BEIN 2012 Folio 223: Number 1789. Autographs of Walasse Ting, Sam Francis, Eberhard W. Kornfeld. Dust jacket. In case and wooden case as issued., Title from front cover; statements of responsibility from back cover., On t.p. "[cent]" appears as the cent sign., Poems by Ting illustrated by 68 lithographs by 28 artists including: James Rosenquist, Pierre Alechinsky, Asger Jorn, Robert Indiana, Karel Appel, Andy Warhol, Robert Rauschenberg, Roy Lichtenstein, Claes Oldenburg, Jim Dine, Mel Ramos, and Enrico Baj as well as Ting and Francis., and "Two thousand regular edition numbered ... Number [blank]"--Colophon.
Publisher:
E.W. Kornfeld
Subject (Topic):
Lithography, Artists' books, Pop art, and American poetry
"[Bound] by Claudia in decorated paper over leather-edged boards with a leather spine and housed in a clamshell box."--Prospectus., "[More] than 600 examples of patterned papers from Europe, Asia and North America."--Prospectus., "Original samples of marbling, paste decoration, embossing, pulp manipulation, lithography, block and linocut printing, stencilling and airbrushing from the 19th and 20th centuries will be found, along with contemporary examples (some made specially for this book). A sampling of Dutch gilt and block-printed papers from the late 1700s to early 1800s will also be included."--Prospectus., "The book was designed and set in Bembo by Barbara Hodgson. David Clifford at Black Stone Press in Vancouver printed the text on Arches mouldmade. Rollin Milroy at Heavenly Monkey printed the specimen sheets. Claudia Cohen bound each copy in her Seattle studio. The edition is 30 numbered and six A.P. copies, each signed by the two authors."--Colophon., Includes bibliographical references., Issued in solander box (35 x 28 x 11 cm)., No. 4, signed by Claudia Cohen and Barbara Hodgson., and Table of contents sheet laid in to each volume.
Subject (Name):
Black Stone Press (Vancouver, B.C.), printer, Cohen, Claudia,--1953---Autograph., Heavenly Monkey (Firm), publisher, printer, Hodgson, Barbara, 1955- book artist, book designer, and Hodgson, Barbara,--1955---Autograph.
"[Bound] by Claudia in decorated paper over leather-edged boards with a leather spine and housed in a clamshell box."--Prospectus., "[More] than 600 examples of patterned papers from Europe, Asia and North America."--Prospectus., "Original samples of marbling, paste decoration, embossing, pulp manipulation, lithography, block and linocut printing, stencilling and airbrushing from the 19th and 20th centuries will be found, along with contemporary examples (some made specially for this book). A sampling of Dutch gilt and block-printed papers from the late 1700s to early 1800s will also be included."--Prospectus., "The book was designed and set in Bembo by Barbara Hodgson. David Clifford at Black Stone Press in Vancouver printed the text on Arches mouldmade. Rollin Milroy at Heavenly Monkey printed the specimen sheets. Claudia Cohen bound each copy in her Seattle studio. The edition is 30 numbered and six A.P. copies, each signed by the two authors."--Colophon., Includes bibliographical references., Issued in solander box (35 x 28 x 11 cm)., No. 4, signed by Claudia Cohen and Barbara Hodgson., and Table of contents sheet laid in to each volume.
Subject (Name):
Black Stone Press (Vancouver, B.C.), printer, Cohen, Claudia,--1953---Autograph., Heavenly Monkey (Firm), publisher, printer, Hodgson, Barbara, 1955- book artist, book designer, and Hodgson, Barbara,--1955---Autograph.
"Issued monthly until 10 nos. are completed.", Although the t.-p., dated 1835, calls for 72 plates, 80 were apparently issued as projected., Blue paper wrappers of no. 1- 9 bound in., Nos. 1-3 each accompanied by a leaf headed: Advertisement ... Advertisement to no. 1 dated: July 20, 1835., and Part number and month issued written in in ms.
