V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A wide space leads to the harbour. On one side (left) is the corner of a large old clothes shop: 'Moses Levy Money Lent', with garments, &c., hanging from it. Opposite is the old-fashioned 'Ship Tavern'. Off shore are ships in full sail, boats are making towards them. In the foreground is a bustle of departure: baggage is being carried, casks are rolled, sailors and their women embrace or fight; a one-legged sailor plays a fiddle, a child plays with dogs. At the door of the 'Ship' an officer takes leave of his family; from the bow-window above spectators lean out, an officer using a telescope."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "319" has been replaced with a new number, and date in lower left corner of design has been removed from plate., Publisher from description of earlier state in the British Museum catalogue., Date of publication inferred from earlier state, which has the year "1814" etched in lower left corner of design. Cf. No. 12408 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "255" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed to plate mark leaving thread margins., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 284-6., Watermark: 1824., and Manuscript "169" in upper center of plate.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A wide space leads to the harbour. On one side (left) is the corner of a large old clothes shop: 'Moses Levy Money Lent', with garments, &c., hanging from it. Opposite is the old-fashioned 'Ship Tavern'. Off shore are ships in full sail, boats are making towards them. In the foreground is a bustle of departure: baggage is being carried, casks are rolled, sailors and their women embrace or fight; a one-legged sailor plays a fiddle, a child plays with dogs. At the door of the 'Ship' an officer takes leave of his family; from the bow-window above spectators lean out, an officer using a telescope."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "319" has been replaced with a new number, and date in lower left corner of design has been removed from plate., Publisher from description of earlier state in the British Museum catalogue., Date of publication inferred from earlier state, which has the year "1814" etched in lower left corner of design. Cf. No. 12408 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "255" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed to plate mark leaving thread margins., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 284-6., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 37 in volume 4.
Radere tonsorem decet, haud deglubere metum and A cure of folly
Description:
Title from item., Alternate title supplied by curator., From: Johann de Bry, Emblemate saecularis, Francofort: J.T. and J.I. de Bry, 1596., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Barbers & Barber surgery; Barber shops, interior., and Number rubbed out at lower left.
BEIN 2018 699: Contemporary limp vellum binding; ties wanting. Unidentified armorial bookplate., In 7 parts, [pts. 2-7] each with special t.p. "Aprobacion" ([pt. 2]) dated: 1752. Imprint (slight variations) appears on title pages to [pts. 2-7]; [pts. 4 and 7] dated: 1754., On title pages to [pts. 2 and 4-7]: compuestas por Pablo Minguet y Yrol (slight variations)., and Frontispiece has title: Academia musical de los instrumentos / que explica Pablo Minguet en sus tratados, los quales enseñan el nuevo estilo de tañerlos por musica, y cifra con perfecc[io]n.
Publisher:
Por Joaquin Ibarra ...
Subject (Topic):
Musical instruments, Instrumental music, and Instruction and study
"Dissenters are engaged in burning churches and attacking the clergy. In the foreground a stout bishop on his knees is being kicked and assailed by men with bludgeons; beside him is a book: 'Refutation of Dr Price'. He exclaims, raising his hands, "Murder, fire, thieves". One of his assailants says, "Make room for the Apostle of Liberty"; the other, "God assisting us nothing is to be feared". Under this group is inscribed: 'And when they had smote the Shepherd, the Sheep were scattered'. Behind (right) a Gothic building, from which extends a sign of the Mitre and Crown, is being demolished. Price sits astride on the beam supporting the sign; in one hand is an open book, 'Love of our Country', in the other is a firebrand inscribed 'The Flame of Liberty'. Beneath, two men in steeple-crowned hats are feeding a fire with faggots, whose flame and smoke, inscribed '39 Articles', ascends in a thick cloud. Next the burning building, and on the extreme right, is a porch (over a doorway) in which stands Fox, blowing a horn and pointing down to a placard over the doorway: 'Places under Government to be disposed of. NB, Several Faro and E.O. Tables in good Condition'. An adjacent placard is: 'day next charity sermon by Revd chas Fox'. A group of eager fanatics with lank hair rushes towards the doorway, holding up to Fox money-bags inscribed '30.000', '10.000' and '20.000.' In the foreground (right) are two fanatics struggling for the bag of the Great Seal; one raises a mace inscribed 'Brotherly Love' to strike his opponent; under his foot is a paper: 'Repeal of the Test Act'. In the background (left) is a group of figures engaged in demolishing a church with pickaxes; a rope pulls over the cross on the steeple. Two of this group look towards Price: a parson inscribed 'P------ly' (Priestley) waves his hat, saying, "Make haste to pull down that old Whore and we'll build a new one in its place"; a lean man, fashionably dressed (evidently Stanhope), extends his arms, saying, "Address to Assemblee national"."--British Museum online catalogue, description of an earlier state with similar composition
Description:
Title etched below image., Attributed to Rowlandson by Grego., Later state, with the original title "The test" burnished out and replaced with new title. Cf. No. 7629 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Publisher's advertisement above design: In Fores's Caricature Museum is the compleatest collection in the kingdom. Also the head and hand of Count Struenzee. Admittance 1s., Sheet trimmed to plate mark., Three lines of verse on either side of title: Bell and the dragon's chaplains were ..., and Temporary local subject terms: Literature: sermon On the Love of Our Country, by Richard Price -- Sermons: Richard Price, November 4, 1789 -- Repeal of Test and Corporation Acts, March 2, 1790 -- Maces -- Bags of money -- Clergy: bishops -- Signs: mitre and crown -- Emblems: mitre -- Crown -- Great Seal -- Burning of 39 articles -- Clubs: cudgels -- Steeple hats -- Pick-axes -- Buildings: churches -- Firebrand torches -- Literature: quotation from Bible, I Kings 22.17, II Ch. 18.16 -- Addresses: Price's address to the National Assembly of France, July 21, 1790 -- Horns.
