Manuscript on paper (watermarks trimmed; unidentified) of various prayers
Description:
In German and Latin., Script: Text written in formal gothic by one scribe. Prayers added on the flyleaves, front and back, by several later hands in italic of the 17th century and later. 2- and 1-line initials in blue-grey or orange-tinted red. 1-line initials within the text, with red stroke. Extensive rubrication in orange-tinted red., and Binding: 16th-17th centuries. Sewn on three single, round, vegetable fiber cords laced into wooden boards. "Made" endbands glued on and extending onto the outer face of the boards. Red edges and numerous place marks of vellum or tawed skin on the fore-edge. The spine rounded and lined. Covered in dark brown calf with two brass catches on the upper board and brass clasps hinged to the lower. The lower board is detached and one clasp and some leather at head and tail of the spine are wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinians. and Catholic Church
Subject (Topic):
Manuscripts, Medieval, Monasticism and religious orders, and Prayers
Manuscript on parchment. Written as a gift for Barbara Pfintzing, who entered a nunnery in 1441 at the age of 16. The text indicates that the manuscript was produced for use in a Dominican house of nuns; liturgical directions are written in German (the feminine forms in the antiphons and prayers often bear suprascript masculine endings, in red).
Description:
In Latin and German., Script: Written by a single scribe in well formed gothic textura. Articles 1 and 6 have 4-line staves, in red, and black square notes., Uninspired blue initial, 2-stave, on f. 1r, infilled and surrounded by red penwork flourishes with blue accents. Similar plain initials, 2-line, alternate in blue, red, and black with red throughout. Running titles and headings in red., and Binding: Sixteenth century. Resewn, using original sewing holes, on three double vegetable fiber cords laced into back-cornered and indented oak boards. Endbands embroidered on a strip of vellum and adhered, the vellum extending onto the outside of the boards. The spine is square and lined all along with manuscript fragments extending to the inside of the boards. Covered in vellum blind-tooled with concentric borders containing heads in oval frames among foliage in the outer, and busts of saints in the inner. Two brass fastenings, the catch on the upper board, straps attached to the lower with a metal plate. Straps wanting and a slight crack in one joint.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Dominicans
Subject (Topic):
Liturgy, Manuscripts, Dominican sisters, Manuscripts, Medieval, Monasticism and religious orders, and Processionals (Liturgical books)
Manuscript on parchment of a Psalter-Hymnal, written for a Benedictine monastery. On the rear flyleaf, a fragment of the Gospel of Mark, 1:24-31 and 36-42, in West-Saxon translation
Description:
In Latin and Anglo-Saxon., Script: Copied by three scribes, all writing Northern Gothica Textualis Formata. The fragment is copied in careful Anglo-Saxon Minuscule., The decoration consists of 1-line plain initials alternately in red and blue in the text; 2-line flourished initials in blue with red penwork with marginal extensions; 3- and 5-line litterae duplices with partial or full penwork borders (J-motifs) as indicated in art. 2. Litterae duplices also on ff. 116r, 133v, 143v (artt. 3, 6 and 7)., and Binding: Original undecorated leather over oak boards (?). Spine with three raised bands. Traces (?) of one clasp.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Benedictines. and Catholic Church
Subject (Topic):
Liturgy, Hymns, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, and Psalters
Bridget, of Sweden, Saint, approximately 1303-1373
Published / Created:
[between 1450 and 1500]
Call Number:
Beinecke MS 5
Image Count:
71
Resource Type:
unspecified
Abstract:
Manuscript on parchment of 1) St. Birgitta, Regula Sancti Salvatoris. 2) Urban V, Ut nihil a noviciis omnino exigatur. 3) Pseudo-Augustine, Disciplina monasterii. 4) Additiones domini Prioris Petri super Regula sancti Saluatoris. 5) [One leaf of another manuscript laid in:] Revelacio Sancte Birgitte
Description:
In Latin., Script: Written by a single scribe in batarde (no loops)., Primary plain initials, 11- to 1-line, in red; rubrics throughout., and Binding: Fifteenth century. Original sewing on four slit, tawed straps laced into beech boards as are the tawed cores of plain, wound endbands. Covered in cream-colored skin, cut or worn away so that the endbands are visible on the spine. Traces of five bosses on each board and of a strap-and-pin fastening, the strap attached to the lower board with a brass plate. Pin and strap wanting. Front pastedown: fragment of 15th-century manuscript, on paper; back pastedown: fragment of another 15th-century manuscript glued in upside down. Watercolor sketch of St. Birgitta (115 x 67 mm.) pasted on front cover, probably 16th century.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bridget, of Sweden, Saint, approximately 1303-1373. and Bridgettines.
