Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 9 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A group of twelve man and women of various ages and walks of live -- tradesmen, a clergy, a spinster, a military officer, a gentleman in shackles, a servant, a frail, sickly man, etc. -- stand full length facing the viewer. Above their heads are brief expressions of their 'wants': "I want a job"; "I want more customers"; "I want a husband"; "I want for death", etc. Only an obese gentleman on the right is content: "I want for nothing"; next to him, the military officer with a monocle says, "I don't know what I want."
Alternative Title:
Human nature delineated
Description:
Title from caption in artist's hand written below image., Quotation following title: Lord, what an amorous thing is want. Hudibras., Date of creation based on Grant's known years of activity., Attributed to C.J. Grant based on style and association with other signed drawings., and For further information, consult library staff.
Subject (Topic):
Clergy, Distress, Men, Military officers, Occupations, and Women
Reception de docteurs a l'Université d'Oxford : Le 15. Juin 1814
Description:
Title etched below image., Place of publication supplied by curator., Date of publication derived from subject., Trimmed within platemark., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Politics, British; Oxford University.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Alexander I, Emperor of Russia, 1777-1825,, Frederick William III, King of Prussia, 1770-1840,, Grenville, William Wyndham Grenville, Baron, 1759-1834,, George IV, King of Great Britain, 1762-1830,, and University of Oxford.
Subject (Topic):
Degrees, Academic, Monarchy, Meetings, Military officers, Fools & jester, and Politics and government
"Turkish soldiers, scattered over a wide parade-ground, are being instructed in squads, groups, and as individuals, by French officers. In the foreground a Turkish potentate, the Sultan or perhaps the Grand Vizier, leans against the stump of a tree, turning his head in profile to the left to watch the soldiers. At his feet (left) kneels a Black enslaved person who is filling a long pipe; beside him a fire burns on a tiny tripod. On the right a Frenchman pulls the long moustache of a Turk, striking him with his cane. Next, three awkward Turks are being taught musket drill. On the left a Turk threatens an officer, drawing his sabre. In the middle distance a Frenchman puts his hand on the projecting stomach of an obese Turk, to make his attitude more soldierly. In the background are a marching squad (left) and a firing squad (right) and, beyond, an officer is attacked by three Turks with sabres raised to strike. Behind (left) is a Turkish fort. The officers are not caricatured nor is their dress exaggerated. The Turks wear baggy trousers with either a fez or a turban; all have long moustaches."--British Museum online catague
Description:
Title engraved below image, in two lines., Sheet trimmed within plate mark., Richard Bull (1725-1806) attritbutes the print to Isaac Landmann of Woolwich on his undated copy in an album held in the British Museum. See Museum number: 1931,0413.185., This image was first published in Vienna by Hieronymus Löschenkohl and then engraved once again by Johann Martin Will Augsburg in 1783., Watermark: fleur-de-lis on crowned shield with monogram CP at the bottom and countermark Patoh., and Ms. annotation in contemporary hand, numbered '64'.
