology), Chariots, Lions, Unicorns, and Falling
Verse -- "Once I read a noble volume,"., In five columns with the title and two woodcuts above the first three; the columns are not separated by rules; there is no imprint., Divided into four parts; each part headed with a line reading "PART [roman numeral].", Column 2, line 1: "Prince and princess both admire"; column 4, last line: "Since he’s dead let us two die."; last line of text: "He is ace,borrinp royal sir,n." (apparently the last line dropped out and the types were replaced haphazardly)., Some letters of the title appear above the space between the woodcuts; in this printing, all or part of "Y[space]LO" are above the space. The right edge of the left woodcut aligns with the p in "princess" (column 2, line 1)., There are several printings from this setting of the text, with variations in several points: text of column 2/line 1, column 4/last line, and the last line of text; the presence or absence of part numbers; the alignment of the woodcuts with the title and text; and the presence or absence of an imprint., The other printings are ESTC N48661, T44329, N511125, N511126, and T44330., Dated from the address in the imprint found on one printing (ESTC T44330); see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 25. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
"Canning and Eldon, both in shirt-sleeves and about equally matched, face each other in a small boat: Cabinet. Cock Boat. The very ornate boat resembles a Canadian canoe in general shape; the paddles go through big apertures encircled by the points of a star; that of Canning is Deplomatic Sagacity; Eldon uses the mace, which is inscribed Pelf Patronage Parsimony [see British Museum Satires No. 15139]. At each end of the boat is a figure-head, one of the supporters of the Royal Arms, each with a flag-staff set in its head. Behind Canning (left) is the Unicorn; his flag Catholic Supremacy. The Lion is behind Eldon (right), with the flag of Protestant Ascendancy. Canning: I shall be too much for you you are too slow in your Motions. Eldon : I doubt it! The Purse of the Great Seal hangs over the boat beside Eldon, who wears wig and bands. On the extreme right the sun rises (or sets)--it irradiates the sky behind Eldon."--British Museum online catalogue
Alternative Title:
Long pull, a strong pull, and a pull all'togather
Description:
Title etched below image. and Text below title: When two row in the same boat, they may pull different ways; but when two ride on one horse, one must ride behind. A House divided against itself can not stand!!!
Publisher:
Pubd. March 16, 1827, by S.W. Fores - Piccadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
Canning, George, 1770-1827 and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Catholic emancipation, Rowboats, Ceremonial maces, Flags, Ship figureheads, Unicorns, Lions, National emblems, and Sunrises & sunsets
"Napoleon, advancing down a gently sloping causeway of rock which traverses water and flames, is halted by 'Leo Britannicus' who bounds savagely towards him. He drops a short chain attached to the nose of the 'Russian Bear', a huge white creature at his heels. He is beset on all sides by monsters, who emerge from a background of flame, smoke, and cloud, or from the water. Beside the British Lion is a little 'Sicilian Terrier', barking ferociously. Death, a skeleton-like corpse, rides a mule which dashes through the air towards Napoleon, snorting flame. He wears a Spanish hat and cloak, and holds up a flaming spear and an hour-glass whose sands have almost run out. The mule's trappings are inscribed 'True-Royal-Spanish-Breed'. Outstripping the mule, a savage 'Portuguese Wolf', with the end of a broken chain attached to his collar, leaps towards Napoleon. The heads and hulders of two melancholy French officers with their necks chained together emerge from clouds to address Napoleon; they say: "Remember Junot and Remember Dupont." Above these is the Pope's tiara, the apex of flames, emitting thunderbolts towards Napoleon, and inscribed 'Dreadful Descent of ye Roman Meteor' [cf. BMSat 10970]. Immediately above Napoleon is a crescent