Subject (Topic):
Manuscripts, Medieval, Monasticism and religious orders, Monasticism and religious orders for women, and Women mystics
Manuscript on parchment containing the Rule of St. Benedict, the Obituary of the Abbey of Vangadizza, and other texts
Description:
In Latin., Script: copied by various hands, all writing Southern Praegothica. In the Obituary (art. 6) the entries are added by many different, sometimes informal hands., The lower margin of f. 25 and the outer margin of f. 58 are replaced with modern parchment., The manuscript contains: 1) Benedictus Casinensis (500-550), Regula. 2) Promise formula of the novice upon his entry in religion. 3) Decrees of Pope Pascal II (1099-1118) and emperors Charlemagne (?800-814) and Lothar I (823-855) against alienating the goods of a church or monastery. 4) Alberic, bishop of Rimini (1158-1177), Letter to the prior and convent of Vangadizza, on the death of abbot Liutald. 5) Computistical notes and tables: (a) Table of the regulares lunae; (b) dates of the seven embolismi of the Nineteen-Years Cycle; (c) discussion of the three years of the Cycle in which epacts and embolismi differ; (d) table of the seven embolismi for all the years of the Nineteen-Years Cycle; in the first column the epacts; (e) a short table summarizing the data of table (d). 6) Obituary of the abbey of Vangadizza. 7) Liturgical instructions for observing the anniversary of Martin, first abbot of the monastery., Headings in red. Plain initials in red of various sizes (mostly 2-3 lines), sometimes with penwork decoration in the same colour (on f. 29 r in an initial a human head is drawn). On f. 4r the text of art. 1 opens with a 6-line zoomorphic initial "M" with two birds on a rectangular background. On f. 1r its preface opens with a 10-line historiated initial "A" , depicting St. Benedict explaining his rule to a monk, on a rectangular background. Both initials are in liquid gold, red, ocre and blue, and are followed by large display script in red, blue and ocre., and Binding: 19th century (?). Parchment over pasteboard. On the flat spine the handwritten 19th century inscription: "Regulae S. Benedicti et Kalendarium antiquum M.S."
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Benedict, Saint, Abbot of Monte Cassino., Benedictines., and Vangadizza (Abbey : Badia Polesine, Italy)
Subject (Topic):
Manuscripts, Medieval and Monasticism and religious orders
Manuscript on parchment of Pope Nicholas IV, Rule of the Third Order of St. Francis (Papal Bull Supra Montem, issued 17 August 1289), in French translation
Description:
In French., Script: copied by one hand in Gothica Textualis Formata, careful but not without inconsistencies. A scribe with initials “F.R.” is not attested., Red underlining; paragraph marks alternately red and blue, and line fillers in the same colours. A few 1-line flourished versals, and 2-line flourished initials alternately in red and blue, with penwork in the contrasting colour, at the head of all chapters. A 3-line flourished initial in the same colours at the beginning of the Prologue, f. 2r., and Binding: early, white deerskin over pasteboard, spine with four raised bands. Marks of two leather ties.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas IV, Pope, 1227-1292. and Franciscans.
Subject (Topic):
Bulls, Papal, Literature, Medieval, Manuscripts, Medieval, Monasticism and religious orders, and Third orders
Manuscript on parchment of the Rules and Privileges of the Third Order of St. Francis; also containing ceremonials for the vestment and profession of friars and nuns of the Third Order
Description:
In Latin and Italian., Script: Artt. 1-5 are copied in large Southern Gothica Textualis Formata using Uncial and Half-Uncial "d"; art. 6 is copied by another hand in small Gothico-Humanistica; art. 7 is written by many different hands., Decoration: Red headings, yellow heightening of the majuscules, and blue paragraph marks; 1-line versals, 2-line flourished initials, with penwork and guide-letters; and on f. 3r, 6-line historiated initial showing pope Nicholas presenting the Rule to a friar and a nun of the Third Order. The style has been associated with that of the Florentine illuminator Gherardo di Giovanni di Miniato (d. 1497)., and Binding: 16th centry blind-tooled brown leather over thin wooden boards, sewn on three thongs; both covers decorated with frames of multiple fillets and stamps; remains of straps are attached to the front board, with associated pins on rear board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Franciscans.