Publisher:
Pub. Feb. 20, 1790, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Fox, Charles James, 1749-1806, Price, Richard, 1723-1791, Priestley, Joseph, 1733-1804, Stanhope, Charles Stanhope, Earl, 1753-1816, and England and Wales.
Subject (Topic):
Dissenters, Religious, Limitation of actions, Axes, Bishops, Churches, and Musical instruments
Three half-length sketches of men in two rows, two on the top row are shown bust-length facing left, while the one below is shown half-length playing a bassoon. Only the portrait on the top right is identified by the artist
Description:
Title written below drawing in upper right., Attributed to John Nixon in dealer's description., Date based on artist's death date., and Sheet numbered "114" in ink at top.
Subject (Geographic):
England.
Subject (Topic):
Clergy, Musicians, Musical instruments, and Bassoons
Title etched below image., Imperfect; sheet trimmed within plate mark resulting in loss of imprint and possibly song text., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
Boats, Cannons, Musical instruments, Sailors, Uniforms, Violins, and Warships
"Five ladies play musical instruments; all stand, except a performer on the triangle who is seated (right) in profile to the left. Next her a vast lady, perhaps Lady Buckinghamshire, raises a massive fist to thump a tambourine. The centre figure, who plays the cymbals with graceful energy, her head turned to the left to show a classic profile, may be Lady Charlotte Campbell .... A fat performer on the French horn inflates her cheeks grotesquely. On the extreme left a thin woman, of gipsy-like appearance, plays the true hurdy-gurdy or vielle."--British Museum online catalogue
Alternative Title:
Musical mania of 1799
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., and Watermark: Edmeads & Pine.
Publisher:
Pubd. April 24th, 1799, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
France
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816 and Bury, Charlotte Campbell, Lady, 1775-1861
Subject (Topic):
Savoyards, Bracelets, Clothing & dress, Chairs, Cymbals, French horns, Musical instruments, Organ grinders, Tambourines, and Women
"Lady Charlotte Gordon and Col. Lennox leap over a broom which lies on the floor; she holds him by the left wrist and points towards a nuptial bed decorated with a coat of arms (that of the Duke of Gordon, freely sketched) and ducal coronet. The Duchess of Gordon (right) sits in profile to the left playing bagpipes and looking at the couple with a satisfied smile. Behind her chair is a bottle, inscribed 'Scotch Pint', and a wine-glass. Lennox wears regimentals and a hat, his right arm is held up as if dancing a Scots reel; a pair of pistols (an allusion to his duel with the Duke of York, see BMSat 7531, &c.) protrudes from his pocket. Lady Charlotte wears a large feathered hat. It is clear from her attitude and the expression of the Duchess that the bridegroom, though willing, has not taken the initiative."--British Museum online catalogue
Description:
Title etched below image., Attributed to either Henry Wigstead or William Holland in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement below title: "In Holland's exhibition rooms may be seen the largest collection in Europe of humourous prints. Admitance [sic] One Shilling.", and Watermark: armorial shield with fleur-de-lis above and initials CS below.
Publisher:
Pubd. by W. Holland, No. 50 Oxford Street
Subject (Name):
Richmond and Lennox, Charles Lennox, Duke of, 1764-1819, Richmond and Lennox, Charlotte, Duchess of, 1768-1842, and Gordon, Jane Maxwell Gordon, Duchess of, d. 1812
Subject (Topic):
Dueling, Bagpipes, Bed, Bedrooms, Brooms, Glassware, Handguns, Military uniforms, British, and Musical instruments
