Manuscript on parchment of Henry Suso, Horologium Sapientiae, translated into Italian. With Office of Eternal Wisdom (Cursus de aeterna sapientia), composed by Henry Suso; and several anonymous, miscellaneous texts
Description:
In Italian., Script: Main text written in gothic bookhand, below top line., For main text divisions good blue initials with plain parchment designs and red penwork flourishes; elsewhere 2-line initials alternate red with blue harping designs and blue with red. On f. 11r red rectangular page filler at bottom of text space. Small plain 1-line initials alternate red and blue. Headings and paragraph marks in red. Majuscules stroked with yellow. Remains of guide letters., and Binding: Fifteenth century, Italy. Original sewing on four tawed skin, kermes pink slit straps laced through tunnels in the edge of wooden boards to channels on the outside and nailed. A tawed skin endband core is laid in grooves and covered with plain, wound primary and red secondary embroidery. Spine: supports outlined and panels diapered with triple fillets. Covered in light brown goatskin with corner tongues, and decorated with interlace squares on their points within concentric frames. Trace of one fastening, the catch on the lower board and the upper one cut in for a red fabric strap attached with star-headed nails. The cover has been varnished.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Seuse, Heinrich, 1295-1366.
Subject (Topic):
Devotional literature, Italian, Literature, Medieval, Manuscripts, Medieval, and Mysticism
Manuscript on paper of excerpts from works of Greek and Roman history and philosophy (Greek works translated into Latin); religious tracts; and Italian strambotti
Description:
In Latin, with Greek headings and Italian poems., Watermarks, in gutter: unidentified hunting horn, crossbow, animal (?); in outer margin, trimmed: unidentified mountain in a circle surmounted by cross., Script: Written by a single scribe in a neat humanistic script with many cursive elements; later additions by several hands., Headings and initials often highlighted in red or ochre; some paragraph marks in same colors., and Binding: Nineteenth century, Italy. Rigid vellum case; paper label with title on spine: "Excerpta De Vetustioribus script. Latinis et Grecis, Saecul. XV".
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Education, Humanistic, Literature, Medieval, Manuscripts, Medieval, and Strambotto
Manuscript on parchment (soft, furry; trimmed) in two parts, the first of which has several distinct formats. Part I: 1) Pierre de Peckham, La lumiere as Lais, lacking all of Book I and part of Book II. Part II: 2) Edmund Rich, St., abp. of Canterbury, Speculum amicicie, also known as Speculum religiosorum or Speculum ecclesie, in a French translation. 3) Poem on the love of God and the hatred of sin. 4) Hymn based on the "Iesu dulcis memoria" (14 quatrains). 5) Appeal of Christ to sinner. 6) Collection of recipes
Description:
In French., Script: Part I: Written in gothic textura by two hands: Scribe 1) ff. 1r-71v; Scribe 2) ff. 72r-85v. Part II: Written in gothic textura by two hands: Scribe 1) ff. 86r-99v (column 1); Scribe 2) ff. 99v (column 2)-110v., Decoration, Part I: One historiated initial, f. 16v, Master expounding to a pupil, figures predominantly pink and blue on a pale purple and gold diapered ground; blue initial with white filigree and pink and green curling vine serifs on a pink ground with white ivy; ground framed by a thick gold band, edged in black. Two styles of minor decoration that correspond to work division of the two scribes: ff. 1r-71v, 2-line initials, blue or gold with red or blue penwork with flourishes; 1-line initials, blue or gold; numerous line-fillers, almost every line in different styles, blue and gold; first letter of each verse stroked in red. ff. 72r-85v, 2-line initials, blue with red penwork and flourishes. No line-fillers. First letter of each verse stroked in red. Rubrics throughout. Part II: Decorative initial, divided red and blue, 4-line, on f. 86r, with blue and red flourishes and design cascading down inner margin. 2-line initials, blue, with red penwork and flourishes. 1-line initials, red or blue. Rubrics throughout. Very crude drawings (16th century) added on f. 111r-v., and Binding: Nineteenth century. Brown, hard-grained goatskin, blind- and gold-tooled. Bound by F. Bedford (London, active 1851-ca. 1883). Title on spine: "Lume As Lais/ Poemes francais MS. XIV siecle".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pierre, de Peckham, -1293.
Subject (Topic):
Devotional literature, French, French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
In English and Latin., Script: Slovenly written mostly by one hand in Gothica Cursiva Currens (Secretary), with calligraphic extensions on the top line. The headings of the chapters are in Northern Gothica Textualis Libraria or more often in a somewhat more solemn form of Secretary., The majuscules are heightened in red. In the middle section of the manuscript the chapter headings are marked by a pointing hand; in the final section (ff. 20r-22v) horse-headed (?) dividers are used. Some initials in the headings are decorated with human heads. Numerous coarse pen-drawings in the margins, in black and red, more or less loosely illustrating the text., Badly damaged paper with leaves pasted onto stubs., and Binding: Nineteenth century. Blind-tooled brown calf over cardboard boards. Spine with gold-tooled title: "OLD ENGLISH VOCABULARY. MS. XV. CENT." Red marbled endpapers.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Dictionaries, Polyglot, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Jacobus de Voragine (c. 1228-1298), Legenda aurea, in French translation according to Jean de Vignay (c. 1285-1350).
