Manuscript on parchment (thick, good quality), composed of four parts. Although all four parts may be roughly contemporary in execution, they apparently were not assembled together as a "missal" until the 15th century, at which point the manuscript was annotated and cross-referenced from beginning to end; it is possible that only the lectionary and sacramentary in Part IV were originally intended to be used together
Description:
In Latin., Script: Part I (ff. 2-8): Text of calendar written in gothic bookhand by a single scribe; many later additions in several hands. Part II (ff. 9-56): Written in gothic bookhand, with additions in several different hands in less formal styles of writing. Musical notation consists of Austrian adiastematic neumes in the same ink as the text. Part III (ff. 57-64): Written in large liturgical gothic bookhand. Part IV (ff. 65-276): Written in gothic bookhand; several layers of marginalia added in less formal hands., Part I: KL monograms, in red, embellished with knobs. Part II: Eleven large initials, 12- to 6-line, drawn in red and/or brown ink against geometric grounds of blue and lime-green washes. The initials are constructed of dragons and other fantastic animals, or of stylized foliage inhabited by biting beasts and birds. Plain initials in blue, red or lime-green, some with blue and/or red penwork designs, others with knobs. Major headings in majuscules with letters alternating red, black, and sometimes lime green; other headings in red. Instructions to rubricator perpendicular to text. Part III: The decoration of the Canon of the Mass consists of a 3/4-page miniature of the crucifixion, f. 60r, framed with a narrow border of olive green, red and blue with white filigree. Christ is shown hanging from a Y-shaped Astkreuz flanked by Mary and St. John, against gold ground. The gold ground is largely rubbed and the figures are partly restored (lower part of St. John's robe has been reworked, and flaked paint on the cross and Christ's loin cloth replaced). Marginal illustration of what appears to be a kneeling Augustinian canon dressed in white and red robes, adjoining the Te igitur (f. 60v). Three illuminated initials, ff. 58r, 59v, 60v, for the Canon of the Mass, 7- to 5-line, pale mauve with stylized scrolls and green foliage against gold ground edged in blue with white filigree. Vere dignum initials, 3-line, alternate in red and blue with penwork in either blue or red. Part IV: Pen-and-ink initials, 7- to 4-line, of a similar design as in Part II, but lacking the vitality; drawn in brown and/or red ink with stylized foliage and palmettes sometimes touched with blue or red against blue, red and/or lime-green ground. Smaller initials, 4-line, red, blue or green with red and/or green penwork design. Plain initials in red. Headings in red. Instructions for rubricator perpendicular to text., Elegant repairs to parchment sewn with blue and chartreuse thread (e.g., f. 27). Most of the leaves of Part III have been repaired., and Binding: Nineteenth century, England. Quarter bound in brown calf, blind-tooled, over wooden board. Metal fittings at the head and tail of the leather and two fastenings.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript on paper of a Missal, containing Masses and prayers for various occasions, a Benediction and Exorcism, and Liturgical notes
Description:
Script: copied by a single hand in a bold Gothica Semihybrida Libraria/Formata, Binding: Contemporary quarter binding sewn on three double cords: blind-tooled brown leather and wooden boards. One engraved brass clasp attached to the rear board, with an engraved brass catch on the front board. On the spine, two later parchment(?) labels carrying the shelfmark “E 40.” The binding is strengthened by means of a lead from an eleventh century biblical manuscript on parchment., and In Latin.
Manuscript fragment on parchment of a missal containing the Sunday after Holy Trinity
Description:
In Latin., Script: written in two sizes of late Caroline minuscule, with a smaller script for the chants and a larger one for the lessons., and Decoration: 3-line initial "I" at the beginning of the lesson is in red; 1-line chant initials are in red uncials; 1-line initials within the lessons are in brown rustic capitals highlighted with red; rubrics are written in red minuscule; punctuated with the punctus and punctus elevatus.
Manuscript fragment on parchment of a missal containing readings from: Common of Saints; Lesson from Hebrews 5; Unidentified secreta and postcommunio (Common of a Confessor?); and Common of Virgins
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: three lines of a large initial "F" (?) that is half green and half red are preserved on fol. 1r; 1-line initials at the beginning of prayers are in red square capitals; smaller 1-line initials are in brown rustic capitals highlighted with red; rubrics are written in a mixture of red capitals and minuscule forms; liturgical directions are written in brown minuscule with some rustic capital forms and are dotted with red; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a missal containing: Feria III after the twelfth Sunday after Pentecost; Feria IV after the twelfth Sunday after Pentecost; Feria VI after the twelfth Sunday after Pentecost; and Thirteenth Sunday after Pentecost
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 3-line initials at the beginning of lessons alternate blue with red flourishes or red with not flourishes; 1-line initials at the beginning of verses are black, highlighted with red dots; punctuated with the punctus and punctus interrogativus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a missal containing Palm Sunday and Feria II after Palm Sunday
Description:
In Latin., Script: written in two sizes of rounded gothic script (littera textualis), a larger script for the lessons and prayers and a smaller script for chants., and Decoration: 2-line initials of prayers and lessons alternate red and blue; 1-line initials within lessons, of chants and the first letters following a 2-line initial are brown and yellow; rubrics written in a red cursive script; punctuated with the punctus; a contemporary hand has made corrections in black ink.
Manuscript fragment on parchment of a missal containing the Saturday after the First Sunday of Quadragesima and the Second Sunday of Quadragesima
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: 2- and 3-line initials at the beginning of lessons and prayers alternate blue decorated with red penwork and red with no flourishes (the blue is faded); 1-line initials beginning the second word of the lessons alternate red and blue; other 1-line initials are brown highlighted with red strokes and dots; rubrics written in red in the same script as the text; punctuated with the punctus and punctus elevatus; hyphenation added by a later hand.
Manuscript fragment on parchment of a missal containing a variety of Feriae and the Sixth Sunday after Pentecost
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: 2-line initials are in red; 1-line initials are in brown highlighted with red; rubrics written in red in the same script as the text; the foliation is written in red in the upper center of the recto; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a missal containing the Common of Confessors and the Common of a Confessor Bishop
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis), with a larger script for the prayers and a smaller script for the chants., and Decoration: 1- and 2-line initials alternate red and blue; rubrics are in red in the same script as the text; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
