Manuscript on parchment (trimmed) in two volumes of Petrus Comestor, Historia Scholastica, translated into French by Guyart des Moulins. Missing the beginning of Numbers (v. 1, one folio following f. 115), the beginning of 3 Kings (v. 1, one folio following f. 236), and part of Luke (v. 2, one folio following f. 260).
Alternative Title:
Historia scholastica
Description:
In French., Script: Written in a formal batarde with some loops by one scribe. Marginal glosses in a similar but smaller script by the same hand. Corrections by a later hand (15th century) in brown ink., One large, 2-column miniature, 18-lines, f. 3r, of three scribes, set in a wide (25 mm.) frame, brown, decorated with a continuous garland of flowers in gold, green and white, outlined on both inner and outer edges with bands of pink, gold and blue, highlighted in white. Text surrounded by a 3/4 band of pink and gold with white highlights, edged in black. Full border: curling sprouts of blue, gold and some red and light blue acanthus on green stems, largely confined to the corners and centers of the border, with blossoms containing animals, devils, knights; the intervening spaces filled with trailing vines of green and gold leaves with varied flowers in red, blue, light blue, strawberries, grapes and beans as well as denser vines in black ink with leaves in gold and green, with flowers, as above; the entire border densely filled with pen flecks, black, with gold dots., Historiated initials (one column, 8-line), for the Seven Days of Creation (ff. 4v, 5r, 5v, 6v, 7v, 8v and 10r), roundels, with circular frames, brown with garlands as above, in some cases with the top and bottom of the roundel lopped off, set against a field of acanthus and/or flowers, as above, and set between two thin gold bands, edged in black. Short, thin borders of acanthus, vines, and flowers as above, divided from text by gold and pink bands, edged in black. Each miniature with a 5-, 4- or 3-line initial, blue with white highlights, filled with strapwork and blue and pink ivy with white highlights, on irregular gold ground. 2-line initials throughout, gold filled with red set against a blue ground or vice versa, trailing black hairspray with gold, red and blue dots. Initials cruder in v. 2. Line-fillers in both text and glosses in similar fashion. Running headings (in v. 1 only), and keys for glosses in red throughout. Traces of tabs in outer margins., and Binding: 1981. Bound in a brown, linen buckram case in the Yale Library Conservation Studio to replace an 18th century brown calf binding. One board of this binding retained in box.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrus, Comestor, 12th cent.
Subject (Topic):
History Bibles, French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment (trimmed) in two volumes of Petrus Comestor, Historia Scholastica, translated into French by Guyart des Moulins. Missing the beginning of Numbers (v. 1, one folio following f. 115), the beginning of 3 Kings (v. 1, one folio following f. 236), and part of Luke (v. 2, one folio following f. 260).
Alternative Title:
Historia scholastica
Description:
In French., Script: Written in a formal batarde with some loops by one scribe. Marginal glosses in a similar but smaller script by the same hand. Corrections by a later hand (15th century) in brown ink., One large, 2-column miniature, 18-lines, f. 3r, of three scribes, set in a wide (25 mm.) frame, brown, decorated with a continuous garland of flowers in gold, green and white, outlined on both inner and outer edges with bands of pink, gold and blue, highlighted in white. Text surrounded by a 3/4 band of pink and gold with white highlights, edged in black. Full border: curling sprouts of blue, gold and some red and light blue acanthus on green stems, largely confined to the corners and centers of the border, with blossoms containing animals, devils, knights; the intervening spaces filled with trailing vines of green and gold leaves with varied flowers in red, blue, light blue, strawberries, grapes and beans as well as denser vines in black ink with leaves in gold and green, with flowers, as above; the entire border densely filled with pen flecks, black, with gold dots., Historiated initials (one column, 8-line), for the Seven Days of Creation (ff. 4v, 5r, 5v, 6v, 7v, 8v and 10r), roundels, with circular frames, brown with garlands as above, in some cases with the top and bottom of the roundel lopped off, set against a field of acanthus and/or flowers, as above, and set between two thin gold bands, edged in black. Short, thin borders of acanthus, vines, and flowers as above, divided from text by gold and pink bands, edged in black. Each miniature with a 5-, 4- or 3-line initial, blue with white highlights, filled with strapwork and blue and pink ivy with white highlights, on irregular gold ground. 2-line initials throughout, gold filled with red set against a blue ground or vice versa, trailing black hairspray with gold, red and blue dots. Initials cruder in v. 2. Line-fillers in both text and glosses in similar fashion. Running headings (in v. 1 only), and keys for glosses in red throughout. Traces of tabs in outer margins., and Binding: 1981. Bound in a brown, linen buckram case in the Yale Library Conservation Studio to replace an 18th century brown calf binding. One board of this binding retained in box.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrus, Comestor, 12th cent.
Subject (Topic):
History Bibles, French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper (sturdy) of a translation by Diego Guillen de Avila (active 1487-1516), from Politian's Latin translation of Herodian, History of the Empire from the Death of Marcus (in eight books covering the years 180 to 238, in Greek).
Description:
In Spanish., Watermarks somewhat similar to Briquet Main 10793., Script: Written by three scribes, in gothic cursive (cortesana) script. Scribe 1 (ff. 1v-3v) uses a large, sprawling hand; Scribe 2 (ff. 5r-86v) a compact, regular one; Scribe 3 (ff. 87r-112r) a large and sprawling one., and Binding: Nineteenth century. Worn red velvet with 2 brass clasp-and-catch fastenings.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Herodian.