Description:
In Middle French., Script: Copied by various similar hands, all writing Gothica Cursiva Libraria/Formata (Bastarda)., Decoration: Red headings and underlinings; alternately red and blue paragraph marks; yellow heightening of majuscules; 2-line dentelle initials in gold, blue, and red, with white penwork; 3-line initials of the same type and with the same decoration; and on f. 1r, 6-line foliate initial and two-column-wide oblong miniature showing the translator presenting his work to queen Jeanne, ascribed to the Master of the Cité des dames., and Binding: Eighteenth century brown calfskin over cardboard, with undecorated covers but five raised bands and an inscription on the spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacobus, de Voragine, approximately 1229-1298.
Subject (Topic):
Christian hagiography, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment (worn and stained) of a collection of moralistic sayings, compiled from various authorities: the French version of an Arabic work of the 11th century. Guillaume de Tignonville (d. 1414) composed the French text from a Latin translation sometime before 1402. The philosophers represented include (in the order of their appearance): Sedachias, Hermes, Tac, Zalqualquin, Homer, Zalon, Abion, Hippocrates, Pythagoras, Diogenes, Socrates, Plato, Aristotle, Alexander the Great, Ptolemy, Assaron, Loguion, Onese, Macdarge, Thesile, St. Gregory, Galen
Description:
In French., Script: Written by a single scribe in an informal batarde, often with calligraphic flourishes extending into margins., One miniature on f. 1r, 11-line, Ezekiel, Socrates, and Cicero with identifying banderoles, in grisaille with light green and ink washes; in a frame of thin pink and gold bands. One 5-line initial on f. 1r, pink, with orange and pink ivy on a blue stem against a blue ground; a pink and gold bar border in inner margin, with ivy terminals, black ink ivy with gold leaves and gold dots. 2-line initials throughout, gold against pink and blue grounds with white highlights. Guide-letters and rubrics throughout., and Binding: 18th-19th centuries. Quarter bound in brown, spattered calf, gold-tooled. Marbled paper sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Conduct of life, Arabic literature, French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment of an anonymous Italian translation of Giordano Ruffo, Liber marescalcia equorum, as well as recipes for various equine illnesses and schematic drawings of bits
Description:
In Italian., Script: main text copied by one hand in Southern Gothica Textualis Libraria., Capitals and headings in red in main text. Diagrams of various bits for horses on ff. 39v and 40r., and Binding: S. XX binding: plain parchment over cardboard.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Rufus, Jordanus, fl. ca. 1225-1250.
Subject (Topic):
Horses, Italian literature, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of 1) Prologue by the translator, addressed to Henry of Lusignan, Prince of Galilee (d. 1427). 2) Plutarchus (c. 46-120), Vita Luculli, Latin translation by Leonardus Iustinianus (Leonardo Giustiniani, 1388-1446). 3) Plutarchus, Comparatio vitarum Cimonis atque Luculli, Latin translation by Leonardus Iustinianus
Description:
In Latin., Script: copied by one scribe in a broad Humanistica Textualis Formata of "typographic" character and marked by unusual features such as the occasional use of round s in medial position and long i in final position, and inconsistencies in the use of ae/ẹ, the form of final s and m, etc. Majuscules at the beginning of lines protrude into the margin. Line fillers in the shape of expunged i., Headings in pale red. Art. 1 opens with a 6-line initial in red with the pen drawing for unexecuted white vinestem decoration. The 6-line initial at the head of art. 2 is purplish red on a blue background delicately heightened with silver arabesques, extended in the margin with red and green acanthus leaves. At the bottom of the same f. 387r there was a coat of arms flanked by two fleur-de-lys and four balls in purplish red and blue and red ribbons; the coat of arms has been cut out and the page has been repaired with a piece of paper; on it a modern coat of arms accompanied by the initials W and S (Walter Sneyd) is drawn in pencil., and Binding: 19th century. Quarter brown leather (with corners) and reddish brown marbled paper over cardboard. Gold-tooled flat spine with inscription: “PLUTARCHI VITA LUCULLI LATINE M.S.”.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cimon, d. ca. 450 B.C., Lucullus, ca. 117 B.C.-ca. 56 B.C., and Plutarch.
Subject (Topic):
Biography, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment of 1) John Lydgate (ca. 1370-ca. 1451), Life of Our Lady. The beginning is missing (Book I, verses 1-70 ). 2) The Privity of the Passion, an anonymous English translation, here attributed to Walter Hilton (d. 1396), of part of Ps.-Bonaventura, Meditationes vitae Christi
Description:
In Middle English with some Latin., Script: Probably copied by one scribe, writing Gothica Cursiva Libraria (Secretary). The headings in art. 2 are in a larger form of the same script, more close to Anglicana., In art. 2 the scribe left space for 2-line initials (a 3-line initial at the opening) and generally wrote guide-letters, but initials were never added and all other forms of decoration are missing., Low quality parchment, with holes and irregular edges. The upper outer corner of f. 79 is torn away with loss of text., and Binding: Twentieth century. Glossy brown leather over pasteboard, both covers framed with blind-tooled fillets; spine with four raised bands; in the second compartment the gold-tooled inscription "LYDGATE - LIFE OF OUR LADY"; at the bottom: "C. 1450". Sprinkled edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lydgate, John, 1370?-1451?
Subject (Topic):
Devotional literature, English (Middle), English poetry, Literature, Medieval, and Manuscripts, Medieval