moon inscribed 'British-influence' enclosing the old (dark) moon, which is 'French Influence'. This forms the centre of a turban, and is surrounded with fiery clouds flanking the features of the Sultan, looking fiercely down at Napoleon. Blood drips from it. This is 'The Turkish New-Moon, Rising in Blood'. Beside it (right) the head and arms of a man raising an enormous sword above Napoleon emerge from swirling flames: The 'Spirit of Charles ye XII' [of Sweden 1682-1718]. On the r. a double-headed Habsburg eagle swoops towards Napoleon from clouds: "- The Imperial Eagle emerging from a Cloud." Its collar is inscribed 'German Eagle'. From the water beyond Napoleon's causeway, the 'Ditch of Styx', project the crown and hands of the drowning 'Rex Joseph'; he is immediately under the Spanish mule ridden by Death. The water on the nearer side of the causeway, in the foreground, is the 'Lethean Ditch'. From this (left) rats crawl towards Napoleon: "The Rhenish Confederation of Starved Rats, crawling out of the Mud [cf. British Museum Satires No. 10433]." Three frogs raise their heads from the ditch to spit: "Dutch-Frogs spitting out their spite." A rattle-snake spits venom, and shakes its tail: "- American Rattle-Snake shaking his Tail.-" On the right, standing on a rock, is a dilapidated eagle with clipped wings, and scanty feathers: "Prussian Scare-Crow attempting to Fly -.""--British Museum online catalogue
Description:
Title etched below image. and 1 print : etching with aquatint on wove paper, hand-colored ; plate mark 26.5 x 39.0 cm, on sheet 28.8 x 41.4 cm.
Publisher:
Publish'd Septr. 24th, 1808, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Joseph Bonaparte, King of Spain, 1768-1844, Mustafa IV, Sultan of the Turks, 1779-1808, and Charles XII, King of Sweden, 1682-1718
Subject (Topic):
Peninsular War, 1807-1814, Monsters, Fire, Lions, Bears, and Eagles
A pyramid-shaped monument with a caricatured portrait in profile of Wolfe; the plinth engraved with the text: 'Set honour in one eye and death in tother and I will look on both indifferent and let the gods so speed me as I love the name of honour more than I fear death.' At the foot of the monument lies a dead lion with the words 'Here lies honour' engraved on its hind leg. A dog with a collar labelled 'Minden' (an allusion Lord George Sackville's disgrace at the Battle of Minden) turns back and barks at the image: 'Honours a jest & all things show it. I thought so once but now I know it." He steps with his paws on a laurel wreath
Description:
Title etched beneath image., Formerly attributed to William Hogarth., One line of text above image: A living dog is better than a dead lion. Cf. Ecclesiastes ix.4., Reference to John Gay's quote on his tomb: Life is a jest; and all things show it, I thought so once; but now I know it., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's book, 3d. edit, p. 454. Spurious., and On page 185 in volume 2. Sheet trimmed to: 34.7 x 23.1 cm.
Publisher:
publisher not identified
Subject (Name):
Sackville, George Germain, Viscount, 1716-1785 and Wolfe, James, 1727-1759
A pyramid-shaped monument with a caricatured portrait in profile of Wolfe; the plinth engraved with the text: 'Set honour in one eye and death in tother and I will look on both indifferent and let the gods so speed me as I love the name of honour more than I fear death.' At the foot of the monument lies a dead lion with the words 'Here lies honour' engraved on its hind leg. A dog with a collar labelled 'Minden' (an allusion Lord George Sackville's disgrace at the Battle of Minden) turns back and barks at the image: 'Honours a jest & all things show it. I thought so once but now I know it." He steps with his paws on a laurel wreath
Description:
Title etched beneath image., Formerly attributed to William Hogarth., One line of text above image: A living dog is better than a dead lion. Cf. Ecclesiastes ix.4., and Reference to John Gay's quote on his tomb: Life is a jest; and all things show it, I thought so once; but now I know it.
Publisher:
publisher not identified
Subject (Name):
Sackville, George Germain, Viscount, 1716-1785 and Wolfe, James, 1727-1759