Subject (Topic):
Literature, Medieval, Manuscripts, Medieval, Spanish literature, and History
Manuscript on parchment of The Horloge de Sapience, a loose translation and adaptation into French of Henry Suso, Horologium sapientiae. With a Colophon, in French verse, stating that the translation was made by a French Franciscan master of theology at Neufchateau in 1389
Description:
In French., Script: Written in batarde script, below top line., Plain initials, 4- to 1-line, headings, paragraph marks, initial strokes, foliation and underlining, all in red., and Binding: 1800-1810, France. Diced brown calf, blind-and gold-tooled. Edges gilt. Stains from turn-ins of early binding on original front parchment pastedown. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Seuse, Heinrich, 1295-1366. and Franciscans
Subject (Topic):
Manuscripts, Devotional literature, French, Literature, Medieval, Manuscripts, Medieval, and Mysticism
Manuscript on parchment of Henry Suso, Horologium Sapientiae, translated into Italian. With Office of Eternal Wisdom (Cursus de aeterna sapientia), composed by Henry Suso; and several anonymous, miscellaneous texts
Description:
In Italian., Script: Main text written in gothic bookhand, below top line., For main text divisions good blue initials with plain parchment designs and red penwork flourishes; elsewhere 2-line initials alternate red with blue harping designs and blue with red. On f. 11r red rectangular page filler at bottom of text space. Small plain 1-line initials alternate red and blue. Headings and paragraph marks in red. Majuscules stroked with yellow. Remains of guide letters., and Binding: Fifteenth century, Italy. Original sewing on four tawed skin, kermes pink slit straps laced through tunnels in the edge of wooden boards to channels on the outside and nailed. A tawed skin endband core is laid in grooves and covered with plain, wound primary and red secondary embroidery. Spine: supports outlined and panels diapered with triple fillets. Covered in light brown goatskin with corner tongues, and decorated with interlace squares on their points within concentric frames. Trace of one fastening, the catch on the lower board and the upper one cut in for a red fabric strap attached with star-headed nails. The cover has been varnished.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Seuse, Heinrich, 1295-1366.
Subject (Topic):
Devotional literature, Italian, Literature, Medieval, Manuscripts, Medieval, and Mysticism
Manuscript on paper of excerpts from works of Greek and Roman history and philosophy (Greek works translated into Latin); religious tracts; and Italian strambotti
Description:
In Latin, with Greek headings and Italian poems., Watermarks, in gutter: unidentified hunting horn, crossbow, animal (?); in outer margin, trimmed: unidentified mountain in a circle surmounted by cross., Script: Written by a single scribe in a neat humanistic script with many cursive elements; later additions by several hands., Headings and initials often highlighted in red or ochre; some paragraph marks in same colors., and Binding: Nineteenth century, Italy. Rigid vellum case; paper label with title on spine: "Excerpta De Vetustioribus script. Latinis et Grecis, Saecul. XV".
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Education, Humanistic, Literature, Medieval, Manuscripts, Medieval, and Strambotto
Manuscript on parchment (soft, furry; trimmed) in two parts, the first of which has several distinct formats. Part I: 1) Pierre de Peckham, La lumiere as Lais, lacking all of Book I and part of Book II. Part II: 2) Edmund Rich, St., abp. of Canterbury, Speculum amicicie, also known as Speculum religiosorum or Speculum ecclesie, in a French translation. 3) Poem on the love of God and the hatred of sin. 4) Hymn based on the "Iesu dulcis memoria" (14 quatrains). 5) Appeal of Christ to sinner. 6) Collection of recipes
Description:
In French., Script: Part I: Written in gothic textura by two hands: Scribe 1) ff. 1r-71v; Scribe 2) ff. 72r-85v. Part II: Written in gothic textura by two hands: Scribe 1) ff. 86r-99v (column 1); Scribe 2) ff. 99v (column 2)-110v., Decoration, Part I: One historiated initial, f. 16v, Master expounding to a pupil, figures predominantly pink and blue on a pale purple and gold diapered ground; blue initial with white filigree and pink and green curling vine serifs on a pink ground with white ivy; ground framed by a thick gold band, edged in black. Two styles of minor decoration that correspond to work division of the two scribes: ff. 1r-71v, 2-line initials, blue or gold with red or blue penwork with flourishes; 1-line initials, blue or gold; numerous line-fillers, almost every line in different styles, blue and gold; first letter of each verse stroked in red. ff. 72r-85v, 2-line initials, blue with red penwork and flourishes. No line-fillers. First letter of each verse stroked in red. Rubrics throughout. Part II: Decorative initial, divided red and blue, 4-line, on f. 86r, with blue and red flourishes and design cascading down inner margin. 2-line initials, blue, with red penwork and flourishes. 1-line initials, red or blue. Rubrics throughout. Very crude drawings (16th century) added on f. 111r-v., and Binding: Nineteenth century. Brown, hard-grained goatskin, blind- and gold-tooled. Bound by F. Bedford (London, active 1851-ca. 1883). Title on spine: "Lume As Lais/ Poemes francais MS. XIV siecle".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pierre, de Peckham, -1293.
Subject (Topic):
Devotional literature, French, French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
In English and Latin., Script: Slovenly written mostly by one hand in Gothica Cursiva Currens (Secretary), with calligraphic extensions on the top line. The headings of the chapters are in Northern Gothica Textualis Libraria or more often in a somewhat more solemn form of Secretary., The majuscules are heightened in red. In the middle section of the manuscript the chapter headings are marked by a pointing hand; in the final section (ff. 20r-22v) horse-headed (?) dividers are used. Some initials in the headings are decorated with human heads. Numerous coarse pen-drawings in the margins, in black and red, more or less loosely illustrating the text., Badly damaged paper with leaves pasted onto stubs., and Binding: Nineteenth century. Blind-tooled brown calf over cardboard boards. Spine with gold-tooled title: "OLD ENGLISH VOCABULARY. MS. XV. CENT." Red marbled endpapers.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Dictionaries, Polyglot, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
