Title from British Museum catalogue., Publication date based on the beginning of Chatham's administration, July 30, 1766., Sheet trimmed within plate mark resulting in loss of title., Three columns of verse below image: The monkey Scot no more shall boast, 'tis he at C-t who rules the roast ..., Temporary local subject terms: Emblems: thistle and white rose of Stuarts -- Royal crown -- Emblems: jack boot as Lord Bute -- Pictures amplifying subject -- British Lion -- Ministries: Pitt's ministry, 1766., and Mounted to 33 x 49 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Pitt, William, Earl of Chatham, 1708-1778, Camden, Charles Pratt, Earl, 1714-1794, Beckford, William, 1709-1770, and Temple, Richard Grenville-Temple, Earl, 1711-1779
Subject (Topic):
Cats, Dogs, Fireplaces, Monkeys, National emblems, British, and Scotland
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State, publisher, and date from Paulson. British Museum catalogue dates the print 1742., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern Climes, transplanted to our Coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", and Sheet trimmed within plate mark.
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State from Paulson. Paulson and British Museum catalogue date the print as 1742, but Sayer did not move to 53 Fleet Street until 1760. See British Museum online catalogue., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern climes, transplanted to our coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", Sheet trimmed to plate mark., and Sheet trimmed within plate mark to 246 x 351 mm with loss of imprint signature; mounted onto an engraved map (with color) of Ireland (285 x 395 mm).
Publisher:
Printed for Robt. Sayer, map & printseller, at No. 53 in Fleet Street
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State, publisher, and date from Paulson. British Museum catalogue dates the print 1742., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern Climes, transplanted to our Coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", Sheet trimmed within plate mark., Ms pencil note in Steevens hand above print: See Nichols's Book, 3d edit, p. 424., and On page 98 in volume 1. Sheet 250 x 354 mm.
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State from Paulson. Paulson and British Museum catalogue date the print as 1742, but Sayer did not move to 53 Fleet Street until 1760. See British Museum online catalogue., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern climes, transplanted to our coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", Sheet trimmed to plate mark., and On page 98 in volume 1. Plate mark 247 x 350 mm.
Publisher:
Printed for Robt. Sayer, map & printseller, at No. 53 in Fleet Street
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State from Paulson. Paulson and British Museum catalogue date the print as 1742, but Sayer did not move to 53 Fleet Street until 1760. See British Museum online catalogue., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern climes, transplanted to our coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", Sheet trimmed to plate mark., and On page 98 in volume 1. Plate mark 248 x 353 mm.
Publisher:
Printed for Robt. Sayer, map & printseller, at No. 53 in Fleet Street
Title from item., Publication place and date inferred from those of the periodical for which this plate was engraved., Companion print: A macaroni family returning from church, also published in the Macaroni and theatrical magazine. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, no. 4822., Plate from: The macaroni and theatrical magazine. London : John Williams, April 1773, p. 323., and Temporary local subject terms: Dress: child's dress, 1773 -- Newspapers: London Gazette -- Table setting: breakfast -- Domestic service: black page -- Domestic service: footmen -- Male dress: nightcaps -- Male dress: dressing gown.
Publisher:
publisher not identified
Subject (Topic):
Black people, Cats, Dandies, British, Dogs, Monkeys, Parrots, Squirrels, and Wigs
A tracing of a 1731 print after Hogarth: Satire on Orator Henley and his followers. A view of his Oratory in Clare Market with Henley preaching from an open-air platform in front of the building, one cloven hoof protruding from beneath his robe. A monkey wearing clerical bands holds a rope which is attached to Henley's right hand; a small chest of pills, a medicine bottle and a pamphlet lettered "The Hyp Doctor" lie at his feet. In the foreground is a procession of men, lettered, "Ha!", "Ha!", "Te Hee", "He!" and "Silly Cur"; the latter wearing a laurel wreath is identified by Hawkins as Colley Cibber, and the others, two of whom wear ruffs, may be intended as actors or clowns; a puritan at their head, is urged by Henley's "Scout" towards the door of the Oratory, outside which stands a butcher acting as doorman; inside a man pays a clergyman at "The Treasury". On the extreme left, a man squats defecating on Henley's publications. Behind him a coach bears Folly, holding her bauble, towards an inn with the sign of the dunce's cap; a gallows labelled "Merit" stands beside it and an angel holding a ribbon labelled "Modesty" flies off
Description:
Title from text in image., Attributed in lower left, below image: W. Hogarth sc., Drawing attributed to Steevens by curator., Tracing of a 1731 print., Detailed description of the scene in a Steevens's hand, mounted to the right of this drawing., and On page 12 in volume 1.
Subject (Name):
Henley, John, 1692-1756 and Cibber, Colley, 1671-1757
Title from item, in English and French., Date supplied by curator., Place of publication derived from dedicatory inscription., Sheet trimmed within plate mark., Original painting dated 1652., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Mountebanks., and Mounted.
Publisher:
To His Most Serene Highness Charles Theodore, Elector Palatine, Reigning Duke of Bavaria ... dedicated by His Most Devoted and Obedient Humble Servants Valentine Green, [Rupert Green (partially trimmed)]
Subject (Topic):
Quacks and quackery, Child care, Medicine shows, Country life, Spectators, Monkeys, Patent medicines, Children, Child rearing, Umbrellas, Wheelbarrows, and Dogs
Title from item, in English and French., Date supplied by curator., Place of publication derived from dedicatory inscription., Sheet trimmed within plate mark., Original painting dated 1652., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Mountebanks., and Mounted.
Publisher:
To His Most Serene Highness Charles Theodore, Elector Palatine, Reigning Duke of Bavaria ... dedicated by His Most Devoted and Obedient Humble Servants Valentine Green, [Rupert Green (partially trimmed)]
Subject (Topic):
Quacks and quackery, Child care, Medicine shows, Country life, Spectators, Monkeys, Patent medicines, Children, Child rearing, Umbrellas, Wheelbarrows, and Dogs
