"Burdett, wearing armour, attacks a seven-headed monster, which guards the gate of the Treasury, a heavy door in a stone arch (left). On his shield is a St. George's Cross inscribed 'Bill of Rights' and 'Magna Charta'; at his feet is the word 'Independance' [cf. British Museum Satires No. 10732]. He says: "I will Stand up for the Rights of the People Or Perish in the Attempt". The monster has a scaly body, webbed and barbed wings, a barbed tail, and fierce talons; its seven serpent-like necks, terminating in human heads, are encircled by a collar inscribed 'Coruption' [in reversed characters). All spit at Burdett, three emit words: Perceval says: "I Perceive what hes Doing"; Croker says: "I begin to Croke"; a third, Lethbridge (identified by his words), says: "Bless me He makes my Hair stand on End like the Quills upon the fretfull Porcupine". His hair is standing up, and is flanked by two locks which suggest ass's ears. A profile resembles Windham; one head may be presumed to represent Yorke. Under the feet of the monster are three torn papers: 'Act of Habeas Corpus', 'Compact between the King and the People', 'Petition of Right'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Variant state, with year "1810" etched at end of publication line. Cf. No. 11538 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Sheet trimmed within plate mark., Watermark: Ruse & Turners 1805., and Lightly printed digit "0" of "1810" in publication line has been written over in brown ink.
Publisher:
Pub. 6th of April by Fores, 50 Picadilli [sic]
Subject (Name):
Jones, Gale., Burdett, Francis, 1770-1844, Windham, William, 1750-1810, Perceval, Spencer, 1762-1812, Croker, John Wilson, 1780-1857, Lethbridge, Thomas Buckler, 1778-1849, Yorke, Charles Philip, 1764-1834, and George, Saint, -303.
"An etching comprising several allegorical and grotesque figures assembled on clouds or on smoke, before the gaping jaws of a monster, which, in the manner of medieval representations of the Mouth of Hell, emits flames. In front of this is a wolf in sheep's clothing, i.e., a fleece shaped like a clergyman's canonicals, and bearing on its head a church. The next figure is that of horned owl with spectacles, a satyr's leg and hoof, and a wooden leg; in one hand, or harpy's claw, this creature holds a balance, in which "honesty", inscribed on a deed(?) is outweighed by a bag of money, on which is marked '£100800'; in the other claw is a scroll, inscribed, "Mongri(or "a") Farca." A fox follows, offering a bag marked, "10,000". The head of a bishop in a mitre appears behind. In the middle of the design the Princess of Wales, as a sphinx-like she-goat, looks at the above-named figures, and is ridden by the Earl of Bute, as a he-goat, with a jack-boat, alluding to John Stuart, Earl of Bute, on one of his legs. A cerberus-like monster, or three centaurs, with zanies' trappings, and holding marrow-bones and cleavers which are beaten together, is followed by an old man who sounds a drum. Another old man advances eagerly from our right; his profile resembles that of the Duke of Newcastle, but probably was not intended to do so; he wears armour, and an enormous wig; he has a flame-like sword in one hand, and extends the other hand, which is like a claw; he has likewise a satyr's leg."--British Museum catalogue
Description:
Title etched above image., A copy of print no. 169 of the illustrations to: Political and satirical history., Numbered '4' in upper right corner., Illustration to: The British antidote to Caledonian poison., "Price six pence."--Following imprint which is mostly burnished from the plate in this state., and With annotations in Bowditch's hand, identifying the figures depicted; mounted on a sheet 33.2 x 45.5 cm.