Publisher:
Published April 3rd, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Selim III, Sultan of the Turks, 1761-1808
Subject (Topic):
Austro-Turkish War, 1788-1790, Russo-Turkish War, 1787-1792, Black people, Clothing & dress, Turkish, Daggers & swords, Hats, Forts & fortifications, Military inspections, Military officers, French, Military training, Military uniforms, Pipes (Smoking), Tableware, Rifles, Soldiers, and Enslaved people
"Napoleon, pushing an officer before him through a pillared doorway, looks back to speak to a monk and a sansculotte, shackled together, who drag a car in which is an imperial crown. They hold a large scroll inscribed: 'Most religious Sovereign - the benefactor of the church - the patron of liberty - the scourge of tyrants, and the defender of our most holy religion; may you long fill the Imperial Chair, and diffuse over a free and happy people all the blessings of your auspicious government.' Demons fly round a tricolour flag which floats from the car. Napoleon holds out a scroll headed: 'Address, &c. &c. &c. The Legions of France congratu - ', saying, "This token of your gratitude, my dear subjects will ever stimulate me to protect your liberties - to promote your happiness - and to preserve my empire from the ravages of war, tyranny and oppression." The officer, with a cynical smile, says: "Patron of Liberty - Defender of our most holy Religion - free and happy People - Ha! ha! ha! - What may we not expect? - Has he not got them under excellent subjection?" On the left is Napoleon's 'Secret Chamber': a table is covered with maps and plans; a large map, partly unrolled, shows Europe from '[En]gland to [Tur]key', including the 'Black Sea'; another map shows 'Suez' and the 'Red Sea'. A demon under the table holds up a large pile of papers: 'Plans against England'; on the floor are similar piles: 'Religion' and 'Treaties'. There are also 'Plans against Germany and Turkey', and a paper: 'Mem. the chance of the conquest of England is worth the sacrifice of one third of the people of France. Item. As Charlemaine not only conquered Italy, but the whole of Germany, and left the Imperial dignity hereditary in the Sovereigns of France, it is indispensably necessary to obtain possession of Germany, in order to support the dignity of the Gallic empire.' On the wall are three pictures: 'Sacking of Rome', 'Dissolution of the National Assembly' [see British Museum Satires No. 9426, &c], and 'View of Cairo' [see British Museum Satires No. 9358, &c.]. Below the design: 'Explanation. The two figures bringing the Imperial crown . . . represent . . . the bitter Enemies of Aristocracy, and the staunch Supporters of the late Monarchial Government, tackled to the National Machine, and reduced to the most abject State of Slavery by the Influence of the Military, whose congratulatory Address Bonaparte has received at the Hand of an Officer, and is introducing him into his Secret Chamber to receive Instructions. The Demons hovering over the Imperial Crown denote Five Years of Destruction; during which Period Bonaparte will overrun and ravage the greater Part of the Continent of Europe, be the Means of nearly depopulating Turkey, and finally be slain with the Sword, be cast out as an abominable Branch, and be left as Dung to rot on the Face of the Earth."--British Museum online catalogue
Description:
Title printed in letterpress above image., Text above imprint statement: For particulars respecting the ingress, progress and regress of the Gallic Empire, as represented in prophecy, see the publications entitled "The Prophetic Mirror," and "The Emperor of the Gauls," by L. Mayer; to be had at Parson's Library, Ludgate-Hill; and T. Williams, Stationers'-Court., Print was apparently sold separately, but also used as a folding plate in: Mayer, L. The prophetic mirror, or, A hint to England. London : Printed by C. Stower and sold by T. Williams, 1804., and "Price 1s. coloured."--Following imprint.
Publisher:
Published by L. Mayer, as the act directs and Bryer, printer, Bridge Street, Blackfriars
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Military officers, French, Monks, Flags, Ethnic stereotypes, Shackles, Crowns, Columns, Demons, and Maps
"Illustration to a song engraved in three columns below the title: A scene on the shore, with a frigate in the offing. A grotesque naval officer, with wooden leg and black patch over one eye, takes the wrist of a young sailor of feminine appearance who holds a pistol. In the background (right) a dead sailor lies across the body of a woman. The song relates that Billy Taylor was taken by a press-gang; his sweetheart dressed as a sailor to follow him, but discovered his inconstancy with 'a lady gay', and shot him With his fair one in his hand. The last verse:'When the Captain com'd for to hear on't He werry much applauded her for what she'd done, And quickly he made her the first Lieutenant, Of the Gallant - Thunder Bomb.'"--British Museum online catalogue
Alternative Title:
True and lamentable ballad call'd Billy Taylor
Description:
Title below image, at head of verses., Plate numbered '367' in the lower left corner., From the Laurie & Whittle series of Drolls., One line of text above design: (Sung by Mr. Bannister, of Drury Lane Theathre, Mr. Fawcett, and Mr. Emery, of Covent Garden. &c &c &c.), and Ten numbered stanzas of verse below title: Billy Taylor was a gay young fellow, full of mirth and full of glee, and his heart he did diskiver, to a lady gay and free ...