Subject (Topic):
Manuscripts, Medieval and Monasticism and religious orders
Manuscript on paper, with parchment for outer and inner conjugate leaves of each quire, composed of four "booklets" or units of similar format. Part I: 1) William of St. Thierry, Epistola ad fratres de monte Dei, formerly attributed to Guigo and Bernard of Clairvaux. Part II: 2) Bernard of Clairvaux, Sermo in festo annuntiationis B. V. Mariae. 3) Bernard of Cluny [?], Sermo de villico iniquitatis, formerly attributed to Bernard of Clairvaux. 4) Bernard of Cluny, Preface to art. 3. Part III: 5) Bernard of Clairvaux, De gradibus humilitatis et superbiae. 6) Jean, l'Homme de Dieu, Tractatus de ordine vitae et morum institutione, formerly attributed to Bernard of Clairvaux. Part IV: 7) Bernard of Clairvaux, Sermo I pro Dom. VI post Pentecosten. 8) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 9) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 10) Anonymous sermon on the Virgin Mary. 11) Nicholas of Clairvaux, Sermo in natali S. Benedicti de euangelio. 12) Bernard of Clairvaux, Sermo in obitu Domini Humberti
Description:
In Latin., Watermarks: Part I: unidentified P in gutter. Parts II-IV: similar in design to Briquet Lettre Y 9182-84., Script: Part I (ff. 1-34): Written by a single scribe in well formed upright gothic script exhibiting batarde influence in the long descenders. Part II (ff. 35-46): Written in a script similar to that of Part I, but with less batarde shading. Part III (ff. 47-82): Written possibly by the same scribe as Part II. Part IV (ff. 83-99): Written in small cramped gothic script similar to those in I-III., Part I: Carefully executed red and blue divided initial, 8-line, on f. 1r; infilled and surrounded by delicate foliage designs in red and purple ink, on a green ground, with flourishes extending down inner border. Similar initial, f. 1v, without green ground and with blue scroll design for crossbar. Headings, paragraph marks, initial strokes, underlining, and Nota marks in red. Part II: Fine initial, 8-line, on f. 35r, divided red and blue, infilled and surrounded by six foliage designs in red penwork on green ground, with a central flower of six petals touched with yellow. Plain blue initial, 3-line, on f. 39v, with some floral designs in body in natural color of paper; red initials, 2-line, ff. 40r and 45v. Headings, initial strokes, underlining and corrections, in red. Paragraph marks in red or blue. Guide-letters for rubricator. Part III: Divided initial I, red and blue, 10-line, on f. 47r, with red and purple foliage designs on green ground surrounding initial, and with flourishes extending down inner margin. Blue initial, 4-line, on f. 68v, infilled and surrounded by penwork designs in red. Plain initials, 2-line, headings, initial strokes, paragraph marks, corrections, and some marginal notes, in red. Guide-letters and instructions for rubricator. Part IV: Blue initial, 5-line, on f. 83v, with interior floral designs in natural color of parchment; body infilled and surrounded by red penwork designs extending down inner margin. Initials, 5- to 2-line, headings, paragraph marks, in red., and Binding: 16th-17th centuries (?). Original sewing on four tawed, slit straps, the spine rounded and the supports prominent and defined. Plain, wound endbands on vegetable fiber cores, the covering leather saddle-stitched around them. Covered in dark brown calf with round and lozenge-shaped tools in diamonds and triangles formed by intersecting fillets in a central panel in a double outer frame. One fastening, the catch on the upper board and the strap wanting. Turk's head knot placemarks on the fore edge. Rectangular label removed from upper edge of front cover; two modern brown labels, stamped in gold, on spine: "Bernardi Varia" and "M. S." Original front pastedown: lower portion of a parchment bifolium (Germany, 15th century) of the Doctrinale of Alexander of Villa Dei with lines 1056-79 visible on verso and 1520-44 on recto. Ca. 5 mm. between lines of text. Binding restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153., Catholic Church, and Cistercians.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, Sermons, and Theology