Publisher:
[...] in Fleet Street
Subject (Geographic):
Great Britain.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818
Subject (Topic):
Corruption, Dogs, Caricatures, Clergy, Hell, Monsters, and Supernatural beings
"An etching comprising several allegorical and grotesque figures assembled on clouds or on smoke, before the gaping jaws of a monster, which, in the manner of medieval representations of the Mouth of Hell, emits flames. In front of this is a wolf in sheep's clothing, i.e., a fleece shaped like a clergyman's canonicals, and bearing on its head a church. The next figure is that of horned owl with spectacles, a satyr's leg and hoof, and a wooden leg; in one hand, or harpy's claw, this creature holds a balance, in which "honesty", inscribed on a deed(?) is outweighed by a bag of money, on which is marked '£100800'; in the other claw is a scroll, inscribed, "Mongri(or "a") Farca." A fox follows, offering a bag marked, "10,000". The head of a bishop in a mitre appears behind. In the middle of the design the Princess of Wales, as a sphinx-like she-goat, looks at the above-named figures, and is ridden by the Earl of Bute, as a he-goat, with a jack-boat, alluding to John Stuart, Earl of Bute, on one of his legs. A cerberus-like monster, or three centaurs, with zanies' trappings, and holding marrow-bones and cleavers which are beaten together, is followed by an old man who sounds a drum. Another old man advances eagerly from our right; his profile resembles that of the Duke of Newcastle, but probably was not intended to do so; he wears armour, and an enormous wig; he has a flame-like sword in one hand, and extends the other hand, which is like a claw; he has likewise a satyr's leg."--British Museum catalogue
Description:
Title etched above image., A copy of print no. 169 of the illustrations to: Political and satirical history., Later used as an illustration to: The British antidote to Caledonian poison., Sheet trimmed within plate mark with loss of text?, Copy of no. 4078 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and On page 264 in volume 3. Sheet trimmed to:
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818
Subject (Topic):
Corruption, Dogs, Caricatures, Clergy, Hell, Monsters, and Supernatural beings
Depicts Orpheus being pushed out of Hades by a demon, though an arch composed of grotesque creatures. Orpheus is shown as an elderly fiddler with a wooden leg, while his counterpart, an elderly unpleasant-looking woman, is led by another demon in the opposite direction. Pluto and Proserpine are seated on thrones in the background laughing at the scene
Alternative Title:
Orpheus and Eurydice
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. as the act directs Jany. 16, 1784, by H. Humphrey, No. 51 New Bond Street
Subject (Name):
Orpheus (Greek mythological character) and Eurydice (Greek mythological character)
Subject (Topic):
Couples, Peg legs, Thrones, Monsters, Demons, and Myths
"Pitt as Death on the pale Horse rides naked on the White Horse of Hanover, galloping over the prostrate bodies of pigs; other pigs, a multitude extending to the horizon, flee before him. On the horse's fringed saddle-cloth is a crown. Pitt is very emaciated, his flaming hair streams behind him encircled by a fillet inscribed 'Destruction'. In his right hand is a large flaming sword; in his left he holds the thread-like body of a scaly monster with gaping jaws, webbed wings, and serpent's tail. Behind him on the horse's hind quarters sits a naked imp wearing the feathered coronet of the Prince of Wales, with the motto 'Ich di[en]'. He grasps Pitt, and kisses his posterior; in his left hand he holds out a paper: 'Provision for the Millenium £125,000 pr An'. The horse's tail streams out, expanding into clouds, and merging with the flames of Hell which rise from the extreme right. In the tail and flames imps are flying, headed by Dundas holding a pitchfork; he wears a wig and plaid with horns and webbed wings. Behind are three imps: Loughborough, indicated as usual by an elongated judge's wig in back view (cf. BMSat 6796); Burke with webbed wings and serpent's tail; Pepper Arden [Identified by Wright and Evans as Lord Kenyon. The identification in the text is confirmed by Lord Holland.] wearing a large wig. In the foreground (right) Pitt's opponents are being kicked towards Hell by the horse's hind legs. Fox has just been violently struck in the face, and staggers backwards, clutching a paper inscribed 'Peace'. Sheridan lies prone, face downwards, hands raised, as if for mercy. Wilberforce sits on the ground clasping his 'Motion for a Peace' (see BMSat 8637). Behind Fox Lansdowne looks up from the ground, clenching his fists. On the extreme right the Duke of Norfolk, Lord Stanhope, and the Duke of Grafton are about to plunge into the flames: Fox in falling is pushing them over. ..."--British Museum online catalogue
Description:
Title etched below image., Two lines of text below title: And e'er the last days began, I looked, & behold, a white horse, & his name who sat upon it was Death ..., and Mounted to 36 x 42 cm.
Publisher:
Pubd. June 4th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Wilberforce, William, 1759-1833, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Burke, Edmund, 1729-1797, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Brothers, Richard, 1757-1824, and Halhed, Nathaniel Brassey, 1751-1830.
"An imitation of Patriotick Meteors, British Museum Satires No. 4887 (1771). Three heads, with rays or fire streaming from them, dart downwards and to the right into the gaping jaws of a monster from which issue the flames of Hell (cf., e.g., British Museum Satires No. 10011), inscribed Gulf of Oblivion. Alderman Wood is foremost, from his neck hangs a rolled document: Queen's Will. His trail of fire expands behind him from the end of his tiny pigtail, and is inscribed Wisdom [see British Museum Satires No. 13899, &c.]. Next is the profile head of Sheriff Waithman; the fiery trail expands from the end of his black bag, and is inscribed Inquest. Last is the head of a horse, with a black bag and tail like that of Waithman, inscribed Queen's Mayor [Thorpe]. Double civic chains hang from the necks of the last two."--British Museum online catalogue
Alternative Title:
Exitus acta probat
Description:
Title etched below image., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 105 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Waithman" and "Wood" identified in ink below image; date "14 Sept. 1821" written in lower right corner. Typed extract of sixteen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England and London.