Publisher:
Publish'd Sepr. 24, 1804 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Couples, Eye patches, Homicides, Military officers, British, Peg legs, Sailors, Sailing ships, Signs (Notices), and Taverns (Inns)
A lady, wearing over her dress a military coat with epaulets, stands plying her whip as she drives the two small white ponies who pull her carriage past the Cox Heath signpost. Her clothes mirror those of the fat and elderly militia officer who sleeps in the seat at her side, his hands clasped around his sword. A large dog sits in front of her. Observing the spectacle from a side road are three country travellers in a covered wagon which bears a sign "The Maidstone Common Stage Waggon".
Description:
Title from item., Publication date erased from print., Date surmised from British Museum catalogue, v. 5, Appendix, "Key to the dates of the series of Mezzotints issued by Carington Bowles.", and Numbered in lower left of plate 391.
Publisher:
Printed for & sold by Carington Bowles at his map & print warehouse, No.69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Military uniforms, British, Military officers, Sleeping, Clothing & dress, Carriages & coaches, Covered wagons, Horses, and Hats
"Two designs side by side. BALL ROOM. A repetition of British Museum satires no. 14646 [2]. The M.C. has no wand, but holds an opera-hat; he says: 'Will you accept of this Lady for a partner, Sir?' The hussar, who lounges with hands in pockets and both legs over the back of a chair, answers: 'Shew her off!--Trot her out!! let us see her foine legs'. A civilian standing behind the lady (left) laughs: 'Ha! Ha! Ha! So this is one of the extra polite Dandies of the Tenth'. Two fellow officers stand beside the first. One says: 'No! Tenth don't daunce!!' [cf. British Museum satires no. 14643A]. The other inspects the lady through an eyeglass, saying, 'Zounds, Dam-me!' DRAWING ROOM. The lady of the ball-room stands beside another; both are young and pretty and in ball-dress. The officer (right) bows from the waist, pointing the left toe, left hand on hip and holding up an eye-glass. He is without pelisse and sword. The second lady, holding up a fan, says: 'Sir this is the Lady you desired me to Trot up to you.' The lady in question also bends from the waist, pointing a toe, inspecting the officer through an eye-glass. She holds a lighted candle, saying, 'No--Wont do! Trot him out!!--Trot him out!!'"--British Museum online catalogue
Description:
Title from text below images., Text above images: Ball room. Drawing room., and Matted to: 40.5 x 51 cm.
Publisher:
Pubd. April 1824 by J. Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
England.
Subject (Topic):
Ballrooms, Drawing rooms, Interpersonal relations, Military officers, British, Dandies, and Hand lenses
Leaf 45. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
Two macaronies in military uniforms stand under a huge parasol; the very tall soldier towers over the other, an officer
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 2" in upper left corner and "23" in upper right corner., and Watermark: Strasburg bend with initials L V G below.
Publisher:
Pubd. by MDarly, 39 Strand
Subject (Topic):
Dandies, British, Military officers, Military uniforms, Umbrellas, and Wigs
Leaf 45. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
Two macaronies in military uniforms stand under a huge parasol; the very tall soldier towers over the other, an officer
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 2" in upper left corner and "23" in upper right corner., Second of two plates on leaf 45., and 1 print : etching on laid paper ; plate mark 24.8 x 17.7 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. by MDarly, 39 Strand
Subject (Topic):
Dandies, British, Military officers, Military uniforms, Umbrellas, and Wigs
Leaf 3. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A tall, thin gentleman in a military uniform walks across a mountainous landscape carrying on his back an obese parson with a "Tithes" basket full of chickens and a sucking-pig under his left arm and a scourge with three lashes in his right hand. Behind them and in front of his sheaved harvest stands a farmer dressed in a smock, with a branch in his right hand and his hat in the left. He says, "We Farmers have our Bodys Eat up, for the good of our Souls."
Alternative Title:
Majesty of the people
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower left corner. For original issue of the plate, see no. 6209 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Text following title: The Lord open'd the mouth of the ass, &c., Temporary local subject terms: Balaam -- Parsons -- Scourges -- Military uniforms: Militia, colonel., and On leaf 3 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. April 10th, 1783, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England
Subject (Topic):
Tithes, Clergy, Farmers, Military officers, British, Clothing & dress, Whips, and Obesity