Publisher:
J.O. Lewis,
Subject (Topic):
Indians of North America--Pictorial works, Indians of North America--Portraits, and Lithography
36 black and white photographs of the Atelier Populaire at the Ecole Nationale Supérieure des Beaux Arts and scenes of the general strike and student uprisings in Paris, May 1968 by Marc Riboud, Philippe Vermès, and unidentified photographers, Box 1: 18 photographs printed in 8 x 10 inch format depicting multiple stages of poster production at the Atelier Populaire in the printmaking studios of the Ecole Nationale Supérieure des Beaux Arts. 16 of the photographs were taken by Philippe Vermès and have his and his studio's ink stamps on the versos; many have annotations suggesting a 1998 printing date and linking them to the exhibition "Paris 1968: Posters from the Atelier Populaire", August 31-October 1, 1998 at Aronson Gallery, Parsons School of Design, New York, New York. The remaining two photographs in this group are inscribed on the versos "Philippe Vermès" and "Marc Riboud", and were likely printed circa 1968, and Box 2: 18 photographs printed in 12 x 16 inch format, taken by an unidentified photographer or photographers. The photographs depict scenes from the Paris general strike, student uprisings, and street protests of May 1968, including police dressed in riot equipment, streets barricaded with burning cars, protesters wearing protection against tear gas and standing on street barricades, and student leader Daniel Cohn-Bendit addressing crowds with a megaphone
Description:
The Atelier Populaire ("Popular Workshop") was established in Paris in May 1968 by students from the Ecole Nationale Supérieure des Beaux Arts to support the ongoing protests and strikes then occuring in France. The members were students, faculty, workers, and artists who used the school's printmaking studios to anonymously produce lithographed and screen-printed political posters that were distributed for free., Marc Riboud (1923-2016) was a French photojournalist., Philippe Vermès (1942-) is a French photographer and one of the co-founders of the Atelier Populaire., Inscriptions in French., From the Johan Kugelberg Collection of Paris May 1968., and Inscriptions and ink stamps on photograph versos.
Subject (Geographic):
France, Paris, and Paris (France)
Subject (Name):
Cohn-Bendit, Daniel, Riboud, Marc., Vermès, Philippe, 1942-, Atelier populaire, and École nationale supérieure des beaux-arts (France)
Subject (Topic):
Art students, College students, Political activity, General Strike, France, 1968, Labor movements, Lithography, Political posters, French, Political violence, Print workshops, Printmakers, Prints, Technique, Protest movements, Riots, Screen process printing, Serigraphy, and Students
36 black and white photographs of the Atelier Populaire at the Ecole Nationale Supérieure des Beaux Arts and scenes of the general strike and student uprisings in Paris, May 1968 by Marc Riboud, Philippe Vermès, and unidentified photographers, Box 1: 18 photographs printed in 8 x 10 inch format depicting multiple stages of poster production at the Atelier Populaire in the printmaking studios of the Ecole Nationale Supérieure des Beaux Arts. 16 of the photographs were taken by Philippe Vermès and have his and his studio's ink stamps on the versos; many have annotations suggesting a 1998 printing date and linking them to the exhibition "Paris 1968: Posters from the Atelier Populaire", August 31-October 1, 1998 at Aronson Gallery, Parsons School of Design, New York, New York. The remaining two photographs in this group are inscribed on the versos "Philippe Vermès" and "Marc Riboud", and were likely printed circa 1968, and Box 2: 18 photographs printed in 12 x 16 inch format, taken by an unidentified photographer or photographers. The photographs depict scenes from the Paris general strike, student uprisings, and street protests of May 1968, including police dressed in riot equipment, streets barricaded with burning cars, protesters wearing protection against tear gas and standing on street barricades, and student leader Daniel Cohn-Bendit addressing crowds with a megaphone
Description:
The Atelier Populaire ("Popular Workshop") was established in Paris in May 1968 by students from the Ecole Nationale Supérieure des Beaux Arts to support the ongoing protests and strikes then occuring in France. The members were students, faculty, workers, and artists who used the school's printmaking studios to anonymously produce lithographed and screen-printed political posters that were distributed for free., Marc Riboud (1923-2016) was a French photojournalist., Philippe Vermès (1942-) is a French photographer and one of the co-founders of the Atelier Populaire., Inscriptions in French., From the Johan Kugelberg Collection of Paris May 1968., and Inscriptions and ink stamps on photograph versos.
Subject (Geographic):
France, Paris, and Paris (France)
Subject (Name):
Cohn-Bendit, Daniel, Riboud, Marc., Vermès, Philippe, 1942-, Atelier populaire, and École nationale supérieure des beaux-arts (France)
Subject (Topic):
Art students, College students, Political activity, General Strike, France, 1968, Labor movements, Lithography, Political posters, French, Political violence, Print workshops, Printmakers, Prints, Technique, Protest movements, Riots, Screen process printing, Serigraphy, and Students