Subject (Name):
Wood, Matthew, Sir, 1768-1843, Waithman, Robert, 1764-1833, Thorp, John Thomas., and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Death and burial, Meteors, Monsters, Wills, Sheriffs, Municipal officials, and Horses
"The Devil (right), in the foreground and much larger than the other figures, stands Asmodeus-like on a house-top (cf. British Museum Satires No. 16160), overturning with a long pole a dinner-table and upsetting the guests who fall on clouds of Dust. He is a grotesque muscular creature with goat's legs, barbed wings and tail, and looks round with a triumphant grin at the spectator. The guests are also assailed by harpies, little winged men, whose bodies terminate in barbed and scaly tails. One of these (Corder), holding a long bill which rises into the air above him, assails a man (Roach) mounted on a cockroach and holding up a book inscribed Parish Acct; he is The Grand Carver mounted on his Cockroach.; from the cockroach's antennae hang two big keys, and it emits a tail-blast inscribed We are of the Select, against his assailant. The latter holds out a paper inscribed Majority 7 and says am I not the Elect. Another harpy holding out a constable's staff flies menacingly towards the cockroach, saying, By St Thomas I cheque this. Roach exclaims: I tell you it's all a farce so we have taken the liberty to Cribb the Books Keep the Keys tight Cockey. A third harpy threatens the feast with a pair of spurred cavalry boots, saying you will Do-Well to give in, showing he is T. W. Dow (a boot-maker of York Street, Covent Garden. P.O. London Directory, 1822), see British Museum Satires No. 15528. A fourth has seized a paunchy Vestryman by the nose; the victim screams Oh my Nose--Rose Water rose water--oh oh oh-- From the table fall birds, hare, tureen, decanter, pineapple, &c. The dust forms a background, and is inscribed Dust for the Eyes of the Parishioners; looming through it is the façade of St. Paul's, Covent Garden. The bill held by Corder is headed Dinners. The items are Richardson £8-5, Hodgson & Gan £47-11-0, wine 5. 3. 0. Hodgson & Gan[n] Venison feast 30. 3- 6--Dinner on auditing Accounts £11- 4- 0, Hodg & Gann Ditto £40 4-0, Richardson Visitation Din . . £22. 7. 6, Joys St Thomas Day Dinner £20-10-0---&c &c."--British Museum online catalogue
Alternative Title:
Cruel radical harpies destroying a feast
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Text beside artist's device, meant to be words spoken by the man with an umbrella?: They seem to be introding [sic] here., Date of publication from the British Museum catalogue., Imprint continues: ... where political & other charicatuers [sic] are daily brought out., Sheet trimmed within plate mark., and Text above image: "now by St. Paul's the work goes bravely on -.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
St. Paul's Church (Covent Garden, London, England)
Title from item., One line of text below image: The body, soul & mind of the Gazetier cuirassé., Companion print: The wicked in triumph., Temporary local subject terms: Litearture: Allusion to Le gazetier cuirassé by Théveneau., Mounted to 31 x 23 cm., and Watermark.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Théveneau de Morande, Charles, 1741-1805 and Du Barry, Jeanne Bécu, comtesse, 1743-1793
William Pitt, dressed in a tunic tied with "Cestus of virtue" and a helmet inscribed, "Wisdom," and decorated with feathers and laurel wreath, stands between two lion-like beasts with the faces of Lord North and Charles Fox. North rears up as Pitt pulls on his tongue with forceps. On the opposite side, Fox lies on the ground bleeding from his mouth while Pitt holds a heart inscribed, "Indostan," above his body. A crown labeled, "Asia," fallen from Fox's head, lies at Pitt's feet. The title refers to freedom of the City given Pitt by the Grocers' Guild
Alternative Title:
Force of virtue and London prentice
Description:
Title from item., Sheet trimmed within plate mark., Original issue of no. 6447 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted to 28 x 40 cm.
Publisher:
Pubd. as the act directs, by J. Cattermoul, No. 376, Oxford Street
Subject (Geographic):
Great Britain
Subject (Name):
Pitt, William, 1759-1806., Fox, Charles James, 1749-1806., and North, Frederick, Lord, 1732-1792.
William Pitt, dressed in a tunic tied with "Cestus of virtue" and a helmet inscribed, "Wisdom," and decorated with feathers and laurel wreath, stands between two lion-like beasts with the faces of Lord North and Charles Fox. North rears up as Pitt pulls on his tongue with forceps. On the opposite side, Fox lies on the ground bleeding from his mouth while Pitt holds a heart inscribed, "Indostan," above his body. A crown labeled, "Asia," fallen from Fox's head, lies at Pitt's feet. The title refers to freedom of the City given Pitt by the Grocers' Guild
Alternative Title:
Force of virtue and London prentice
Description:
Title from item., Sheet trimmed within plate mark., and Reprint of no. 6447 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires,v. 65; the original publisher's statement burnished from the plate.
Publisher:
Pubd. 11 March 1784 by H. Humphrey, No. 51 New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Pitt, William, 1759-1806., Fox, Charles James, 1749-1806., and North, Frederick, Lord, 1732-1792.
